adam ezra on the extended play sessionsThe connection between Adam Ezra, his band and whatever audience he happens to be entertaining is matched by few performers on today's music scene. The consummate entertainer, songwriter and band leader has been at the top of the Boston music scene for over a decade and has steadily built a national following through a relentless touring schedule. His sidekick and percussionist, Turtle, has been with him since Adam Ezra first started  with keyboardist Josh Gold joining soon after. A series of successful, critically acclaimed albums under their belt the band continues to electrify their fans with each live performance. Recent additions, Corina Smith on fiddle and Francis Hickey on bass along with stalwart drummer Alex Martin round out the sextet. This is one of the most memorable performances for The Extended Play Sessions and one we're grateful to have had the opportunity to experience.


girls guns and glory on alternate root tvThis week's show features Boston alt-country rockers Girls Guns and Glory. The Alternate Root ranked Girls Guns and Glory as one of the Top 5 Bands in Boston and one of the Top 35 Bands in the U.S. Their rise has been meteoric since the arrival of guitar ace Chris Hersch to compliment the unmistakable voice of front man Ward Hayden. Girls Guns and Glory have been significant all along but the tandem of Hayden and Hersch along with the powerhouse rhythm section of Paul Dilley and Josh Kiggens have brought the band to a new level. Their latest album, 'Sweet Nothings' was one of the Top Albums of 2012 receiving a ton of critical acclaim. The band came into Alternate Root TV Studios to open for the Del-Lords.


the band of heathens on alternate root tvA lot has gone on in the lives of Ed Jurdi and Gordy Quist over the past year. The co-founders of the Band of Heathens went through a near complete line-up change, fatherhood, moving from Austin and a host of other life shifting changes. During that span they wrote the most compelling and musically poignant album in the band's history, Sunday Morning Record. Touring with a new band and a brilliant new record has placed them right back at the top of the most important bands to carry the roots/Americana torch. Taking one of the best and most dynamic live shows and stripping it down to accommodate the small Alternate Root TV Studios was something the band, the audience and we, at Alternate Root TV, thoroughly enjoyed. "It's a great thing you have going on here," Gordy Quist mentioned, "taking this industrial space and turning it into a cool jazz club and inviting us in to play is pretty cool." We agree. The Band of Heathens performed the first side of the new album Sunday Morning Record for a small audience of fans and Alternate Root TV viewers in the very intimate setting of our Boston studio. "This was as close to a musical "religious" experience as I've had in some time." Bill Hurley, Producer, Alternate Root TV.


leftover salmon the extended play sessionsFor nearly three decades Leftover Salmon has been creating their own brand of music combining bluegrass, Cajun, country rock, blues and Rocky Mountain soul. There have been many changes in personnel along the way but the core of Vince Herman on guitar and Drew Emmitt on mandolin has remained solid and the addition of Andy Thorn on banjo has brought the Leftover Salmon sound to a new pinnacle. Back on the road after a host of successful side projects, Leftover Salmon has returned with a new-found vengeance and have reclaimed their spot at the top of the jam band circuit. The stopped into Alternate Root TV Studios on September 14 to tape the 'EP' Extended Play Sessions that will air on Monday September 23rd.


royal southern brotherhood on alternate root tvRoots, soul supergroup Royal Southern Brotherhood graced the stage at the Alternate Root TV studio in Boston to film this week's edition of 'EP' The Extended Play Sessions in front of a packed room of fans on August 26, 2013. Devon Allman (guitar), Mike Zito (guitar), Cyril Neville (percussion), Charlie Wooton (bass) and Yonrico Scott (drums) are all musicians of distinguished pedigree that bring together elements of blues, jazz, funk, soul and Gulf Coast rhythms to create some of the most sophisticated and complex music on the roots / Americana circuit. This set was one of the best we've ever had the pleasure of filming. This rich, soul and funk infused collection of songs appear on the debut album Royal Southern Brotherhood and the band performed a stripped down, intimate version for Alternate Root TV with some great commentary about music today, songwriting and being in one of the best bands in the world today.


peter mulvey on alternate root tvFor over two decades Peter Mulvey has been creating and perfecting a progressive blend of folk and indie rock music. He combines elements of rock, jazz and intelligent pop melodies with profound stories that penetrate the depths of the human condition. His music transcends the "folk" tag assigned as part of the Boston folk revival of the 1990's, foregoing traditions in favor of a more incendiary, percussive style of guitar playing and ethereal song crafting. Peter Mulvey is a master songwriter and musician and a consummate professional. He stopped by Alternate Root TV studios to film this week's edition of 'EP'-The Extended Play Sessions and it's one of the best shows of the year so far.


marcia ball extended playFor four decades the Queen of the boogie-woogie piano, Marcia Ball, has been gracing the stage worldwide. She's one the top female blues performers in the world, bringing the New Orleans/Mississippi Delta style to her unique brand of music. "It's what I know," she says, "I've been playing most of my life and I've been very fortunate." Marcia is also an activist, advocating for health care for musicians through the New Orleans Musicians Clinic and a similar program in her adopted hometown of Austin, TX. She also lends her voice to projects to reclaim the Louisiana wetlands and restoring New Orleans. In this week's edition of Extended Play she talks about her music, Irma Thomas, the plight of the wetlands and gives us a fabulous set of New Orleans style blues.


shannon mcnally on alternate root tvShannon McNally and her band Hot Sauce stopped by the Alternate Root TV studio in Norwood, MA to perform a set from the recently released album "Small Town Talk" A Tribute to the Music of Bobby Charles. Charles was one of the most prolific purveyors of the New Orleans sound from the 1950's through the last decade and the album, produced by Dr. John and Shannon McNally, is a brilliant tribute to one of the great songwriters of our time. Shannon McNally is one of the top female vocalists on the Americana/Roots music landscape, a great writer and immensely talented performer with an equally powerful backing combo featuring Will Sexton (guitar), Matt Hubbard (keyboards, trombone), Jake Fussell (bass) and Wallace Lester (drums). This four song set and words from Shannon is some of the hottest music we've had on Alternate Root TV this year!


gracie curran and the high falutin' bandGracie Curran has been featured on the Alternate Root lists for Top Female American Roots Vocalist, Top Roots Soul Acts and Top Bands in Boston and for good reason...she's a dynamic singer with a powerhouse voice. A blend of soul, blues, gospel and rock, she and her band mates, the High Falutin' Band defy description except for being a band to watch in the future. The sound revolves around Gracie's soulful voice and the solid guitar chops of Tommy Carroll with the strong rhythm section of Geoff Murfitt ion bass and Derek Bergman on drums, round out the quartet. The band ripped through a set of music from their debut album "Proof of Love" for this week's edition of "EP" - Extended Play on Alternate Root TV.


luke winslow-king on alternate root tv Call it a New Orleans gumbo of delta blues, traditional jazz, gospel and soul if you need a definition. New Orleans based Luke Winslow-King is a traditionalist that finds his musical soul melding musical styles nearly a century old with a contemporary improvisational approach. A master bottleneck slide guitarist with a vintage voice, his music is fresh, fun and infectious. He's joined on Extended Play by Esther Rose on washboard and harmony vocals and Cassidy Holden on the upright bass. Esther Rose's voice is the perfect compliment to Luke Winslow-King's music with a tone reminiscent of Eilen Jewell. This is a fantastic show with great music and thoughts from Luke Winslow-King.

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Earthworm Ensemble   (from the album Backyard Garden) - Joining familiar names such as Looney Tunes and Disneyland, Earthworm Ensemble have successfully created a world where kids, and their parent’s inner children, can enjoy entertainment as a whole family. Backyard Garden, the recent release from Earthworm Ensemble, backs its tales of life outside your backdoor with Folk dappled psychedelic California Country produced with old time fiddles, rock’n’roll guitars, second line drumming, and a sunshine groove spreading over each track. Earthworm Ensemble features A-list L.A. players from the Folk and Country worlds, with Paul Lacques (I See Hawks in LA), Sherri and Shawn Nourse, Victoria Jacobs, and Denny Moynahan, aka King Kukulele.

The cast of characters holds all-that-can-be from nature as Earthworm Ensemble with players such as “Sparko Stegasaurus”, “Ladybug”, and “Mole vs. Coyote”. The overall theme of Backyard Garden is how to keep the planet green. To that end, Earthwork Ensemble sing about the earthworm’s role in the plant cycle, hand over advice with determination (I Didn’t Give Up”), ways to make a difference organically (“Compost”), and even a mythical superhero team of Bear and Dog  who’ve come to save the planet.

Listen and buy the music of Earthworm Ensemble from AMAZON or iTunes


Kitty, Daisy and Lewis   (from the album Kitty, Daisy and Lewis the Third) - Siblings Kitty, Daisy and Lewis give a big clue as to the number of album releases that greet Kitty, Daisy and Lewis the Third. The sisters and brother have been playing since an early age, and return the favor of parental support by incorporating mom and dad into their touring band. The guitar is supplied by dad, Graeme Durham, a founding member and master engineer at The Exchange recording studio in London. Mom Ingrid Weiss, former drummer for Indie band The Raincoats, took up double bass at the encouragement of her kids. Kitty, Daisy and Lewis the Third welcomes Mick Jones (The Clash, Big Audio Dynamite) into the Durham family circle as producer.

Kitty, Daisy and Lewis do not change out the Vintage sound they have crafted over the course of three albums. They sail “Never Get Back” on a seafaring tale with jazz guitar chords and the warble of strings giving wind force to pump up the beat, “Baby, Bye, Bye” shuffles on an old time ramble, “Turkish Delight” bangs its gong on a Two-Tone ska beat, and “Ain’t Always Better Your Way” shares its country wisdom with a front porch rhythm and uptown horns. Kitty, Daisy and Lewis use influences of swing, jump blues, country and Western, and Hawaiian rhythms, with the trio handling duties on guitar, piano, banjo, lapsteel guitar, harmonica, double bass, ukulele, drums, trombone, xylophone and accordion. Brother Lewis collects and DJ's using 78rpm records. He has built a home studio which consists of antique recording equipment such as 8-track tape machines, and vintage BBC and RCA microphones. The Third rocks a jazz funk for its “Feelings of Wonder”, stages a theatrical sound for album opener “Whenever You See Me”, and shows a powerful disco guilty pleasure for the Rhythm and Blues slide for the lonely hearts in “No Action”.

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Dwight Yoakam (from the album Second Hand Heart) - Dwight Yoakam needed to take his music brand to the far side of the United States to bring it back to his native Roots, traveling from birth in Kentucky, through a short stint in Nashville, and out to Los Angeles. Dwight, alongside producer/guitarist, Pete Anderson, built an empire on hipster honky tonk, attaching a hillbilly sound to his music and delivery that separated Dwight Yoakam’s debut album from the 1986 Urban Cowboy crop of chart contenders. Twenty million in record sales in, and a few notable acting roles, Dwight Yoakam returns with a new release, Second Hand Heart.

The album does not stray from Dwight’s winning formula, though when the meal being served is a creation of the man cooking, it is a brand, not a time stamp. Rushed guitar strums, proud beats and pops of twang surround Dwight Yoakam as he steps into Second Hand Heart over one ongoing, percolating riff with “In Another World”. The title track marches on a heavy bass groove that tries to stomp some color into the story’s ‘black and white memories’, “Believe” underscores the heartfelt wishes to return to love with a united rhythm that moves forward with instrumental arms locked, and “V’s of Birds” majestically drifts against a sky of blue and sunshine. Dwight Yoakam writes and records with a honky tonk heart that is always on display. It is impossible to separate the man from the sound he owns. A count of ‘four’ opens the gate for a rockabilly stomp hitting “The Big Time”, “She” leaves wonder in its wake over the force of rattling guitar, and “Dreams of Clay” revisits Dwight’s cover of Elvis’ “Suspicious Minds” to taste its riff. Dwight Yoakam raises the roof of the barn, singeing its sides with flash fire of his cover of an Appalachian tradition, “Man of Constant Sorrow”, using the rhythm and his own roots to come together as a bio.

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Reno Jack the Bear  (from the album Lightening Fried) - For many on Queen Street (Toronto, Canada), Reno Jack was the go-to rockabilly bassist. Reno Jack the Bear He has spent a lifetime becoming a friend to the Canadian Roots music world. He has been thumping the bass for decades, wandering into production areas for artists such as Sunday Wilde. Reno Jack the Bear has twenty albums in his own catalog, continuing to play and produce other acts. His debut for Highway 11 Records is Lightening Fried. The Blues owns the album effort, with Reno Jack the Bear rushing his vocals to keep up with groove (”Salt”), channeling Alt Country as a twister touches down in the title track as the title provides an electric sizzle to its to its riffs…guitar or harmonica.   

Reno jack has a bottom-of –the-well voice that rises up on an echo to provide bass tones and textures on Lightning Fried. Jack talks about his travels over a classic country sway with “Trying to Get to You” and liberally applies notes with a Blue-Jazz brush on the guitar work that leads into the spoken word reverie of “For a Little While” as it moves through the seasons. “Bo Buddy” takes the high road with a stepping song on a low register as Reno Jack pops put notes to keep the songs afloat until they can get there by themselves. “Gee Oogle It Baby” wonders how deep is my love as Reno Jack the Bear asks how many times ‘do you have to google it baby’ throughout the song while he welcomes in potential heart mends,  introing his home life and finances as hopeless, and keeping all the faith for the direction his heart takes on “Such a Funny Little Thing” and gets himself twisted into a knot of twangy emotion for “That’ll Be the Love”

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John Moreland   (from the album High on Tulsa Heat) - John Moreland is a man with a guitar and a voice, admitting his “Heart’s Too Heavy”, and staring to what looks like home from a distance, starkly painting a time-dated photograph memory seeing “American Flags in Black and White”, and waves a “White Flag” once again in the brief gust of wind blowing out of love. John Moreland is a thirty year-old man from Tulsa, Oklahoma. His songs started to form around ten years old when his family moved from Kentucky to Tulsa. He heard his songs against a punk rock back beat throughout high school and a graduation present from the universe was clearing his ears for hearing his dad’s Creedence Clearwater Revival, Neil Young, Tom Petty and Steve Earle records.  John recalls that ‘I think what appealed to me about it was lyrics. In hardcore, there might be great lyrics in a song but you have to read them off a piece of paper to know it. I was 19 in 2004, and Steve Earle had put out ‘The Revolution Starts Now,’ and I remember hearing the song ‘Rich Man’s War’ and totally feeling like somebody just punched me in the chest.’

It is that first time hearing a song, that first kiss, and that first punch in the chest that mark our lives, John Moreland stalks his first blush punch into High on Tulsa Heat to try to get a little more kick. Even a multi-tasker has trouble singing, playing and punching. If he misses his own heart, John Moreland luckily has enough Whoa! moments in his songs that hearts will be hit for generations. As he crawls from the wreckage of a relationship reality shines bright proving that “You Don't Care Enough of Me to Cry” while light acoustic notes lie like flower petals in the still before John views ‘my baby is a tornado in the endless Oklahoma sky’. As John Moreland describes feelings while turning up the volume as dreams fade in and out in “Losing Sleep Tonight”, looks up as bright guitar notes pop like fireflies asking to “Hang Me in the Tulsa County Stars”, and slides into a red dirt groove to rumble the title track through the waves of hot rising from the earth, taking a short break for a little time away from being “High on Tulsa Heat”. John Moreland tells his tales over a full house of styles, rocking and wrangling it into one groove that carries everything in its flood when he forecasts “Sad Baptist Rain”.

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Chuck Hawthorne   (from the album Silver Line) - A harmonica levels the playing field for “Enemy” as Chuck Hawthorne’s hero talks with a blood-thirsty view of angels warnings and society’s morays while the Silver Line looks for treasure as it crosses the great divide with a promise of ‘I think I’ll give this thing one more try’ in the title track. Silver Line is a storyteller’s album, with the music settling into the song, or supporting its emotions. The album production was handled by Ray Bonneville. Chuck was returning to Austin, TX, sitting in a Chicago airport with his guitar case. He had relocated to Austin after retiring from twenty-one years of service in the U. S. Marine Corps. Another guitarist (Ray Bonneville) was sitting waiting for a flight, and the pair began talking. They exchanged info before the flights boarded, and Ray asked Chuck to send him some songs. Chuck thought it was an airport conversation, and he wouldn’t hear from Ray Bonneville. The next day, Chuck emailed Ray a few songs anyway. Ray sent a reply that would change Chuck’s life and career. It simply read, ‘Let’s meet for coffee and discuss your record.’

Silver Line introduces characters that their creator inhabits in a way that makes it difficult to suss out which are the tales and how much of the history fits the steps of Chuck Hawthorne as a solider and a troubadour. He sinks into desperation slowly, personally killing off the angels in “Bound to Be Bound”, shows re-entry into a life of normalcy, trying to forget the atrocities of war as “Welding Son of a Gun”, and sadly spins tales of the “Rough Luck” that checks in the Heartwreck Inn. Chuck Hawthorne tells tales by filling in every detail of back story and scenes set to stages. The pain of the solider that traces back to his time at “Post 2 Gate” is nearly physical as he leaves war yet has trouble with the war leaving him while “The Gospel Hammer” joins the corporate workforce. As Chuck Hawthorne uses a rusty beat to back his guitar Folk picking, he follows a trail of smoke from addiction climbing higher, fanned by wings with “Dragon Flies”.

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Nicki Bluhm and the Gramblers  (from the album Love Wild Lost) - Nicki Bluhm has the double benefit of being born on ground for California Country in Lafayette, California. Nicki began recording under the mentorship of Tim Bluhm (The Mother Hips), who put together various players for early recordings. The Gramblers solidified as a touring and recording band in 2009 and the group has been steadily raising their star higher and higher with each pull on the stage curtains. The group has had a few career levels with their ‘Van Session’ videos that featured low budget interior shots of the tour bus with Nicki Bluhm and the Gramblers performing covers. The YouTube channel featuring the songs has reached over five million views and Nicki was recently tapped as an ‘icon of tomorrow’ for the Gap ad campaign ‘Icons Redefined’.

A caffeinated acoustic guitar strum and bongo taps introduce “Mr. Saturday Night” to The Gramblers steady rolling funk. Love Wild Lost speaks with its songs as it claims territory in the 70’s Pop sound of “Waiting on Love”, the classic Country reverbed riff of “Only Always”, the rock strut of “Heart Gets Tough”, and the gentle sway of the lasso as they rope in “Queen of the Rodeo”. Nicki Bluhm and the Gramblers are a road band, and every note on Love Wild Lost benefits from the fan response from constant touring. The album is a group effort, and as guitar strings tangle, Nick Bluhm sings for the boys in the band as much for herself as the highway rolls “Me and Slim” into the next Holiday Inn.

Listen and buy the music of Nicki Bluhm and the Gramblers from AMAZON or iTunes


A.J. Ghent Band (from the album Live At Terminal West - Blue Corn Music) by Michael Verity - Standup pedal steel player A.J. Ghent launches his solo debut with “Call Me,” a blistering blues rock stomper that blends the incendiary guitar style of Jeff Healey with the raw California funk of Parliament/Funkadelic. James Brown gets a nod in the medium-tempo funk of “Can’t Be Your Dog” while saxophonist Gary Paulo brings a jazzy groove to “What Would You Do.” At the heart of Ghent’s sound is southern blues, whether it’s Stevie Ray Vaughan (as on “Trickin’ Cheater”), The Allman Brothers (“Keep On Workin’) or his immediate contemporary, Henry Garza of Los Lonely Boys (“Mercy”).

Given his electric ability as a player (a skill handed down from both his father and his uncle), his finesse as a singer and his savvy as a songwriter, it’s no wonder he’s toured with Col. Bruce Hampton and opened for Robert Cray. His debut release on Blue Corn shows why he deserves to have his own name at the top of the marquee.

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The Mountain Goats (from the album Beat the Champ – Merge Records) by Michael Verity - On the surface, it sounds like the ever-esoteric John Darnielle’s 15th album under the Mountain Goats moniker is all about professional wrestling. But in reality, says Darnielle, “it’s more about death and difficult-to-navigate interior spaces” considered against the sometime comedic, sometimes gruesome backdrop of professional wrestling. From the melancholy piano ballad that opens the album (“Southwestern Territory”) to the poppy narrative of “The Legend of Chavo Guerrero” to the strangely jazzy “Fire Editorial” to the bluesy Jim Morrison-like elegy to Bruiser Brody (“Stabbed To Death Outside San Juan”), this record possesses all the elements that make Mountain Goats one of America’s most unusual and inventive bands.

Tremendously literate, stream-of-consciousness narratives, brashly diverse musical styles, bold harmonies, provoking melodies. A strong record in The Mountain Goats canon and a challenging listen for anyone who wants to step into the ring. by Michael Verity

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Andrew Combs   (from the album All These Dreams) - Andrew Combs starts out with a conversation in “Rainy Days”, the opening cut from his recent release, All These Dreams. The track sings of leaving, particularly being left, and Andrew shares what his life has become, the questions of friends, and his own personal observations. All These Dreams gather stories that roll along with the same form of communication. Andrew Combs has a direct delivery that still manages to keep its heart. The advice and overviews are warm and caring, told with support, even as he confesses that there is a theme to his words with songs bordered in ‘cheating, leaving, done-me-wrongs’.

All the Dreams is album number two for the Nashville-based singer/songwriter. Touches of Folk, Country and Roots swim through the recording, floating in a wash of strings on the title track. Andrew Combs hushes his vocal as timid guitar notes walk him into a stranger’s motel room with his “Bad Habits”. Using his voice as a guiding light, Andrew lets his delivery rise gracefully over the solitary piano notes that offer support “In the Name of You”, rush over percolated beats as he wonders about his role in “Foolin’”, grabs Brit slang as he talks of the women in his life as “Birds” on a sunny day Folks strum, and invites you down for a day of doing nothing but enjoying the earth in the heaven of “Suwannee”.

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Leo Bud Welch  (from the album I Don’t Prefer No Blues) - Leo Bud Welch almost had his shot in the Blues bigtime. Years of honing his craft in North Mississippi got an audition call for the guitar player. Bud was offered to play for B.B.King but unfortunately couldn’t afford the bus ticket to Memphis. Leo Bud Welch played guitar for family and friends, playing mostly Blues until 1975 when he changed his guitar settings to spiritual, creating the gospel group, The Sabougla Voices with family members. His guitar work was strictly for entertainment and Leo earned a living by carrying a chain saw up and down the hills and hollows of North Mississippi as a logger. Leo Bud Welch was off the radar until two months before his eighty-second birthday when he released his debut album in January 2014. The gospel Blues he plays was in the raw chords and vocals. Leo Bud Welch is making up for lost time and has released album number two. He is eighty-three years old this year, and carving out a spot for himself as a Blues contender with I Don’t Prefer No Blues.

Leo Bud Welch established himself as a player with Sabougla Voices, his debut, the album divining Blues riffs that wiggled and sizzled under the tones of Gospel Blues.  I Don’t Prefer No Blues offers up some of its space to the same devotional songs found on his first album with “Pray On”, though the presentation of the track differs due to the way the Blues hits its tracks. Leo Bud Welch fully steps into the role of Blues man, player and preacher, on I Don’t Prefer No Blues. His guitar work crackles with intensity, and the search for heaven is a lot more horizontal as Bud sings of his lack of love over a rapid fire riffing with “I Woke Up”. The heat comes off the guitar work as much as the sweat coming up off the tracks as he swears over the rattle of percussion to get that “Girl in the Holler”, spins the Blues in tight circles as his guitar steers a path on “Cadillac Baby”, and pledges his heart to the lady who gives him a reason to live with “Sweet Black Angel”. Leo Bud Welch offers another side to his Blues on I Don’t Prefer No Blues as the album presents confident chords that help “Too Much Wine” walk on a firmer path, grinds the groove to a crawl as it discusses “Goin’ Down Slow”, and follows a funereal drum stomp and bass thump as it tells the tale of “Poor Boy”.

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The Alternate Root Magazine h1>Diamond Rugs  (from the album Cosmetics) - By definition, Indie music is not something that grows supergroups. In the world of Indie, if you can think it you can play it. Multiple musicians from multiple bands are not put together for marketing purposes by labels or a press carrots. The sound springs from late night, post show hangs, bonding over record collections, and the need of artists to create.  Members of Deer Tick (John McCauley, Robbie Crowell), Los Lobos (Steve Berlin), Dead Confederates (T. Hardy Morris) and Six String Satellite (Brian Dufresne) teamed former Black Lips guitarist Ian St. Pe to create Diamond Rugs.  The band has released their second album together, Cosmetics, cementing the group and collecting a whole passel of rock’n’roll glory in the space of a song on the album’s eleven tracks.

There is a rawness to Diamond Rugs in the translation of their sound to audio for Cosmetics, making the sonic memory of the album is ragged as a result, The rhythm section is garage band tight  as they claim “I Live and Shout It”, riffs are stitched into a snaking lines over the horns and vocal Soul opening the door for “Motel Room”, and chop into chords and horn bursts for “Thunk”. Cosmetics has a rough sound quality that suits the band and their tunes. Diamond Rugs mix Rock and Soul to the benefit of their songs as they rise up on Punk Roots to preach of love “So What”, Pop some late 50’s rockabilly in “Couldn’t Help It”, and dial in Country Gold with “Blame”. Diamond Rugs are a jukebox band; there are lots of different styles inside yet when they come out there is one source. Cosmetics posts “Voodoo Doll” as a warning on the opening track, wades through the heavy swamp crunch of “Meant to Be”, asks to stay a little longer with the sweet jangle of guitars in “Ain’t Religion”, and pounds out promises as the story swears to ‘never make a scene’, finally confessing that it ‘never makes its exits “Clean”’.

Listen and buy the music of Diamond Rugs from AMAZON or iTunes


The Deer Run Drifters   (from the album Restless Youth) - Contrary to popular belief, it is not the need for attention that prompts musicians to set up, play, and break down day, after day, after day. It may have seemed like they liked the accolades when Chris Link and Shane Edgell decided to form a band, The pair had voices, a banjo and guitar, some songs of their own though mostly old time tunes, as they set up on the streets of Floyd, Virginia to busk. Enough people stopped to listen, though it wasn’t a they-like-me moment; it was a you-know-we-can-do-this manifesto. Chris and Shane enlisted their respective brothers in blood, Joe (Link) on mandolin and Sean (Edgell) on guitar, harmonica, adding brother in band, Will Norton on bass to fill out The Deer Run Drifters.

For their new release, the boys stick to the familiar themes life, heartbreak, and drunken mishaps. Welcome to Restless Youth. The Deer Run Drifters expand on their sound without losing their rhythm with added percussion and electric guitars for the album. The title track talks less of wild teenage nights as it peals away the soap opera gloss for the real life small town life, and the decisions that weigh down kids barely able to drive. No firm steps are taken though not for lack of options. Deer Run Drifters provide other options as they look at American towns from the inside of their Restless Youth. No judgments are passed on family as granddad’s words are held up as the only legacy left in as he sings ‘it ain’t that bad “Down in the Gutter”’. Memories of a July rain backdrops love in the afternoon with only music to blame in “Nirvana’d”, and notes are passed back and forth to toast “Good Days”,

Restless Youth cruises a middle rail track to slow the rhythm to sway salvation as The Deer Run Drifters hitch themselves to a car headed to Memphis in “The Train Song”. The song leaves ‘black lungs and bible’s’ in the rear view mirrors’ dreams as life past and life future, pass by outside the window. There is tenderness isnthe way the hard stories are handed over as “Tonight and Today” is woken at 3AM by demons, as the ink dries for “The Letter” left on the table, and as reasons spread themselves over whiskey, words, rain, and some low down country tune for hurt, anything and everything but “Can’t Blame You”. There are heavy topics, very much like our own personal memories, for Restless Youth. The Deer Run Drifters leave the lessons in place, and stand by their advice, exiting with a toast for tomorrow. The past is alright where it is as Deer Run Drifters ‘uncork a top, roll what you got’ and bid goodbye to Restless Youth as they leave the album and “Float Away”.

Listen and buy the music of Deer Run Drifters from AMAZON or iTunes on May 5, 2015


Shelby Lynne   (from the album I Can’t Imagine) - Shelby Lynne changed musical direction for her career and her sound, as well as the course for Country music by channeling the way she heard Roots music for her 1999 album, I Am Shelby Lynne. The album produced by Bill Botrell, showed Shelby putting herself in a sonic landscape that, at that point in time, was as sparse as the Southern California desert she moved to in 1998. Shelby Lynne not only changed, she challenged listeners, trusting in the power of her muse and offering an Americana sound that is now commonplace. Shelby felt ‘that album came from the most vulnerable, desperate place. I think about it every day.’ After thirteen years and six albums, Shelby Lynne won an award at the 2001 Grammy ceremony for Best New Artist on the strength of her musical choices.

Shelby is led by the same musical instincts into her most recent release, I Can’t Imagine. She creates a sonic world for “Following You” that creates a word jumble where notes and tones change places, put into order by the power of Shelby’s vocal. The path turns dark as I Can’t Imagine walks an earthly path “Down Here” through deep forests thick with percussion rattle, chopped chords, and slashed guitar riffs against the backdrop shouts of a haunted choir. Shelby Lynne has the confidence in her music to present songs that sink into your senses with familiarity by the end of the track. “Son of a Gun” slows its pace to save its energy as it ‘walks through the noonday sun’, “Back Door Front Porch” swings with the decisions in the story, and “Better” drifts on clouds of amplifier rings, rising and falling with a delicate grace. I Can’t Imagine is not reinventing music, though it is certainly making it a finer listen. Shelby Lynne opens the album with the vocal power of “Paper Van Gogh”, and exits on a firm stride as through misty pedal steel notes on the title track.     

Listen and buy the music of Shelby Lynne from AMAZON or iTunes


Ray Wylie Hubbard   (from the album The Ruffian’s Misfortune) - Ray Wylie Hubbard has been known to state that ‘I didn’t want to peak too soon’. Ray Wylie has come to his rightful place as an A-list songwriter, producer, and key figure in the Roots music community. The Ruffian’s Misfortune, his latest release, could his calling card for decades behind the curtain from his days as an Oklahoma 1960’s folkie, through the dust stirred up from 1970’s progressive Country and the fog of 1980-era honky tonk on into his sobriety clear skies in the 1990’s. Ray Wylie Hubbard sticks to his Roots for The Ruffian’s Misfortune, letting a Blue slide guitar have lots of room to move on the album.  His history in memory goes to ‘I used to go see Lightnin’ Hopkins and Mance Lipscomb and Freddie King, all those cats, but I never could play like them — I guess because I never took the time or effort to try — until I was in my 40s and learned how to finger pick. Once I learned how to finger pick, I started going, ‘Oh, OK, this is how they did all that!’ Then I started learning open tuning, and then slide, and it was just this incredible freedom that gave all these songs a door to come through that wasn’t there before. It was like all of a sudden having this whole other language or a whole other set of tools to add to my arsenal.’   

Ray Wylie wanted to have a Keith Richards, Ronnie Wood-type of two guitar backing, and he brought in Gabe Rhodes and son, Lucas Hubbard, for The Ruffian’s Misfortune. The twin guitars share space as they propel across a fast-train ride rhythm “Down by the River”, snake underneath “Chicksinger Badass Rockin’”, snap at the white lines trailing below “Bad on Fords”, and drift like string ghosts as they tumble with a fiery fiddle calling out “Jessie Mae”. Ray Wylie Hubbard rattles Blues chains as he drags his personal brand of dirty Roots rock’n’roll across “Hey Mama, I Believe My Time Ain’t Long”, whispers to drunken prayers of the past as he steers through storms at sea seeking spirit shelter for “Stone Blind Horses”, and gives shout outs to Sister Rosetta Tharpe in “Barefoot in Heaven” and Texas Blues on “Mr. Musselwhite’s Blues”.  The Ruffian’s Misfortune opens to righteous Blues preaching on “All Loose Things” as a song by Kevin Welch plays in the background.

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Folk Family Revival   (from the album Water Walker) - Folk Family Revival were bordered with a Country band label, being from Texas, and brothers, as well as opening tours in the Southwest for Willie Nelson, Merle Haggard and Wanda Jackson. Brothers Mason, Barrett, and Lincoln Lankford, along with family friend Caleb Pace, never saw the name tagging as a hindrance or hurdle. Folk Family Revival accepts the brand, and adds it to the band sound, a Country that rocks closer to the west coast musical family of The Flying Burrito Brothers and the laid back psychedelia in its Country rhythm and twang. Water Walker, the most recent release from Folk Family Revival, taps songs they have worked and studied before recording, reflecting the bands ability to morph between styles and genres in live performance. Mason Lankford cites the path for Folk Family Revival as ‘I’m a huge Dylan fan and I’ve noticed from his live recordings that a song never sounds the same way twice. We’ve always been really into that idea, even as we’ve grown. We want the song to sound different than it did last week. We’ve been changing our songs every day for the last five years, and once we get into the studio, we’ll think about which version worked best and we’ll record it that way.’

Water Walker shimmies and shudders on a slashing rip-chord and a wobbly theremin as it backlights “Cotton Dress”, shares a song for 2015 summer campfires with unconditional love on “Everyone Loves Everyone”, falls through a rhythm of gauze that shifts like a funhouse mirror for “Dream”, and rolls the music like thunder echoing on a bright day with “Sunshine”. FFR define their own brand, using the lessons of DIY Indie to sample and shapeshift styles and sound on Water Walker. Folk Family Revival crawl up from the beat to become a ‘freedom fighter’ and an ‘angel-headed hipster’ as they demand “American Standard”, cough up some desert dirt as the write a song for “Drunk Again”, pack up “Marfa” with hot day acoustics for a move to West Texas, and fracture notes against rubbery beats and hoarse vocal distortion to fuel the hellfire groove of “Darlin’”. Water Walker enters on a confident stride and Folk Family Revival wisdom as the guys set their own standard for love with “If It Don’ Kill You”.

Listen and buy the music of Folk Family Revival from AMAZON or iTunes



Lindsay Lou and the Flatbellys   (from the album Ionia) - Lindsay Lou and the Flatbellys step into the Indie Bluegrass line with their recent release, Ionia. The band raise their Roots up in Michigan, playing a mighty fire in strings and challenging angel choirs with harmonies. Certainly vocals that shoot towards the sky appeal though any opening that appears will be rips from the power found in the vocals of Lindsay Lou as she aims, fires, and hits the back seats….on the moon. Lindsay Lou brings a voice to The Flatbellys that teases with a jazzy Blues as she builds a “House Together”, drags the players from the back porch to the backyard to stir up some dirt for “Criminal Style”, dips back to stamp tradition into “Old Song”, and lets Folk Rock support her claims of “Everything Changed”.

Ionia establishes its territory in a landscape grown in the bluegrass past found in the genre-bending instrumentation of The Flatbellys (Lindsay Lou – clawhammer banjo, Joshua Rilko - mandolin, bass, banjo, PJ George (upright bass, cajon, harmonica, guitar, mandolin, and Mark Lavengood – resonator guitar (dobro), cajon, bass). Ionia slides and slithers on Blues bends (“Smooth and Groovy”), percolates on percussion (“Hot Hands”), and lays back on a field of Folk to watch the clouds get blown by the breeze of guitar strums (“Here Between”).

Listen and buy the music of Lindsay Lou and the Flatbellys from AMAZON or iTunes


Houndmouth  (from the album Little Neon Limelight) - You hear about bands getting signed from great shows and performances at conferences. That is why people compromise so much of their lives, and possibly bottom lines, to play as many shows in as many days as possible when they have a captive audience. Houndmouth is one of those bands. They got to SXSW shows on the strength of their homemade (New Albany, Indiana) E.P. and a local buzz from Louisville, Kentucky and Indiana shows. They were signed by Rough Trade at SXSW, releasing on the label for their 2013 From the Hills Below the City album. The release moved them into late night TV and major festivals as a must-see-band. Houndmouth have released album number two, Little Neon Limelight in March, 2015. 

If rock’n’roll is a symphony of coordinated chaos then Houndmouth are the audio track. The band swerves, rattles, and shakes close to any visible edges and never loses a track while Little Neon Limelight still shows Houndmouth coloring outside the lines of Roots music. There is a shimmer and shine on the album, particularly as “Sedona” rambles across a desert breeze rhythm to California searching for “Little Hollywood”.  A Farfisa organ riff merrily leads the charge as Houndmouth demand that “You Say It Like You Mean It”, while a summer day slow defines the rhythm for the cold chill to descend on “Darlin’”. A chop-shop acoustic chord strums as Houndmouth wait for ‘the acid to kick in’ as the story of “For No One” moves through a psychedelic travelers tale of the road.  Little Neon Limelight brightens as the chorus of “Otis” shakily asks for an answer as the vocal sweetness of memories drip over the story and “Gasoline” slowly unravels its sound over a dreamy thought that ‘maybe I’ll meet my maker on a bedroom floor’.   

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The Pine Hill Project   (from the album Tomorrow You’re Going) - Musical folks have no trouble weighing in for the ‘why can’t we get along’ in most battles lie immigration, gun control and human rights. Mention the internet and it is stealing music, that is a comment that waters down prospects and takes fans away from live shows. All of that is debatable though it was Kickstarter, a fan funded online service, that has allowed Lucy Kaplansky and Richard Shindell to fulfill a 25-year late-night you-know-what-we-should-do conversation. The Pine Hill Project is the band they formed to record, and support, on the recently released Tomorrow You’re Going.

It is really easy to get lost in the unique way that Lucy and Richard’s voices find one another. The combination is a vocal ballet, a free form audio dance, and an aerial spin that slowly turns before landing back in the story. Lucy Kaplansky sinks into a memory as she looks through the multi-faceted lens of barfly wisdom, ‘we closed that bar, and we closed that town. The sun looked different coming up then it did going down’. Richard Shindell sends off audio waves as a goodbye exit to Gillian Welch’s “Wichita”. Pine Hill Project has two great songwriters, though the tracks collected reflect the work of others outside of the group members. Tomorrow You’re Going hosts tracks that draw from U2 (Sweetest Thing”), Nick Lowe and His Cowboy Outfit (“I Live on a Battlefield”), Little Feat (“Missing You”), and tradition (“I Know You Rider”).

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Bombadil   (from the album Hold On) - Multi-tasking in as an organized manner as their intricately woven arrangements, Bombadil sandwiched Hold On, their most recent release, over a nine-month tour. The Durham, North Carolina-based trio (Daniel Michalak (bass, piano, harmonica, vocals), James Phillips (drums, bass, vocals), and Stuart Robinson (piano, ukulele, vocals) scheduled the album between their non-stop gigging, and the result is a sparkling recording that contains a light in its notes, layers in its musical textures, and story lines that flow from literary moments to stitched ribbons of words drifting through dreams. Hold On remains close to the acoustic based home turf that Bombadil carved out when they began recording for Ramseur Records in 2006.

It takes a duel with piano and falsetto to settle “Love You Too Much” while Bombadil transform the piano for “I Can’t Believe in Myself and You Too” into a foundation for their Soul baring vocals and street corner harmonies. The songs of Hold On are a group effort, with Daniel Michalak speaking of the recording process as ‘each of us has different styles so combining them gives us a unique sound. I get a lot of my inspiration from books and authors like Ernest Hemingway, Ronald Dahl, or Shel Silverstein…James and Stuart get their inspiration from music, science/math, and computer programming.’ Bombadil gather the trio into a chamber quartet to display “Love is Simply”, echo their music off the concrete walls that house the community activists shouting out “Bill You for Your Trash”, and follow a horn section boarding a Brooklyn rail line for some “Coughing on the F Train”.

Listen and buy the music of Bombadil from AMAZON or iTunes




ROnnie Reno has been a part of many bluegrass ands country careers, and he celebrates 50 years in the business with a new album, Lessons Learned. Ronnie talks about the album, and the single, "Lower Than Lonesome" in a video interview.

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We are pleased to offer Rattle the Hocks for your viewing pleasure. Rattle the Hocks, directed and produced by Cody Dickinson is a musical documentary that captures The Grahams relentless journey to explore the relationship between railroads and American Roots music.

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Natasha Borzilova returns with a new album, Wilder Days. Natasha takes you into the studio on her video, a patchwork of images following the one sound that goes into making the title track, “Wilder Days”.

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Robert Earl Keen gets to check another item off his musical “bucket list” and bluegrass fans get to hear 15 classics, reinterpreted in Keen’s own inimitable style. The record opens with a rough and tumble version of the Flatt and Scruggs classic, “Hot Corn, Cold Corn,” delivered in a raucous house-party fashion, complete with hootin’, hollerin’ and no small amount of bullwhippin’ in the background. Taking his cue from Del McCoury, Keen offers an enthusiastic, energetic reading of the Richard Tho...

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Changes in life curved Audrey Auld back to the support found in the northern California community of Stinson Beach. Before leaving Nashville to cycle her life with the west coast, Audrey needed to complete a project she was involved in with prison inmates. Hey Warden is the recorded result of a project that goes back eight years, when Audrey Auld played a show in San Quentin Prison in California. The performance led to Audrey hosting writing workshops which continued after her relocation to Nashvi...

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Ryan Bingham   (from the album Fear and Saturday Night) - Ryan Bingham is a singer/songwriter….a Southwest singer/songwriter…and has a knack for walking a line in song that never points a finger back at the man behind the guitar. The story version of a wink and a smile have been as much of a character for Ryan’s tales, and many of those souls can be found walking the tracks of Fear and Saturday Night , his most recent release. There is a more personal tone to some of the songs, maybe it i...

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TOP 100 ALBUM OF 2014 (51 THRU 75)

TOP 100 ALBUM OF 2014 (51 THRU 75)

51 – Doug Seegers – Going Down to the River    (10-7-14) - Not a typical Nashville success story but primed for a mini-series plot is the tale of Doug Seegers. Doug was frequently homeless in Music City when he got a gig at a local food pantry. A Swedish country music star stopped in for a bite and ordered superstardom-to-go, trading the streets of Nashville for the top of the charts in a country best known for producing Abba. Doug Seegers wondered ‘who is Abba?’, understandable fo...

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The Top 10 of the Top 10 Songs of the Week for 2015 features only tracks that landed in the Number One spot….and a year of such great releases it is a feat alone to make the #1. It is hard to choose between 48 weeks of #1 so I leveled the field by picking my number one favorites. Many of these artists, like Mike Farris and Rosanne Cash, have garnered Grammy nods for their work. That is a good start for the work of American Roots artists as they make modern in-roads into folk, country, rock, blue...

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Welcome to the first installment of what will be a regular feature here at The Alternate Root. It’s an old fashioned Top 10 list.My name is Scott Kempner, and for most of my forty years here in the business of Show, I have also answered to the nickname, Top 10. Top 10’s Top 10 Countdown is the name. The subjects will vary - sometimes wildly. They may or may not even all be music related, or at least not necessarily be about music per se. I just don’t know. As if this needs to be said, there is n...

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Kiss my ass, or in U.K. terms, kiss my arse. The phrase was the calling card that introduced the world of radio to The Pogues. The band formed in 1982 under the band banner of Pogue Mahone, the phrase was an Anglicized version of the Gaelic Póg mo thóin. Censorship from the BBC after listener complaints forced shortening to The Pogues. The new name and music from the group’s career are represented with the honor they deserve on the ShoutFactory release, The Very Best of The Pogues .

The first singl...

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Hot Tuna was not as much of a departure for the pair that made the music as it would seem. Jack Casady  and Jorma Kaukonen were flying high as founding members and lead guitar (Jorma) and bass (Jack) for San Francisco psychedelic top dogs Jefferson Airplane. The duo formed Hot Tuna in 1970 and set to the business of releasing records.  

Two albums came out quickly, a live show, on album one (recorded at the New Orleans House in Berkeley, California) and the jam style of album two, ...

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You could always tell that Telisha Williams woman was trouble. Sure, she comes off all sweet with that sunshine smile. When she and hubby, Doug, walked the boards as a duo there were clues. Maybe it is the anonymity of the band but Telisha has come out of her lace and leather closet and taken on the role of the seductress for the husband and wife teams new incarnation as Wild Ponies. There is no hesitation on Things That Used to Shine. Track number one and Telisha has her dominatrix drag on for “M...

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Gaye Adegbalola and The Wild Rutz    (from the album Is It Still Good to Ya?) -  Prior to being a founding member of Saffire, The Uppity Blues Women, Gaye Adegbalola was a high school valedictorian, finished Boston University with degrees in biology and chemistry, was a biochemical researcher, a technical writer and a bacteriologist, also achieving a Master’s degree in Educational Media. Saffire ended a 25-year run in 2009, and Gaye Adegbalola is back with The Wild Rutz on the...

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Trout Steak Revival   (from the album Brighter Every Day) - Colorado bluegrass shines from the glare of Brighter Every Day , the most recent release from Trout Steak Revival. The band grew out of jams and have stuck a flag in Denver soil for string band music. Brighter Every Day casts off notes that fly from the breeze of “Wind on the Mountain”, slowly builds a fire to crescendo in the melody of the title track, steps lightly on the bounce of beats and harmony in “Go On”, and ride a fast ra...

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Gordie Tentrees  (from the album Less is More) - Gordie Tentrees shares his way of taking some ‘me’ time. The title track from his most recent release, Less is More , opens the door to breakfast in an artist loft that is streaming music in bed as Gordie sets the stage with ‘rolling in the sheets, Van Zandt and Gauthier’ over a rhythm tumble in the same Holland bed that was used by Townes Van Zandt on his last tour before passing. Gordie Tentrees present songs that dig in deep, clearly fleshing...

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51 – Doug Seegers – Going Down to the River    (10-7-14) - Not a typical Nashville success story but primed for a mini-series plot is the tale of Doug Seegers. Doug was frequently homeless in Music City when he got a gig at a local food pantry. A Swedish country music star stopped in for a bite and ordered superstardom-to-go, trading the streets of Nashville for the top of the charts in a country best known for producing Abba. Doug Seegers wondered ‘who is Abba?’, understandable for a guy who grew up on the hard-country heart of Hank Williams and Cosmic California Country in the heart-first music of Gram Parsons. Doug lived in abandoned buildings in Manhattan where he ‘made a ton of money playing out in the streets’ and ‘ate and breathed everything John Lennon’.  He met Buddy Miller on a move to Austin and his old friend guests on Going Down to the River, the most recent release for Doug Seegers. Marrying his past listening with the current recording, he welcomes Emmylou Harris to duet on Gram Parsons “She”, a track she made famous duetting with the song’s author.

Listen and buy music from Doug Seegers from AMAZON or iTunes

52 – The Psycho Sisters – Up on the Chair, Beatrice   (8-5-14) - Vicki Peterson (The Bangles) was friends and bandmates with Susan Cowsill before Vicki formally became a Cowsill, marrying brother John in 2003, but the pair were already sisters of sound. They met and teamed up in 1989, touring Europe in the early 1990’s as The Psycho Sisters opening for Giant Sand and Steve Wynn (The Dream Syndicate).  The pair instantly became gotta-get background singers working with Jules Shear, Belinda Carlisle and Hootie and the Blowfish and they joined an all-star cast for the Roots/Americana band, The Continental Drifters. The Psycho Sisters had talked about an album over the years and in 1991 Susan points out that the pair were ‘not doing anything for a minute’ and entered Dockside Studios in Maurice, Louisiana to record their debut, Up on This Chair, Beatrice.

Listen and buy the music of The Psycho Sisters from AMAZON or iTunes

53 - The Mastersons -  Good Luck Charm   (7-8-14) - The Mastersons, Chris Masterson and Eleanor Whitmore, are together a lot as they share wedding rings and a marital bed as well as stages for a band career and as working members of the Steve Earle backing band.  Good Luck Charm is The Masterson’s second release for New West Records. Eleanor views Good Luck Charm as ‘this is a more purpose-driven album. The first record was kind of his hers, but this one is entirely ours.’ Chris harmonized on that overview seeing time on the road “playing a few hundred shows a year has really solidified us as a band and focused our vision for the new record. Every song is crafted for the two of us.’

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54 – The Far West – Any Day Now   (2-25-14) - Any Day Nowscribbles its songs on an Alt Country canvas. “The Bright Side” hits the gate at a quick clip, as Aaron Bakker’s guitar licks bring light into the dark corners hidden from the tunes rust-colored glasses while “These Arms Will Be Empty” sets a slow pace for The Far West as they move towards the exit door of love.

Listen and buy the music of The Far West from AMAZON or iTunes

55 – John Nemeth – Memphis Grease   (3-25-14) - Since their inception, The Bo-Keys have been a band on the inside of a hot groove in their hometown of Memphis, Tennessee. In the early parts of their careers, members of The Bo-Keys performed in B.B. King’s orchestra and anchored the Hi Rhythm Section. The first referral John Németh for Memphis Grease wasScott Bomar, who had worked with Willie Mitchel and Al Green. Skip Pitts started The Bo-Keys with Scott and laid down the wah-wah guitar intro to ‘The Theme from Shaft” in the 1970’s.  Trumpeter Ben Cauley was with school-kid funk band The Bar-Keys. The group’s hit “Soul Finger” got them a gig as backing band for Otis Redding and put them on board for the plane crash that took his life, leaving Ben as the only survivor of the disaster. Drummer Howard Grimes’ can be heard keeping the beat for recordings by Rufus and Carla Thomas, O.V. Wright and Ann Peebles. Memphis Greaseis the album the John Németh put together with the help of The Bo-Keys.

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56 - Amelia White – Old Postcard   (3-4-14) - When Amelia White left home at eighteen years old, she packed her songs with her. Amelia and her music established an early relationship that soon became at odds with parental guidelines; ‘I knew what I wanted at an early age and their disapproval lit a fire. I listened over and over to my brother's records: Neil Young, The Beatles, The Rolling Stones, Muddy Waters, and I wanted to know them all, I wanted to be them.’ Amelia White found a sense of family in her East Nashville digs; friends, outcasts, lovers who share the same musical drive, and sensitivity to heartache. The ghosts that take shape on Old Postcard all know Amelia by name, though some of the tunes share the thoughts of others. “Hollow Heart” is wisps of smoke that clear to show the longing of a motherless child, and “Big Blue Sun” rises over an ever-growing tide of incoming normalcy.

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57  - Eliza Gilkyson – The Nocturne Diaries (3-18-14) - The Nocturne Diariesis a meeting ground for Eliza Gilkyson. It is a place where her highest hopes and darkest fears face off. A line from Eliza sums up the stage where her songs to act out their tales, “for me, the challenge today is to remain human when everything around us compels us to shut down”. The strength in Eliza Gilkyson’s voice that makes these songs all feel like first person narratives. She stands beside the definition of the Folk Musician, the traveling troubadour who takes the times from town to town in her stories, lovingly passing on news through her music.

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58 - Bobby Rush with Blinddog Smokin’   (4-15-14) - Decisions celebrates the sound of The King of the Chitlin’ Circuit, as dubbed by Rolling Stone for his 50+ year career. Bobby and Blinddog Smokin’ do a playful tease on “Skinny Little Woman”, strut a steamy slide through “If That’s the Way You Like It” as the story shows belief in asking for what you want. A career of fifty years and Bobby has got the whole tour thing down. He spends time talking about road life in the third person on “Bobby Rush’s Blues”, throws out a challenge to all comers as he proudly wears “Funky Old Man” and puts out his shingle over the bass-boom street beat of “Dr. Rush”. Decisions is an excellent party album and gets you ready for the morning after with “Too Much Weekend” and the laundry lists of alibis it provides, all boiling down to ‘I cannot come to work today’.  

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59 - Lydia Loveless – Somewhere Else   (1-18-14) - Lydia Loveless confidently offers songs that balance the love of classic country and the frank honesty of formative years spent in the ‘punk rules’ environs of Columbus, Ohio. Lydia Loveless could have easily taken the Sunset Strip of the late 80’s Cowpunk days that flew a Black Flag while saluting Hank Williams. Somewhere Else, however, does not need cubbyholes or categories to define it. The tracks lock arms with the same DIY punk attitude found in their stories; twanged flavor, distorted effect, three-chords-and-the-truth on Somewhere Else.

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60 – Chris Smither – Still on the Levee    (7-22-14) - Chris Smither brand of folk has always has the echo of Country Blues in its vocals and riffs.  It is like visiting old friends and family when you hear cover versions of favorite songs. Hearing those tunes recorded by the man that imprinted those songs on your brain raises the ante on audio memory. Cuts from Chris’ first recordings are on board on the double disc as well as more recent tunes,

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61 – Ruthie Foster – Promise of a Brand New Day      (8-19-14) - Ruthie Foster has given the world a great gift with her voice and her songs. Ever wonder what gives Ruthie a reason to get up in the morning? The answer opens Promise of a New Day, the latest release from Ruthie Foster. What lights the lady up is “Singing the Blues”. Diversity in her style is a constant for Ruthie Foster, and her rhythms are her children, with each one getting attention, and she tells of big love for reggae, soul and rock’n’roll in the tune. When she is ‘staring at the mirror” though, and the crowds are gone, the only option for getting high is more than likely Bobby Bland.

Listen and buy the music of Ruthie Foster from AMAZON or iTunes

62 – Royal Southern Brotherhood – heartsoulblood   (6-10-14) - Heartsoulbloodis the sound of a band that intuitively understands its Royal Southern Brotherhood. That is not really a difficult task for these guys. Touring, and being in a band, is a relationship. Heartsoulblood subtly showcases writers who can not only hear their parts but have an intuitive knowledge of their fellow band members well enough to predict the future for their parts. The music, and the songs, of Royal Southern Brotherhood is Blues Rock. The guys are not here to gently lull you, steady your nerves or give release from a tough work week. Those things will occur, of course, but only if your exit from your day-to-day is very real, and very loudly pokes a sharp, well-tuned stick at the status quo.

Listen and buy the music of Royal Southern Brotherhood from AMAZON or iTunes

63 – David Olney – When the Deal Goes Down    (7-8-14) - David Olney has released more than 20 albums over four decades, including six live recordings. His music is featured on television (Nashville) and his songs have been recorded by artists including Emmylou Harris, Linda Ronstadt and Del McCoury. When the Deal Goes Down shuffles its Blues rambling through variations in of Country, Texas Shuffle, and Lounge styles.

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64 – Lee Ann Womack – The Way I’m Livin’    (9-23-14) - Lee Ann Womack seasons her traditional take on country music with a Americana, Folk and Bluegrass samples on her most recent release, The Way I’m Livin’. On tunes penned with passion, Lee Ann drifts and drives her voice over the tracks on the album with the emotion needed to flesh out stories of love and loss.

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65 – Ronnie Fauss – Built to Break   (11-4-14) - Most singer have a song. What separates Singer/Songwriters from the singers and songs is the way they come up to a song. Women and men who believe in the song telling the story, that is the kind of album the Ronnie Fauss made with Built to Break. He sticks to a country backing whether he runs it through its Alt rock relatives, front porch folk, blue twang or full frontal rock’n’roll with Rhett Miller singing the glories of long haul trucking.

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66 – Ellis Paul – Chasing Beauty - Ellis Paul is Chasing Beauty, using the personal influences of inspiration from his own heroes. The album, produced by Kristian Bush of Sugarland and Brandon Bush of Train, captures tracks a year and half in the making. Among the varied stories of accomplishment, Ellis Paul weaves in a little bit of himself with views on the current state of life in America. He feels Chasing Beauty is an adult-themed record, describing it as ‘a story teller’s record.

Listen and buy music from Ellis Paul from AMAZON or iTunes

67 – The Reigning Sound – Shattered   (7-15-14) - Shatteredpresents The Reigning Sound on the same stage as the early 60’s British bands who played rock’n’roll, but grew up in range of German airwaves carrying American R&B 45’s that the soldiers carried with them around the world. Recording at Daptone Studios gives the group a rock and soul sound, albeit one that rehearses, and sounds real good, in the garage.

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68 - Jarekus Singleton – Refuse to Lose   (5-6-14) - Refuse to Lose   (5-6-14) - You can hear the Blues in music of Jarekus Singleton and, like all players worth a listen, he makes his own Blues rules. Roots is in his music, and as an influence, one that has the same effect on cultural hotspots as the gospel and hip-hop that add touches to the songs of the twenty-something year-old. Jarekus Singleton may get some ‘young, Robert Cary’ descriptions and if using age and abilities are the qualifiers, sure. What the two more obviously share is an ability to take a heritage strain of music, like the Blues, and not only make it contemporary but also competitive with any other style claiming chart space in 2014.

Listen and buy the music of Jarekus Singleton from Amazon or iTunes

69 - Zoe Muth – World of Strangers   (5-27-14) - Zoe Muth has gotten attention for the details she uses to describe her characters as much as for the natural combination of Soul and Country that sound track the stories. The songs on World of Strangers, her recent release, continue to introduce gentle souls trying to hold on against stiff wind and weather of life.  The twang touch that Zoe Muth has loaded into past recordings is present on World of Strangers with songs like “Too Shiny”. “Make Me Change My Mind” has a percolating twanged groove set on automatic as a fuzz forms over the drumbeat sliding in and out of the arrangement with little fanfare but making for a big difference in the sound. Zoe Muth has a talent for giving her characters an inner glow from the spirits of her delivery. She is a welcoming host and makes sure that she is ready for visitors to stay a while by capably providing a full album listen.

Listen and buy the music of Zoe Muth from Amazon or iTunes

70 -Blackie & the Rodeo Kings   South   (1-14-14) - Blackie and the Rodeo Kings recent release, South, showcases all the possibilities the American Root format can hold by crafting an album with familiar twangs, string twists and rhythms that are take a rotating musical merry-go-round. South opens with dueling compass points. The direction is set in track number one by the song title, the Tom Wilson folk blues “North”, and its number two track in line taps the title track, a Colin Linden tune. A bass line thrust becomes an undertow as the seasons change in “Summertime’s Over”; Colin’s guitar throwing riffs as an entry for Stephen Fearing’s voice to float on the misty organ and slide guitar bends in “I'd Have To Be a Stone”, and an island breeze rhythm sways the curtain aside to two long-time partners who are trying to re-invigorate a relationship by “Reinventing the Wheel of Love”.  Blackie and the Rodeo Kings must light the studio up when they return from their tours and projects. There is a joy in the songs on South that is an obvious extension of the men in BARK.

Listen and buy the music of Blackie and the Rodeo Kings from Amazon or iTunes

71 -Carrie Elkin and Danny Schmidt – For Keeps    (5-13-14) - For Keeps, the debut album from Carrie Elkin and Danny Schmidt as a recoding duo, stands as a present reflection of its songwriters lives as it reaches back to times when the pair were tangled up together on tour, unraveling enough of the world to become entwined romantically, then artistically. For Keeps spends a lot of time observing the love passing it by. Given the theme, it seems only right that “Kiss Me Now” makes the track listing. The song was Danny’s marriage proposal to Carrie during the 2013 SXSW festival. For Keeps, and the relationship of Carrie Elkin and Danny Schmidt, are linked; they share history, and listening is way better than home movies.  

Listen and buy the music of Danny Schmidt and Carrie Elkins from Amazon or iTunes

72– Billy Joe Shaver –  Long in the Tooth    (8-5-14) - Getting there was not easy, and took a while. Given that, the title of Billy Joe Shaver’s most recent release, Long in the Tooth, makes perfect sense. Billy Joe claims it is his best album to date. The album comes out through Lightning Rod Records and takes a stand, presenting the man with his name on the cover as an unrepentant outlaw singer/songwriter. Raw riff clear a path to the microphone in the title track for Billy Joe to spit rhymes over a street beat. The songs on Long in the Tooth are branded BJS though the sound heritage varies from track to track.

Listen and buy the music of Billy Joe Shaver from Amazon or iTunes

73 - The New Basement Tapes – Lost on the River    (11-10-14) - It is a late night, and you are sitting around a kitchen table sharing and talking about projects. Hey, what about doing the lost tapes that Dylan probably wrote in the period between his motorcycle accident (July 29, 1966) and the first recordings in the spring of 1967 in the "Red Room" in Dylan's house, where the first recordings of The Basement Tapes took place with The Band. Certainly good subject matter…add in you are sitting at the table with T-Bone Burnett (producer), Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket) and Marcus Mumford (Mumford and Sons).

Listen and buy the music of The New Basement Tapes from Amazon or iTunes

74 –Malcolm Holcombe -  Pitiful Blues  (1-21-14) - Malcolm Holcombe’s voice is captured with all of its nuances up front letting his sighs, groans and shudders accent the words. The rawness that was heard on the early days of the album’s songs is evident on “The Music Plays On” with its feel of a late night jam after the paying customers have gone home with still lots of night left on Lower Broadway.

Listen and buy the music of Malcolm Holcombe from AMAZON or iTunes

75 -Robert Cray – In My Soul   (4-1-14) - Quality is to be expected when Robert Cray puts his name on an album cover. Robert is a 15x nominee, 5x Grammy winner and one of the youngest musicians, at 57 years old, to be inducted into the Blues Hall of Fame. In My Soul, the latest release by the Robert Cray Band, is delivered with the same attention to detail, relaxed playing, and smooth vocals found in the man’s previous sixteen studio albums and twelve million records sold.  In My Soul focuses on one influence in the music of Robert Cray and Soul powers the album. As In My Soul watches its needles edge towards the end of the album, the Robert Cray Band go down a little bit further into the blue mood that colors the Soul dance floor on the record. “Deep in My Soul” tingles like a chill up your spine and a cool breeze against your skin.

Listen and buy the music of Robert Cray Band from Amazon or iTunes


The Top 10 of the Top 10 Songs of the Week for 2015 features only tracks that landed in the Number One spot….and a year of such great releases it is a feat alone to make the #1. It is hard to choose between 48 weeks of #1 so I leveled the field by picking my number one favorites. Many of these artists, like Mike Farris and Rosanne Cash, have garnered Grammy nods for their work. That is a good start for the work of American Roots artists as they make modern in-roads into folk, country, rock, bluegrass and blues. Mike Farris joined the gospel choir looking to rock the house and up the higher ante. Rosanne Cash took a family vacation with husband producer John Leventhal and showed audio home movies that Grammy voters loved enough to nominate in three categories. Sisters in song and through marriage, Susan Cowsill and Vicki Peterson polished roots into 60’s AM gold for their release as The Psycho Sisters, Erin Harpe and the Delta Swingers formed a line from Cambridge to Memphis as they trace the step to “The Delta Swing” and Alynda Lee Segarra featured abridged lyrics and simple acoustics for the Hurray for the Riff Raff take on “San Francisco Bay Blues”. East Nashville (Jon Byrd), Austin (Paul Thorn) and Boston, Mass (Ward Hayden of Girls, Guns & Glory and Sarah Borges) all take a spot on the Top 10. Zoe Muth pops in her headphones to relax as she rounds out the Top 10 with “Mama Needs a Maragarita” on The Alternate Root Top 10 of The Alternate Root Top 10 Songs of the Week for 2014. In the review, today’s thoughts start the review and the words of the past are italicized.

01 – “Mercy Now” – Mike Farris   (from the album Shine for All the People( (from September 9, 2014)  -  Mike Farris raised his voice for Roots Gospel in 2014 with Shine for All the People. The tracks reimagined marry Black Spirituals from the early nineteenth century with songs that share sentiments for a modern time, such as Mike’s taking control of Mary Gauthier “Mercy Now with electric guitar wrapped in soft organ chords and grounding bass lines balanced with a heavenly whispers.  Congratulations to Mike Farris for garnering a Grammy nod in the Roots Gospel category.

I wonder how songwriters feel when their tunes grow up? Mike Farris has been performing Mary Gauthier’s “Mercy Now” for several years, branding his version. The style that called to Mike was turn-of-the-century (last century) black spiritual music that he has taken as a mission to give to the world on a larger platform. “Mercy Now” fits perfectly among the traditional songs of spirit on his recent release, Shine for All the People.

Listen and buy “Mercy Now” by Mike Farris from AMAZON or iTunes

02 Etta’s Tune – Rosanne Cash   (from the album The River and The Thread)  (from February 5, 2014) - Rosanne Cash carved a singer/songwriter curve into County music, crossing borders with her Seven Year Itch album release (1981) with 3 Top 10 singles and finishing a three album run with Rhythm and Romance grabbing the top spot with four singles including the Rodney Crowell co-write, “Baby Better Start Turning Them Down” (a Grammy 1985 winner for Country single).  We congratulate Rosanne Cash for three Grammy nominations in the Best Americana album, Best American Roots performance (“A Feather’s Not a Bird”) and Best American Roots song (“A Feather’s Not a Bird”) categories.

Marshall Grant was the upright and electric bassist for Johnny Cash’s back-up band, the Tennessee Two. On the road trip that became an album, Rosanne Cash and husband John Leventhal spent time with Etta Grant, Marshall’s wife. Rosanne shared the story of the song and the relationship; “Etta told me that every morning of their lives, they got up and he (Marshall Grant) said to her, ‘What’s the temperature, darling?’ I thought, that is such a practical, sweet way to start the day. And John said, ‘That’s the first line of a song.’ When Marshall died in 2011 (he was 83) we wrote ‘Etta’s Tune.’ That’s the first one we wrote for the album (The River and The Thread).”

Listen and buy “Etta’s Tune” by Rosanne Cash from AMAZON or iTunes

03 “Timberline” - The Psycho Sisters (from the album Up on the Chair, Beatrice)   (from July 16, 2014) - Susan Cowsill and sister-in-law Vicki Peterson bring The Continental Drifters back in the guitar echoes of The Psycho Sisters. Scratchy rock’n’roll slithers along as the ladies join the voices to rise up the tree levelin “Timberline” as they border Roots with 60’s Pop Rock’n’Roll.

Our formative years follow us.  Susan Cowsill and Vicki Peterson (Cowsill) have been roots women ground zero as Continental Divide and The Psycho Sisters, lending backing vocals for Giant Sand. They have been Indie banner bearers and yet the early time spent shows through. Susan didn’t have a chance to sidestep a natural lean towards Pop in her songs as a member of The Cowsills, and Vicki Peterson was a founding member of The Bangles (nee’ The Bangs), whose Indie Rock cool took on a quick Pop gloss. The overall history of both bands shows artists staying true to rock’n’roll yet crossing over into the Pop supermarket. On a co-write for the upcoming release from The Psycho Sisters, they talk high country but the sweet sound of Pop still manages to rise up the “Timberline”.

Listen and buy “Timberline” by The Psycho Sisters from AMAZON or iTunes

04 The Delta Swing – Erin Harpe and the Delta Swingers   (from the album Love Whip Blues) (from November 1, 2014) - Erin Harpe lays down a formation bass line as she slithers along the Emerald Necklace, swinging the blues of the Delta Swingers from home ground in Cambridge and down to JP (Jamaica Plains). She hops a freight car to Memphis without losing a beat as she steps to “The Delta Swing”.

Erin Harpe struts onto Live Whip Blue, her most recent release backed by The Delta Swingers. The tune rolls rhythm as a new dance craze taking over Cambridge, Jamaica Plains and down in Memphis as Erin Harpe and the Delta Swingers show you how to do “The Delta Swing”.

Listen and buy “Song in Your Head” by Erin Harpe and the Delta Swingers from AMAZON or iTunes

05 “Smile and a Little Skin” – Kelly Willis  (from the album Hangtown Dancehall)  (from April 16, 2014) - A gentle sway takes Kelly Willis’ song onto the floor for a spin.Hangtown Dancehall continues to grab stages nationwide for the Eric Brace and Karl Straub’s string band musical that Tim Rice has called ‘muscular and tuneful,…wordy and gritty’.

The company of the new Eric Brace and Karl Straub musical, Hangtown Dancehall, give up the stage for one of their own as Kelly Willis finds the center spot to tell her tale of life as a dancehall gal. Her routine has become routine….get dressed up pretty, dance around, show “Smile and a Little Skin”, get up early to find another town and repeat.

Listen and buy “Smile and A Little Skin” by Kelly Willis from AMAZON or iTunes

06 “The New SF Bay Blues” – Hurray for the Riff Raff   (from the album Small Town Heroes) (from April 2, 2014) - Hurray for the Riff Raff have traded street corners for major stages worldwide without ever forgetting those patrons that kept their music alive when they were busking New Orleans and selling cassette tapes of the Roots Folk. Alynda Lee Segarra adds lines and heft to a folk tune written by Jesse Fuller in 1954.

Alynda Lee Segarra adds to a classic folk blues track set in the fog rolling in from the mighty Pacific Ocean. As clouds of mist barrel under the Golden Gate Bridge they will find Hurray for the Riff Raff down to woman, guitar and the sadness that comes with great love.

Listen and buy “The New SF Bay Blues” by Hurray for the Riff Raff from AMAZON or iTunes

07 Would You Like to Dance - Jon Byrd  ) (from the album Route 41) (from October 11, 2014) - The vocals of Jon Byrd on his take for “Would You Like to Dance” float over the country sway on the track. Route 41 puts Jon Byrd in the back seat picking as the tracks of other singer/songwriter dive.

Jon Byrd put his pen down for a new release, Route 41. The songs gathered are ones Jon has met across his road and performing years. Jon Byrd sings a smooth country gentleman whose charm might get him a partner on Adam Wright’s “Would You Like to Dance”.

Listen and buy “Would You Like to Dance” by Jon Byrd from Jon’s website

08 Too Blessed to be Stressed - Paul Thorn  (from the album Too Blessed to Be Stressed) (from July 20, 2014) - Paul Thorn spent four weeks on the Top 10 in the #1 spot with different tracks leading up to his album release, and rightfully so. If you feel the spirit in this song think about the tune taking steroids and check out the effect of a Paul Thorn Band live show.

There are many visual aids that pass our eyes during the course of a day. Paul Thorn give three examples to look for; the little things they just might make your smile iron out the speed bumps and fill in the potholes that sometimes litter our path. Please feel free to join Paul and the McCrary Sisters with the chorus of “Too Blessed to be Stressed”.

Listen and buy “Too Blessed to be Stressed” by Paul Thorn from AMAZON or iTunes

09 Get as Gone as Gone Can Get – Girls, Guns and Glory with featuring Sarah Borges (7’ vinyl single) (from July 02, 2014) - A two-sided single featuring “Baby Don’t Go” and “Get as Gone as Gone Can Get” came through last summer. This side grabbed the #1 spot with wobbly rockabilly guitar crunch powered by Roots sirens of the male (Ward Hayden) and female (Sarah Borges) variety.

What do you get when two of Boston's hottest rock and roll singers join forces? You get this song! "Get As Gone Can Get" is a new duet from Sarah Borges and Ward Hayden of Girls Guns And Glory, with the GGG boys backing them. With a kind of 50's feel, like you're at a modern day sock hop, this song just brings the goods! The two Boston based rockers trade vocals around a driving guitar sound that defines HIGH ENERGY! Rock and Roll is NOT dead!!  (JM)  Girls, Guns and Glory teamed up with one of their favorites Ms. Sarah Borges to record a two-sided vinyl 7″ record.

10 “Mama needs A Margaita”  – Zoe Muth   (from the album World of Strangers)  (from May 14, 2014) - Closing out the Top 10 of the Top 10 is a track that took #1 on Mother’s Day week. It takes us home as Mama puts the kids to bed, knocks back a Margarita and plays a tune from her dream jukebox.

A special week for Mom, Moms, Mama’s and Mother’s worldwide as the Top Ten starts off with a tune for Mother’s Day 2014. Zoe Muth takes on the role of American Mother on a track going out to two-steppers and two-timers, as seven sins and one-liners tip glasses back and call out for one more. No need to hunt for a belated Mothers Day gift …”Mama Needs a Margarita”, a slow song and some strong arms to lead her, a pretty red dress and a new pair of shoes, a long straight highway with no cops to get in my way, a Texas road house and a band to play the Blues’....somebody get the lady a drink!

Listen and buy “Mama Needs a Margarita” by Zoe Muth from AMAZON or iTunes


Welcome to the first installment of what will be a regular feature here at The Alternate Root. It’s an old fashioned Top 10 list.My name is Scott Kempner, and for most of my forty years here in the business of Show, I have also answered to the nickname, Top 10. Top 10’s Top 10 Countdown is the name. The subjects will vary - sometimes wildly. They may or may not even all be music related, or at least not necessarily be about music per se. I just don’t know. As if this needs to be said, there is nothing scientific, Etched In Stone, didactic, going on here. This will be only marginally objective. It will be opinions (uh, mine), subjective as they come, out the yin-yang. We can discuss, argue a bit, have some fun with it, and maybe have some MORE fun with it. Please folks, no wagering. So, have fun, please check out some of these records.

TOP 10’S TOP 10 GARAGE ROCK RECORDS - (this one goes to eleven!)




1. PSYCHOTIC REACTION - THE COUNT FIVE - Numero uno. My very favorite Garage Rock classic. Here is the Yardbirds side of the YBirds/Stones Garage Rock mid-60’s scene) paradigm in full glory. First, the lead guitar & kick drum enter, then the harmonica, then the rhythm guitar, then the bass, & THEN THE DRUMS, the Godhead moment when Garage Rock Heaven cracks open and reveals itself to us mortals back on Earth. From San Jose to the Top 10. And yes, to the top of Top 10’s personal Top 10, too!!

Listen and buy “Psychotic Reaction” by The Count Five from AMAZON or iTunes

2. WHO DO YOU LOVE - THE PREACHERS - I dig this maniacal version of Bo Diddley’s oft-covered classic even more than Bo’s original. (Fairly) Crazed, (pretty much) out of control, and (positively) meant to freak out the neighbors. Play loud, although be warned – it could get you kicked out of your apartment!  Everybody scream along!


Listen and buy “Who Do You Love” by The Preachers from AMAZON or iTunes




3. THIRTEEN WOMEN - THE UK RENEGADES - A super-charged, freakbeat cover of what was actually the A-side to the B-side of Bill Haley and the Comets’ Rock Around the Clock. From Sweden, no less. Yes, The UK Renegades were from Sweden?!!?

4. I CAN ONLY GIVE YOU EVERYTHING- THEM - Van Morrison rides a three-note fuzz guitar lick into Garage Rock nirvana in what remains my favorite track he has ever recorded. My pal Little Steven’s fave Garage record of all time.


Listen and buy “I Can Only Give You Everything” by Them from AMAZON

5. RUMBLE - LINK WRAY - A little early in the game, as it was released back in 1958. Link Wray worked his voodoo guitar violence despite being one lung short of a set. He became a fixture on the CBGB scene in the 70’s, when he played with Robert Gordon. Rumble remains the only instrumental ever banned for obscenity. Howzabout THAT??!!


Listen and buy “Rumble” by Link Wray from AMAZON or iTunes

6. LEANING ON YOU -  THE SWINGIN’ YO-YOS - Not a Yardbirds/Stones paradigm here, but a rare Stones/Beatles collision. Could only have come from Memphis. British Invasion meets Memphis Soul. I never knew of this minor masterpiece until it came with the sampler cd from a special Southern Music issue of American Oxford magazine back in the late 90s.

7. 96 TEARS - ? AND THE MYSTERIANS - From the great year of 1966, this is the ultimate in Monotony-as-Godhead. Top to bottom genius, no, make that GENIUS!! Question Mark (Earth name: Rudy Martinez) was from Mars, you know, or was it Jupiter? I forget. The band, however, was from Michigan.

Listen and buy “96 Tears” by ? and the Mysterians from AMAZON or iTunes

8. PSYCHO - THE SONICS - A typical, ferocious, throat ripping, corrosive Jerry Roslie vocal and a song whose title says it all. An everythinglouder-than-everything-else mix that will knock your speakers right off the wall. Something hard to digest was obviously in the water in the Pacific Northwest in 1965. This went from being the B-side to The Witch to being an A-side later that year.

Listen and buy “Psycho” by The Sonics from AMAZON or iTunes

9. TALK TALK - THE MUSIC MACHINE - I love their look – the one-gloved hand on each member of this great and underrated West Coast band, fronted by Sean Bonniwell. The Yardbirds/Stones Garage Rock paradigm in full effect.

Listen and buy “Talk Talk” by Music Machine from AMAZON or iTunes

10. 7 & 7 IS - LOVE - Before the classic Forever Changes, and after their assault on Burt Bachrach & Hal David’s My Little Red Book, Arthur Lee and Love let rip with this firestorm of a minor hit single about, well, who the hell knows what it’s about??!!. It’s the only hit single I can think of that features the recording of a major explosion.  Let’s take a poll as to what it is at the end that combusts.

Listen and buy “7 and 7 is” by Love from AMAZON or iTunes

11. ARE YOU A BOY OR ARE YOU A GIRL? - THE BARBARIANS - From the Boston area, these guys asked the musical question that was still on everybody’s mind in 1965 after the double whammy of The Beatles and The Rolling Stones first appearances on American TV back in 1964. Their drummer, Moulty, had a hook for a hand, too. He tells us all the tale on their follow-up called, yes, MOULTY (which they perform in the great Rock movie of all time, The T.A.M.I. Show).

Listen and buy “Are You a Boy or Are You a Girl?” by The Barbarians from AMAZON or iTunes


26- St. Paul and the Broken Bones – Half the City   (2-18-14) - Paul Janeway grew up in a devout household with little non-religious music being heard at home. Paul’s plan was to become a minister, a goal until he was 18 years old. He was seduced by an open mic night in Birmingham, AL, expanded his musical experiences beyond The Mighty Clouds of Joy and into Tom Waits and Nick Cave. It is Soul that crowned St. Paul, and The Broken Bones became the chariot that carried him and the Birmingham, Alabama sextet to finally release their debut of rock’n’soul, Half the City.

Listen and buy the music of St. Paul and the Broken Bones from AMAZON or iTunes

26 – Steelism – 615 to Fame   (9-16-14) - Steelism play smart instrumentals that are happier making a melody than grandstanding flash and fury in the playing. The band creates a Roots Modern sound that touches on Mod and Spaghetti Western style.

Listen and buy music by Steelism from AMAZON or iTunes


28 – John Mellencamp – Plain Spoken   (9-22-14) - The is a literary tone to the songs on Plain Spoken. John Mellencamp stages his heartland stories, giving them a wider range of emotion and heft than living inside the borders of a Pop song.

Listen and buy music by John Mellencamp from AMAZON or iTunes

29 – Chuck Mead - Free State Serenade    (3-4-14) - Chuck Mead opened the Broadway show Million Dollar Quarter as musical director for the performances. On Free State Serenade, Chuck and the boys in the band present an album that could have been an extension of the Sun Records jam session that gave over its story if the players had gotten along and made an album.

Listen and buy music by Chuck Mead from AMAZON or iTunes

30 – Israel Nash – Israel Nash’s Rain Plans   (8-19-14) - Israel Nash perfectly captured the tone and texture of classic album from Neil Young and Van Morrison with his 2014 release, Israel Nash’s Rain Plans. Live, the band present the album in its entirety and sequentially.

Listen and buy the music of Israel Nash from AMAZON or iTunes

31 – Bruce Springsteen - High Hopes   (1-14-14) - Bruce Springsteen enlisted E Street Band members, including contributions from departed members Clarence Clemons and Danny Federici as well as Rage Against the Machine guitarist Tom Morello for High Hopes. The album is a collection of unfinished tracks and re-worked tunes from his catalog, such as the raw meat version of “The Ghost of Tom Joad”.

Listen and buy the music of Bruce Springsteen from AMAZON or iTunes

32 – Frank Solivan and Dirty Kitchen – Cold Spell     (8-12-14) Cold Spell expands on the song catalog of Frank Solivan and Dirty Kitchen without compromising its intentions. The band have a knack for matching music to pain, desires and longing in Frank Solivan’s vocals with the sonic textures cradle and rock the stories with strong support to get them through troubled times of the heart.

Listen and buy the music of Frank Solivan and Dirty Kitchen from AMAZON or iTunes

33 -Brent Johnson – Set the World on Fire   (4-8-14) -  “My sound is rooted in the blues, though I don’t pretend to be a purist, and I don’t want to be. I write music based on my experiences and the sounds I grew up with; I never want to pretend that I had the same experiences as the old bluesmen did, so I’m not going around trying to sound like them. What I do is put the emphasis on the feeling of the music, the passion, the urgency, the directness –that’s the goal.” Brent Johnson introduces himself with short bursts, but it is not the words of the New Orleans-based Blues/Rock guitarist that has you showing up early for the party; it is his playing. Set the World on Fire is kinda the perfect title for his release on Canadian imprint, Justin Time Records….bravado that will immediately get the hackles of true believers raised, and guitar work that will have them saying they saw Brent in some little hole in the wall rock club way before anybody heard of him.

Listen and buy the music of Brent Johnson from AMAZON or iTunes

34 -Jimbo Mathus and the Tri-State Coalition   - Dark Night of the Soul    (1-18-14) - The songs of Jimbo Mathus and the Tri-State Coliation have a presence; they invade each arrangement making Dark Night of the Soul a majestic album on full listen. The band jumps into each song with a beautiful display of coordinated chaos. Luckily, the folks that roam the tunes halls fit perfectly with music that wears Jimbo’s rock and roll heart on its sleeve. The title track starts life on a scratchy church basement piano, pulling the curtain back slowly behind Jimbo’s stage soul pleas as the boys in the band plug in to back their brother behind the microphone.

Listen and buy the music of Jimbo Mathus and the Tri-State Coalition from AMAZON or iTunes

35 -Keb’ Mo’ – Bluesamericana   (4-22-14) - Keb’ Mo’ uses the strength of  a solid groove to suggest that there are times in life when limits are reached and you got to “Move”, a track from his most recent release, BLUESAmericana. The rhythm is a physical thing on the song as Keb Mo’ finger points with his guitar licks, laying down the rule of the house…. ‘you ain’t got to go home but you can’t stay here’. He took his own advice and headed back into the studio to record, though the inspiration for BLUESAmericana came way before the wisdom of the tracks. The album’s nine originals and a cover of a tune Keb’ first heard sung by Mississippi Sheiks Sam Chatmon, “That’s Alright”, began the recording process. Keb’ Mo’ knows himself, and that “I only make albums when I’m inspired to, and these ten songs come from a very honest place”. Since his last album, Keb’ had gone through life challenges as he and his wife persevered tough turns on the marriage road. He touches on the need, and is thankful for the ability to talk things out in “For Better or Worse”. He felt that patch in his marriage forced him to take a look, realizing “I had to learn more about myself and in doing that I felt a personal shift’

Listen and buy the music of Keb’ Mo’ from AMAZON or iTunes

36 – Leftover Salmon – High Country   (12-30-14) - New members and a renewed passion can be heard in the musical continuity of High Country. High Country features LoS playing from a stronger bluegrass center point. The lines thread through folk rock, country rambles, rock, and reggae.   The subtle banjo playing of Andy Thorn runs as an undercurrent as it wraps around the tracks on High Country, like his playing does in the title track, kicking the tune off with a classic banjo opener and maintaining a presence within the constant rhythm machine stoked by his bandmates.

Listen and buy the music of Leftover Salmon from AMAZON or iTunes

37 - Carlene Carter – Carter Girl   (4-8-14) - Carlene Carter boards a “Little Black Train” to start off her most recent release, Carter Girl. The locomotive tune is running a full route, making station stops at songs made popular by the forebears of her musical legacy, The Carter Family. Carlene Carter is the daughter of June Carter Cash and country music superstar Carl Smith, and the granddaughter of Maybelle Carter aka Mother Maybelle, original member of The Carter Family formed in 1927 in the Virginia town of Maces Springs. The group was ground zero for Country music, recording several of the genres standards such as “Will the Circle be Unbroken” and “Keep on the Sunny Side”. The Carter Family influenced generations by developing but also integrating Country music with Folk, Bluegrass, Gospel, Rock….and how those styles translated to Pop.

Listen and buy the music of Carlene Carter from AMAZON or iTunes

38- Will Kimbrough – Sideshow Love     (2-18-14) - Will Kimbrough uses his latest release title, Sideshow Love, to focus on matters of the heart. The Love in Will’s Sideshow walks a carnival midway filled with bright lights and dark shadows, strong men and bearded women, exotic beauties and transient roundabouts. Will Kimbrough is the barker standing outside his album’s tent to draw you in with quality songwriting and styles that offer three-ring diversity. The album’s mix of music and moods fits the man behind the song, Will Kimbrough. Songwriter, performer and producer is a good resume, one that gets a hand up the ladder with work as sideman guitarist with Emmylou Harris, Rodney Crowell and Kim Richey, musical rambles with longtime friends Todd Snider and Tommy Womack and a quarter owner of the Willie Sugarcapps sound.

Listen and buy the music of Will Kimbrough from AMAZON or iTunes

39 - Queen Esther – The Other Side  (5-25-14) - Queen Esther is a beneficent ruler of The Other Side, expressing her advice, experience and personal hopes over a sound track of Black Americana, stirring a roux of Blues, Country, Soul, Jazz and Rock to spice her songs. She brands the varied genres as her own as her voice, becoming the sound of a breaking country heart, tough love dressed in dirty blues, and crawling inch by inch over echoey piano notes.

Listen and buy the music of Queen Esther from AMAZON or iTunes

40 -Lake Street Dive – Bad Self Portraits   (2-18-14) - Lake Street Dive have moved forward and have kept their musical focus pure. They have traveled from up sidewalks, keeping their musical focus leveled on the sparkle of 60’s Pop. The songs on Bad Self Portrait, the band’s recent release, siphon sound from the heydays of 1960’s genre-blending Pop that mattered with nods to Brill Building girl-groups, British invasion bands, R&B, horn-fueled Stax soul and Motown. The bright musical bed softens the blows of the heartbreak and headaches of love in the tales on Bad Self Portrait

Listen and buy the music of Lake Street Dive from AMAZON or iTunes

41 – John Hiatt – The Terms of My Surrender   (7-15-14) - John Hiatt recorded (for the most part) ‘off the floor’ as he would in a live setting, which was fitting since the band in the studio was Hiatt’s exceptional touring band, Nathan Gehri, Kenneth Blevins, Brandon Young and Doug Lancio. The music goes back to the Blues yet the story lines maintain John Hiatt’s ability to get to the heart of an emotion and his bedside manner of softening the blow with quick wit and a knowing nod.

Listen and buy the music of John Hiatt from AMAZON or iTunes

42 – Dom Flemons – The American Songster Dom Flemons, Prospect Hill  (7-28-14) - Dom Flemons is a modern musician, a tour guide for a busload of sound. He hits the Southwest desert at dusk right when the photographer’s ‘magic hour’ is ripe (“Sonorian Church Two-Step”) and walks in muddy water with fast-paced words to make it through Mississippi muck as he revisits a tune from Memphis songster Frank Stokes. Dom Flemons not only plays the music of the past as it was originally presented, he does it with pride for every note, happy to present authentic representations for tunes he penned and the work of others. The American Songster Dom Flemons puts history and tradition, styles and sounds all into a song on Prospect Hill.

Listen and buy the music of Dom Flemons from AMAZON or iTunes

43 – Nell Robinson – The Rose of No-Man’s Land   (11-4-14) - Nell Robinson chooses the vehicle of song to stitch a quilt of lives onThe Rose of No-Man’s Land,integrating the heritage of her own Alabama family during 250 years of war. For the most part, the stories captured in the songs are from archived letters, documents, mementos and generational lore, all centered on war and service. Beginning with Revolutionary War to the present, Nell Robinson weaves national and family history along withproducer Joe Henry and a cast of musical friends lending a hand, including Kris Kristofferson, Ramblin’ Jack Elliott, and John Doe, performing songs by Nell Robinson, Rodney Crowell (“Scots Irish”, Guy Clark (“Heroes”), Johnny Cash and Bill Monroe.

Listen and buy the music of Nell Robinson from AMAZON or iTunes

44 – The Hello Strangers - The Hello Strangers   (5-23-14) - The Hello Strangers had a slew of tunes written in a cottage off South Congress Street in Austin, Texas that they squeezed into the backseat of a rural Pennsylvania-bound car along with lives, dogs and Larissa’s husband (not necessarily in that order). The result is a self-titled release for The Hello Strangers.

Listen and buy music from The Hello Strangers from AMAZON or iTunes

45- The Holmes Brothers – Brotherhood   (4-1-14) - Family of choice holds men and women closer than blood, and that sentiment has proven true for The Holmes Brothers. Two of the members, Wendell and Sherman Holmes, are attached by ancestry. The third man, Popsy Dixon, is a Holmes Brother because there is just no other place that he could, or should, be. The Holmes Brothers celebrate and define the band, and music, on their recent release, Brotherhood. The album is their fifth album for Alligator Records. Wendell Holmes (guitar, piano, vocals) shares the recipe that has kept The Holmes Brothers cooking for three decades; “Great songs, whether we write them or not, bring great things. And we are all striving to write, find and perform great songs.

Listen and buy the music of the Holmes Brothers from AMAZON or iTunes

46- Angela Perley and the Howlin’ Moons   -  Hey Kid   (1-21-14) - Hey Kid might just be the gold standard for roots rock’n’roll as Angela’s voice curls around the power of the playing. She teases in her delivery, waiting a beat, to drop bombs by the way of one-liners, winks and promises. Hey Kid is the first full length album from Angela Perley and the Howlin’ Moons following four EP’s since forming in 2009. The Howlin’ Moons explode out of the speakers with a barely contained ferocity tamed by Angela Perley’s smoother seduction.

Listen and buy the music of Angela Perley and the Howlin’ Moons from AMAZON or iTunes

47 – Eric Brace & Karl Straub – Hangtown Dancehall   (1-21-14) - Hangtown Dancehall features a stunning array of musicians featuring players such as Tim O’Brien, Pat McInherney, Jen Gunderman, Fats Kaplin, Buddy Spicher and Mike Auldrige. Lead vocals come in the form of the musical’s characters as played by Kelly Willis, Eric Brace, Karl Straub, Tim O’Brien, Darrell Scott, Wesley Stace, Jason Ringenberg and Andrea Zohn. A-list players are surrounded by warm melodies and tempos that never get too far from the dancehall.

Listen and buy the music of Eric Brace and Karl Straub in Hangtown Dancehall from AMAZON or iTunes

48 – Adam Carroll – Let It Choose You   (5-19-14) - There is an art to songwriting that makes its characters so real, so strong, that the singer and the song are in the backseat on the three minute ride that puts the men and women stars of the tale behind the wheel. Adam Carroll is one of those songwriters on his recent release Let It Choose You, a student of the school of Jerry Jeff Walker, Jo-El Sonnier, Todd Snider, John Prine, and Guy Clark (“Wrote It for You”). Adam is a born and raised Texas songwriter  and Let It Choose You picks a Gulf Coast sound that blends folk, Cajun, country and rock’n’roll.

Listen and buy music from Adam Carroll from AMAZON or iTunes

49 – Bob Seger – Ride Out   (10-14-14) - In a time when rockers are looking to roots music for a career shift and Roots musicains are citing classic rock as inspiration, the most impressive thing about the Bob Seger album, Ride Out, is that he made a Bob Seger album, leaning only on personal influence with a heavy hand and history. Ride Out smokes the competition with ease, and Bob Seger muscles up the Roots Rock that made his name as Detroit-famous as the assembly line heroes that fueled his tunes.

Listen and buy music from Bob Seger from AMAZON or iTunes

50 - Eden Brent – Jigsaw Heart   (5-6-14) - It is the lady and her piano that take center stage on any Eden Brent recording or performance. As a solo artist or as a bandleader, Eden is the single cell that gives the music life as much as her Mississippi Delta heritage hardwires the blues into her own playing. Eden Brent and her Blues made the trip north from Mississippi to record her latest release, Jigsaw Heart, in Nashville with guitarist/solo performer and member of Blackie and the Rodeo Kings and Bob Dylan’s band, Colin Linden, sitting in the producer’s chair.   Blues blood of broken and bubbling love courses through Jigsaw Heart, the album forming a circle of the lost and found love within the tracks puzzle pieces.  Blues boogie, and Eden’s personal history of learning the 88’s, has garnered the nickname Lil’ Boogaloo. The boogie is present on Jigsaw Heart though its songs stretch out, laying out the album’s tunes out as a musical songbook of Southern styles such as Gospel, Soul, Country and R&B to exist alongside Eden’s natural Blues.

Listen and buy the music of Eden Brent from AMAZON or iTunes


the american conditionThere are those who will view this as "America Bashing" and nothing could be further from the truth. This is about bashing the things that are tearing this great country apart. America is shackled to racism, sexism, corporate greed, intolerance, corporate fed drug abuse, political gridlock, child abuse and a widening gap between those who "have" and those who "won't ever be privileged enough to get any." We started in 1980 and worked up to today.

These artists are exceptional without hiding behind a charade of false "exceptionalism." Save the No Apology bullshit for Mitt Romney and the Privileged Class. We have problems, lots of them and this list is about the artists who look at America as it really is not as the people in the mansion on the hill tell you it is. These songs aren't pretty and they don't sugar coat. There's country radio for that...perhaps Brad Paisley will need a new home like the Dixie Chicks, Steve Earle and Johnny Cash did. We're here with open arms.

Here is The American Condition in 50 Songs or Less - The Top 50 Songs about the State of Our Union

james mcmurtry in the alternate root1. James McMurtry - We Can't Make it Here - (2007) From the album Just Us Kids. 'We Can't Make it Here' is about corporate greed and how it strangles every aspect of American society. The American 'dream' has been reserved for those who have privilege, power or the cash to purchase it. McMurtry could have half this list but the top spot is his until someone comes up with something better.
Key line:
"Should I hate a people for the shade of their skin,
or the shape of their eyes or the shape I'm in?
Should I hate 'em for having our jobs today?
No I hate the men sent the jobs away.
I can see them all now, they haunt my dreams.
All lily white and squeaky clean.
They've never known want, they'll never know need.
Their shit don't stink and their kids won't bleed.
Their kids won't bleed in their damn little war,
And we can't make it here anymore

old crow medicine show in the alternate root2. Old Crow Medicine Show - Methamphetamine - (2008) - From the album Tennessee Pusher. The scourge of the heartland is methamphetamine or 'Crystal Meth' as it's known on the block. It's a killer from the moment you try it and unlike cocaine it's cheap and with a little ingenuity you can make it at home. Old Crow Medicine Show tackled a host of social issues but this one hits harder in the places where the band has it's biggest following.
Key line:
"It's gonna rock you like a hurricane.
It's gonna rock you 'til you lose sleep.
It's gonna rock you 'til you're out of a job.
It's gonna rock you 'til you're out on the street.
It's gonna rock you 'til you're down on your knees.
It's gonna have you begging pretty please.
It's gonna rock you like a hurricane.

the white buffalo in the alternate root3. The White Buffalo – Wish It Was True - (2012) - From the album Once Upon A Time in the West. When all the things you thought were true turn out not to be, reality sets in and disillusionment takes it's piece of flesh. The White Buffalo, a.k.a. Jake Smith exposes the darker side of the shiny objects. The entire album is a microcosm of America but this one stands above the rest.
Key line:
"Country, I was a soldier to you.
I did what you asked me to.
It was wrong and you knew.
Country, now I'm just a stranger to you.
A number, a name; it's true.
Throw me away when you're through.
Home of the brave, the free; the red, white and blue.
I wish it was true."

chip taylor in the alternate root4. Chip Taylor - New Song of Freedom - (2008) - From the album - New Songs of Freedom. Chip Taylor writes almost solely about the 'human condition' and not always from a perspective of social or political commentary. The entire album New Songs of Freedom could grace this list but the title track sums up America circa 2008 more succinctly and touches on the right wing nuts, global warming, immigration, freedom, geo-politics and even the disposable way music is treated.
Key line:
"Don't worry 'bout the straddle of the right wing radical, or heed the speed of the vulture.
Don't cross the border for political order and upset the balance of culture.
Just keep your eyes on the ozone and the price of oil.
Don't worry about the stock market, let it fall.

The warming of the seas and the hybrid cars,
was there ever an ocean, up there on Mars?
Oh, a new song of freedom, just let it go, it'll get there on it's own."

UB40 in the alternate root5. UB40 - One in Ten (1980) - From the album Present Arms. UB40 wrote One in Ten about life in Britain in 1980 but the song transfers to any western country and holds true to form some 30 years later. One in Ten is about the forgotten, downtrodden, sick, poor and hungry that become statistical talking points for mindless television newscasters and bloviated politicians. It hit gun violence, suicide, disease, hunger and the plight of the world...sadly, not much has changed for the forgotten.
Key line:
"I'm the murderer and the victim, and I'm licensed with the gun.
I'm a sad and bruised old lady, in an alley in the slum.
I'm the middle aged businessman with chronic heart disease.
I'm another teenage suicide on a street that has no trees.
I am the one in ten, a number on a list.
I am the one in ten, even though I don't exist.

Nobody knows me, but I'm always there.
statistical reminder of a world that doesn't care."

american graveyard in the alternate root6. American Graveyard – Common Ones - (2010) - From the album Hallelujahland. Common Ones is about all of us normal, regular folks who are getting shafted by corporations, government, insane laws and greed. American Graveyard is a band that musically shoots from the hip, takes no prisoners and tells you what you ought to know from the perspective of young, intelligent, thinking musicians.
Key line:

"I'm tired of seeing men die for other men's rights,
to have a corporation come in and sweep ‘em all aside.
'Cause there's money to be made, money to be found,
and when the pockets are drilled empty it's on to the next town.
Meanwhile make criminals outta the people left behind,
pimpin' all the women while the men cheat and lie.
All the cameras rush in yes they wanna find out
why I ain't got no food for my baby's mouth."

ellis paul in the alternate root7. Ellis Paul - Nine Months to Fix the World (2008) - From the album The Dragonfly Races. Ellis Paul doesn't do angry. It's not his style. Ellis Paul does cerebral; making you think while you're enjoying yourself and that is a rare gift indeed. Nine Months to Fix the World is about finding out your wife is pregnant and realizing that your child is being born into a complete mess and you now have nine months to fix it. It touches all the bases from religion, to violence, to global warming with typical Ellis Paul brilliance.
Key line:
"I'm gonna whittle down the Scriptures, the Bible, the Koran.
Gonna whittle 'em down to one phrase any fool could understand.

Love your fellow man.
Then we'll fill up all the bombers
with corn, with apple seeds.
A million gallons of clean water,
We'll fill the sky with good deeds,
For the people who're in need."

band of heathens in the alternate root8. Band of Heathens – Golden Calf - (2009) – From the album One Foot in the Ether. Golden Calf symbolizes Wall Street. The song subtly hints around Wall St. greed and the dirty little secrets no one wants to talk about. Band of Heathens has set their own bar pretty high and rank as one of the best bands in the country, bar none. Much of One Foot in the Ether could rank here but Golden Calf is so haunting and filled with mystery we couldn't resist.
Key line:

"Shine my shoes with a dirty flag.
Hide my secrets in a body bag.
Say what you want on my epitaph,
Just give me eight more seconds on the golden calf."

bob dylan in the alternate root9. Bob Dylan - Union Sundown - (1983) From the album Infidels. Union Sundown took on corporate greed before it was chic. In typical Dylan fashion it pointed fingers at corporations that shipped jobs overseas but didn't stop until the finger pointed back at Americans who want cheaper products even if they come from sweat shops in poor countries. Infidels touched on just about everything but in terms of the American downward spiral, this one topped the heap.
Key line:

"Well, my shoes, they comes from Singapore.
My flashlight's from Taiwan.
My tablecloth's from Malaysia.
My belt buckle's from the Amazon.
You know, this shirt I wear comes from the Philippines,
And the car I drive is a Chevrolet.
It was put together down in Argentina
By a guy making thirty cents a day.
Well, it's sundown on the union
And what's made in the USA
Sure was a good idea
'Til greed got in the way.

sarah lee guthrie and johnny irion in the alternate root10. Sarah Lee Guthrie and Johnny Irion - Gervais (2005) - From the album Exploration. Travel south of the Mason-Dixon line and you'll find a lot of people still fighting the Civil War. You'll hear some pretty compelling, albeit, misguided arguments that the Civil War was about states' rights. It wasn't. It was about human rights and the left over symbols from that struggle continue to be paraded under a guise of pride and heritage. Bollocks. Gervais is about the South Carolina State House flying the Confederate flag (Gervais is the street the capital sits on). It's a sore spot with many South Carolinians and most other reasonable people who see it as a symbol for racism.
Key line:
"Gone James Meredith and the the road to sweet Ole Miss.
Years filled with torment and harassment.
I can hear those freedom rides.
You know they were just like suicides but they had to move us down the line.
Still flying the flag upon Gervais?
It was a battle flag, now we can put it away."

steve earle in the alternate root11. Steve Earle - Amerika v 6.0 (The Best We Can Do) - (2002) – From the album Jerusalem. Steve Earle has never been shy about telling the truth regardless of pushback or political trouble. Jerusalem took it all on from war to health care, the American dream, conservatism and greed and Amerika v 6.0 was the icing on a shitty tasting cake. From dirty back room deals on Wall St. to saving the American Dream from the true dreamers, Earle delivered a body blow to the right wing that resonated with the common people and revitalized the liberal class.
Key line:

"Four score and a hundred and fifty years ago,
Our forefathers made us equal as long as we can pay.
Yeah, well maybe that wasn't exactly what they was thinkin'
Version six-point-oh of the American way.
But hey we can just build a great wall around the country club,
To keep the riff-raff out until the slump is through.
Yeah, I realize that ain't exactly democratic, but it's either them or us and
And it's the best we can do.
Yeah, passionately conservative
It's the best we can do."

lucinda williams in the alternate root12. Lucinda Williams - Car Wheels on a Gravel Road - (1998) – From the album Car Wheels on a Gravel Road. Child abuse is one of those rare crimes where the death penalty might actually be appropriate. It's been going on since the dawn of time but only recently is it getting the attention and outrage it deserves. Lucinda Williams took it on and so have others. It sucks and whether you're a Catholic priest or a big time football coach there's a special place in hell for those who perpetrate it.
Key line:
Broken down shacks engine parts.
Could tell a lie but my heart would know.
Listen to the dogs barkin' in the yard,
Car wheels on a gravel road.
Child in the backseat about four or five years,
Lookin out the window.
Little bit of dirt mixed with tears,
Car wheels on a gravel road

mad buffalo in the alternate root13. Mad Buffalo – Red and Blue (2012) – From the album Red and Blue. Randy Reveire can tell you there's a huge corporate interest in keeping Americans divided into red and blue states, red and blue political persuasions and at each others' throats on a daily basis. We're really not all that different and pretty much want the same things but corporate media, talk show hosts and 24 hour "news" stations wouldn't make nearly the jack they make if we all got together. You think any of them give a fuck about who wins elections? They make money when America is divided, period, and that's what Red and Blue is about.
Key line:

"And up on the boulevard,
We got our start with a union card.
And built our houses up with our hands,
Made the iron and filled metal cans.
We took our babies in our arms,
Got some horses and built our farms.
In mountain rain we grew our hay,
Through the floods and drought we stayed.
You can’t deny it,
You can’t deny we’re one."

rodney crowell in the alternate root14. Rodney Crowell - Sex and Gasoline - (2008) – From the album Sex and Gasoline. Sex and Gasoline is about selling the idea that beauty and worth is about what's on the outside. It hits the beauty product, lingerie and porn trade right between the eyes as only Rodney Crowell can do and takes the notion that women are merely sex objects to the task.
Key line:

"So much beauty, abs and tush
Swoop down on you like a burnin' bush.
Pop religion, bullwhip thin,
Says you ain't nothing but the shape you're in.
Come on now girl, genuflect nude magazine.
This mean old world runs on sex and gasoline."

johnny cash in the alternate root15. Johnny Cash - Hurt - (2002) –From the album The Man Comes Around. Hurt is as much about the personal pain of addiction as it is about the pain addiction inflicts upon others who have to witness it. Although a cover of Trent Reznor's song, it was something Johnny felt strongly about recording as it reflects on the lies and the destruction inflicted upon his family as a result of his lifelong struggle with alcoholism and prescription drug abuse. It's powerful, moving and painful to listen to...and a necessary evil for those who crawl on the same ground.
Key line:

"I wear this crown of thorns,
upon my liar's chair.
Full of broken thoughts,
I cannot repair.
Beneath the stains of time,
the feelings disappear.
You are someone else.

I am still right here.
What have I become?
My sweetest friend.
Everyone I know,
goes away in the end.
And you could have it all,
my empire of dirt.
I will let you down.
I will make you hurt."

kevin gordon in the alternate root16. Kevin Gordon - Gloryland - (2012) – From the album Gloryland. Beware of false prophets promising the gates of heaven. They don't hold the key even though they'll take your money, your vote or your life trying to prove to you that they do. Kevin Gordon is a brilliant song writer that tackles a lot of ground on the album Gloryland and in particular the album's title track which goes after politicians, TV preachers and zealot Mullahs and their victims.
Key line:

"You might be a preacher,
Broadcasting on a satellite.
Miss Mamie's looking for an answer,
Watches your program every night.
Diamonds shine from your praying hands,
She sends you all the money she has,
Just to feel a little closer;
A little closer to gloryland."

todd snider in the alternate root17. Todd Snider - Conservative Christian Right-Wing Republican, Straight, White, American Male - (2004) – From the album East Nashville Skyline. If you are one you're gonna hate this song but when you really think about it, Todd Snider covers just about every part of the Republican political platform in the first verse. It's a brilliant attack on intolerance, homophobia, climate change denial, racism, elitism, and too many other things to list here. We're liberal, we admit it.
Key line:

"Conservative Christian, right wing Republican, straight, white, American male.
Gay bashin', black fearin', poor fightin', tree killin', regional leaders of sales.
Frat housin', keg tappin', shirt tuckin', back slappin' haters of hippies like me.
Tree huggin', peace lovin', pot smokin', porn watchin' lazyass hippies like me.
Tree huggin', love makin', pro choicen, gay weddin', widespread diggin' hippies like me.
Skin color-blinded, conspiracy-minded, protestors of corporate greed,
We who have nothing and most likely will 'till we all wind up locked up in jails
By conservative Christian, right wing Republican, straight, white, American males."

jon byrd in the alternate root18. Jon Byrd – Alabama Asphalt - (2011) – From the album Down at the Well of Wishes. Jon Byrd is a son of the south who isn't shy about pointing out the hypocricy and intolerance that permeate his Alabama roots. Alabama Asphalt was written about the reinstatement of the death penalty in Alabama. It's about the love of Alabama's natural beauty and avoiding it's nasty politics.
Key line:
"If your in Alabama, you better watch your ways.
'Cause laying burning tar is the least that you're gonna pay.
Yeah, they'll chain you to your brother and give a shotgun to the other.

There's that Alabama asphalt giving off heat."

patti griffin in the alternate root19. Patti Griffin - Tony - (1998) – From the album Flaming Red. Patti Griffin tackles bullying, and teen suicide as a result, with incredible grace and hard hitting reality in her song Tony. The story of the kid we all know and unfortunately some of us knew. The kid who is a little different. The kid the "beautiful people" pick on. A little overweight; not one of the crowd and the internal pain and torture that goes on inside these kids. It's a sad, sordid existence.
Key line:

"Hey Tony, what's so good about dying?
He said I think I might do a little dying today.
He looked in the mirror and saw
A little faggot starin back at him.
Pulled out a gun and blew himself away.
Hey Tony whats so good about dying, dying?
Hey Tony whats so good about dying, dying?"

mary gauthier in the alternate root20. Mary Gauthier - Drag Queens in Limousines - (1999) – From the album Drag Queens in Limousines. Drag Queens and Limousines is a true biographical piece written by the great Mary Gauthier. It covers runaways, and the turmoil of being gay in a straight world. Gauthier stole her mother's car and ran away at 15. She struggled with addiction and her sexuality and rose up to become one of the great songwriters and singers in the roots Americana world. Stick that!
Key line:

"My dad went to college, and he worked for the state.
He never quit nothing and he wanted me to graduate.
My brother and sister both play in the marching band.
They tell me they miss me, but I know they don't understand.
Sometimes you got do, what you gotta do,
And hope that the people you love, will catch up with you.
Yea Drag Queens in Limousines
Nuns in blue jeans
Dreamers with big dreams
Poets and AWOL marines
Actors and Bar Flys
Writers with Dark Eyes
Drunks that Philosophize."

willie nile in the alternate root21. Willie Nile - One Guitar (2011) – From the album The Innocent Ones. Willie Nile's One Guitar is an anthem to the power of music, the effectiveness of non-violent protest and the change that can come from getting up off your ass and getting involved! It's about rising up, no matter what put you down.
Key line:

"So if you get knocked down, you gotta take a stand.
For all the outcast, dead last who need a helping hand.
So get your tambourines and turn your arms up loud,
And raise your voices, voices up above this crowd.

I'm a soldier marchin' in an army
Got no gun to shoot
But what I got is one guitar
I got this one guitar."

chip taylor in the alternate root22. Chip Taylor - Black and Blue America - (2008) - From the album - New Songs of Freedom. Chip Taylor laments the days when we had heroes and goals that moved us forward as a nation. We rallied around the men who walked on the moon or marched in Selma. We cared about each other and lent a helping hand. America is bruised, black and blue but not out by any means. We're survivors.
Key line:
"It was a ray of light.
It was a wall of sound.
It was a fight for life, until the walls came down.
It was a dream to dream, in any damned old town.
It was a true America.

Red, white, balck and blue America."

uncle tupelo23. Uncle Tupelo - No Depression (1990) – From the album No Depression. An apocalyptic look at the end of days and the hope that something better is on the other side. Uncle Tupelo is largely regarded as the band that launched the Americana movement but that's debatable. They wrote great songs and split into two substantial bands; Wilco and Son Volt when the end of days struck them.
Key line:

"In this dark hour, midnight nearing
The tribulation time will come.
The storms will hurl the midnight fear
And sweep lost millions to their doom.
I'm going where there's no depression
To a better land that's free from care.
I'll leave this world of toil and trouble.
My home's in heaven,
I'm going there

otis gibbs in the alternate root24. Otis Gibbs – Preacher Steve - (2008) – From the album Grandpa Walked A Picketline. Otis Gibbs plays down the political and often scathing nature of his songs in order to maintain a neutrality with his audience. It can't be easy when you write like he does and you choose his subject matter. Preacher Steve is a dead on assault of TV Evangelists and the snake oil they peddle. He also lays the blame at the people who feed this nonesense and continue to line up to by the magic elixir.
Key line:
"Preacher Steve or the people who believe in him
and I can't decide which is worse."

john mellencamp in the alternate root25. John Mellencamp – Rain on the Scarecrow - (1985) – From the album Scarecrow. The song that launched Farm Aid and brought the plight of the American farmer to the forefront and dinner tables from coast to coast. Rain on the Scarecrow is in itself about the death of American values in favor of corporate interests and it's one of the best songs on the subject ever written.
Key line:

"Scarecrow on a wooden cross, Blackbird in the barn.
Four hundred empty acres that used to be my farm.
I grew up like my daddy did My grandpa cleared this land.
When I was five I walked the fence while grandpa held my hand.
Rain on the scarecrow, Blood on the plow.
This land fed a nation. This land made me proud.
And Son I'm just sorry there's no legacy for you now.
Rain on the scarecrow Blood on the plow.
Rain on the scarecrow Blood on the plow."

26. Uncle Lucius – Keep the Wolves Away - (2012) – From the album And You Are Me. Lead singer Kevin Galloway says this is a true story of how a man, his father, raised his kids, doing whatever was needed to get done. He had a work related injury that affectecd the rest of his life, and the company turned its back. The next generation takes the torch and keeps it lit, to support the family and keep the wolves away.

Key Line:
"I was barely thirteen when the company man
Tried to dig my Daddy’s grave.
Happened on a French owned tanker ship
Spilling poison into Galveston Bay.
Where the liquid fire filled his lungs and his eyes,
Silenced any mortal cries.
Codeine the grit but death stang in pain,
He fought like hell to keep the wolves away"

27. Will Kimbourgh – Americanitis - (2006) – From the album Americanitis. Marketing is a disease that Americans from which Americans take more than a daily dose. Will Kimbrough's character is not selling out, he is buying in. The promises of advertising are beauty, youth and longevity. What you take for cures may become the disease.

"Assembling lines of hot dog vendors
My funny bone it ain’t so tender
I swear by God I will surrender
Just give me one more day"

28. Slaid Cleaves - I Was Born This Morning - (2008) – From the album Ribbon of Highway   - The song sees that people were born right the first time, no need to do it again. Slaid Cleaves finds the joy and righteous path offered by finding that any sort of god lives within each of us. The light shines from the inside back out, not the other way around

Key LIne:
"This morning I was born again and a light shine on my land
I no longer look for heaven in your deathly distant land
I do not want your pearly gates don’t want your streets of gold
And I do not want your mansion for my heart is never cold"

bruce springsteen in the alternate root29. Bruce Springsteen – Sinaloa Cowboys - (1995) – From the album The Ghost of Tom Joad - Two brothers head north for work and find the most lucrative jobs are the ones that carry danger and heartbreak. In order to win big, you have to gambleon a big lose.

Key Line:
"Word was out some men in from Sinaloa were looking for some hands
Well deep in Fresno county there was a deserted chicken ranch
There in a small tin shack on the edge of a ravine
Miguel and Louis stood cooking methamphetamine.
You could spend a year in the orchards
Or make half as much in one ten-hour shift
Working for the men from Sinaloa
But if you slipped the hydriodic acid
Could burn right through your skin
They'd leave you spittin' up blood in the desert
If you breathed those fumes in"

gretchen peters30. Gretchen Peters - Hello Cruel World  (2012) – From the album Hello Cruel World -Well laid plans do not always follow a straight path. There is inspiration in realizing our limitations. Gretchen Peters manages to see the glass half full and remind us that sometimes the best we can do is just show up

Key Line: 
"haven’t done as well as I thought I would
I’m not dead but I’m damaged goods
And it’s gettin’ late
I’m a rusty hinge, a squeaky wheel
at the bad end of a shaky deal
cursed by the hand of fate
and ooooooh – I’m a very lucky girl
yeah ooooooh – hello cruel world"

bruce cockburn31. Bruce Cockburn – Lovers in a Dangerous Time - (1984) – From the album Stealing Fire - The power of two is strong. Our choice of a partner is personal. We do not allow people to tell us how to dress, what to eat, listen to or watch. Why is it that we pay so much attention when the tell us how to love.

Key Line:
"When you're lovers in a dangerous time
Sometimes you're made to feel as if your love's a crime --
But nothing worth having comes without some kind of fight --
Got to kick at the darkness 'til it bleeds daylight
When you're lovers in a dangerous time
Lovers in a dangerous time
And we're lovers in a dangerous time"

lone justice32. Lone Justice - Soap, Soup and Salvation (1985) – From the album Lone Justice- Homelessness in America is rampant. The dispossessed at the rescue mission in the song seek, and find, comfort in the little things. Singing for your supper becomes a reality for those waiting for dinner.

Key Line:
"Lonely faces, empty glances
They surround me everywhere
But those sweet angelic voices
Are now rising through the air

"When the roll is called up yonder"
I'll be there with

Soap, soup and salvation
Tired hearts sing in jubilation
Restoration at the rescue mission
Soap, soup and salvation"

nanci griffith33. Nanci Griffith - The Loving Kind - (2010) – From the album The Loving Kind - The case was brought by Mildred Loving, a black woman, and Richard Loving, a white man, who had been sentenced to a year in prison in Virginia for marrying each other. Their marriage violated the state's anti-miscegenation statute, the Racial Integity Act of 1924, which prohibited marriage between people classified as "white" and people classified as "colored." The Supreme Court's unanimous decision held this prohibition was unconstitutional,

Key Line:
"They were the loving kind
She was black and he was white
In Virginia, 1958
They found love amongst the hate
Well, the law said they could not wed
They married anyway
The sheriff put them both in jail
Separated till they made their bail
They changed the heart of a nation
With their wedding vows
From the highest court in the land
Their union would lawfully stand"

grant peeples34. Grant Peeples – Nigger Lover - (2012) – From the album Prior Convictions - Grant Peeples sees a word that causes cringing and wovering as a badge of honor. The song points out that the word is not used in its original form, but other words have taken its place. The same meaning, but words that you can hide behind.

Key Line:
"Nigger Lover
Yeah, that’s what they used to call me in the playground at school
But it was a lot of years ago
Those kids have all grown up they’ve all grown up
And they don’t use that word any more….hardly
Nah, these days they use other words

They say things like…you’re a liberal, a socialist, a community activist
You’re gonna see in this next election
‘we gonna snatch this country back again for real Americans"

jim keaveney35. Jim Keaveney – Livin' in a Dream - (2009) - From the album Music Man - The song is about consumerism in America. The dream is that we will always have enoughm and that we can waste. Americans feel that everyone around the world lives like us. A chicken for every pot is not reality and Jim Keaveny reminds us to look outside our borders, and open our eyes.

Key Line:
"Most Americans they don’t get around just maybe over the next big town
Too far in debt, or afraid, or just not curious enough to cross that line into another world into another time
So I’m here to tell you there many peoples and colors out there and respecting the cultures a real good fare
But no matter how far you’re flying on a big jet plane fundamentally all the peoples the same"

paul sachs36. Paul Sachs - Dirty Trucks - (2011) – From the album Oil Town - The American dream. Work hard and build your own business by ownership. The man is the story is a small business owner. He needs to diversify I order to keep food on the table and a roof over his famliy’s head. The decision between right and wrong blurs when your kids are hungry.

Key Line:
"Dirty tucks out on the highway rolling through your state tonight
Dirty trucks out on the highway, rolling fast and never traveling light"

corb lund37. Corb Lund - Getting Down on the Mountain - (2012) - From the album Cabin Fever - Corb Lund speaks the mind of survivalist who see the approaching storm and take whatever measures are necessary to protect themselves, and their families. In an effort to survive, they take to higher ground.

Key Line:
There ain’t no heat and the power’s gone out, it’s kerosene lamps and candles
The roads are blocked, it’s all gridlocked, you got a shortwave handle?
Can you track the deer, can you dig the well?
I couldn’t quite hear your answer
I think I see a rip in the social fabric, Brother can you pass the ammo?
I think I see a rip in the social fabric, Brother can you spare some ammo?"

drive by truckers38. Drive-By Truckers - The Southern Thing - (2002) – From the album Southern Rock Opera - Drive-By Truckers speak about the duality of the south in this tune. The band turns the crews a little tighter on Neil Young’s belief that every southern man is the same. Patterson Hood sees that you cannot blanketly judge a people on the actions of a few.

Key Line:
Ain't about my pistol
Ain't about my boots
Ain't about no northern drives
Ain't about my southern roots
Ain't about my guitars, ain't about my big old amps
"It ain't rained in weeks, but the weather sure feels damp"
Ain't about excuses or alibis
Ain't about no cotton fields or cotton picking lies
Ain't about the races, the crying shame
To the fucking rich man all poor people look the same"

tracy chapman39. Tracy Chapman - Behind the Wall - (1988) – From the album Tracy Chapman - Domestic violence lives next door. As loud as the screams and yelling can be, the more powerful sound is silence. There is no one to turn to, until you can turn no more and the drama reaches its last and final scene.

Key Line:
"Last night I heard the screaming
Loud voices behind the wall
Another sleepless night for me
It won't do no good to call
The police
Always come late
If they come at all"

jackson browne40. Jackson Browne - Lives in the Balance - (1986) – From the album Lives in the Balance - Jackson Browne has long stood as a voice for people. He talks about the fragile states we live in, and how our decision to question authority should be taught in schools.

Key Line:
"On the radio talk shows and the T.V.

You hear one thing again and again
How the U.S.A. stands for freedom
And we come to the aid of a friend
But who are the ones that we call our friends--
These governments killing their own?
Or the people who finally can't take any more
And they pick up a gun or a brick or a stone
And there are lives in the balance
There are people under fire
There are children at the cannons
And there is blood on the wire"

otis taylor41. My World Is Gone – Otis Taylor -  (2013) – From the album My World Is Gone - Otis Taylor describes the modern world of the American Indian. Over his trance blues music, Otis delivers one liners that paint the picture of a western landscape that only hangs in museums, and in the memory of a once proud people who cannot find a way back to the old ways.

Key Line:
"If you send me a golden razor……I’ll cut my hair and I’ll bury it where the buffalo used to roam
My World Is Gone"

the neville brothers42. The Neville Brothers – Rosa Parks - (1988) - From the album Yellow Moon - Rosa Parks was tired. She refused to walk one step further when seats were available in the front of the bus. Her decision changed history.

Key Line:
"Thank you Miss Rosa, you are the spark
That started our freedom movement, thank you Sister Rosa Parks"

blackie and the rodeo kings43. Blackie & The Rodeo Kings – Another Free Woman - (2011) – From the album Kings & Queens - Blackie & The Rodeo Kings invited women to guest vocal on their most recent release, Kings & Queens. Sara Watkins guests on this song about getting even by getting out. Not a victim, the heroine in the song knows that there is another path to heaven and she’s got a gun.

Key Line:

tom waits44. Tom Waits – In the Neighborhood - (1983) – From the album Swordfishtrombones - Life has changed in the old neighborhood. Tom Waits points out that the things we tolerate become routine. We need an awareness to walk out our front door. The familiar smell of cooking breakfast and the smell of spilled garbage mingle and become home.

Key Line:
"Well the eggs chase the bacon
round the fryin' pan
and the whinin' dog pidgeons
by the steeple bell rope
and the dogs tipped the garbage pails
over last night
and there's always construction work
bothering you
In the neighborhood
In the neighborhood
In the neighborhood"

d l marble45. D.L. Marble – Sombrero Lullaby - (2012) – From the album Not the One… - The narrator in this song is a soldier stationed in Afghanistan. While sitting at a bar, a song on the jukebox transports the soldier to where he really wants to be, on a beach in Mexico, trying to wash the blood off his hands.

Key Line:
One more tequila for my friends and me
And I’ll tell you a tale about a land so far away’
Somebody play me a melody
Solve the world’s problems some other day

These songs keep callin on the radio
And I see my name in the neon
I wanna run away to Mexico
So play me a sombrero lullaby"

dave alvin46. Dave Alvin – Out of Control - (2004) – From the album Ashgrove - Speed, prostitution, weapons….all part of the way to make your daily bread in this tale of characters living on the edge. The speed and whiskey burning brain of the man telling the story understands that wanting to do right is okay, but sometimes you just have a need to go a little further to get the same rush.

Key Line:
"I used to work a little construction
But I never got along with my boss
So I do a little import/export
Makin’ enough just to cover my costs
And I’m losin’ my hair and I’m losin’ my teeth
But I’m tryin’ to keep my grip
And live to see one more day
Without makin’ any stupid slips.

You know I could have played the game man
And just done what I was told
But I guess I was born just a little bit
Out of control"

christine ohlman and rebel montez47. Christine Ohlman & Rebel Montez – The Cradle Did Rock - (2009) – From the album The Deep End - The aftermath of Katrina changed New Orleans forever. Christine Ohlman describes what followed the levee breaks in the Crescent City.

Key Line:
The cradle did rock, the cradle been broken
It all fell down in the terrible flood, then
Some people came home, some people gave up
The levee went crash and the cradle did rock"

steve earle48. Steve Earle – Jerusalem – (2002) – From the album Jerusalem - On an album made almost entirely of protest songs, this title track from Jerusalem questions who we can accept death and violence simply because it has happened before. It is one more excuse to tolerate oppression, and one more reason to look to the real lessons of love thy brother, rather than demanding some not only worship a god, but worship the god of their understanding.

Key Line:
"I woke up this mornin' and none of the news was good
death machines were rumblin' cross the ground where Jesus stood
and the man on the TV told me that is had always been that way
and there was nothin' anyone could do or say"

justin townes eARLE49. Justin Townes Earle – Workin’ for the MTA – (2010) – From the album Harlem River Blues - Getting up and going to work every day. Doing the same job, expecting the same conditions….every day. Dreams are what happens when you sleep. Waking hours are already carved in stone.

Key Line:
"So, it's cold in them tunnels today
Well, it's cold in them tunnels today
It's cold down in those tunnels today, mama, workin' for the MTA
Yeah, I'm workin' for the MTA"

peter himmelman50. Peter Himmelman - "Untitled" (The Cab Driver Song) - (1992) - From the album Flown This Acid World   - The narrator becomes trapped in a world of angry words that are intolerable and preach hate. It would seem that the tip for this cab driver would be “don’t be so stupid” but like all bullies, their words have more power than what their actions might be, or the actions might be more powerful….you just don’t know.

Key Line:
The driver of the cab he had a pock marked face
He didn't seem too unfriendly, he was just starin' off into space
And he told me that he used to drive a truck
And that right now he was down on his luck

We talked a bit about travelin', told him that I'd been to the USSR
He looked at me in the rear view mirror and said

"Ain't that where the Jews and commies are?"
And I knew I was in for a hell of a ride
My face was calm but I was burnin' up inside, oh yeah"


the top 20 of the second generationBeing the child of a celebrity can often be a daunting life. Scrutiny is high along with expectations. When the chosen profession is the same as the parent, the expectations are doubled. The obvious opportunities to bypass certain rungs on the ladder to success are both the spoils and the pitfalls. They must be used wisely to avoid the claims that one is just riding on the success that was merely a coincidence of birth. The demons of the parent can surface in the next generation, becoming easy prey for the critics who circle above waiting for that shoe to drop. History is littered with children of celebrities who couldn't  overcome the obstacles or meet unrealistic expectations. History is also full of those who met or exceeded expectations, carved their own paths, used the opportunities and inherent gifts to create their own legacy, and passed it to third or even fourth generations. The more grounded the top level, the better the chances that subsequent generations will be successful at whatever the chosen path.

We've seen many stories and lists like the one we've compiled here. We tip our hat to the grand successes of Jakob Dylan, Roseanne Cash, Norah Jones, Hank Williams Jr., Julian Lennon, Jason Bonham and many others, but frankly, do any of them need any more press than what they receive regularly? We focused here on the next generation that is rising from the Americana Roots music world. This is the music we celebrate and the children of the lesser known celebrities is where we've concentrated our efforts. They are making innovative, forward-thinking music much like their celebrity parents and this is our spotlight on them.

Here is the Alternate Root Top 20 of the Second Generation

justin townes earle in the alternate root1. Justin Townes Earle born in Nashville in 1982, is the son of Steve Earle and Carol-Ann Hunter. He was raised by his mother in East Nashville after his parents split when he was 2. Justin inherited many of the enormous skills of his father and also, many of the demons. Like his father, he has faced addiction and rehabilitation and emerged the better for it. Unlike his father, his writing, at least at this point in his career, leans less on the socio-political side and more on the personal, relational side of the music spectrum. He's a consummate artist, always reaching for something new, challenging himself musically and spiritually. His music bridges soul, blues, country, rock and folk and never stays static from one project to the next, which is what makes him so intriguing and unpredictable.

Listen and buy the music of Justin Townes Earle from AMAZON or iTunes

shemekia copeland in the alternate root2. Shemekia Copeland  was born in Harlem, NYC in 1979, the daughter of Texas guitar slinger and blues singer Johnny Copeland. She got her start while in her teens as the opening act for her then ailing father. She scored a choice gig for a debut album with Alligator Records in 1998 and has released a continuous flow of award winning and critically acclaimed albums since. Dubbed "Queen of the Blues" to succeed the late KoKo Taylor by Taylor's daughter Cookie, Shemekia's voice is guttural and powerful like the blues belters Koko Taylor, Etta James and Bessie Smith, but she can also reach down range for emotion in the vein of her idol Ruth Brown.   33 1/3 is her most recent release.

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sarah lee guthrie in the alternate root3. Sarah Lee Guthrie is both second generation and third. The granddaughter of the great Woody Guthrie and daughter of Arlo Guthrie, Sarah was born in Massachusetts in 1979. She did not seriously pursue music until her late teens when she worked as a tour manager for her father. Her first solo album was released in 2002 although she had already been touring with future husband and musical partner Johnny Irion, and the grandson of Pete Seeger, Tao Rodriguez-Seeger under the name RIG.Together Sarah Lee Guthrie and Johnny Irion have released a string of critically acclaimed recordings, won numerous awards and have appeared at nearly every notable music festival and venue there is. The two are working with Wilco founder Jeff Tweedy on an album slated for release sometime in 2013.

Listen and buy the music of Sarah Lee Guthrie & Johnny Irion from AMAZON or iTunes

holly williams in the alternate root4. Holly Williams, like Sarah Lee Guthrie, is both second generation and third. She is the granddaughter of Hank Williams and the daughter of Hank Williams Jr. and was born in Nashville in 1981. She did not instantly pursue a career in music despite her "royal" lineage, having a greater interest in modeling than music. Her parents separated when she was very young, but Hank Jr. began taking her to his shows when she was in her teens exposing her to the music business from a lofty plateau. Soon after, she began playing and writing her own music. Musically more attuned to Hank Sr. than her father, she released her finest recording The Highway earlier this year on her own label, Georgiana Records, to rave reviews.

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pieta brown in the alternate root5. Pieta Brown is the daughter of folk singer Greg Brown and like so many other offspring of a famous parent, she was raised by the one who wasn't famous. In this case, it was her mother, after her parents split when she was young. She was born in Iowa in 1973. She inherited Greg Brown's penchant for fine songwriting but tends to write from a more poetic, personal perspective than one of a story teller.  Vocally, she has a distinct style that blends a bluesy, jazzy timbre.  Unlike her father's folk style, her music is painted with strokes of blues, jazz and classic melodies.

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ben taylor in the alternate root6. Ben Taylor is the child of not one, but two, monumental musical parents, singer songwriters James Taylor and Carly Simon. Despite that flawless gene pool, Ben Taylor was a latecomer to the music business that would eventually become his profession. A shy and somewhat reserved young man, he spent time traveling the world, gathering spiritual souvenirs that would later become the foundation for strong, confident music. After a couple of nearly non-existent releases on Epic Records and their subsidiary Work Group, Taylor signed with WEA's Iris Records and released Famous Among the Barns in 2003, which essentially brought him to, what is now, international recognition.

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curtis mcmurtry in the alternate root7. Curtis McMurtry, the son of the brilliant singer songwriter James McMurtry, was born in 1991 in Austin, TX. His grandfather is the acclaimed screenwriter and novelist Larry McMurtry, and it takes just a few minutes into his songs to see that he inherited both his father's and grandfather's skill as a writer. Musically, he strays from the path of his father into territory more attuned to Tom Waits with heavy influences of Dixieland and New Orleans jazz and less focused on political posturing. He's a multi-instrumentalist who is currently studying music at Sarah Lawrence College in NYC but takes time to record and perform with his band Curtis McMurtry and the Chosen Ones.

Listen and buy the music of Curtis McMurtry & The Chosen Ones from AMAZON or iTunes

8. Dustin Welch is the son of the acclaimed singer/songwriter Kevin Welch. Born in Nashville in 1981, his beginnings saw him surrounded by musical treasures, songwriters, players, producers and the Nashville scene in general, and those riches would stimulate his musical upbringing and influence his music. Early in his life, he would team with musicians as diverse as Cary Ann Hearst, Justin Townes Earle, Travis Nicholson and Corey Younts in different bands, building a love for old country blues, folk and bluegrass. But it was his exposure to post punk and indie rock with San Diego-based band Scotch Greens that would put it all together. His music today infuses a lifetime of influences into a dizzying diversity of styles exemplified on his latest and best release, Tijuana Bible.

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devon allman in the alternate root9. Devon Allman, the son of Gregg Allman and Shelley Kay Jefts, was born in 1972. Devon grew up in St. Louis, raised by his Mom in a typical suburban household. He didn’t meet Dad Gregg until he was in his teens. The pair bonded, but rebellion kicked in and in his 20’s, Devon's musical path was as far  from his Dad’s as possible. He saw the light in his 30’s and embraced the Blues and Roots Rock…..(can I get an amen here?).  Devon Allman keeps busy as the band leader for Honeytribe and a member of Royal Southern Brotherhood. And he still found time to  release his first solo album, Turquoise. The album samples smooth blues jazz (“Time Machine”, “Into the Darkness”), Southern Roots Rock (“When I Left Home”,  “There’s No Time”) and a country fried cover of Tom Petty’s “Stop Draggin’ My Heart Around” in a killer duet with Samantha Fish.

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jen chapin in the alternate root10. Jen Chapin is the singer/songwriter daughter of Harry and Sandra Chapin. Her folk moves away from her Dad's coffee house beginnings and, in her own words, into "jazz tinged urban folk... incorporating the funk, soul and improvisation of the city". Jen Chapin is Brooklyn-based, where she lives with husband Stephen Crump (who tours as her bass player in the Jen Chapin Trio) and two kids. Jen has four studio albums bearing her name, Ready,Linger, Open Wide and Light of Mine, all on Hybrid Recordings, and the real-time effort, Jen Chapin Live at the Bitter End from 2000. Multi-taskers take note-- Jen raises the bar adding to her Mom and touring musicians duties, by serving as chairwoman for the organization her dad formed, World Hunger Year.

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shooter jennings in the alternate root11. Shooter Jennings is a child of the road. Born Walton Albright “Shooter” Jennings, the only child of Waylon Jennings and Jessi Colter, he grew up on a tour bus surrounded by Johnny Cash and Kris Kristofferson. Shooter played drums at five, took piano lessons at eight and started playing guitar at fourteen, sometimes playing percussion in his Dad’s band. Shooter headed to Los Angeles from Nashville in 2001, forming Stargunn, a band with music modeled and molded from a hybrid of Skynyrd, Bowie, G’n'R and The Screamin' Cheetah Wheelies. He was offered the lead vocalist chair for Velvet Revolver but chose Country, releasing “Put the “o” Back in Country”. He moved into Psychedelia in his music in 2009, deleting nothing but adding in the ability to grow his own in both sound and look. His latest release, The Other Life, is a homerun. It brings together all the notes and styles at his disposal for the business of making music. Rousing country ruckus (“The White Trash Song”), roots rock on an adrenalin rush (“Mama, It’s Just My Medicine”), back porch folk (“Wild & Lonesome”) and a condemnation of posers trying to share in the glory of those who changed country music (“Outlaw You”).

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amy helm in the alternate root12. Amy Helm was born in 1970 to dad Levon Helm and singer/songwriter mom Libby Titus, whom Levon had met while recording The Band’s second album.  Amy is a past and current member of the Levon Helm Band, the Dirt Farmer Band and the Midnight Ramble Band. She tours under her own banner, Amy Helm & The Handsome Strangers, and also as a member of the group, Ollabelle. Amy was part of  Blues Tribute to the Greateful Dead in 2001. In the late 2000's, with Ollabelle, Amy Helm participated in another Dead tribute as a member of The American Beauty Project, coordinated and released by FestivaLink at the Fine Arts Center, UMass in Amherst Massachusetts.

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cassie taylor in the alternate root13. Cassie Taylor is the child of Blues-trance master Otis Taylor and Carol Ellen Bjork, a union that produced two daughters. Cassie is the eldest daughter and is featured on many of her Dad’s releases. At 26, Cassie has spent ten years on stage playing bass and singing with Otis. Having a modern day Blues innovator as a father grants a lot of flexibility in your own music, and Cassie makes use of the Blues in all its forms on Blue, her 2011 release. Cassie Taylor will release Out of My Mind in May, 2013, claiming her own ground as an artist. The album will host a tune for her parents with the love letter, “Lay Your Head On My Pillow”. The track was written for the couple's twenty-third anniversary. Cassie says that “It’s about their commitment to each other. Lasting couples go through so much. Also, when you’re broke and don’t know what to get your parents for a present, but you can write a song like this… It’s going to last a lot longer than a toaster.”

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big bill morganfield in the alternate root14. Big Bill Morganfield was born in Chicago, Illinois, a town that his dad, Muddy Waters, made as a mecca for the Blues. Born in 1956, son William had little contact with his Dad and was raised in south Florida by his grandmother. Big Bill had about as much contact with music as with his Dad, and he worked as a teacher after earning a bachelors degree in English from Tuskegee University and in Communications from Auburn U. He did not begin playing music seriously until after his father's death in 1983, and then spent six years studying guitar. The recent Big Bill Morganfield release is Blues With A Mood. The album stays true to the styles of the founding fathers of the Blues, and the diverse ways they expressed the genre. Big Bill says of the project, “I wanted to put together a set of tunes with heavy grooves and deep moods which stay close to the musical genre of Howlin’ Wolf, John Lee Hooker, Muddy Waters, Junior Parker, Robert Johnson and several of my other musical heroes.

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the chapin sisters in the alternate root15. The Chapin Sisters, Abigail and Lily, are the daughters of folk singer, Tom Chapin, and nieces of Harry Chapin. They formed a band that early on included half-sister Jessica Craven. Before they were really even a band, The Chapin Sisters released a slow, acoustic version of Britney Spears' “Toxic” which garnered attention and radio play. They put together songs for an album and released Lake Bottom in 2008. As a duo, The Chapin Sisters have performed residencies of Old Time Country songs and soon will release a collection tribute to the singing brothers with  A Date With The Everly Brothers, the title taken from brothers Phil and Don’s 1961 album release. The Chapin Sisters do a great job on the album covering the well-known (“Cathy’s Clown”, “Crying in the Rain”) and tracks that never crossed The Everly’s over to mainstream (“Sleepless Night”, “Down in the Winter Garden”). Advanced technology puts the Sisters slightly ahead of the Brothers' originals with the chill factor. Their version of “Dream” re-invents the song to fit into a David Lynch film.

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lucy wainwright roche in the alternate root16. Lucy Wainwright-Roche was born in 1981, the daughter of musicians, Loudon Wainwright III and Suzzy Roche. Lucy chose a non-music path for a while, teaching elementary school in New York City. She recorded  two E.P.s, 8 Songs and 8 More, before releasing her debut album, Lucy, in October 2010. Lucy’s Mom, Suzzy, along with her sisters Maggie and Terre, were part of a folk harmony group, The Roches, that had a major influence on artists such as the Indigo Girls. The Athens, Ga.-based group returned the favor when Lucy Wainwright-Roche toured the U.S., opening for the Indigo Girls, who also appear on the Lucy release.

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17. Savannah Welch is the daughter of singer/songwriter Kevin Welch. Her band, The Trishas, was brought together in tribute to her father when Jamie Wilson, Liz Foster, Kelley Mickwee and Savannah Welch first shared a stage in January 2009. Their plan was simply to perform a couple of songs as part of a musical nod to Savannah’s dad; a joint musical future was not where they were headed. They wound up calling themselves The Trishas on a whim-- the name popping into their heads because they were covering a  Kevin Welch-authored Trisha Yearwood hit. The Trishas' first full-length debut is High, Wide and Handsome. The band has made some good friends while touring outside of their Austin, Texas base, opening for Raul Malo and Ray Wylie Hubbard. Co-writes on High, Wide and Handsome include top-shelf names such as Bruce Robison, Jim Lauderdale, and Jason Eady and the guitar work on the album comes courtesy of Kenny Vaughan, Tammy Rogers, Harry Stinson and Viktor Krauss.

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ivan neville in the alternate root18. Ivan Neville’s career has put him close to the household name of his Neville Brothers Dad, Aaron Neville. Ivan Neville had a Billboard Top 40 hit with his first solo album, If My Ancestors Could See Me Now. In addition to playing and recording with the Neville Brothers, Ivan was a member of Bonnie Raitt’s band from 1985 to 1987, contributed keyboards to The Rolling Stones' Dirty Work and Voodoo Lounge albums, and was a member of both Keith Richards' non-Stones project with Ron Wood, the X-Pensive Winos and The Spin Doctors from 1999 to 2000. 2003 saw Ivan Neville forming his own band, Dumpstaphunk. In 2013, in celebration of the groups' tenth anniversary, they will release Dirty Word in June, showcasing some of the songs at the end of April during the New Orleans Jazz & Heritage Festival.

Listen and buy the music of Dumpstaphunk from AMAZON or iTunes

liam finn in the alternate root19. Liam Finn is a New Zealand musician, the son of Split Enz/Crowded House front man, Neil Finn. Liam Finn came to fame as part of the New Zealand group, Betchadupa in 2007. His first solo effort, I’ll Be Lightning, broke Liam Finn into the Indie music world. The album is Liam bending and working sound into song. The album was recorded entirely on analog at his father's studio with the stories drawn from Liam’s time living in London. Live, Liam uses looping of his instruments in playback and performs with multi-instrumentalist Eliza-Jane Barnes.  He recorded a version of The Beatles' “Two of Us” with Dad Neil for the I Am Sam film soundtrack. He released his latest album, Fomo, in 2011.

Listen and buy the music of Liam Finn from AMAZON or iTunes

finley sexton in the alternate root20. Finley Sexton is the teenage daughter of singer and acclaimed songwriter Will Sexton. While not yet fully into a career as a professional musician, she's been raising ears and eyebrows around her hometown of Austin, TX of late at clubs as heralded as Threadgills, The Monkey's Nest, and Maria's. While following in her father's footsteps as a gifted writer and musician, her roots are  grounded in Indie rock, The Smiths, and Jimi Hendrix with a penchant for melody and keen lyrical expression. She may be the youngest performer on this list, but she's got a solid future ahead and a great foundation to build on.


the alternate root top 20 guitar playersHere's our list of The Alternate Root Magazine's Top American Roots Guitar Players. There's probably 100 guitar players that could have been on this list that appear on every "Best Guitar Player List." These are our favorites. The one's we write about; one's we've worked with on Alternate Root TV or we've interviewed here. They're our guys and gals and all of them can play. Chances are we've forgotten a few and we're counting on our readers to remind us of who's supposed to be here.

kenny vaughan in the alternate root1. Kenny Vaughan - Marty Stuart Band, solo - One of the most, if not 'the' most in demand session players in Nashville, Kenny Vaughan is an absolute monster player that is in a league with just a few others on this list. Combining the most eclectic, fringe elements of jazz, punk, rock, country and whatever else into his unique style and combining it with near flawless technique is what sets Vaughan apart from most. 

Listen and buy the music of Kenny Vaughan from AMAZON or iTunes

  will kimbrough in the alternate root2. Will Kimbrough - Emmylou Harris Band, solo - Kimbrough's work with Rodney Crowell and Emmylou Harris is well documented. His solo work is equally compelling and as one of the top producers in the American Roots music world you can find him on a slew of other really good records. He can play any style from blues to country, rock to soul and everything in between.

Listen and buy the music of Will Kimbrough from AMAZON or iTunes

richard thompson in the alternate root3. Richard Thompson - Fairport Convention, solo - One of the founding members of Fairport Convention, Thompson has spent most of his career in relative public obscurity save guitar heads and critics. Guitar people have known about Richard Thompson for decades and critics have been heaping praise on Richard Thompson for both his playing and his writing for nearly as long. His mark is on more music than most anyone on this list. Probably the best folk guitarist in history.

Listen and buy the music of Buddy Miller from AMAZON or iTunes

buddy miller in the alternate root4. Buddy Miller - Band of Joy, solo - Like Will Kimbrough, Buddy Miller appears on more recordings than can be listed here. He's worked as a guitar player for Steve Earle, Robert Plant, John Fogerty, Patty Griffin, Emmylou Harris, Jimmie Dale Gilmore and Linda Rostadt. His solo work is at times breathtaking and at other time a bit puzzling but never typical. Miller is just downright brilliant.

Listen and buy the music of Colin Linden from AMAZON or iTunes

colin linden in the alternate root5. Colin Linden - Blackie and the Rodeo Kings, solo - One of the true virtuoso players on our list. A scholar of the roots of the guitar, from earliest recordings of blues and jazz to folk and country, Colin Linden was called upon by T-Bone Burnett to help produce the soundtrack for "Oh Brother Where Art Thou." He's one of the top American Roots producers in Canada and the U.S. and has a guitar playing resume that would take up more space than we have here.

Listen and buy the music of Bill Kirchen from AMAZON or iTunes

bill kirchen in the alternate root6. Bill Kirchen -solo - One of the most respected and acclaimed players of the last few decades Kirchen may be best known for work with Commander Cody and the Lost Planet Airmen but his work over the past 30+ years is more impressive. His version of "Hot Rod Lincoln" where he rips into a solo for every guitar god hero is amazing.

Listen and buy the music of Pete Anderson from AMAZON or iTunes

pete anderson in the alternate root7. Pete Anderson - solo - He's a bad-ass player. He's a bad-ass producer who created the sound for Dwight Yoakam, k.d. Lang, Michelle Shocked and even the latter-day Roy Orbison. If you don't know him as a player you don't know the half of it.

Listen and buy the music of Derek Trucks from AMAZON or iTunes

derek trucks in the alternate root8. Derek Trucks - Tedeschi Trucks Band, Allman Brothers Band - The nephew of Allman Brothers great Butch Trucks, Derek Trucks first appeared on stage with Buddy Guy and The Allman Brothers at age 12. One of the best slide players out there right now, Trucks is heavily influenced by Buddy Guy, Elmore James and the like but his style incorporates blues, rock, soul and classic jazz elements.

Listen and buy the music of Derek Trucks from AMAZON or iTunes

traul malo in the alternate root9. Raul Malo - Mavericks, Los Super Seven, solo - Raul Malo may be more well known for his incredible voice than his guitar playing but he should never be overlooked as one of the top American Roots guitar players. His work with the Mavericks, Los Super Seven and as a solo artist contains some incredibly good guitar playing by any standards. See him live playing jazz, blues, country, Tejano, rockabilly and you'll get the picture.

Listen and buy the music of Raul Malo from AMAZON or iTunes

junior brown in the alternate root10. Junior Brown - Junior Brown Band - Junior Brown is so good he needed to have a guitar invented just for him and the "guit-steel" was born. He's incendiary style blends Western Swing, honky-tonk, Bakersfield country and Texas blues often in the same solo.

Listen and buy the music of Junior Brown from AMAZON or iTunes

patterson hood in the alternate  root11.  Patterson Hood - Drive By Truckers - The power behind one of the powerhouse American Roots bands Patterson Hood is actually more Clash than Cash. The Drive By Truckers are one of the few roots bands that when it's all said and done, will have done pretty well.

Listen and buy the music of Patterson Hood from AMAZON or iTunes

eric ambel in the alternate root12. Eric “Roscoe” Ambel - The Del-Lords, Steve Earle Band, solo - He's more into producing and engineering now than when he was barnstorming for Joan Jett and the Blackhearts, The Del-Lords or Steve Earle but "Roscoe" shows up in rare form on a lot of really cool recordings from bands like the New Heathens, Jimbo Mathus and the Tri-State Coalition and DL Marble. Ambel is a great guitar player...period.

Listen and buy the music of Eric ‘Roscoe’ Ambel from AMAZON or iTunes

rosie flores in the alternate root13. Rosie Flores - Rosie Flores Band - The "Rockabilly Filly" broke the glass ceiling for female guitar players right along with Bonnie Raitt and Patti Smith, just to a different crowd. She's the "Queen of Twang" and one of the pre-eminent figures in the Austin Alt-Country music scene. She's fun, she's good and she looks great at 63. Her work with Pete Anderson on her debut album drew major critical acclaim.

Listen and buy the music of Rosie Flores from AMAZON or iTunes

mark robinson in the alternate root14. Mark Robinson - Mark Robinson Band - He can shred, pick, bend and slide with the best of them. Robinson has a resonant tone that would fall somewhere between Albert King and Ronnie Earl but has developed into pure Mark Robinson. Only two solo efforts to date but both have garnered high praise for Robinson's guitar work.

Listen and buy the music of Mark Robinson from AMAZON or iTunes

devon allman in the alternate root15. Devon Allman -Royal Southern Brotherhood, Devon Allman's Honeytribe - The son of Gregg Allman and another example of the fruit not falling far from the tree, Devon Allman has the chops of his father and the soul of his uncle. In his case the soul is what makes him great. His blues are hard edged and spacious; making each note count rather than counting how many notes there were. An awful lot of Allman Brothers Band offspring are making great music. Makes you wonder about the effects of sex and srugs.

Listen and buy the music of Devon Allman from AMAZON or iTunes

sergio webb in the alternate root16. Sergio Webb - David Olney, solo - Sergio Webb can be seen on a stage in Nashville making someone sound good most any night. He's a great picker of just about anything that has strings on it. Webb is a throwback to the old-style country guitar player like Chet Atkins or Les Paul.

Listen and buy the music of Sergio Webb from AMAZON or iTunes

seth walker in the alternate root17. Seth Walker - solo - Seth Walker started as a cellist at the age of three growing up with classicly trained musicians as parents. His clean soul-jazz-pop sound has garnered some high praise critically both as a skillful player and soulful singer. He's paved the way for a host of blues/soul performers in the Americana Roots movement. His cool west-coast tone is reminiscent of Wes Montgomery.

Listen and buy the music of Seth Walker from AMAZON or iTunes

martin sexton in the alternate root18. Martin Sexton - solo - His playing is a lot studio tricks and loops but since he's playing all of it and putting it together in some sort of predetermined sequences we'll have to call that innovative and highly skilled playing. Not your dad's "folkie," Martin Sexton is a gifted player that experiments outside the lines.

Listen and buy the music of Martin Sexton from AMAZON or iTunes

chris hersch in the alternate root19. Chris Hersch - Girls, Guns and Glory - The lead guitar slot in Girls, Guns and Glory has been a bit of a revolving door and the predecessors to Chris Hersch have all been pretty solid. That said, none of them can stand with the current "lead chair." Hersch's work on "Sweet Nothings," the latest effort from GGG is astounding.

Listen and buy the music of Chris Hersch from AMAZON or iTunes

garrett lebeau in the alternate root20. Garrett Lebeau - solo - He's a young guy from rural Wyoming that resides in Austin every now and again. An enigma of sorts, Lebeau posesses an almost majestic tone and incendiary improvisational skill. His playing is a combination of bluesey soul and jazz in a gospel wash. Infectious is a good way to describe Garrett Lebeau's music.

Listen and buy the music of Garrett Lebeau from AMAZON or iTunes

colin thompson in the alternate root21. Colin Thompson - Randy Thompson Band - Who? From where? At 15 he had chops it should have taken 40 years to develop. Randy Thompson is a known entity in many Americana/Alt-Country circles especially in Europe but his son Colin might end up as the one who scores it big. Now 19, He's a sponge for style and technique and by the time he hits middle age he could be the best player on this list.

Listen and buy the music of Colin Thompson from his website

Emmylou Harris has defied the odds of location, location, location when she paired with Gram Parsons to develop cosmic American Music shortly after being a waitress in a Baltimore diner. She broke industry rules that rock and country could not and would not meet when her first albums were received by both communities, and where her presence still gets attention. Very few times can you mention Emmylou Harris without another chiming in, at least one, with an ‘I love Emmylou’. That is the reason she has spanned forty years since she shared microphone duties with Gram on his solo debut, GP.  She makes everyone feel like she is their artist; their find. Emmylou Harris has developed and groomed musicians and styles throughout her career, with highlights in her work often honored by the Grammy Awards as Best Contemporary Folk Album.  Whether it is folk, country, rock, gospel, classic country, Americana or Roots rock, Emmylou Harris is a confident guiding mother to every song, style and band smart enough to clue her into recording dates. Everyone has a reason for the love of Emmylou…here are Ten Reasons Why We Like Emmylou Harris.

1. “Love Hurts” – Gram Parson and Emmylou Harris (from the album Grievous Angel) - This track was slated for album number two, Grievous Angel. Gram Parsons passed away before the January 1974 release date. Contemporary critics of the time didn’t feel it held up to previous efforts but we are still talking about it in 2014….something must have worked. “Love Hurts” by Gram and Emmylou is intimate. The vocals will walk away with you, stake a spot in your heart and move in after the first date.

Listen and buy “Love Hurts” by Gram Parsons from AMAZON or iTunes

2. Feelin’ Single, Seein’ Double – Emmylou Harris (from the album Elite Hotel) - 1975 closed out the year with a second release in December for Reprise Records new signing Emmylou Harris. Elite Hotel planted one foot in rock’n’roll and one foot in country. “Feelin’ Single, Seein’ Double” carries the added punch of standing up for the girls having the same rights as the boys when it comes to making bad decisions fueled by alcohol, dim lights, thick smoke and loud music. The fuel for this song comes from Emmylou’s Hot Band, featuring recording and touring members of the Elvis Presley’s band (James Burton, Emory Gordy, Glen D. Hardin) and Rodney Crowell.

Listen and buy “Feelin’ Single, Seein’ Double” by Emmylou Harris from AMAZON or iTunes

3. The Ballad of Emmett Till   (from the album Hard Bargain) - No gaps or seams have ever appeared in the recorded output of Emmylou Harris. “The Ballad of Emmett Till” is from her 2011 release, Hard Bargain. The Emmylou Harris-penned tune allows its singer to become another soul, and write another’s pain, from beyond its earthly life. Emmett Till was a young black man from the north visiting southern relatives. His ballad reveals the horror of times past, the song reminding that those times can never be far enough away.

Listen and buy “The Ballad of Emmett Till” by Emmylou Harris from AMAZON or iTunes

4. “Luxury Liner” – Emmylou Harris   (from the album Luxury Liner) - Her 1997 album with the Hot Band, Luxury Liner, has been Emmylou’s bestselling album. Her back-up band was living up to its name in a big way. “Luxury Liner” stretches out for a cruise over a train track beat. Emmylou is out searching for her baby on board ‘40 tons of steel’. She may think about giving the twang in the tune a go as it swears its allegiance throughout the track.

Listen and buy “Luxury Liner” by Emmylou Harris from AMAZON or iTunes

5. “Boulder to Birmingham” – Emmylou Harris    (from the album Spyboy) - The album title is from the touring band that backed Emmylou Harris during this period. Spyboy is a live album and lets the band stretch each song musically. Emmylou duets with American treasure Buddy Miller on this version of her song. Emmylou gets a great deal with Buddy as the match for her vocal comes from both Buddy’s pipes and his guitar.

Listen and buy Spyboy by Emmylou Harris from AMAZON

6. “To Know Him Is to love Him” – Dolly Parton, Emmylou Harris, Linda Ronstadt  (from the album Trio) - Three of the top vocalists in 1987 joined together to record “To Know Him Is to Love Him” and other tracks as Trio. The tune was originally recorded by The Teddy Bears, written by Phil Spector, and performed  by the only group that Phil ever played in as a member. Even with microphones shared with voices like Dolly Parton and Linda Ronstadt, it is Emmylou Harris who owns this track.

Listen and buy “To Know Him is to Love Him” by Trio from AMAZON or iTunes

7. “Hanging Up My Heart” – Emmylou Harris and Rodney Crowell   (from the album Old Yellow Moon) - Emmylou joins up with former Hot Band member Rodney Crowell on a co-headlining gig in the pair’s 2013 release, Old Yellow Moon. Hot Band members James Burton and John Ware guest on HB alumni Hank Devito’s tune, “Hanging Up My Heart”.

Listen and buy “Hanging Up My Heart” by Emmylou Harris and Rodney Crowell from AMAZON or iTunes

8. “Deeper Well” – Emmylou Harris   (from the album Wrecking Ball) - Daniel Lanois produced and U2 drummer Larry Mullin, Jr. guested on Wrecking Ball. The album struck out into new territory for Emmylou Harris as she incorporated the use of sonic’s into her natural roots music without ever sacrificing herself or her songs. Emmylou received a 1996 Grammy (Best Contemporary Folk Recording) for her efforts in developing Americana as its own genre in “Deeper Well”, a co-write with Emmylou, album producer Daniel Lanois and David Olney.

Listen and buy “Deeper Well” by Emmylou Harris from AMAZON or iTunes

9. “This Is Us” – Mark Knopfler and Emmylou Harris   (from the album All the Roadrunning) - It is not adding Emmylou Harris to a track’s vocals that make it a particular genre. She walks into styles and lets them do their own thing while she sings as Emmylou Harris. “This Is Us”, with Dire Straits’ Mark Knopfler, turns the pages on the scrap book pictures of a life together, sprawling out of a caffeinated roots rhythm.

Listen and buy “This Is Us” by Mark Knopfler and Emmylou Harris from AMAZON or iTunes

10. “Two More Bottles of Wine” – Emmylou Harris   (from the album Quarter Moon in a Ten Cent Town) - The thread that has trailed through the music of Emmylou Harris is made of the joy she brings to the microphone. That is her style. She adds vocals to music that she feels is a part of her voice, comfortably digging Roots through grounds of Classic Country and Rock’n’Roll as she does on this 1978 release with of the Delbert McClinton tune “Two More Bottles of Wine”.

Listen and buy “Two More Bottles of Wine” by Emmylou Harris from AMAZON or iTunes


Duane Allman was gone before the music he made took over the world. The brothers Allman, Duane and younger brother Gregg, were from Macon, GA. Gregg got a guitar first but Duane learned quicker. The brothers went to Nashville for summers to visit grandma, seeing B.B. King and soaking up sound. As time went on Duane immersed himself in the guitar, quitting the high school to stay home during the days and learn his instrument. The brothers formed The Allman Joys moving the band to Nashville then St. Louis, MO. The name changed to Hour Glass and the home base moved to Los Angeles, CA in 1967. For Duane’s twenty-second birthday, Gregg brought his big brother a bottle of cold pills for his fever and the new Taj Mahal record. Two hours later, Gregg’s phone rang. Duane had emptied the pills and taken the label off the bottle so he could play slide. Duane had never attempted to play slide guitar before and would be known for that playing it a lot afterwards.

Duane’s work with Hour Glass caught the ears of producers and he was plugged to play a Muscle Shoals recording session with Otis Redding, backing the singer on his rendition of “Hey Jude”. His playing drew attention at Atlantic Records and the guitarist was scheduled for sessions with Clarence Carter, Laura Nyro, King Curtis, Percy Sledge, Herbie Mann, Aretha Franklin, Otis Rush and more. He recorded the lead guitar for Boz Scaggs’ “Loan Me A Dime” shortly after his session for the Otis Redding track. The Allman Brothers Band got off to a clunky start with neither of their first two albums registering with listeners. Success came for Duane Allman in his own band with the release of Live at the Fillmore East and his guitar work for Derek and the Dominoes. Duane Allman passed away on October 29, 1971, several weeks after the release of Live at the Fillmore East and during its initial success. His motorcycle hit a truck that had stopped suddenly in an intersection and he died at the age of twenty-four years old.

Duane Allman lived for the music. When his soul crossed over, his spirit was kindly stayed around to be a part of the music that he cherished. . There are many reasons to appreciate Duane…here are Ten Reasons Why We Like Duane Allman.

1. “Still Want Your Love” – Hour Glass (from the album Power of Love) - Comprised of Duane and Gregg Allman alongside three future Muscle Shoals session men, Hour Glass was a 60’s rhythm and blues band. The power was in the hands of those that did not know how to handle it at Liberty Records and they positioned the group as a Pop act. Duane’s guitar weaves through the song with a psychedelic buzz in its riffs and soul in its step.

Listen and buy “Still Want Your Love” by Hour Glass from AMAZON or iTunes

2. “Games People Play” – King Curtis featuring Duane Allman  (from the album Duane Allman Anthology) - When King Curtis covered Joe South’s “Games People Play” as an instrumental the 1968 hit was still fresh. A jazzy soul in the rhythm is a good complement for Duane Allman’s subdued Leslie-amp distorted note patterns.

Listen and buy “Games People Play” by King Curtis from AMAZON or iTunes

3. “Don’t Want You No More” – The Allman Brothers Band   (from the album The Allman Brothers Band) - The Allman Brothers choose an instrumental to lead the charge on their 1969 debut. “Don’t Want You No More” was a Spencer Davis tune that the band wrestles into shape by putting sharp angles in the arrangement and smoothing them over with the slightly Latin Rock of its guitar notes.

Listen and buy “Don’t Want You No More” by The Allman Brothers Band from AMAZON or iTunes

4.  “The Weight” – Aretha Franklin featuring Duane Allman   (from the album Duane Allman Anthology) - It was Duane’s guitar work for Aretha that gave the band its legendary road man, Red Dog (Joseph L. Campbell). The guitar lead made Red Dog want to see the band live and after the show he stayed around to tell them how much he liked the playing. Before the band broke, Red Dog would hand over his military pension checks to the band to keep them afloat.

Listen and buy “The Weight” by Aretha Franklin from AMAZON or iTunes

5. “Don’t Keep Me Wonderin’” – The Allman Brothers Band  (from the album Idlewild South) - Duane’s slide is ever-present on this cut from album number two for the Allman Brothers Band. The players seem happy to stay as rhythm while Duane’s guitar bends around the curves and holds the road while leaning way over the edge.

Listen and buy “Don’t Keep Me Wonderin’” by The Allman Brothers Band from AMAZON or iTunes

6. “Statesboro Blues” – The Allman Brothers Band   (from the album Live at the Fillmore East) - Live at the Fillmore Eastwas the album that broke the Allmans and Blind Willie McTell’s ode to a little town in Georgia, “Statesboro Blues” led the charge as opening cut. After a quiet introduction Duane sets fire to the front row with searing leads that leave skid marks all over the song.

Listen and buy “Statesboro Blues” by The Allman Brothers Band from AMAZON or iTunes

7. “Loan Me A Dime” – Boz Scaggs featuring Duane Allman   (from the album My Time” A Boz Scaggs Anthology) - Coming on slow, “Loan Me A Dime” opens with organ and piano notes playing tag over a simmering drum beat walking through high noon on a hot day. Duane Allman plays all lead guitar on the track, biding his time and entering the song at over the one minute mark and taking charge.

Listen and buy “Loan Me a Dime” by Boz Scaggs from AMAZON or iTunes

8. “Tell the Truth” – Derek and the Dominoes   (from the album Layla and Other Assorted  Love Songs) - Duane Allman felt that it was easy to separate his lead guitar work from that of Eric Clapton on the Derek and the Dominoes project…..Eric played the Fender parts and Duane played the Gibson parts. On “Tell the Truth” it is an easier figure, as Duane slides in and stays on a slippery course with his guitar through the song.

Listen and buy “Tell the Truth” by Derek and the Dominoes from AMAZON or iTunes

9. “Little Martha” – The Allman Brothers Band   (from the album Eat A Peach) - “Little Martha” is the only Allman Brothers track written solely by its then group leader, Duane Allman. The song was recorded in October 1971, just several weeks before Duane’s untimely death.

Listen and buy “Little Martha” by The Allman Brothers Band from AMAZON or iTunes

10. “Duane Allman” – Amy Ray  (from the album Goodnight Tender) - Amy Ray twists and twangs a nod to one of the world’s greatest guitarists, Duane Allman. The story follows a woman with a guitar, up from Waycross as she puts her line in the sand, “Man it ain’t ever gonna be the same… you know I’ll give ‘em a chance but no one can play like Duane”. Duane Allman’s body of work ended with his death in 1971, but his guitar riffs continue to be a part of our lives.

Listen and buy “Duane Allman” by Amy Ray feat. Susan Tedeschi from AMAZON or iTunes


Bob Dylan has been releasing albums for 50 years now. Between studio albums, live albums, compilations and greatest hits and the much coveted bootlegs there are 72 albums in all. His place in the most select pantheon of popular music is rock solid along with the The Beatles, The Rolling Stones, Elvis Presley, Frank Sinatra and no one else. The amount of space Dylan takes up on my shelf is larger than Sinatra's and that's saying a lot. For the sake of this discussion I'm going to leave the live albums, compilations and bootlegs out. This is just about the studio albums from 1962-2012. 35 albums in all.

There have been long periods where Dylan could do no wrong, releasing one monumental document after another, interrupted by the occasional klunker and there have been some real klunkers. Even with that, the worst Bob Dylan albums always had something on them I found to be a diamond in the rough. The much chastized 1973 album Dylan had some good outtakes and a cool song called "Lily of the West" which I put on almost every Dylan mix tape for years. Even Self Portrait, considered by Dylanologists-in-the-know to be the low point of a stellar career had a countrified version of Simon and Garfunkel's "The Boxer" which I still find tolerable. Those two albums were separated by New Morning and the soundtrack to Pat Garret and Billy the Kid which are both full of memorable moments. Enough of that. Let's move on to ranking Bob Dylan's catalog and feel free to comment, chide or mumble under your breath.

1. Blood on the Tracks (1975) - I often debate whether or not Blood on the Tracks ranks higher than Desire and it really depends on the mood. Today, I rank it higher. Check with me next week. Song for song it's the best album in a career full of noteworthy material.

2. Desire (1976) - Desire was released one year and one day after Blood on the Tracks representing perhaps the greatest two year period in Dylan's illustrious career. The nine songs on Desire are absolutely flawless! If it had had "Tangled Up in Blue" on it it would surely rank as his greatest moment. It didn't, Blood on the Tracks did, hence, number two.

3. Highway 61 Revisited (1965) - "Like A Rolling Stone" was Dylan's highest charting single of his career, reaching Number 2 on Billboard's Hot 100 in 1965. Rolling Stone magazine called it the greatest rock and roll song of all time. That album also contained "Desolation Row" and "Ballad of a Thin Man." Nothing more need be said.

4. Infidels (1983) - After the "born-again" nonesense of Shot of Love and Saved, Infidels was a breath of fresh air for those of us who thought Dylan had lost it. The production on Infidels, courtesy of Mark Knopfler, was flawless. Having Mick Taylor, Sly Dunbar and Robbie Shakespear in the band didn't hurt either. Songs about geo-politics, the environment and overall social commentary had returned to the guy who invented it.

5. Time Out of Mind (1997) - I'm not much on the significance of Grammy Awards but Time Out of Mind won 3 of them including Album of the Year in 1998 which almost redeemed the institution for me. Time Out of Mind could easily be at the top of this list. Producer Daniel Lanois along with session players Jim Keltner, Augie Meyers and Duke Robillard created atmospherics not heard before or since in the Dylan collection.

6. Blonde on Blonde (1966) - Songs "Just Like a Woman", "Rainy Day Women #12 and 35", "I Want You", and "Visions of Johanna" aren't enough? Try having Robbie Robertson, Rick Danko, Garth Hudson and Levon Helm in the band. Add the entire fourth side of one of rock and roll's first double albums, "Sad Eyed Lady of the Lowlands" and you've made music history.

7. The Freewheelin Bob Dylan (1963) - You want a folk movement? You want social change? You want somebody to stand up and say the things everyone is thinking but can't find the words or a platform? This is it. "Masters of War", "A Hard Rains Gonna Fall", "Blowin in the Wind", all timeless anthems that still taste great today. Not to mention "Girl From the North Country" and "Don't Think Twice, It's Alright."

8. Oh Mercy (1989) - It's been said that Dylan wandered aimlessly in the 1980's. The three albums between Infidels in 1983 and Oh Mercy in 1989 might support such a theory but if you can bookend a decade on those two albums it's a stretch to call the decade lost. Oh Mercy contained some of Dylan's best work including "Political World", "Ring Them Bells", "Everything is Broken" and "What Was it You Wanted." Most writers would take that and call it a career.

9. Modern Times (2006) - Part of a trilogy of albums that returned Dylan to prominence along with Time Out of Mind and Love and Theft, Modern Times was Dylan's first number one album since Desire and the album actually entered the Billboard 200 Chart at number one. The album continued Dylan's journey into American Roots music traditions both in style and substance. Those three albums together would stand alone as a brilliant career if they were someone else's.

10. Tempest (2012) - His voice is getting on and his live performances are just a shell of what they once were but this is as strong as Dylan has been in a while. It peaked at #3 on the Billboard chart, no small feat 50 years into a career. It also had conspiracy critics claiming it was his last album based on a theory that Shakespear's last play was called The Tempest but Tempest has some of darkest most poignent lyrics we've heard from Dylan in a decade. It also followed a dreadful Christmas album which may explain the critical sigh of relief that Dylan still has gas in the tank.

11. Love and Theft (2001) - Love and Theft sort of picks up where Time Out of Mind left off (at least sonically) and while it was propbably received more enthusiastically by the critics it was surrounded by  some controversy including allegations of plagiarism. Bollocks. The album ranks as one of the best Roots albums of the last half century and made Rolling Stone's list of the 500 best albums of all time. Some of the criticism sparked some of Bob Dylan's harshest critique of journalists and "Dylan experts" ever.

12. World Gone Wrong (1993) - Although it's an album of cover songs, the selection makes the collection stand alone. Like it's predecessor Good As I Been to You, it was a return to Dylan's folk roots and it was good enough to win the Grammy for Traditional Folk Album 1n 1994. Bob Dylan paying tribute to The Mississippi Shieks, Blind Willie McTell, Willie Brown and Doc Watson is pretty fucking cool.

13. The Times They Are a-Changin (1964) - While Beatlemania and the British Invasion were soaking up the limited airspace in 1964, Bob Dylan released his third album The Times They Are a-Changin to little fanfare. It was panned by critics and struggled commercially. Looking back however, it contained some pretty important music aside from the title track. "The Ballad of Hollis Brown", "With God on Our Side", "One Too Many Mornings" and "Lay Down Your Weary Tune" are significant songs that stand the test of the times we live in today. "Seven people dead on a South Dakota farm..." can you say gun-control?

14. Bringin It All Back Home (1965) - One side acoustic, one side rock may have confused a lot of people and pissed off the folk-nazi's but the acoustic side contained "Mr. Tambourine Man", "Gates of Eden" and "It's All Over Now, Baby Blue" and the rock side contained "Subterranean Homesick Blues", "Maggies Farm" and "Love Minus Zero, No Limit." That would place it in the top three on just about everyone else's catalog.

15. Together Through Life (2009) - The second successive Bob Dylan album to debut at number one on the Billboard 200, Together Through Life was a departure from the previous, Modern Times relying on dark, mischievous lyrics and bluesy overtones. It's one of a handful of co-written Dylan albums most of the songs written by Dylan and Grateful Dead lyricist Robert Hunter. "Beyond Here Lies Nothin" is the albums highlight.

16. Nashville Skyline (1969) - A duet with Johnny Cash on "Girl From the North Country" and "Lay Lady Lay" made Nashville Skyline a commercial success. It also concluded Bob Dylan's dip in the country music pool he started with John Wesley Harding in 1967. The outtakes of Dylan and Cash doing "Ring of Fire" and "I Walk the Line" should have been included however.

17. Slow Train Coming (1979) - While it signified the onset of the "born-again" Christian period, Slow Train Coming wasn't nearly as horrific as the follow ups Saved and Shot of Love. "Gotta Serve Somebody" was a pseudo hit and actually garnered Dylan a Grammy for Best Rock Vocal Performance in 1980 and Slow Train Coming is listed among the 100 Greatest Christian Albums according to the Contemporary Christian Music book. They would know. I, surely, would not. Dylan converted back to his Jewish roots before the release of Infidels in 1989.

18. The Basement Tapes (1975) - This album would certainly rank much higher on the list but for the circumstances surrounding the release and production of the album. It was taken from a collection of songs recorded by Dylan and The Band following Dylan's motorcycle accident and subsequent convalesence. Dylan's vocals were recorded in 1967, eight years prior to the album's release and the overdubs that were added along with tracks by The Band, while monumental in style and influence, make it suspect when calling it an album by Dylan and The Band.

19. Under The Red Sky (1990) - This album wasn't really all that bad but it contained "Wiggle, Wiggle" which ruined the rest of it and caused me to always stop listening at that point. Suffice to say I am a fan of Don Was as a producer, just not that much as Bob Dylan's producer. Was assembled a who's who of contemporary music at the time including Jimmie and Stevie Ray Vaughan, Elton John, George Harrison, Bruce Hornsby, Waddy Wacthel and Paulinho DaCosta and you would hope they could have done more lasting material. The title track stands out but not much else is memorable.

20. Planet Waves (1974) - During a brief stint on Asylum Records Dylan released two albums, Planet Waves and a live album Before the Flood. This is actually the better studio recording with Dylan and The Band although it rarely gets mentioned as the "true" collaboration it was. "Forever Young", "Tough Mama", Going, Going Gone" and "You Angel You" all rank high on my list of notable achievements during the Dylan/Band era.

21. Another Side of Bob Dylan (1964) - For those who preferred the finger pointing, in your face Bob Dylan that appeared on his previous albums, this wasn't it. Shy of "Chimes of Freedom" it was an album of somewhat candy coated love songs. A lot of the best songs appeared in later years, especially live, with a bit more bite to them. "It Ain't Me Babe" and"I Don't Believe You, She Acts Like We Never Have Met" are among them.

22. Good As I Been To You (1992) - The predecessor to World Gone Wrong, Good As I Been To You was the first all acoustic record Dylan had recorded since Another Side of Bob Dylan in 1964. Like World Gone Wrong it was comprised entirely of folk/blues covers and included outstanding renditions of "Sittin On Top of the World", "Froggy Went a-Courtin", and "Hard Times."

23. Pat Garrett and Billy the Kid (1973) - The first soundtrack and the acting debut for Dylan as the knife-throwing Alias in the Sam Peckinpah film Pat Garrett and Billy the Kid, the album was mostly instrumental but debuted the classic "Knockin on Heaven's Door". The musicians included Booker T. and Roger McGuinn. It's a good album for a rainy Sunday morning.

24. Bob Dylan (1962) - Only a career this monumental would put your debut album at number 24 on the list but compared to the body of work it just stands up as a good album. "Song to Woody", and "Talkin New York" are the only originals surrounded by folk standards. "Pretty Peggy-O" is pretty hip though.

25. New Morning (1970) - New Morning followed the release of the dreaded Self Portrait so it stands to reason it got some much needed critical relief. The album is solid and contains some Dylan standards including "If Not for You" and "Went to See the Gypsy" but all in all it's a good album for most and an OK album for Bob Dylan.

26. Empire Burlesque (1985) - In spite of the stellar cast of musicians assembled at different periods during the recording of the songs for Empire Burlesque the album is largely uninspired. The best songs on the album "Tight Connection to My Heart", "Clean Cut Kid", were originally set for the album Infidels. Even Roy Bittan, Steve Van Zandt, Benmont Tench, Mike Campbell, Howie Epstein and Lone Justice couldn't make the album any more than over produced 80's schmaltz.

27. Street Legal (1978) - While I actually like this album it ranks as the point where the catalog begins to slide downward. It also marks as the turning point that started Dylan on the Christianity slide. Religion had appeared throughout Dylan's writing but the apocalyptic overtones on Street Legal were different and certainly less subtle than previous inclusions. "Changing of the Guard", "Where Are You Tonight" and "Is Your Love in Vain" are the highlights for me and I can still listen to them fairly loud.

28. John Wesley Harding (1967) - The beginning of a brief and somewhat commercially fruitful foray into country music at least in terms of singing and playing but Bob Dylan isn't a country music writer now and wasn't then either. The music on both John Wesley Harding and Nashville Skyline, with some exceptions, sound contrived. "All Along the Watchtower", "I'll Be Your Baby Tonight"  and "The Ballad of Frankie Lee and Judas Priest" are the highlights.

29. Christmas in the Heart (2009) - As Christmas albums go this will never get any airplay during my holiday season.

30. Dylan (1973) - "Lily of the West" and not much else.

31. Saved (1980) - Awful

32. Shot of Love (1981) - Even more awful than Saved but at least it was the last of the born again albums...forever.

33. Self Portrait (1970) - Best summed up by Greil Marcus, the great Rolling Stone writer, in the opening sentence of his review, "What is this shit?"

34. Knocked Out Loaded (1986) - Dylan must have been either knocked out, loaded or both.

35. Down in the Groove (1988) - Most of us pleaded for Dylan to "make it stop" after three pretty horrific efforts in the 1980's...a year later Oh Mercy came out. It stopped, Bob listened and he's been back ever since.