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'EP' THE EXTENDED PLAY SESSIONS

adam ezra on the extended play sessionsThe connection between Adam Ezra, his band and whatever audience he happens to be entertaining is matched by few performers on today's music scene. The consummate entertainer, songwriter and band leader has been at the top of the Boston music scene for over a decade and has steadily built a national following through a relentless touring schedule. His sidekick and percussionist, Turtle, has been with him since Adam Ezra first started  with keyboardist Josh Gold joining soon after. A series of successful, critically acclaimed albums under their belt the band continues to electrify their fans with each live performance. Recent additions, Corina Smith on fiddle and Francis Hickey on bass along with stalwart drummer Alex Martin round out the sextet. This is one of the most memorable performances for The Extended Play Sessions and one we're grateful to have had the opportunity to experience.


 

girls guns and glory on alternate root tvThis week's show features Boston alt-country rockers Girls Guns and Glory. The Alternate Root ranked Girls Guns and Glory as one of the Top 5 Bands in Boston and one of the Top 35 Bands in the U.S. Their rise has been meteoric since the arrival of guitar ace Chris Hersch to compliment the unmistakable voice of front man Ward Hayden. Girls Guns and Glory have been significant all along but the tandem of Hayden and Hersch along with the powerhouse rhythm section of Paul Dilley and Josh Kiggens have brought the band to a new level. Their latest album, 'Sweet Nothings' was one of the Top Albums of 2012 receiving a ton of critical acclaim. The band came into Alternate Root TV Studios to open for the Del-Lords.





 

the band of heathens on alternate root tvA lot has gone on in the lives of Ed Jurdi and Gordy Quist over the past year. The co-founders of the Band of Heathens went through a near complete line-up change, fatherhood, moving from Austin and a host of other life shifting changes. During that span they wrote the most compelling and musically poignant album in the band's history, Sunday Morning Record. Touring with a new band and a brilliant new record has placed them right back at the top of the most important bands to carry the roots/Americana torch. Taking one of the best and most dynamic live shows and stripping it down to accommodate the small Alternate Root TV Studios was something the band, the audience and we, at Alternate Root TV, thoroughly enjoyed. "It's a great thing you have going on here," Gordy Quist mentioned, "taking this industrial space and turning it into a cool jazz club and inviting us in to play is pretty cool." We agree. The Band of Heathens performed the first side of the new album Sunday Morning Record for a small audience of fans and Alternate Root TV viewers in the very intimate setting of our Boston studio. "This was as close to a musical "religious" experience as I've had in some time." Bill Hurley, Producer, Alternate Root TV.

 

leftover salmon the extended play sessionsFor nearly three decades Leftover Salmon has been creating their own brand of music combining bluegrass, Cajun, country rock, blues and Rocky Mountain soul. There have been many changes in personnel along the way but the core of Vince Herman on guitar and Drew Emmitt on mandolin has remained solid and the addition of Andy Thorn on banjo has brought the Leftover Salmon sound to a new pinnacle. Back on the road after a host of successful side projects, Leftover Salmon has returned with a new-found vengeance and have reclaimed their spot at the top of the jam band circuit. The stopped into Alternate Root TV Studios on September 14 to tape the 'EP' Extended Play Sessions that will air on Monday September 23rd.



 

royal southern brotherhood on alternate root tvRoots, soul supergroup Royal Southern Brotherhood graced the stage at the Alternate Root TV studio in Boston to film this week's edition of 'EP' The Extended Play Sessions in front of a packed room of fans on August 26, 2013. Devon Allman (guitar), Mike Zito (guitar), Cyril Neville (percussion), Charlie Wooton (bass) and Yonrico Scott (drums) are all musicians of distinguished pedigree that bring together elements of blues, jazz, funk, soul and Gulf Coast rhythms to create some of the most sophisticated and complex music on the roots / Americana circuit. This set was one of the best we've ever had the pleasure of filming. This rich, soul and funk infused collection of songs appear on the debut album Royal Southern Brotherhood and the band performed a stripped down, intimate version for Alternate Root TV with some great commentary about music today, songwriting and being in one of the best bands in the world today.



 

peter mulvey on alternate root tvFor over two decades Peter Mulvey has been creating and perfecting a progressive blend of folk and indie rock music. He combines elements of rock, jazz and intelligent pop melodies with profound stories that penetrate the depths of the human condition. His music transcends the "folk" tag assigned as part of the Boston folk revival of the 1990's, foregoing traditions in favor of a more incendiary, percussive style of guitar playing and ethereal song crafting. Peter Mulvey is a master songwriter and musician and a consummate professional. He stopped by Alternate Root TV studios to film this week's edition of 'EP'-The Extended Play Sessions and it's one of the best shows of the year so far.





 

marcia ball extended playFor four decades the Queen of the boogie-woogie piano, Marcia Ball, has been gracing the stage worldwide. She's one the top female blues performers in the world, bringing the New Orleans/Mississippi Delta style to her unique brand of music. "It's what I know," she says, "I've been playing most of my life and I've been very fortunate." Marcia is also an activist, advocating for health care for musicians through the New Orleans Musicians Clinic and a similar program in her adopted hometown of Austin, TX. She also lends her voice to projects to reclaim the Louisiana wetlands and restoring New Orleans. In this week's edition of Extended Play she talks about her music, Irma Thomas, the plight of the wetlands and gives us a fabulous set of New Orleans style blues.



 

shannon mcnally on alternate root tvShannon McNally and her band Hot Sauce stopped by the Alternate Root TV studio in Norwood, MA to perform a set from the recently released album "Small Town Talk" A Tribute to the Music of Bobby Charles. Charles was one of the most prolific purveyors of the New Orleans sound from the 1950's through the last decade and the album, produced by Dr. John and Shannon McNally, is a brilliant tribute to one of the great songwriters of our time. Shannon McNally is one of the top female vocalists on the Americana/Roots music landscape, a great writer and immensely talented performer with an equally powerful backing combo featuring Will Sexton (guitar), Matt Hubbard (keyboards, trombone), Jake Fussell (bass) and Wallace Lester (drums). This four song set and words from Shannon is some of the hottest music we've had on Alternate Root TV this year!

 

gracie curran and the high falutin' bandGracie Curran has been featured on the Alternate Root lists for Top Female American Roots Vocalist, Top Roots Soul Acts and Top Bands in Boston and for good reason...she's a dynamic singer with a powerhouse voice. A blend of soul, blues, gospel and rock, she and her band mates, the High Falutin' Band defy description except for being a band to watch in the future. The sound revolves around Gracie's soulful voice and the solid guitar chops of Tommy Carroll with the strong rhythm section of Geoff Murfitt ion bass and Derek Bergman on drums, round out the quartet. The band ripped through a set of music from their debut album "Proof of Love" for this week's edition of "EP" - Extended Play on Alternate Root TV.




 

luke winslow-king on alternate root tv Call it a New Orleans gumbo of delta blues, traditional jazz, gospel and soul if you need a definition. New Orleans based Luke Winslow-King is a traditionalist that finds his musical soul melding musical styles nearly a century old with a contemporary improvisational approach. A master bottleneck slide guitarist with a vintage voice, his music is fresh, fun and infectious. He's joined on Extended Play by Esther Rose on washboard and harmony vocals and Cassidy Holden on the upright bass. Esther Rose's voice is the perfect compliment to Luke Winslow-King's music with a tone reminiscent of Eilen Jewell. This is a fantastic show with great music and thoughts from Luke Winslow-King.

Listen and buy the music of Luke Winslow-King from AMAZON and iTunes





 

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UPCOMING STUDIO EVENTS

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THE NEW RELEASE RACK

John Moreland   (from the album High on Tulsa Heat) - John Moreland is a man with a guitar and a voice, admitting his “Heart’s Too Heavy”, and staring to what looks like home from a distance, starkly painting a time-dated photograph memory seeing “American Flags in Black and White”, and waves a “White Flag” once again in the brief gust of wind blowing out of love. John Moreland is a thirty year-old man from Tulsa, Oklahoma. His songs started to form around ten years old when his family moved from Kentucky to Tulsa. He heard his songs against a punk rock back beat throughout high school and a graduation present from the universe was clearing his ears for hearing his dad’s Creedence Clearwater Revival, Neil Young, Tom Petty and Steve Earle records.  John recalls that ‘I think what appealed to me about it was lyrics. In hardcore, there might be great lyrics in a song but you have to read them off a piece of paper to know it. I was 19 in 2004, and Steve Earle had put out ‘The Revolution Starts Now,’ and I remember hearing the song ‘Rich Man’s War’ and totally feeling like somebody just punched me in the chest.’

It is that first time hearing a song, that first kiss, and that first punch in the chest that mark our lives, John Moreland stalks his first blush punch into High on Tulsa Heat to try to get a little more kick. Even a multi-tasker has trouble singing, playing and punching. If he misses his own heart, John Moreland luckily has enough Whoa! moments in his songs that hearts will be hit for generations. As he crawls from the wreckage of a relationship reality shines bright proving that “You Don't Care Enough of Me to Cry” while light acoustic notes lie like flower petals in the still before John views ‘my baby is a tornado in the endless Oklahoma sky’. As John Moreland describes feelings while turning up the volume as dreams fade in and out in “Losing Sleep Tonight”, looks up as bright guitar notes pop like fireflies asking to “Hang Me in the Tulsa County Stars”, and slides into a red dirt groove to rumble the title track through the waves of hot rising from the earth, taking a short break for a little time away from being “High on Tulsa Heat”. John Moreland tells his tales over a full house of styles, rocking and wrangling it into one groove that carries everything in its flood when he forecasts “Sad Baptist Rain”.

Listen and buy the music of John Moreland from AMAZON or iTunes

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Nicki Bluhm and the Gramblers  (from the album Love Wild Lost) - Nicki Bluhm has the double benefit of being born on ground for California Country in Lafayette, California. Nicki began recording under the mentorship of Tim Bluhm (The Mother Hips), who put together various players for early recordings. The Gramblers solidified as a touring and recording band in 2009 and the group has been steadily raising their star higher and higher with each pull on the stage curtains. The group has had a few career levels with their ‘Van Session’ videos that featured low budget interior shots of the tour bus with Nicki Bluhm and the Gramblers performing covers. The YouTube channel featuring the songs has reached over five million views and Nicki was recently tapped as an ‘icon of tomorrow’ for the Gap ad campaign ‘Icons Redefined’.

A caffeinated acoustic guitar strum and bongo taps introduce “Mr. Saturday Night” to The Gramblers steady rolling funk. Love Wild Lost speaks with its songs as it claims territory in the 70’s Pop sound of “Waiting on Love”, the classic Country reverbed riff of “Only Always”, the rock strut of “Heart Gets Tough”, and the gentle sway of the lasso as they rope in “Queen of the Rodeo”. Nicki Bluhm and the Gramblers are a road band, and every note on Love Wild Lost benefits from the fan response from constant touring. The album is a group effort, and as guitar strings tangle, Nick Bluhm sings for the boys in the band as much for herself as the highway rolls “Me and Slim” into the next Holiday Inn.

Listen and buy the music of Nicki Bluhm and the Gramblers from AMAZON or iTunes

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A.J. Ghent Band (from the album Live At Terminal West - Blue Corn Music) by Michael Verity - Standup pedal steel player A.J. Ghent launches his solo debut with “Call Me,” a blistering blues rock stomper that blends the incendiary guitar style of Jeff Healey with the raw California funk of Parliament/Funkadelic. James Brown gets a nod in the medium-tempo funk of “Can’t Be Your Dog” while saxophonist Gary Paulo brings a jazzy groove to “What Would You Do.” At the heart of Ghent’s sound is southern blues, whether it’s Stevie Ray Vaughan (as on “Trickin’ Cheater”), The Allman Brothers (“Keep On Workin’) or his immediate contemporary, Henry Garza of Los Lonely Boys (“Mercy”).

Given his electric ability as a player (a skill handed down from both his father and his uncle), his finesse as a singer and his savvy as a songwriter, it’s no wonder he’s toured with Col. Bruce Hampton and opened for Robert Cray. His debut release on Blue Corn shows why he deserves to have his own name at the top of the marquee.

Listen and buy the music of A.J. Ghent Band from AMAZON or iTunes

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The Mountain Goats (from the album Beat the Champ – Merge Records) by Michael Verity - On the surface, it sounds like the ever-esoteric John Darnielle’s 15th album under the Mountain Goats moniker is all about professional wrestling. But in reality, says Darnielle, “it’s more about death and difficult-to-navigate interior spaces” considered against the sometime comedic, sometimes gruesome backdrop of professional wrestling. From the melancholy piano ballad that opens the album (“Southwestern Territory”) to the poppy narrative of “The Legend of Chavo Guerrero” to the strangely jazzy “Fire Editorial” to the bluesy Jim Morrison-like elegy to Bruiser Brody (“Stabbed To Death Outside San Juan”), this record possesses all the elements that make Mountain Goats one of America’s most unusual and inventive bands.

Tremendously literate, stream-of-consciousness narratives, brashly diverse musical styles, bold harmonies, provoking melodies. A strong record in The Mountain Goats canon and a challenging listen for anyone who wants to step into the ring. by Michael Verity

Listen and buy the music of The Mountain Goats from AMAZON or iTunes

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Andrew Combs   (from the album All These Dreams) - Andrew Combs starts out with a conversation in “Rainy Days”, the opening cut from his recent release, All These Dreams. The track sings of leaving, particularly being left, and Andrew shares what his life has become, the questions of friends, and his own personal observations. All These Dreams gather stories that roll along with the same form of communication. Andrew Combs has a direct delivery that still manages to keep its heart. The advice and overviews are warm and caring, told with support, even as he confesses that there is a theme to his words with songs bordered in ‘cheating, leaving, done-me-wrongs’.

All the Dreams is album number two for the Nashville-based singer/songwriter. Touches of Folk, Country and Roots swim through the recording, floating in a wash of strings on the title track. Andrew Combs hushes his vocal as timid guitar notes walk him into a stranger’s motel room with his “Bad Habits”. Using his voice as a guiding light, Andrew lets his delivery rise gracefully over the solitary piano notes that offer support “In the Name of You”, rush over percolated beats as he wonders about his role in “Foolin’”, grabs Brit slang as he talks of the women in his life as “Birds” on a sunny day Folks strum, and invites you down for a day of doing nothing but enjoying the earth in the heaven of “Suwannee”.

Listen and buy the music of Andrew Combs from AMAZON or iTunes

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Leo Bud Welch  (from the album I Don’t Prefer No Blues) - Leo Bud Welch almost had his shot in the Blues bigtime. Years of honing his craft in North Mississippi got an audition call for the guitar player. Bud was offered to play for B.B.King but unfortunately couldn’t afford the bus ticket to Memphis. Leo Bud Welch played guitar for family and friends, playing mostly Blues until 1975 when he changed his guitar settings to spiritual, creating the gospel group, The Sabougla Voices with family members. His guitar work was strictly for entertainment and Leo earned a living by carrying a chain saw up and down the hills and hollows of North Mississippi as a logger. Leo Bud Welch was off the radar until two months before his eighty-second birthday when he released his debut album in January 2014. The gospel Blues he plays was in the raw chords and vocals. Leo Bud Welch is making up for lost time and has released album number two. He is eighty-three years old this year, and carving out a spot for himself as a Blues contender with I Don’t Prefer No Blues.

Leo Bud Welch established himself as a player with Sabougla Voices, his debut, the album divining Blues riffs that wiggled and sizzled under the tones of Gospel Blues.  I Don’t Prefer No Blues offers up some of its space to the same devotional songs found on his first album with “Pray On”, though the presentation of the track differs due to the way the Blues hits its tracks. Leo Bud Welch fully steps into the role of Blues man, player and preacher, on I Don’t Prefer No Blues. His guitar work crackles with intensity, and the search for heaven is a lot more horizontal as Bud sings of his lack of love over a rapid fire riffing with “I Woke Up”. The heat comes off the guitar work as much as the sweat coming up off the tracks as he swears over the rattle of percussion to get that “Girl in the Holler”, spins the Blues in tight circles as his guitar steers a path on “Cadillac Baby”, and pledges his heart to the lady who gives him a reason to live with “Sweet Black Angel”. Leo Bud Welch offers another side to his Blues on I Don’t Prefer No Blues as the album presents confident chords that help “Too Much Wine” walk on a firmer path, grinds the groove to a crawl as it discusses “Goin’ Down Slow”, and follows a funereal drum stomp and bass thump as it tells the tale of “Poor Boy”.

Listen and buy the music of Leo Bud Welch from AMAZON or iTunes

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The Alternate Root Magazine h1>Diamond Rugs  (from the album Cosmetics) - By definition, Indie music is not something that grows supergroups. In the world of Indie, if you can think it you can play it. Multiple musicians from multiple bands are not put together for marketing purposes by labels or a press carrots. The sound springs from late night, post show hangs, bonding over record collections, and the need of artists to create.  Members of Deer Tick (John McCauley, Robbie Crowell), Los Lobos (Steve Berlin), Dead Confederates (T. Hardy Morris) and Six String Satellite (Brian Dufresne) teamed former Black Lips guitarist Ian St. Pe to create Diamond Rugs.  The band has released their second album together, Cosmetics, cementing the group and collecting a whole passel of rock’n’roll glory in the space of a song on the album’s eleven tracks.

There is a rawness to Diamond Rugs in the translation of their sound to audio for Cosmetics, making the sonic memory of the album is ragged as a result, The rhythm section is garage band tight  as they claim “I Live and Shout It”, riffs are stitched into a snaking lines over the horns and vocal Soul opening the door for “Motel Room”, and chop into chords and horn bursts for “Thunk”. Cosmetics has a rough sound quality that suits the band and their tunes. Diamond Rugs mix Rock and Soul to the benefit of their songs as they rise up on Punk Roots to preach of love “So What”, Pop some late 50’s rockabilly in “Couldn’t Help It”, and dial in Country Gold with “Blame”. Diamond Rugs are a jukebox band; there are lots of different styles inside yet when they come out there is one source. Cosmetics posts “Voodoo Doll” as a warning on the opening track, wades through the heavy swamp crunch of “Meant to Be”, asks to stay a little longer with the sweet jangle of guitars in “Ain’t Religion”, and pounds out promises as the story swears to ‘never make a scene’, finally confessing that it ‘never makes its exits “Clean”’.

Listen and buy the music of Diamond Rugs from AMAZON or iTunes

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The Deer Run Drifters   (from the album Restless Youth) - Contrary to popular belief, it is not the need for attention that prompts musicians to set up, play, and break down day, after day, after day. It may have seemed like they liked the accolades when Chris Link and Shane Edgell decided to form a band, The pair had voices, a banjo and guitar, some songs of their own though mostly old time tunes, as they set up on the streets of Floyd, Virginia to busk. Enough people stopped to listen, though it wasn’t a they-like-me moment; it was a you-know-we-can-do-this manifesto. Chris and Shane enlisted their respective brothers in blood, Joe (Link) on mandolin and Sean (Edgell) on guitar, harmonica, adding brother in band, Will Norton on bass to fill out The Deer Run Drifters.

For their new release, the boys stick to the familiar themes life, heartbreak, and drunken mishaps. Welcome to Restless Youth. The Deer Run Drifters expand on their sound without losing their rhythm with added percussion and electric guitars for the album. The title track talks less of wild teenage nights as it peals away the soap opera gloss for the real life small town life, and the decisions that weigh down kids barely able to drive. No firm steps are taken though not for lack of options. Deer Run Drifters provide other options as they look at American towns from the inside of their Restless Youth. No judgments are passed on family as granddad’s words are held up as the only legacy left in as he sings ‘it ain’t that bad “Down in the Gutter”’. Memories of a July rain backdrops love in the afternoon with only music to blame in “Nirvana’d”, and notes are passed back and forth to toast “Good Days”,

Restless Youth cruises a middle rail track to slow the rhythm to sway salvation as The Deer Run Drifters hitch themselves to a car headed to Memphis in “The Train Song”. The song leaves ‘black lungs and bible’s’ in the rear view mirrors’ dreams as life past and life future, pass by outside the window. There is tenderness isnthe way the hard stories are handed over as “Tonight and Today” is woken at 3AM by demons, as the ink dries for “The Letter” left on the table, and as reasons spread themselves over whiskey, words, rain, and some low down country tune for hurt, anything and everything but “Can’t Blame You”. There are heavy topics, very much like our own personal memories, for Restless Youth. The Deer Run Drifters leave the lessons in place, and stand by their advice, exiting with a toast for tomorrow. The past is alright where it is as Deer Run Drifters ‘uncork a top, roll what you got’ and bid goodbye to Restless Youth as they leave the album and “Float Away”.

Listen and buy the music of Deer Run Drifters from AMAZON or iTunes on May 5, 2015

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Shelby Lynne   (from the album I Can’t Imagine) - Shelby Lynne changed musical direction for her career and her sound, as well as the course for Country music by channeling the way she heard Roots music for her 1999 album, I Am Shelby Lynne. The album produced by Bill Botrell, showed Shelby putting herself in a sonic landscape that, at that point in time, was as sparse as the Southern California desert she moved to in 1998. Shelby Lynne not only changed, she challenged listeners, trusting in the power of her muse and offering an Americana sound that is now commonplace. Shelby felt ‘that album came from the most vulnerable, desperate place. I think about it every day.’ After thirteen years and six albums, Shelby Lynne won an award at the 2001 Grammy ceremony for Best New Artist on the strength of her musical choices.

Shelby is led by the same musical instincts into her most recent release, I Can’t Imagine. She creates a sonic world for “Following You” that creates a word jumble where notes and tones change places, put into order by the power of Shelby’s vocal. The path turns dark as I Can’t Imagine walks an earthly path “Down Here” through deep forests thick with percussion rattle, chopped chords, and slashed guitar riffs against the backdrop shouts of a haunted choir. Shelby Lynne has the confidence in her music to present songs that sink into your senses with familiarity by the end of the track. “Son of a Gun” slows its pace to save its energy as it ‘walks through the noonday sun’, “Back Door Front Porch” swings with the decisions in the story, and “Better” drifts on clouds of amplifier rings, rising and falling with a delicate grace. I Can’t Imagine is not reinventing music, though it is certainly making it a finer listen. Shelby Lynne opens the album with the vocal power of “Paper Van Gogh”, and exits on a firm stride as through misty pedal steel notes on the title track.     

Listen and buy the music of Shelby Lynne from AMAZON or iTunes

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Ray Wylie Hubbard   (from the album The Ruffian’s Misfortune) - Ray Wylie Hubbard has been known to state that ‘I didn’t want to peak too soon’. Ray Wylie has come to his rightful place as an A-list songwriter, producer, and key figure in the Roots music community. The Ruffian’s Misfortune, his latest release, could his calling card for decades behind the curtain from his days as an Oklahoma 1960’s folkie, through the dust stirred up from 1970’s progressive Country and the fog of 1980-era honky tonk on into his sobriety clear skies in the 1990’s. Ray Wylie Hubbard sticks to his Roots for The Ruffian’s Misfortune, letting a Blue slide guitar have lots of room to move on the album.  His history in memory goes to ‘I used to go see Lightnin’ Hopkins and Mance Lipscomb and Freddie King, all those cats, but I never could play like them — I guess because I never took the time or effort to try — until I was in my 40s and learned how to finger pick. Once I learned how to finger pick, I started going, ‘Oh, OK, this is how they did all that!’ Then I started learning open tuning, and then slide, and it was just this incredible freedom that gave all these songs a door to come through that wasn’t there before. It was like all of a sudden having this whole other language or a whole other set of tools to add to my arsenal.’   

Ray Wylie wanted to have a Keith Richards, Ronnie Wood-type of two guitar backing, and he brought in Gabe Rhodes and son, Lucas Hubbard, for The Ruffian’s Misfortune. The twin guitars share space as they propel across a fast-train ride rhythm “Down by the River”, snake underneath “Chicksinger Badass Rockin’”, snap at the white lines trailing below “Bad on Fords”, and drift like string ghosts as they tumble with a fiery fiddle calling out “Jessie Mae”. Ray Wylie Hubbard rattles Blues chains as he drags his personal brand of dirty Roots rock’n’roll across “Hey Mama, I Believe My Time Ain’t Long”, whispers to drunken prayers of the past as he steers through storms at sea seeking spirit shelter for “Stone Blind Horses”, and gives shout outs to Sister Rosetta Tharpe in “Barefoot in Heaven” and Texas Blues on “Mr. Musselwhite’s Blues”.  The Ruffian’s Misfortune opens to righteous Blues preaching on “All Loose Things” as a song by Kevin Welch plays in the background.

Listen and buy the music of Ray Wylie Hubbard from AMAZON or iTunes

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Folk Family Revival   (from the album Water Walker) - Folk Family Revival were bordered with a Country band label, being from Texas, and brothers, as well as opening tours in the Southwest for Willie Nelson, Merle Haggard and Wanda Jackson. Brothers Mason, Barrett, and Lincoln Lankford, along with family friend Caleb Pace, never saw the name tagging as a hindrance or hurdle. Folk Family Revival accepts the brand, and adds it to the band sound, a Country that rocks closer to the west coast musical family of The Flying Burrito Brothers and the laid back psychedelia in its Country rhythm and twang. Water Walker, the most recent release from Folk Family Revival, taps songs they have worked and studied before recording, reflecting the bands ability to morph between styles and genres in live performance. Mason Lankford cites the path for Folk Family Revival as ‘I’m a huge Dylan fan and I’ve noticed from his live recordings that a song never sounds the same way twice. We’ve always been really into that idea, even as we’ve grown. We want the song to sound different than it did last week. We’ve been changing our songs every day for the last five years, and once we get into the studio, we’ll think about which version worked best and we’ll record it that way.’

Water Walker shimmies and shudders on a slashing rip-chord and a wobbly theremin as it backlights “Cotton Dress”, shares a song for 2015 summer campfires with unconditional love on “Everyone Loves Everyone”, falls through a rhythm of gauze that shifts like a funhouse mirror for “Dream”, and rolls the music like thunder echoing on a bright day with “Sunshine”. FFR define their own brand, using the lessons of DIY Indie to sample and shapeshift styles and sound on Water Walker. Folk Family Revival crawl up from the beat to become a ‘freedom fighter’ and an ‘angel-headed hipster’ as they demand “American Standard”, cough up some desert dirt as the write a song for “Drunk Again”, pack up “Marfa” with hot day acoustics for a move to West Texas, and fracture notes against rubbery beats and hoarse vocal distortion to fuel the hellfire groove of “Darlin’”. Water Walker enters on a confident stride and Folk Family Revival wisdom as the guys set their own standard for love with “If It Don’ Kill You”.

Listen and buy the music of Folk Family Revival from AMAZON or iTunes

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Lindsay Lou and the Flatbellys   (from the album Ionia) - Lindsay Lou and the Flatbellys step into the Indie Bluegrass line with their recent release, Ionia. The band raise their Roots up in Michigan, playing a mighty fire in strings and challenging angel choirs with harmonies. Certainly vocals that shoot towards the sky appeal though any opening that appears will be rips from the power found in the vocals of Lindsay Lou as she aims, fires, and hits the back seats….on the moon. Lindsay Lou brings a voice to The Flatbellys that teases with a jazzy Blues as she builds a “House Together”, drags the players from the back porch to the backyard to stir up some dirt for “Criminal Style”, dips back to stamp tradition into “Old Song”, and lets Folk Rock support her claims of “Everything Changed”.

Ionia establishes its territory in a landscape grown in the bluegrass past found in the genre-bending instrumentation of The Flatbellys (Lindsay Lou – clawhammer banjo, Joshua Rilko - mandolin, bass, banjo, PJ George (upright bass, cajon, harmonica, guitar, mandolin, and Mark Lavengood – resonator guitar (dobro), cajon, bass). Ionia slides and slithers on Blues bends (“Smooth and Groovy”), percolates on percussion (“Hot Hands”), and lays back on a field of Folk to watch the clouds get blown by the breeze of guitar strums (“Here Between”).

Listen and buy the music of Lindsay Lou and the Flatbellys from AMAZON or iTunes

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Houndmouth  (from the album Little Neon Limelight) - You hear about bands getting signed from great shows and performances at conferences. That is why people compromise so much of their lives, and possibly bottom lines, to play as many shows in as many days as possible when they have a captive audience. Houndmouth is one of those bands. They got to SXSW shows on the strength of their homemade (New Albany, Indiana) E.P. and a local buzz from Louisville, Kentucky and Indiana shows. They were signed by Rough Trade at SXSW, releasing on the label for their 2013 From the Hills Below the City album. The release moved them into late night TV and major festivals as a must-see-band. Houndmouth have released album number two, Little Neon Limelight in March, 2015. 

If rock’n’roll is a symphony of coordinated chaos then Houndmouth are the audio track. The band swerves, rattles, and shakes close to any visible edges and never loses a track while Little Neon Limelight still shows Houndmouth coloring outside the lines of Roots music. There is a shimmer and shine on the album, particularly as “Sedona” rambles across a desert breeze rhythm to California searching for “Little Hollywood”.  A Farfisa organ riff merrily leads the charge as Houndmouth demand that “You Say It Like You Mean It”, while a summer day slow defines the rhythm for the cold chill to descend on “Darlin’”. A chop-shop acoustic chord strums as Houndmouth wait for ‘the acid to kick in’ as the story of “For No One” moves through a psychedelic travelers tale of the road.  Little Neon Limelight brightens as the chorus of “Otis” shakily asks for an answer as the vocal sweetness of memories drip over the story and “Gasoline” slowly unravels its sound over a dreamy thought that ‘maybe I’ll meet my maker on a bedroom floor’.   

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The Pine Hill Project   (from the album Tomorrow You’re Going) - Musical folks have no trouble weighing in for the ‘why can’t we get along’ in most battles lie immigration, gun control and human rights. Mention the internet and it is stealing music, that is a comment that waters down prospects and takes fans away from live shows. All of that is debatable though it was Kickstarter, a fan funded online service, that has allowed Lucy Kaplansky and Richard Shindell to fulfill a 25-year late-night you-know-what-we-should-do conversation. The Pine Hill Project is the band they formed to record, and support, on the recently released Tomorrow You’re Going.

It is really easy to get lost in the unique way that Lucy and Richard’s voices find one another. The combination is a vocal ballet, a free form audio dance, and an aerial spin that slowly turns before landing back in the story. Lucy Kaplansky sinks into a memory as she looks through the multi-faceted lens of barfly wisdom, ‘we closed that bar, and we closed that town. The sun looked different coming up then it did going down’. Richard Shindell sends off audio waves as a goodbye exit to Gillian Welch’s “Wichita”. Pine Hill Project has two great songwriters, though the tracks collected reflect the work of others outside of the group members. Tomorrow You’re Going hosts tracks that draw from U2 (Sweetest Thing”), Nick Lowe and His Cowboy Outfit (“I Live on a Battlefield”), Little Feat (“Missing You”), and tradition (“I Know You Rider”).

Listen and buy the music of Pine Hill Project from AMAZON or iTunes

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Bombadil   (from the album Hold On) - Multi-tasking in as an organized manner as their intricately woven arrangements, Bombadil sandwiched Hold On, their most recent release, over a nine-month tour. The Durham, North Carolina-based trio (Daniel Michalak (bass, piano, harmonica, vocals), James Phillips (drums, bass, vocals), and Stuart Robinson (piano, ukulele, vocals) scheduled the album between their non-stop gigging, and the result is a sparkling recording that contains a light in its notes, layers in its musical textures, and story lines that flow from literary moments to stitched ribbons of words drifting through dreams. Hold On remains close to the acoustic based home turf that Bombadil carved out when they began recording for Ramseur Records in 2006.

It takes a duel with piano and falsetto to settle “Love You Too Much” while Bombadil transform the piano for “I Can’t Believe in Myself and You Too” into a foundation for their Soul baring vocals and street corner harmonies. The songs of Hold On are a group effort, with Daniel Michalak speaking of the recording process as ‘each of us has different styles so combining them gives us a unique sound. I get a lot of my inspiration from books and authors like Ernest Hemingway, Ronald Dahl, or Shel Silverstein…James and Stuart get their inspiration from music, science/math, and computer programming.’ Bombadil gather the trio into a chamber quartet to display “Love is Simply”, echo their music off the concrete walls that house the community activists shouting out “Bill You for Your Trash”, and follow a horn section boarding a Brooklyn rail line for some “Coughing on the F Train”.

Listen and buy the music of Bombadil from AMAZON or iTunes

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Brian Carroll (from the E.P. Canyon) - Brian Carroll is a singer/songwriter, relying on the influence of troubadours of the past, and mixing it with the way he hears the music in present times. Brian uses an acoustic base for his instrumentation, strums of guitar and banjo with gentle percussion. What makes Brian Carroll different than the seemingly endless parade of guys with guitars and a story to tell, advice to lend, or a soul to bare? Nothing, really, unless you take into account that he is that guy that gets you to stop while passing him busking, and the singer in the corner with bad lighting that causes you to break in conversation in a crowded bar. Brian Carroll has a voice and a way of telling a story that creates audio charisma.

Canyon, the most recent E.P. from Brian Carroll, is a day outside. Nature stiches the great outdoors into a fabric that bears the picture of a love unraveling on “Climb”. Brian rolls his delivery over the tumble of notes for “Goin’ Down” and keeps “Above the Current” heads-up with a determined note pattern that stays true to the flow of the track. Canyon cuts deep fissures through love as it uses natural disasters around to speak the tough words that are hard to mouth. Brian Carroll steadily moves higher on “Wade in the Water” by slowly adding church organs and rattling percussion to the tune.

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Darin and Brooke Aldridge   (from the album Snapshot) - Bands are family business and meeting a husband, wife or combination of the two with voices and guitar is not all that unusual. Darin and Brooke Aldridge are a couple, performing as a duo. What separates the pair from the pack is the clarity of their voices. Vocals as clear as stream water in their native North Carolina, strong as the ship’s horn cutting through coastal fog, Darin and Brooke Aldridge have a mighty force to power the stories on Snapshots, their most recent release. Snapshots opens its pages with “Get Up, John”, a mandolin track written by Bill Monroe that features Sam Bush as a guest. Darin and Brooke harmonize on the gospel Roots tune that leaves plenty of time in the song’s ending for John to have something to do when he gets up as the playing lays down an instrumental reel. Musically, Snapshots shoots its musical moments against a bluegrass and Folk background.

Darin Aldridge leads the way to “A Better Place” as he heads off to find an ocean over a determined push of bluegrass rhythm,  Ricky Skaggs stops in as special guest for vocals on “When He Calls”, Bobby Hicks joins on “My Rose of Old Kentucky, and Doyle Lawson drops in to kick up the banjo rhythm machine with “Let’s”. Darin and Brooke Aldridge bring the ease of experience and the faith to trust their vocal intuition as they borrow from the Cash Family archives for the Johnny Cash written “Tennessee Flattop Box”, which was a hit for Johnny in 1961, and again for daughter Rosanne Cash. Originally a 1955 French language hit, Darin and Brooke Aldridge deliver a fine take on the English language version, a 1960 Everly Brothers hit, of “Let It Be Me”.

Listen and buy the music of Darin and Brooke Aldridge from AMAZON or iTunes

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Chip Taylor  (from the album Little Prayers Trilogy) - Little Prayers Trilogy collects the hushed words that fall from Chip Taylor’s lips. The gathered songs are less requests, and never feel like desperate attempts to beseech help from above. Chip’s Little Prayers Trilogy are thoughts captured in quiet moments, offered up as audio divining rods to try to find a source for freedom (“Solitary”), kind words (“Track 224”), understanding (“Lord, What You Giving Me Now”), and personal awareness (“Joan’s Song”). Chip Taylor leaves his thoughts unedited, displaying them as raw emotion and honest assessments of the varied lines of word code that rush though our brains. Little Prayers Trilogy cups hope in its hands for future choices that can help to deliver fairness in equal measure.

Chip Taylor has led a life in music beginning in 1962 with his first chart hit as Chip Taylor on Warner Brothers Records. Chip has authored songs recorded by a diverse array of artists and individual styles in rock, Country and R&B mediums. He wrote “Angel of the Morning”, which has risen to the top of the charts in three separate decades and “Wild Thing”, which carries its own story. Chip Taylor spent time away from the music business as a professional gambler during the 1980’s to the mid-1990’s, his card playing skills getting him banned from major casinos in Las Vegas, New Jersey, and Europe, and his ability to spot a winner getting him his own room at the Long Island Off Track betting parlor he frequented.  Since returning to recording in 1996, Chip Taylor has consistently put quality into audio. Little Prayers Trilogy puts art into random thoughts and mental meanders. Lucinda Williams joins Chip as they look towards a future where they can “Sleep with Open Windows”, and shares observations with “I’ll Only Be Me Once”. Chip Taylor backs his words with rolling chord clouds of Americana, rumbling rhythms that shout with a quiet percussive thunder (“Ontario Crimes”), warns of the dangers in the seductions of radio and jukeboxes (“Bardot”),  presents heritage in history (“Czechoslavakian Heaven”, and asks where it all went wrong with our rights (“The Supreme Court”).

Listen and buy the music of Chip Taylor from AMAZON or iTunes

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The Burns Sisters  (from the album Looking Back) - The Burns Sisters raise their voices for a tune written by Annie, “Far from My Home”. The track looks back at a life not far removed from the present, and the story line hints towards a special someone missing. Taken in a different context, when Annie and Marie join voices the tale crosses oceans seeking the mists and memories left behind by family in Ireland. Though The Emerald Isle is geographically distant from the Ithaca, New York setting the Burns family chose for a new home, the sisters cover sea miles in the space of a song on Looking Back…Our Irish American Souls, the pair’s most recent album release. The duo present harmonies they have cultivated for over twenty years in the genres of Folk and Pop, as well as time put in as background singers for Arlo Guthrie. Looking Back combines songs from The Burns Sisters individual pens as well as the music of Irish ancestors in music.

Violin and acoustic guitar strings welcome Looking Back…Our Irish American Souls with a song of history in “Mother’s Ode”.  As relatives leave and stay in County Clare. The Burns Sisters greet the track with sibling harmonies that flow like blood, moving gracefully over the sounds of Ireland with whistles, flutes and pipes against a heavy bottom of bass and drums.  “Workhouse” delivers its sad tale of the forced labor of children over a bed of violins and guitar notes, “To Live Again” shoots its arrows of passion and emotion into ‘two ancient souls’, and the sisters sing as daughters of a dreamer in “Fathers Blue Eyes”.  The Burns Sisters balance their originals cuts with songs of heritage found in the traditional Irish tunes “Ned of the Hill” and “Too-Ra-Loo-Ra-Loo-Ral” as well as the Frederick Weatherley song “Oh, Danny Boy”. Looking Back sets its sights on the ground from which the Burns clan grew as The Burns Sisters offer Ralph McTell’s “From Clare to Here” and Peter Jones’ “Kilkelly”.

Listen and buy the music of The Burns Sisters from AMAZON or iTunes

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Twists and Bends (various Vermont artists) - Emily Nyman sings of her home state, Vermont, as her words gather a community on the porch, citizens bound together by white-washed steeples, old barns, maple sugar and the cry of the loon. The song is part of Twists and Bends, a compilation offered from Malletts Bay Music to honor the art and artists from the Green Mountain State. Mallett Bay Records uses home court advantage to cherry pick Vermont singer/songwriters who present their music with the sparkle of acoustic instruments leading the way. Twists and Bends hosts seventeen artists and their songs through with the easy strums and diverse styles that make up Americana, with the tracks created specifically for the compilation produced by Colin McCaffrey at Lane Gibson Studios.

Bow Thayer’s advice takes you smiling through traffic jams, bad love days and bright white lights with “15 Ways of Laughing”,  Patrick Fitzsimmons bounces and plucks a high stepping rhythm for “Two Birds”, as Taryn Nicole and Juliet McVicker resurrect “Frankie and Johnny” for one more spin around the decades old murder ballad. Twists and Bends invites world-wide listens for the sound of Vermont as Gregory Paul Douglass tries to stop his train to nowhere, hoping to turn around (“Every Day”), Micah Sanguedolce does his own truckin’ towards mountain water as he looks for fellow travelers to share the journey (“Hey Dude”), Lisa Piccirillo plays cupid (“Tell Her”), and Amber deLaurentis tries to work magic on a Kansas road to turn a car around towards her Vermont home (“Come East”).  Twists and Bends may curve as it hugs the road through the mountains, though all roads lead back home to Vermont. Tom Cleary supports that theory on the title track as he points out that ‘the road’s just one big circle of twists and bends’.

Listen and buy the music of Twists and Bends from AMAZON or iTunes

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NEW VIDEO FROM THE ETHER

CATHERINE FEENY AND CHRIS JOHNEDIS - AGAINST YOU

Catherine Feeny and Chris Johnedis offer musical backing as a tease on their song and video for Against You. The track is from their recent self-titled release on Fluff and Gravy Records out of Portland, Oregon. Catherine Feeny sings slow yet it is not hesitation, it comes from the understanding ‘I’m sorry I’m again you, and I’m against you still’.

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LEVI PARHAM - RUBY

The video for Ruby is a sequel to Levi Parham's 'Never Coming Home to Me' starring Wilkes Fawkes as 'Bear'. Levi sees ‘”Ruby” as a woman with crazy hair, she see herself as a mother raising her young child. The video takes her story and follows Bear and his imaginative exploration of the new life carved out for him by the efforts of the mother, “Ruby”.

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LACHLAN BRYAN AND THE WILDES - YOU, ME, AND THE BLUES

The stakes are high and just when it goes smoothly for the trio with the cash, things go sour. As Australians Lachlan Bryan and the Wildes play “You, Me and the Blues” on a small screen tv, a car screeches into the parking outside the drab motel room. Oh no….it’s the Elvises.

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NEW AND NOTEWORTHY

LILLY HIATT - ROYAL BLUE

LILLY HIATT - ROYAL BLUE

Lilly Hiatt (from the album Royal Blue) - East Nashville musician Lilly Hiatt slow dances with melancholy on her recent Normaltown through New West Records release, Royal Blue . The album is her second release, and Lilly feels topics are about ‘accepting the sadder aspects of life and finding some peace in them’. Royal Blue moves with a pulse pumping a heart aware that things work out in equal measure to going belly up. Lilly Hiatt doesn’t drown in the ocean she is seeking as she claims the skin of “...

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ALLISON MOORER - DOWN TO BELIEVING

ALLISON MOORER - DOWN TO BELIEVING

Allison Moorer   (from the album Down to Believing) - Allison Moorer has released Down to Believing, her ninth studio album. “Thunderstorm and Hurricane” rumbles with the thunder of bass drums and the quiver of cellos, a bombastic confessional, big and bold and aching with pain and strife. Allison Moorer cashes in her crystal ball for a wrecking ball on “I Lost My Crystal Ball,” an 80s-style cowboy rocker that crashes again the wall with tons of guilty Telecasters, another blazing Green...

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SETH AVETT AND JESSICA LEE MAYFIELD SING ELLIOTT SMITH

SETH AVETT AND JESSICA LEE MAYFIELD SING ELLIOTT SMITH

Seth Avett and Jessica Lea Mayfield  (from the album Seth Avett and Jessica Lea Mayfield Sing Elliott Smith) by Michael Verity - On a number of counts, Avett and Mayfield do an admirable job of bringing something new to Elliott Smith’s compositions on Seth Avett and Jessica Mayfield sing Elliott Smith. On “Baby Britain,’ they strip away all signs of the original’s poppy posture, delivering the song at a slower tempo with a considerably more pensive vocal approach. Mayfield’s slightly snarky ...

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MAKING THE LIST

THE 50 TOP SONGS ON THE AMERICAN CONDITION

THE 50 TOP SONGS ON THE AMERICAN CONDITION

There are those who will view this as "America Bashing" and nothing could be further from the truth. This is about bashing the things that are tearing this great country apart. America is shackled to racism, sexism, corporate greed, intolerance, corporate fed drug abuse, political gridlock, child abuse and a widening gap between those who "have" and those who "won't ever be privileged enough to get any." We started in 1980 and worked up to today.

These artists are exceptional without hiding behin...

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LIST OF THE WEEK - THE ALTERNATE ROOT TOP 21 ROOTS GUITAR PLAYERS

LIST OF THE WEEK - THE ALTERNATE ROOT TOP 21 ROOTS GUITAR PLAYERS

Here's our list of The Alternate Root Magazine's Top American Roots Guitar Players. There's probably 100 guitar players that could have been on this list that appear on every "Best Guitar Player List." These are our favorites. The one's we write about; one's we've worked with on Alternate Root TV or we've interviewed here. They're our guys and gals and all of them can play. Chances are we've forgotten a few and we're counting on our readers to remind us of who's ...

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TEN REASONS WE LIKE EMMYLOU HARRIS

TEN REASONS WE LIKE EMMYLOU HARRIS

Emmylou Harris has defied the odds of location, location, location when she paired with Gram Parsons to develop cosmic American Music shortly after being a waitress in a Baltimore diner. She broke industry rules that rock and country could not and would not meet when her first albums were received by both communities, and where her presence still gets attention. Very few times can you mention Emmylou Harris without another chiming in, at least one, with an ‘I love Emmylou’. That is the reason sh...

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FROM THE VAULTS

ROBERT PLANT - ALISON KRAUSS - RAISING SAND

ROBERT PLANT - ALISON KRAUSS - RAISING SAND

Robert Plant and Alison Krauss (from the album Raising Sand) - It was an unlikely duo, put together by a producer renowned for left-of-center projects. When Robert Plant and Alison Krauss released Raising Sand , the T-Bone Burnett-produced album immediately had critics tripping over their tongues, becoming fans once again for a pairing that got attention. T-Bone Burnett curated the tracks on Raising Sand , hearing the songs as perfect vehicles for the marriage of a Bluegrass Country star (Alison Krau...

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GRATEFUL DEAD - WORKINGMAN'S DEAD

GRATEFUL DEAD - WORKINGMAN'S DEAD

Grateful Dead - Workingman's Dead - There are influences like The Band, Hank Williams, Joni Mitchell, and Dylan that Roots artists cite as defining musical moments. At the time of creation, many of the artists that are cherished today were the spawns of Satan to purists; Dylan and The Band were famously booed off the stage at Newport. In the San Francisco scene, the Grateful Dead were the barometer of hip psychedelia. Jerry Garcia was less an instrumentalist than an instrument. His forays into di...

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MARVIN ETZIONI - MARVIN COUNTRY

MARVIN ETZIONI - MARVIN COUNTRY

Marvin Etzioni - Marvin's Country - Marvin Etzioni is The Mandolin Man, songwriter, musician, producer and Marvin Country! is where he lives; playing, producing and ruling over a kingdom steeped in tradition, with an eye and ear towards the future. Marvin Country! is a result of collecting and gatherings over several years for Marvin Etzioni. Following three solo releases in the early 1990’s (The Mandolin Man (1991), Bone (1992) and Weapons of the Spirit (1994)), Marvin moved into the man behind the ...

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MOVERS AND SHAKERS

GILL LANDRY - GILL LANDRY

GILL LANDRY - GILL LANDRY

Gill Landry  (from the album Gill Landry on ATO Records) by Michael Verity - As a solo artist, Old Crow Medicine Show’s Gill Landry is an average poet with a good sense of melody and a serviceable voice, a songwriter who’s not afraid to crack open his personal diary to speak candidly about what’s on his mind. In this session, it’s mostly heartache and loss that jump from his journal’s pages.

“Everybody’s dressed in black, with chrysanthemums and voodoo dolls, trying to bring you back,” he sin...

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THE A.J. GHENT BAND - LIVE AT TERMINAL WEST

THE A.J. GHENT BAND - LIVE AT TERMINAL WEST

A.J. Ghent Band (from the album Live At Terminal West - Blue Corn Music) by Michael Verity - Standup pedal steel player A.J. Ghent launches his solo debut with “Call Me,” a blistering blues rock stomper that blends the incendiary guitar style of Jeff Healey with the raw California funk of Parliament/Funkadelic. James Brown gets a nod in the medium-tempo funk of “Can’t Be Your Dog” while saxophonist Gary Paulo brings a jazzy groove to “What Would You Do.” At the heart of Ghent’s sound is southern ...

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THE MOUNTAIN GOATS - BEAT THE CHAMP

THE MOUNTAIN GOATS - BEAT THE CHAMP

The Mountain Goats (from the album Beat the Champ – Merge Records) by Michael Verity - On the surface, it sounds like the ever-esoteric John Darnielle’s 15th album under the Mountain Goats moniker is all about professional wrestling. But in reality, says Darnielle, “it’s more about death and difficult-to-navigate interior spaces” considered against the sometime comedic, sometimes gruesome backdrop of professional wrestling. From the melancholy piano ballad that opens the album (“Southwestern Terr...

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MAKING THE LIST

the american conditionThere are those who will view this as "America Bashing" and nothing could be further from the truth. This is about bashing the things that are tearing this great country apart. America is shackled to racism, sexism, corporate greed, intolerance, corporate fed drug abuse, political gridlock, child abuse and a widening gap between those who "have" and those who "won't ever be privileged enough to get any." We started in 1980 and worked up to today.

These artists are exceptional without hiding behind a charade of false "exceptionalism." Save the No Apology bullshit for Mitt Romney and the Privileged Class. We have problems, lots of them and this list is about the artists who look at America as it really is not as the people in the mansion on the hill tell you it is. These songs aren't pretty and they don't sugar coat. There's country radio for that...perhaps Brad Paisley will need a new home like the Dixie Chicks, Steve Earle and Johnny Cash did. We're here with open arms.


Here is The American Condition in 50 Songs or Less - The Top 50 Songs about the State of Our Union


james mcmurtry in the alternate root1. James McMurtry - We Can't Make it Here - (2007) From the album Just Us Kids. 'We Can't Make it Here' is about corporate greed and how it strangles every aspect of American society. The American 'dream' has been reserved for those who have privilege, power or the cash to purchase it. McMurtry could have half this list but the top spot is his until someone comes up with something better.
Key line:
"Should I hate a people for the shade of their skin,
or the shape of their eyes or the shape I'm in?
Should I hate 'em for having our jobs today?
No I hate the men sent the jobs away.
I can see them all now, they haunt my dreams.
All lily white and squeaky clean.
They've never known want, they'll never know need.
Their shit don't stink and their kids won't bleed.
Their kids won't bleed in their damn little war,
And we can't make it here anymore
."

old crow medicine show in the alternate root2. Old Crow Medicine Show - Methamphetamine - (2008) - From the album Tennessee Pusher. The scourge of the heartland is methamphetamine or 'Crystal Meth' as it's known on the block. It's a killer from the moment you try it and unlike cocaine it's cheap and with a little ingenuity you can make it at home. Old Crow Medicine Show tackled a host of social issues but this one hits harder in the places where the band has it's biggest following.
Key line:
"It's gonna rock you like a hurricane.
It's gonna rock you 'til you lose sleep.
It's gonna rock you 'til you're out of a job.
It's gonna rock you 'til you're out on the street.
It's gonna rock you 'til you're down on your knees.
It's gonna have you begging pretty please.
It's gonna rock you like a hurricane.
Methamphetamine."

the white buffalo in the alternate root3. The White Buffalo – Wish It Was True - (2012) - From the album Once Upon A Time in the West. When all the things you thought were true turn out not to be, reality sets in and disillusionment takes it's piece of flesh. The White Buffalo, a.k.a. Jake Smith exposes the darker side of the shiny objects. The entire album is a microcosm of America but this one stands above the rest.
Key line:
"Country, I was a soldier to you.
I did what you asked me to.
It was wrong and you knew.
Country, now I'm just a stranger to you.
A number, a name; it's true.
Throw me away when you're through.
Home of the brave, the free; the red, white and blue.
I wish it was true."


chip taylor in the alternate root4. Chip Taylor - New Song of Freedom - (2008) - From the album - New Songs of Freedom. Chip Taylor writes almost solely about the 'human condition' and not always from a perspective of social or political commentary. The entire album New Songs of Freedom could grace this list but the title track sums up America circa 2008 more succinctly and touches on the right wing nuts, global warming, immigration, freedom, geo-politics and even the disposable way music is treated.
Key line:
"Don't worry 'bout the straddle of the right wing radical, or heed the speed of the vulture.
Don't cross the border for political order and upset the balance of culture.
Just keep your eyes on the ozone and the price of oil.
Don't worry about the stock market, let it fall.

The warming of the seas and the hybrid cars,
was there ever an ocean, up there on Mars?
Oh, a new song of freedom, just let it go, it'll get there on it's own."


UB40 in the alternate root5. UB40 - One in Ten (1980) - From the album Present Arms. UB40 wrote One in Ten about life in Britain in 1980 but the song transfers to any western country and holds true to form some 30 years later. One in Ten is about the forgotten, downtrodden, sick, poor and hungry that become statistical talking points for mindless television newscasters and bloviated politicians. It hit gun violence, suicide, disease, hunger and the plight of the world...sadly, not much has changed for the forgotten.
Key line:
"I'm the murderer and the victim, and I'm licensed with the gun.
I'm a sad and bruised old lady, in an alley in the slum.
I'm the middle aged businessman with chronic heart disease.
I'm another teenage suicide on a street that has no trees.
I am the one in ten, a number on a list.
I am the one in ten, even though I don't exist.

Nobody knows me, but I'm always there.
A
statistical reminder of a world that doesn't care."



american graveyard in the alternate root6. American Graveyard – Common Ones - (2010) - From the album Hallelujahland. Common Ones is about all of us normal, regular folks who are getting shafted by corporations, government, insane laws and greed. American Graveyard is a band that musically shoots from the hip, takes no prisoners and tells you what you ought to know from the perspective of young, intelligent, thinking musicians.
Key line:

"I'm tired of seeing men die for other men's rights,
to have a corporation come in and sweep ‘em all aside.
'Cause there's money to be made, money to be found,
and when the pockets are drilled empty it's on to the next town.
Meanwhile make criminals outta the people left behind,
pimpin' all the women while the men cheat and lie.
All the cameras rush in yes they wanna find out
why I ain't got no food for my baby's mouth."

ellis paul in the alternate root7. Ellis Paul - Nine Months to Fix the World (2008) - From the album The Dragonfly Races. Ellis Paul doesn't do angry. It's not his style. Ellis Paul does cerebral; making you think while you're enjoying yourself and that is a rare gift indeed. Nine Months to Fix the World is about finding out your wife is pregnant and realizing that your child is being born into a complete mess and you now have nine months to fix it. It touches all the bases from religion, to violence, to global warming with typical Ellis Paul brilliance.
Key line:
"I'm gonna whittle down the Scriptures, the Bible, the Koran.
Gonna whittle 'em down to one phrase any fool could understand.

Love your fellow man.
Then we'll fill up all the bombers
with corn, with apple seeds.
A million gallons of clean water,
We'll fill the sky with good deeds,
For the people who're in need."


band of heathens in the alternate root8. Band of Heathens – Golden Calf - (2009) – From the album One Foot in the Ether. Golden Calf symbolizes Wall Street. The song subtly hints around Wall St. greed and the dirty little secrets no one wants to talk about. Band of Heathens has set their own bar pretty high and rank as one of the best bands in the country, bar none. Much of One Foot in the Ether could rank here but Golden Calf is so haunting and filled with mystery we couldn't resist.
Key line:

"Shine my shoes with a dirty flag.
Hide my secrets in a body bag.
Say what you want on my epitaph,
Just give me eight more seconds on the golden calf."

bob dylan in the alternate root9. Bob Dylan - Union Sundown - (1983) From the album Infidels. Union Sundown took on corporate greed before it was chic. In typical Dylan fashion it pointed fingers at corporations that shipped jobs overseas but didn't stop until the finger pointed back at Americans who want cheaper products even if they come from sweat shops in poor countries. Infidels touched on just about everything but in terms of the American downward spiral, this one topped the heap.
Key line:

"Well, my shoes, they comes from Singapore.
My flashlight's from Taiwan.
My tablecloth's from Malaysia.
My belt buckle's from the Amazon.
You know, this shirt I wear comes from the Philippines,
And the car I drive is a Chevrolet.
It was put together down in Argentina
By a guy making thirty cents a day.
Well, it's sundown on the union
And what's made in the USA
Sure was a good idea
'Til greed got in the way.
"

sarah lee guthrie and johnny irion in the alternate root10. Sarah Lee Guthrie and Johnny Irion - Gervais (2005) - From the album Exploration. Travel south of the Mason-Dixon line and you'll find a lot of people still fighting the Civil War. You'll hear some pretty compelling, albeit, misguided arguments that the Civil War was about states' rights. It wasn't. It was about human rights and the left over symbols from that struggle continue to be paraded under a guise of pride and heritage. Bollocks. Gervais is about the South Carolina State House flying the Confederate flag (Gervais is the street the capital sits on). It's a sore spot with many South Carolinians and most other reasonable people who see it as a symbol for racism.
Key line:
"Gone James Meredith and the the road to sweet Ole Miss.
Years filled with torment and harassment.
I can hear those freedom rides.
You know they were just like suicides but they had to move us down the line.
Still flying the flag upon Gervais?
It was a battle flag, now we can put it away."

steve earle in the alternate root11. Steve Earle - Amerika v 6.0 (The Best We Can Do) - (2002) – From the album Jerusalem. Steve Earle has never been shy about telling the truth regardless of pushback or political trouble. Jerusalem took it all on from war to health care, the American dream, conservatism and greed and Amerika v 6.0 was the icing on a shitty tasting cake. From dirty back room deals on Wall St. to saving the American Dream from the true dreamers, Earle delivered a body blow to the right wing that resonated with the common people and revitalized the liberal class.
Key line:

"Four score and a hundred and fifty years ago,
Our forefathers made us equal as long as we can pay.
Yeah, well maybe that wasn't exactly what they was thinkin'
Version six-point-oh of the American way.
But hey we can just build a great wall around the country club,
To keep the riff-raff out until the slump is through.
Yeah, I realize that ain't exactly democratic, but it's either them or us and
And it's the best we can do.
Yeah, passionately conservative
It's the best we can do."

lucinda williams in the alternate root12. Lucinda Williams - Car Wheels on a Gravel Road - (1998) – From the album Car Wheels on a Gravel Road. Child abuse is one of those rare crimes where the death penalty might actually be appropriate. It's been going on since the dawn of time but only recently is it getting the attention and outrage it deserves. Lucinda Williams took it on and so have others. It sucks and whether you're a Catholic priest or a big time football coach there's a special place in hell for those who perpetrate it.
Key line:
"
Broken down shacks engine parts.
Could tell a lie but my heart would know.
Listen to the dogs barkin' in the yard,
Car wheels on a gravel road.
Child in the backseat about four or five years,
Lookin out the window.
Little bit of dirt mixed with tears,
Car wheels on a gravel road
."

mad buffalo in the alternate root13. Mad Buffalo – Red and Blue (2012) – From the album Red and Blue. Randy Reveire can tell you there's a huge corporate interest in keeping Americans divided into red and blue states, red and blue political persuasions and at each others' throats on a daily basis. We're really not all that different and pretty much want the same things but corporate media, talk show hosts and 24 hour "news" stations wouldn't make nearly the jack they make if we all got together. You think any of them give a fuck about who wins elections? They make money when America is divided, period, and that's what Red and Blue is about.
Key line:

"And up on the boulevard,
We got our start with a union card.
And built our houses up with our hands,
Made the iron and filled metal cans.
We took our babies in our arms,
Got some horses and built our farms.
In mountain rain we grew our hay,
Through the floods and drought we stayed.
You can’t deny it,
You can’t deny we’re one."

rodney crowell in the alternate root14. Rodney Crowell - Sex and Gasoline - (2008) – From the album Sex and Gasoline. Sex and Gasoline is about selling the idea that beauty and worth is about what's on the outside. It hits the beauty product, lingerie and porn trade right between the eyes as only Rodney Crowell can do and takes the notion that women are merely sex objects to the task.
Key line:

"So much beauty, abs and tush
Swoop down on you like a burnin' bush.
Pop religion, bullwhip thin,
Says you ain't nothing but the shape you're in.
Come on now girl, genuflect nude magazine.
This mean old world runs on sex and gasoline."

johnny cash in the alternate root15. Johnny Cash - Hurt - (2002) –From the album The Man Comes Around. Hurt is as much about the personal pain of addiction as it is about the pain addiction inflicts upon others who have to witness it. Although a cover of Trent Reznor's song, it was something Johnny felt strongly about recording as it reflects on the lies and the destruction inflicted upon his family as a result of his lifelong struggle with alcoholism and prescription drug abuse. It's powerful, moving and painful to listen to...and a necessary evil for those who crawl on the same ground.
Key line:

"I wear this crown of thorns,
upon my liar's chair.
Full of broken thoughts,
I cannot repair.
Beneath the stains of time,
the feelings disappear.
You are someone else.

I am still right here.
What have I become?
My sweetest friend.
Everyone I know,
goes away in the end.
And you could have it all,
my empire of dirt.
I will let you down.
I will make you hurt."

kevin gordon in the alternate root16. Kevin Gordon - Gloryland - (2012) – From the album Gloryland. Beware of false prophets promising the gates of heaven. They don't hold the key even though they'll take your money, your vote or your life trying to prove to you that they do. Kevin Gordon is a brilliant song writer that tackles a lot of ground on the album Gloryland and in particular the album's title track which goes after politicians, TV preachers and zealot Mullahs and their victims.
Key line:

"You might be a preacher,
Broadcasting on a satellite.
Miss Mamie's looking for an answer,
Watches your program every night.
Diamonds shine from your praying hands,
She sends you all the money she has,
Just to feel a little closer;
A little closer to gloryland."

todd snider in the alternate root17. Todd Snider - Conservative Christian Right-Wing Republican, Straight, White, American Male - (2004) – From the album East Nashville Skyline. If you are one you're gonna hate this song but when you really think about it, Todd Snider covers just about every part of the Republican political platform in the first verse. It's a brilliant attack on intolerance, homophobia, climate change denial, racism, elitism, and too many other things to list here. We're liberal, we admit it.
Key line:

"Conservative Christian, right wing Republican, straight, white, American male.
Gay bashin', black fearin', poor fightin', tree killin', regional leaders of sales.
Frat housin', keg tappin', shirt tuckin', back slappin' haters of hippies like me.
Tree huggin', peace lovin', pot smokin', porn watchin' lazyass hippies like me.
Tree huggin', love makin', pro choicen, gay weddin', widespread diggin' hippies like me.
Skin color-blinded, conspiracy-minded, protestors of corporate greed,
We who have nothing and most likely will 'till we all wind up locked up in jails
By conservative Christian, right wing Republican, straight, white, American males."

jon byrd in the alternate root18. Jon Byrd – Alabama Asphalt - (2011) – From the album Down at the Well of Wishes. Jon Byrd is a son of the south who isn't shy about pointing out the hypocricy and intolerance that permeate his Alabama roots. Alabama Asphalt was written about the reinstatement of the death penalty in Alabama. It's about the love of Alabama's natural beauty and avoiding it's nasty politics.
Key line:
"If your in Alabama, you better watch your ways.
'Cause laying burning tar is the least that you're gonna pay.
Yeah, they'll chain you to your brother and give a shotgun to the other.

There's that Alabama asphalt giving off heat."

patti griffin in the alternate root19. Patti Griffin - Tony - (1998) – From the album Flaming Red. Patti Griffin tackles bullying, and teen suicide as a result, with incredible grace and hard hitting reality in her song Tony. The story of the kid we all know and unfortunately some of us knew. The kid who is a little different. The kid the "beautiful people" pick on. A little overweight; not one of the crowd and the internal pain and torture that goes on inside these kids. It's a sad, sordid existence.
Key line:

"Hey Tony, what's so good about dying?
He said I think I might do a little dying today.
He looked in the mirror and saw
A little faggot starin back at him.
Pulled out a gun and blew himself away.
Hey Tony whats so good about dying, dying?
Hey Tony whats so good about dying, dying?"

mary gauthier in the alternate root20. Mary Gauthier - Drag Queens in Limousines - (1999) – From the album Drag Queens in Limousines. Drag Queens and Limousines is a true biographical piece written by the great Mary Gauthier. It covers runaways, and the turmoil of being gay in a straight world. Gauthier stole her mother's car and ran away at 15. She struggled with addiction and her sexuality and rose up to become one of the great songwriters and singers in the roots Americana world. Stick that!
Key line:

"My dad went to college, and he worked for the state.
He never quit nothing and he wanted me to graduate.
My brother and sister both play in the marching band.
They tell me they miss me, but I know they don't understand.
Sometimes you got do, what you gotta do,
And hope that the people you love, will catch up with you.
Yea Drag Queens in Limousines
Nuns in blue jeans
Dreamers with big dreams
Poets and AWOL marines
Actors and Bar Flys
Writers with Dark Eyes
Drunks that Philosophize."

willie nile in the alternate root21. Willie Nile - One Guitar (2011) – From the album The Innocent Ones. Willie Nile's One Guitar is an anthem to the power of music, the effectiveness of non-violent protest and the change that can come from getting up off your ass and getting involved! It's about rising up, no matter what put you down.
Key line:

"So if you get knocked down, you gotta take a stand.
For all the outcast, dead last who need a helping hand.
So get your tambourines and turn your arms up loud,
And raise your voices, voices up above this crowd.

I'm a soldier marchin' in an army
Got no gun to shoot
But what I got is one guitar
I got this one guitar."

chip taylor in the alternate root22. Chip Taylor - Black and Blue America - (2008) - From the album - New Songs of Freedom. Chip Taylor laments the days when we had heroes and goals that moved us forward as a nation. We rallied around the men who walked on the moon or marched in Selma. We cared about each other and lent a helping hand. America is bruised, black and blue but not out by any means. We're survivors.
Key line:
"It was a ray of light.
It was a wall of sound.
It was a fight for life, until the walls came down.
It was a dream to dream, in any damned old town.
It was a true America.

Red, white, balck and blue America."


uncle tupelo23. Uncle Tupelo - No Depression (1990) – From the album No Depression. An apocalyptic look at the end of days and the hope that something better is on the other side. Uncle Tupelo is largely regarded as the band that launched the Americana movement but that's debatable. They wrote great songs and split into two substantial bands; Wilco and Son Volt when the end of days struck them.
Key line:

"In this dark hour, midnight nearing
The tribulation time will come.
The storms will hurl the midnight fear
And sweep lost millions to their doom.
I'm going where there's no depression
To a better land that's free from care.
I'll leave this world of toil and trouble.
My home's in heaven,
I'm going there
."

otis gibbs in the alternate root24. Otis Gibbs – Preacher Steve - (2008) – From the album Grandpa Walked A Picketline. Otis Gibbs plays down the political and often scathing nature of his songs in order to maintain a neutrality with his audience. It can't be easy when you write like he does and you choose his subject matter. Preacher Steve is a dead on assault of TV Evangelists and the snake oil they peddle. He also lays the blame at the people who feed this nonesense and continue to line up to by the magic elixir.
Key line:
"Preacher Steve or the people who believe in him
and I can't decide which is worse."

john mellencamp in the alternate root25. John Mellencamp – Rain on the Scarecrow - (1985) – From the album Scarecrow. The song that launched Farm Aid and brought the plight of the American farmer to the forefront and dinner tables from coast to coast. Rain on the Scarecrow is in itself about the death of American values in favor of corporate interests and it's one of the best songs on the subject ever written.
Key line:

"Scarecrow on a wooden cross, Blackbird in the barn.
Four hundred empty acres that used to be my farm.
I grew up like my daddy did My grandpa cleared this land.
When I was five I walked the fence while grandpa held my hand.
Rain on the scarecrow, Blood on the plow.
This land fed a nation. This land made me proud.
And Son I'm just sorry there's no legacy for you now.
Rain on the scarecrow Blood on the plow.
Rain on the scarecrow Blood on the plow."

26. Uncle Lucius – Keep the Wolves Away - (2012) – From the album And You Are Me. Lead singer Kevin Galloway says this is a true story of how a man, his father, raised his kids, doing whatever was needed to get done. He had a work related injury that affectecd the rest of his life, and the company turned its back. The next generation takes the torch and keeps it lit, to support the family and keep the wolves away.

Key Line:
"I was barely thirteen when the company man
Tried to dig my Daddy’s grave.
Happened on a French owned tanker ship
Spilling poison into Galveston Bay.
Where the liquid fire filled his lungs and his eyes,
Silenced any mortal cries.
Codeine the grit but death stang in pain,
He fought like hell to keep the wolves away"

27. Will Kimbourgh – Americanitis - (2006) – From the album Americanitis. Marketing is a disease that Americans from which Americans take more than a daily dose. Will Kimbrough's character is not selling out, he is buying in. The promises of advertising are beauty, youth and longevity. What you take for cures may become the disease.

"Assembling lines of hot dog vendors
My funny bone it ain’t so tender
I swear by God I will surrender
Just give me one more day"

28. Slaid Cleaves - I Was Born This Morning - (2008) – From the album Ribbon of Highway   - The song sees that people were born right the first time, no need to do it again. Slaid Cleaves finds the joy and righteous path offered by finding that any sort of god lives within each of us. The light shines from the inside back out, not the other way around

Key LIne:
"This morning I was born again and a light shine on my land
I no longer look for heaven in your deathly distant land
I do not want your pearly gates don’t want your streets of gold
And I do not want your mansion for my heart is never cold"

bruce springsteen in the alternate root29. Bruce Springsteen – Sinaloa Cowboys - (1995) – From the album The Ghost of Tom Joad - Two brothers head north for work and find the most lucrative jobs are the ones that carry danger and heartbreak. In order to win big, you have to gambleon a big lose.

Key Line:
"Word was out some men in from Sinaloa were looking for some hands
Well deep in Fresno county there was a deserted chicken ranch
There in a small tin shack on the edge of a ravine
Miguel and Louis stood cooking methamphetamine.
You could spend a year in the orchards
Or make half as much in one ten-hour shift
Working for the men from Sinaloa
But if you slipped the hydriodic acid
Could burn right through your skin
They'd leave you spittin' up blood in the desert
If you breathed those fumes in"

gretchen peters30. Gretchen Peters - Hello Cruel World  (2012) – From the album Hello Cruel World -Well laid plans do not always follow a straight path. There is inspiration in realizing our limitations. Gretchen Peters manages to see the glass half full and remind us that sometimes the best we can do is just show up

Key Line: 
"haven’t done as well as I thought I would
I’m not dead but I’m damaged goods
And it’s gettin’ late
I’m a rusty hinge, a squeaky wheel
at the bad end of a shaky deal
cursed by the hand of fate
and ooooooh – I’m a very lucky girl
yeah ooooooh – hello cruel world"

bruce cockburn31. Bruce Cockburn – Lovers in a Dangerous Time - (1984) – From the album Stealing Fire - The power of two is strong. Our choice of a partner is personal. We do not allow people to tell us how to dress, what to eat, listen to or watch. Why is it that we pay so much attention when the tell us how to love.

Key Line:
"When you're lovers in a dangerous time
Sometimes you're made to feel as if your love's a crime --
But nothing worth having comes without some kind of fight --
Got to kick at the darkness 'til it bleeds daylight
When you're lovers in a dangerous time
Lovers in a dangerous time
And we're lovers in a dangerous time"

lone justice32. Lone Justice - Soap, Soup and Salvation (1985) – From the album Lone Justice- Homelessness in America is rampant. The dispossessed at the rescue mission in the song seek, and find, comfort in the little things. Singing for your supper becomes a reality for those waiting for dinner.

Key Line:
"Lonely faces, empty glances
They surround me everywhere
But those sweet angelic voices
Are now rising through the air

"When the roll is called up yonder"
I'll be there with

Soap, soup and salvation
Tired hearts sing in jubilation
Restoration at the rescue mission
Soap, soup and salvation"

nanci griffith33. Nanci Griffith - The Loving Kind - (2010) – From the album The Loving Kind - The case was brought by Mildred Loving, a black woman, and Richard Loving, a white man, who had been sentenced to a year in prison in Virginia for marrying each other. Their marriage violated the state's anti-miscegenation statute, the Racial Integity Act of 1924, which prohibited marriage between people classified as "white" and people classified as "colored." The Supreme Court's unanimous decision held this prohibition was unconstitutional,

Key Line:
"They were the loving kind
She was black and he was white
In Virginia, 1958
They found love amongst the hate
Well, the law said they could not wed
They married anyway
The sheriff put them both in jail
Separated till they made their bail
They changed the heart of a nation
With their wedding vows
From the highest court in the land
Their union would lawfully stand"

grant peeples34. Grant Peeples – Nigger Lover - (2012) – From the album Prior Convictions - Grant Peeples sees a word that causes cringing and wovering as a badge of honor. The song points out that the word is not used in its original form, but other words have taken its place. The same meaning, but words that you can hide behind.

Key Line:
"Nigger Lover
Yeah, that’s what they used to call me in the playground at school
But it was a lot of years ago
Those kids have all grown up they’ve all grown up
And they don’t use that word any more….hardly
Nah, these days they use other words

They say things like…you’re a liberal, a socialist, a community activist
You’re gonna see in this next election
‘we gonna snatch this country back again for real Americans"

jim keaveney35. Jim Keaveney – Livin' in a Dream - (2009) - From the album Music Man - The song is about consumerism in America. The dream is that we will always have enoughm and that we can waste. Americans feel that everyone around the world lives like us. A chicken for every pot is not reality and Jim Keaveny reminds us to look outside our borders, and open our eyes.

Key Line:
"Most Americans they don’t get around just maybe over the next big town
Too far in debt, or afraid, or just not curious enough to cross that line into another world into another time
So I’m here to tell you there many peoples and colors out there and respecting the cultures a real good fare
But no matter how far you’re flying on a big jet plane fundamentally all the peoples the same"

paul sachs36. Paul Sachs - Dirty Trucks - (2011) – From the album Oil Town - The American dream. Work hard and build your own business by ownership. The man is the story is a small business owner. He needs to diversify I order to keep food on the table and a roof over his famliy’s head. The decision between right and wrong blurs when your kids are hungry.

Key Line:
"Dirty tucks out on the highway rolling through your state tonight
Dirty trucks out on the highway, rolling fast and never traveling light"

corb lund37. Corb Lund - Getting Down on the Mountain - (2012) - From the album Cabin Fever - Corb Lund speaks the mind of survivalist who see the approaching storm and take whatever measures are necessary to protect themselves, and their families. In an effort to survive, they take to higher ground.

Key Line:
"
There ain’t no heat and the power’s gone out, it’s kerosene lamps and candles
The roads are blocked, it’s all gridlocked, you got a shortwave handle?
Can you track the deer, can you dig the well?
I couldn’t quite hear your answer
I think I see a rip in the social fabric, Brother can you pass the ammo?
I think I see a rip in the social fabric, Brother can you spare some ammo?"

drive by truckers38. Drive-By Truckers - The Southern Thing - (2002) – From the album Southern Rock Opera - Drive-By Truckers speak about the duality of the south in this tune. The band turns the crews a little tighter on Neil Young’s belief that every southern man is the same. Patterson Hood sees that you cannot blanketly judge a people on the actions of a few.

Key Line:
"
Ain't about my pistol
Ain't about my boots
Ain't about no northern drives
Ain't about my southern roots
Ain't about my guitars, ain't about my big old amps
"It ain't rained in weeks, but the weather sure feels damp"
Ain't about excuses or alibis
Ain't about no cotton fields or cotton picking lies
Ain't about the races, the crying shame
To the fucking rich man all poor people look the same"

tracy chapman39. Tracy Chapman - Behind the Wall - (1988) – From the album Tracy Chapman - Domestic violence lives next door. As loud as the screams and yelling can be, the more powerful sound is silence. There is no one to turn to, until you can turn no more and the drama reaches its last and final scene.

Key Line:
"Last night I heard the screaming
Loud voices behind the wall
Another sleepless night for me
It won't do no good to call
The police
Always come late
If they come at all"

jackson browne40. Jackson Browne - Lives in the Balance - (1986) – From the album Lives in the Balance - Jackson Browne has long stood as a voice for people. He talks about the fragile states we live in, and how our decision to question authority should be taught in schools.

Key Line:
"On the radio talk shows and the T.V.

You hear one thing again and again
How the U.S.A. stands for freedom
And we come to the aid of a friend
But who are the ones that we call our friends--
These governments killing their own?
Or the people who finally can't take any more
And they pick up a gun or a brick or a stone
And there are lives in the balance
There are people under fire
There are children at the cannons
And there is blood on the wire"

otis taylor41. My World Is Gone – Otis Taylor -  (2013) – From the album My World Is Gone - Otis Taylor describes the modern world of the American Indian. Over his trance blues music, Otis delivers one liners that paint the picture of a western landscape that only hangs in museums, and in the memory of a once proud people who cannot find a way back to the old ways.

Key Line:
"If you send me a golden razor……I’ll cut my hair and I’ll bury it where the buffalo used to roam
My World Is Gone"

the neville brothers42. The Neville Brothers – Rosa Parks - (1988) - From the album Yellow Moon - Rosa Parks was tired. She refused to walk one step further when seats were available in the front of the bus. Her decision changed history.

Key Line:
"Thank you Miss Rosa, you are the spark
That started our freedom movement, thank you Sister Rosa Parks"

blackie and the rodeo kings43. Blackie & The Rodeo Kings – Another Free Woman - (2011) – From the album Kings & Queens - Blackie & The Rodeo Kings invited women to guest vocal on their most recent release, Kings & Queens. Sara Watkins guests on this song about getting even by getting out. Not a victim, the heroine in the song knows that there is another path to heaven and she’s got a gun.

Key Line:
"NOW EVERY BAD MARRIAGE... ENDS IT'S TRUE
WHEN THE MAN'S A DRUNK AND HE'S BEATIN' ON YOU
EVERY MORNING THE SUN COMES UP TO STAY
AND ANOTHER FREE WOMAN GETS TO WALK AWAY...
ANOTHER FREE WOMAN GETS TO WALK AWAY...."

tom waits44. Tom Waits – In the Neighborhood - (1983) – From the album Swordfishtrombones - Life has changed in the old neighborhood. Tom Waits points out that the things we tolerate become routine. We need an awareness to walk out our front door. The familiar smell of cooking breakfast and the smell of spilled garbage mingle and become home.

Key Line:
"Well the eggs chase the bacon
round the fryin' pan
and the whinin' dog pidgeons
by the steeple bell rope
and the dogs tipped the garbage pails
over last night
and there's always construction work
bothering you
In the neighborhood
In the neighborhood
In the neighborhood"

d l marble45. D.L. Marble – Sombrero Lullaby - (2012) – From the album Not the One… - The narrator in this song is a soldier stationed in Afghanistan. While sitting at a bar, a song on the jukebox transports the soldier to where he really wants to be, on a beach in Mexico, trying to wash the blood off his hands.

Key Line:
"
One more tequila for my friends and me
And I’ll tell you a tale about a land so far away’
Somebody play me a melody
Solve the world’s problems some other day

These songs keep callin on the radio
And I see my name in the neon
I wanna run away to Mexico
So play me a sombrero lullaby"

dave alvin46. Dave Alvin – Out of Control - (2004) – From the album Ashgrove - Speed, prostitution, weapons….all part of the way to make your daily bread in this tale of characters living on the edge. The speed and whiskey burning brain of the man telling the story understands that wanting to do right is okay, but sometimes you just have a need to go a little further to get the same rush.

Key Line:
"I used to work a little construction
But I never got along with my boss
So I do a little import/export
Makin’ enough just to cover my costs
And I’m losin’ my hair and I’m losin’ my teeth
But I’m tryin’ to keep my grip
And live to see one more day
Without makin’ any stupid slips.

You know I could have played the game man
And just done what I was told
But I guess I was born just a little bit
Out of control"

christine ohlman and rebel montez47. Christine Ohlman & Rebel Montez – The Cradle Did Rock - (2009) – From the album The Deep End - The aftermath of Katrina changed New Orleans forever. Christine Ohlman describes what followed the levee breaks in the Crescent City.

Key Line:
"
The cradle did rock, the cradle been broken
It all fell down in the terrible flood, then
Some people came home, some people gave up
The levee went crash and the cradle did rock"

steve earle48. Steve Earle – Jerusalem – (2002) – From the album Jerusalem - On an album made almost entirely of protest songs, this title track from Jerusalem questions who we can accept death and violence simply because it has happened before. It is one more excuse to tolerate oppression, and one more reason to look to the real lessons of love thy brother, rather than demanding some not only worship a god, but worship the god of their understanding.

Key Line:
"I woke up this mornin' and none of the news was good
death machines were rumblin' cross the ground where Jesus stood
and the man on the TV told me that is had always been that way
and there was nothin' anyone could do or say"


justin townes eARLE49. Justin Townes Earle – Workin’ for the MTA – (2010) – From the album Harlem River Blues - Getting up and going to work every day. Doing the same job, expecting the same conditions….every day. Dreams are what happens when you sleep. Waking hours are already carved in stone.

Key Line:
"So, it's cold in them tunnels today
Well, it's cold in them tunnels today
It's cold down in those tunnels today, mama, workin' for the MTA
Yeah, I'm workin' for the MTA"

peter himmelman50. Peter Himmelman - "Untitled" (The Cab Driver Song) - (1992) - From the album Flown This Acid World   - The narrator becomes trapped in a world of angry words that are intolerable and preach hate. It would seem that the tip for this cab driver would be “don’t be so stupid” but like all bullies, their words have more power than what their actions might be, or the actions might be more powerful….you just don’t know.

Key Line:
The driver of the cab he had a pock marked face
He didn't seem too unfriendly, he was just starin' off into space
And he told me that he used to drive a truck
And that right now he was down on his luck


We talked a bit about travelin', told him that I'd been to the USSR
He looked at me in the rear view mirror and said

"Ain't that where the Jews and commies are?"
And I knew I was in for a hell of a ride
My face was calm but I was burnin' up inside, oh yeah"

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the alternate root top 20 guitar playersHere's our list of The Alternate Root Magazine's Top American Roots Guitar Players. There's probably 100 guitar players that could have been on this list that appear on every "Best Guitar Player List." These are our favorites. The one's we write about; one's we've worked with on Alternate Root TV or we've interviewed here. They're our guys and gals and all of them can play. Chances are we've forgotten a few and we're counting on our readers to remind us of who's supposed to be here.










 
kenny vaughan in the alternate root1. Kenny Vaughan - Marty Stuart Band, solo - One of the most, if not 'the' most in demand session players in Nashville, Kenny Vaughan is an absolute monster player that is in a league with just a few others on this list. Combining the most eclectic, fringe elements of jazz, punk, rock, country and whatever else into his unique style and combining it with near flawless technique is what sets Vaughan apart from most. 

Listen and buy the music of Kenny Vaughan from AMAZON or iTunes

  will kimbrough in the alternate root2. Will Kimbrough - Emmylou Harris Band, solo - Kimbrough's work with Rodney Crowell and Emmylou Harris is well documented. His solo work is equally compelling and as one of the top producers in the American Roots music world you can find him on a slew of other really good records. He can play any style from blues to country, rock to soul and everything in between.

Listen and buy the music of Will Kimbrough from AMAZON or iTunes


richard thompson in the alternate root3. Richard Thompson - Fairport Convention, solo - One of the founding members of Fairport Convention, Thompson has spent most of his career in relative public obscurity save guitar heads and critics. Guitar people have known about Richard Thompson for decades and critics have been heaping praise on Richard Thompson for both his playing and his writing for nearly as long. His mark is on more music than most anyone on this list. Probably the best folk guitarist in history.

Listen and buy the music of Buddy Miller from AMAZON or iTunes

buddy miller in the alternate root4. Buddy Miller - Band of Joy, solo - Like Will Kimbrough, Buddy Miller appears on more recordings than can be listed here. He's worked as a guitar player for Steve Earle, Robert Plant, John Fogerty, Patty Griffin, Emmylou Harris, Jimmie Dale Gilmore and Linda Rostadt. His solo work is at times breathtaking and at other time a bit puzzling but never typical. Miller is just downright brilliant.

Listen and buy the music of Colin Linden from AMAZON or iTunes

colin linden in the alternate root5. Colin Linden - Blackie and the Rodeo Kings, solo - One of the true virtuoso players on our list. A scholar of the roots of the guitar, from earliest recordings of blues and jazz to folk and country, Colin Linden was called upon by T-Bone Burnett to help produce the soundtrack for "Oh Brother Where Art Thou." He's one of the top American Roots producers in Canada and the U.S. and has a guitar playing resume that would take up more space than we have here.

Listen and buy the music of Bill Kirchen from AMAZON or iTunes

bill kirchen in the alternate root6. Bill Kirchen -solo - One of the most respected and acclaimed players of the last few decades Kirchen may be best known for work with Commander Cody and the Lost Planet Airmen but his work over the past 30+ years is more impressive. His version of "Hot Rod Lincoln" where he rips into a solo for every guitar god hero is amazing.

Listen and buy the music of Pete Anderson from AMAZON or iTunes

pete anderson in the alternate root7. Pete Anderson - solo - He's a bad-ass player. He's a bad-ass producer who created the sound for Dwight Yoakam, k.d. Lang, Michelle Shocked and even the latter-day Roy Orbison. If you don't know him as a player you don't know the half of it.

Listen and buy the music of Derek Trucks from AMAZON or iTunes

derek trucks in the alternate root8. Derek Trucks - Tedeschi Trucks Band, Allman Brothers Band - The nephew of Allman Brothers great Butch Trucks, Derek Trucks first appeared on stage with Buddy Guy and The Allman Brothers at age 12. One of the best slide players out there right now, Trucks is heavily influenced by Buddy Guy, Elmore James and the like but his style incorporates blues, rock, soul and classic jazz elements.

Listen and buy the music of Derek Trucks from AMAZON or iTunes

traul malo in the alternate root9. Raul Malo - Mavericks, Los Super Seven, solo - Raul Malo may be more well known for his incredible voice than his guitar playing but he should never be overlooked as one of the top American Roots guitar players. His work with the Mavericks, Los Super Seven and as a solo artist contains some incredibly good guitar playing by any standards. See him live playing jazz, blues, country, Tejano, rockabilly and you'll get the picture.

Listen and buy the music of Raul Malo from AMAZON or iTunes

junior brown in the alternate root10. Junior Brown - Junior Brown Band - Junior Brown is so good he needed to have a guitar invented just for him and the "guit-steel" was born. He's incendiary style blends Western Swing, honky-tonk, Bakersfield country and Texas blues often in the same solo.

Listen and buy the music of Junior Brown from AMAZON or iTunes

patterson hood in the alternate  root11.  Patterson Hood - Drive By Truckers - The power behind one of the powerhouse American Roots bands Patterson Hood is actually more Clash than Cash. The Drive By Truckers are one of the few roots bands that when it's all said and done, will have done pretty well.

Listen and buy the music of Patterson Hood from AMAZON or iTunes

eric ambel in the alternate root12. Eric “Roscoe” Ambel - The Del-Lords, Steve Earle Band, solo - He's more into producing and engineering now than when he was barnstorming for Joan Jett and the Blackhearts, The Del-Lords or Steve Earle but "Roscoe" shows up in rare form on a lot of really cool recordings from bands like the New Heathens, Jimbo Mathus and the Tri-State Coalition and DL Marble. Ambel is a great guitar player...period.

Listen and buy the music of Eric ‘Roscoe’ Ambel from AMAZON or iTunes

rosie flores in the alternate root13. Rosie Flores - Rosie Flores Band - The "Rockabilly Filly" broke the glass ceiling for female guitar players right along with Bonnie Raitt and Patti Smith, just to a different crowd. She's the "Queen of Twang" and one of the pre-eminent figures in the Austin Alt-Country music scene. She's fun, she's good and she looks great at 63. Her work with Pete Anderson on her debut album drew major critical acclaim.

Listen and buy the music of Rosie Flores from AMAZON or iTunes

mark robinson in the alternate root14. Mark Robinson - Mark Robinson Band - He can shred, pick, bend and slide with the best of them. Robinson has a resonant tone that would fall somewhere between Albert King and Ronnie Earl but has developed into pure Mark Robinson. Only two solo efforts to date but both have garnered high praise for Robinson's guitar work.

Listen and buy the music of Mark Robinson from AMAZON or iTunes

devon allman in the alternate root15. Devon Allman -Royal Southern Brotherhood, Devon Allman's Honeytribe - The son of Gregg Allman and another example of the fruit not falling far from the tree, Devon Allman has the chops of his father and the soul of his uncle. In his case the soul is what makes him great. His blues are hard edged and spacious; making each note count rather than counting how many notes there were. An awful lot of Allman Brothers Band offspring are making great music. Makes you wonder about the effects of sex and srugs.

Listen and buy the music of Devon Allman from AMAZON or iTunes


sergio webb in the alternate root16. Sergio Webb - David Olney, solo - Sergio Webb can be seen on a stage in Nashville making someone sound good most any night. He's a great picker of just about anything that has strings on it. Webb is a throwback to the old-style country guitar player like Chet Atkins or Les Paul.

Listen and buy the music of Sergio Webb from AMAZON or iTunes

seth walker in the alternate root17. Seth Walker - solo - Seth Walker started as a cellist at the age of three growing up with classicly trained musicians as parents. His clean soul-jazz-pop sound has garnered some high praise critically both as a skillful player and soulful singer. He's paved the way for a host of blues/soul performers in the Americana Roots movement. His cool west-coast tone is reminiscent of Wes Montgomery.

Listen and buy the music of Seth Walker from AMAZON or iTunes

martin sexton in the alternate root18. Martin Sexton - solo - His playing is a lot studio tricks and loops but since he's playing all of it and putting it together in some sort of predetermined sequences we'll have to call that innovative and highly skilled playing. Not your dad's "folkie," Martin Sexton is a gifted player that experiments outside the lines.

Listen and buy the music of Martin Sexton from AMAZON or iTunes

chris hersch in the alternate root19. Chris Hersch - Girls, Guns and Glory - The lead guitar slot in Girls, Guns and Glory has been a bit of a revolving door and the predecessors to Chris Hersch have all been pretty solid. That said, none of them can stand with the current "lead chair." Hersch's work on "Sweet Nothings," the latest effort from GGG is astounding.

Listen and buy the music of Chris Hersch from AMAZON or iTunes

garrett lebeau in the alternate root20. Garrett Lebeau - solo - He's a young guy from rural Wyoming that resides in Austin every now and again. An enigma of sorts, Lebeau posesses an almost majestic tone and incendiary improvisational skill. His playing is a combination of bluesey soul and jazz in a gospel wash. Infectious is a good way to describe Garrett Lebeau's music.

Listen and buy the music of Garrett Lebeau from AMAZON or iTunes

colin thompson in the alternate root21. Colin Thompson - Randy Thompson Band - Who? From where? At 15 he had chops it should have taken 40 years to develop. Randy Thompson is a known entity in many Americana/Alt-Country circles especially in Europe but his son Colin might end up as the one who scores it big. Now 19, He's a sponge for style and technique and by the time he hits middle age he could be the best player on this list.

Listen and buy the music of Colin Thompson from his website

Emmylou Harris has defied the odds of location, location, location when she paired with Gram Parsons to develop cosmic American Music shortly after being a waitress in a Baltimore diner. She broke industry rules that rock and country could not and would not meet when her first albums were received by both communities, and where her presence still gets attention. Very few times can you mention Emmylou Harris without another chiming in, at least one, with an ‘I love Emmylou’. That is the reason she has spanned forty years since she shared microphone duties with Gram on his solo debut, GP.  She makes everyone feel like she is their artist; their find. Emmylou Harris has developed and groomed musicians and styles throughout her career, with highlights in her work often honored by the Grammy Awards as Best Contemporary Folk Album.  Whether it is folk, country, rock, gospel, classic country, Americana or Roots rock, Emmylou Harris is a confident guiding mother to every song, style and band smart enough to clue her into recording dates. Everyone has a reason for the love of Emmylou…here are Ten Reasons Why We Like Emmylou Harris.

1. “Love Hurts” – Gram Parson and Emmylou Harris (from the album Grievous Angel) - This track was slated for album number two, Grievous Angel. Gram Parsons passed away before the January 1974 release date. Contemporary critics of the time didn’t feel it held up to previous efforts but we are still talking about it in 2014….something must have worked. “Love Hurts” by Gram and Emmylou is intimate. The vocals will walk away with you, stake a spot in your heart and move in after the first date.

Listen and buy “Love Hurts” by Gram Parsons from AMAZON or iTunes

2. Feelin’ Single, Seein’ Double – Emmylou Harris (from the album Elite Hotel) - 1975 closed out the year with a second release in December for Reprise Records new signing Emmylou Harris. Elite Hotel planted one foot in rock’n’roll and one foot in country. “Feelin’ Single, Seein’ Double” carries the added punch of standing up for the girls having the same rights as the boys when it comes to making bad decisions fueled by alcohol, dim lights, thick smoke and loud music. The fuel for this song comes from Emmylou’s Hot Band, featuring recording and touring members of the Elvis Presley’s band (James Burton, Emory Gordy, Glen D. Hardin) and Rodney Crowell.

Listen and buy “Feelin’ Single, Seein’ Double” by Emmylou Harris from AMAZON or iTunes

3. The Ballad of Emmett Till   (from the album Hard Bargain) - No gaps or seams have ever appeared in the recorded output of Emmylou Harris. “The Ballad of Emmett Till” is from her 2011 release, Hard Bargain. The Emmylou Harris-penned tune allows its singer to become another soul, and write another’s pain, from beyond its earthly life. Emmett Till was a young black man from the north visiting southern relatives. His ballad reveals the horror of times past, the song reminding that those times can never be far enough away.

Listen and buy “The Ballad of Emmett Till” by Emmylou Harris from AMAZON or iTunes

4. “Luxury Liner” – Emmylou Harris   (from the album Luxury Liner) - Her 1997 album with the Hot Band, Luxury Liner, has been Emmylou’s bestselling album. Her back-up band was living up to its name in a big way. “Luxury Liner” stretches out for a cruise over a train track beat. Emmylou is out searching for her baby on board ‘40 tons of steel’. She may think about giving the twang in the tune a go as it swears its allegiance throughout the track.

Listen and buy “Luxury Liner” by Emmylou Harris from AMAZON or iTunes

5. “Boulder to Birmingham” – Emmylou Harris    (from the album Spyboy) - The album title is from the touring band that backed Emmylou Harris during this period. Spyboy is a live album and lets the band stretch each song musically. Emmylou duets with American treasure Buddy Miller on this version of her song. Emmylou gets a great deal with Buddy as the match for her vocal comes from both Buddy’s pipes and his guitar.

Listen and buy Spyboy by Emmylou Harris from AMAZON

6. “To Know Him Is to love Him” – Dolly Parton, Emmylou Harris, Linda Ronstadt  (from the album Trio) - Three of the top vocalists in 1987 joined together to record “To Know Him Is to Love Him” and other tracks as Trio. The tune was originally recorded by The Teddy Bears, written by Phil Spector, and performed  by the only group that Phil ever played in as a member. Even with microphones shared with voices like Dolly Parton and Linda Ronstadt, it is Emmylou Harris who owns this track.

Listen and buy “To Know Him is to Love Him” by Trio from AMAZON or iTunes

7. “Hanging Up My Heart” – Emmylou Harris and Rodney Crowell   (from the album Old Yellow Moon) - Emmylou joins up with former Hot Band member Rodney Crowell on a co-headlining gig in the pair’s 2013 release, Old Yellow Moon. Hot Band members James Burton and John Ware guest on HB alumni Hank Devito’s tune, “Hanging Up My Heart”.

Listen and buy “Hanging Up My Heart” by Emmylou Harris and Rodney Crowell from AMAZON or iTunes

8. “Deeper Well” – Emmylou Harris   (from the album Wrecking Ball) - Daniel Lanois produced and U2 drummer Larry Mullin, Jr. guested on Wrecking Ball. The album struck out into new territory for Emmylou Harris as she incorporated the use of sonic’s into her natural roots music without ever sacrificing herself or her songs. Emmylou received a 1996 Grammy (Best Contemporary Folk Recording) for her efforts in developing Americana as its own genre in “Deeper Well”, a co-write with Emmylou, album producer Daniel Lanois and David Olney.

Listen and buy “Deeper Well” by Emmylou Harris from AMAZON or iTunes

9. “This Is Us” – Mark Knopfler and Emmylou Harris   (from the album All the Roadrunning) - It is not adding Emmylou Harris to a track’s vocals that make it a particular genre. She walks into styles and lets them do their own thing while she sings as Emmylou Harris. “This Is Us”, with Dire Straits’ Mark Knopfler, turns the pages on the scrap book pictures of a life together, sprawling out of a caffeinated roots rhythm.

Listen and buy “This Is Us” by Mark Knopfler and Emmylou Harris from AMAZON or iTunes

10. “Two More Bottles of Wine” – Emmylou Harris   (from the album Quarter Moon in a Ten Cent Town) - The thread that has trailed through the music of Emmylou Harris is made of the joy she brings to the microphone. That is her style. She adds vocals to music that she feels is a part of her voice, comfortably digging Roots through grounds of Classic Country and Rock’n’Roll as she does on this 1978 release with of the Delbert McClinton tune “Two More Bottles of Wine”.

Listen and buy “Two More Bottles of Wine” by Emmylou Harris from AMAZON or iTunes

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Duane Allman was gone before the music he made took over the world. The brothers Allman, Duane and younger brother Gregg, were from Macon, GA. Gregg got a guitar first but Duane learned quicker. The brothers went to Nashville for summers to visit grandma, seeing B.B. King and soaking up sound. As time went on Duane immersed himself in the guitar, quitting the high school to stay home during the days and learn his instrument. The brothers formed The Allman Joys moving the band to Nashville then St. Louis, MO. The name changed to Hour Glass and the home base moved to Los Angeles, CA in 1967. For Duane’s twenty-second birthday, Gregg brought his big brother a bottle of cold pills for his fever and the new Taj Mahal record. Two hours later, Gregg’s phone rang. Duane had emptied the pills and taken the label off the bottle so he could play slide. Duane had never attempted to play slide guitar before and would be known for that playing it a lot afterwards.

Duane’s work with Hour Glass caught the ears of producers and he was plugged to play a Muscle Shoals recording session with Otis Redding, backing the singer on his rendition of “Hey Jude”. His playing drew attention at Atlantic Records and the guitarist was scheduled for sessions with Clarence Carter, Laura Nyro, King Curtis, Percy Sledge, Herbie Mann, Aretha Franklin, Otis Rush and more. He recorded the lead guitar for Boz Scaggs’ “Loan Me A Dime” shortly after his session for the Otis Redding track. The Allman Brothers Band got off to a clunky start with neither of their first two albums registering with listeners. Success came for Duane Allman in his own band with the release of Live at the Fillmore East and his guitar work for Derek and the Dominoes. Duane Allman passed away on October 29, 1971, several weeks after the release of Live at the Fillmore East and during its initial success. His motorcycle hit a truck that had stopped suddenly in an intersection and he died at the age of twenty-four years old.

Duane Allman lived for the music. When his soul crossed over, his spirit was kindly stayed around to be a part of the music that he cherished. . There are many reasons to appreciate Duane…here are Ten Reasons Why We Like Duane Allman.

1. “Still Want Your Love” – Hour Glass (from the album Power of Love) - Comprised of Duane and Gregg Allman alongside three future Muscle Shoals session men, Hour Glass was a 60’s rhythm and blues band. The power was in the hands of those that did not know how to handle it at Liberty Records and they positioned the group as a Pop act. Duane’s guitar weaves through the song with a psychedelic buzz in its riffs and soul in its step.

Listen and buy “Still Want Your Love” by Hour Glass from AMAZON or iTunes

2. “Games People Play” – King Curtis featuring Duane Allman  (from the album Duane Allman Anthology) - When King Curtis covered Joe South’s “Games People Play” as an instrumental the 1968 hit was still fresh. A jazzy soul in the rhythm is a good complement for Duane Allman’s subdued Leslie-amp distorted note patterns.

Listen and buy “Games People Play” by King Curtis from AMAZON or iTunes

3. “Don’t Want You No More” – The Allman Brothers Band   (from the album The Allman Brothers Band) - The Allman Brothers choose an instrumental to lead the charge on their 1969 debut. “Don’t Want You No More” was a Spencer Davis tune that the band wrestles into shape by putting sharp angles in the arrangement and smoothing them over with the slightly Latin Rock of its guitar notes.

Listen and buy “Don’t Want You No More” by The Allman Brothers Band from AMAZON or iTunes

4.  “The Weight” – Aretha Franklin featuring Duane Allman   (from the album Duane Allman Anthology) - It was Duane’s guitar work for Aretha that gave the band its legendary road man, Red Dog (Joseph L. Campbell). The guitar lead made Red Dog want to see the band live and after the show he stayed around to tell them how much he liked the playing. Before the band broke, Red Dog would hand over his military pension checks to the band to keep them afloat.

Listen and buy “The Weight” by Aretha Franklin from AMAZON or iTunes

5. “Don’t Keep Me Wonderin’” – The Allman Brothers Band  (from the album Idlewild South) - Duane’s slide is ever-present on this cut from album number two for the Allman Brothers Band. The players seem happy to stay as rhythm while Duane’s guitar bends around the curves and holds the road while leaning way over the edge.

Listen and buy “Don’t Keep Me Wonderin’” by The Allman Brothers Band from AMAZON or iTunes

6. “Statesboro Blues” – The Allman Brothers Band   (from the album Live at the Fillmore East) - Live at the Fillmore Eastwas the album that broke the Allmans and Blind Willie McTell’s ode to a little town in Georgia, “Statesboro Blues” led the charge as opening cut. After a quiet introduction Duane sets fire to the front row with searing leads that leave skid marks all over the song.

Listen and buy “Statesboro Blues” by The Allman Brothers Band from AMAZON or iTunes

7. “Loan Me A Dime” – Boz Scaggs featuring Duane Allman   (from the album My Time” A Boz Scaggs Anthology) - Coming on slow, “Loan Me A Dime” opens with organ and piano notes playing tag over a simmering drum beat walking through high noon on a hot day. Duane Allman plays all lead guitar on the track, biding his time and entering the song at over the one minute mark and taking charge.

Listen and buy “Loan Me a Dime” by Boz Scaggs from AMAZON or iTunes

8. “Tell the Truth” – Derek and the Dominoes   (from the album Layla and Other Assorted  Love Songs) - Duane Allman felt that it was easy to separate his lead guitar work from that of Eric Clapton on the Derek and the Dominoes project…..Eric played the Fender parts and Duane played the Gibson parts. On “Tell the Truth” it is an easier figure, as Duane slides in and stays on a slippery course with his guitar through the song.

Listen and buy “Tell the Truth” by Derek and the Dominoes from AMAZON or iTunes

9. “Little Martha” – The Allman Brothers Band   (from the album Eat A Peach) - “Little Martha” is the only Allman Brothers track written solely by its then group leader, Duane Allman. The song was recorded in October 1971, just several weeks before Duane’s untimely death.

Listen and buy “Little Martha” by The Allman Brothers Band from AMAZON or iTunes

10. “Duane Allman” – Amy Ray  (from the album Goodnight Tender) - Amy Ray twists and twangs a nod to one of the world’s greatest guitarists, Duane Allman. The story follows a woman with a guitar, up from Waycross as she puts her line in the sand, “Man it ain’t ever gonna be the same… you know I’ll give ‘em a chance but no one can play like Duane”. Duane Allman’s body of work ended with his death in 1971, but his guitar riffs continue to be a part of our lives.

Listen and buy “Duane Allman” by Amy Ray feat. Susan Tedeschi from AMAZON or iTunes

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Bob Dylan has been releasing albums for 50 years now. Between studio albums, live albums, compilations and greatest hits and the much coveted bootlegs there are 72 albums in all. His place in the most select pantheon of popular music is rock solid along with the The Beatles, The Rolling Stones, Elvis Presley, Frank Sinatra and no one else. The amount of space Dylan takes up on my shelf is larger than Sinatra's and that's saying a lot. For the sake of this discussion I'm going to leave the live albums, compilations and bootlegs out. This is just about the studio albums from 1962-2012. 35 albums in all.

There have been long periods where Dylan could do no wrong, releasing one monumental document after another, interrupted by the occasional klunker and there have been some real klunkers. Even with that, the worst Bob Dylan albums always had something on them I found to be a diamond in the rough. The much chastized 1973 album Dylan had some good outtakes and a cool song called "Lily of the West" which I put on almost every Dylan mix tape for years. Even Self Portrait, considered by Dylanologists-in-the-know to be the low point of a stellar career had a countrified version of Simon and Garfunkel's "The Boxer" which I still find tolerable. Those two albums were separated by New Morning and the soundtrack to Pat Garret and Billy the Kid which are both full of memorable moments. Enough of that. Let's move on to ranking Bob Dylan's catalog and feel free to comment, chide or mumble under your breath.

1. Blood on the Tracks (1975) - I often debate whether or not Blood on the Tracks ranks higher than Desire and it really depends on the mood. Today, I rank it higher. Check with me next week. Song for song it's the best album in a career full of noteworthy material.

2. Desire (1976) - Desire was released one year and one day after Blood on the Tracks representing perhaps the greatest two year period in Dylan's illustrious career. The nine songs on Desire are absolutely flawless! If it had had "Tangled Up in Blue" on it it would surely rank as his greatest moment. It didn't, Blood on the Tracks did, hence, number two.

3. Highway 61 Revisited (1965) - "Like A Rolling Stone" was Dylan's highest charting single of his career, reaching Number 2 on Billboard's Hot 100 in 1965. Rolling Stone magazine called it the greatest rock and roll song of all time. That album also contained "Desolation Row" and "Ballad of a Thin Man." Nothing more need be said.

4. Infidels (1983) - After the "born-again" nonesense of Shot of Love and Saved, Infidels was a breath of fresh air for those of us who thought Dylan had lost it. The production on Infidels, courtesy of Mark Knopfler, was flawless. Having Mick Taylor, Sly Dunbar and Robbie Shakespear in the band didn't hurt either. Songs about geo-politics, the environment and overall social commentary had returned to the guy who invented it.

5. Time Out of Mind (1997) - I'm not much on the significance of Grammy Awards but Time Out of Mind won 3 of them including Album of the Year in 1998 which almost redeemed the institution for me. Time Out of Mind could easily be at the top of this list. Producer Daniel Lanois along with session players Jim Keltner, Augie Meyers and Duke Robillard created atmospherics not heard before or since in the Dylan collection.

6. Blonde on Blonde (1966) - Songs "Just Like a Woman", "Rainy Day Women #12 and 35", "I Want You", and "Visions of Johanna" aren't enough? Try having Robbie Robertson, Rick Danko, Garth Hudson and Levon Helm in the band. Add the entire fourth side of one of rock and roll's first double albums, "Sad Eyed Lady of the Lowlands" and you've made music history.

7. The Freewheelin Bob Dylan (1963) - You want a folk movement? You want social change? You want somebody to stand up and say the things everyone is thinking but can't find the words or a platform? This is it. "Masters of War", "A Hard Rains Gonna Fall", "Blowin in the Wind", all timeless anthems that still taste great today. Not to mention "Girl From the North Country" and "Don't Think Twice, It's Alright."

8. Oh Mercy (1989) - It's been said that Dylan wandered aimlessly in the 1980's. The three albums between Infidels in 1983 and Oh Mercy in 1989 might support such a theory but if you can bookend a decade on those two albums it's a stretch to call the decade lost. Oh Mercy contained some of Dylan's best work including "Political World", "Ring Them Bells", "Everything is Broken" and "What Was it You Wanted." Most writers would take that and call it a career.

9. Modern Times (2006) - Part of a trilogy of albums that returned Dylan to prominence along with Time Out of Mind and Love and Theft, Modern Times was Dylan's first number one album since Desire and the album actually entered the Billboard 200 Chart at number one. The album continued Dylan's journey into American Roots music traditions both in style and substance. Those three albums together would stand alone as a brilliant career if they were someone else's.

10. Tempest (2012) - His voice is getting on and his live performances are just a shell of what they once were but this is as strong as Dylan has been in a while. It peaked at #3 on the Billboard chart, no small feat 50 years into a career. It also had conspiracy critics claiming it was his last album based on a theory that Shakespear's last play was called The Tempest but Tempest has some of darkest most poignent lyrics we've heard from Dylan in a decade. It also followed a dreadful Christmas album which may explain the critical sigh of relief that Dylan still has gas in the tank.

11. Love and Theft (2001) - Love and Theft sort of picks up where Time Out of Mind left off (at least sonically) and while it was propbably received more enthusiastically by the critics it was surrounded by  some controversy including allegations of plagiarism. Bollocks. The album ranks as one of the best Roots albums of the last half century and made Rolling Stone's list of the 500 best albums of all time. Some of the criticism sparked some of Bob Dylan's harshest critique of journalists and "Dylan experts" ever.

12. World Gone Wrong (1993) - Although it's an album of cover songs, the selection makes the collection stand alone. Like it's predecessor Good As I Been to You, it was a return to Dylan's folk roots and it was good enough to win the Grammy for Traditional Folk Album 1n 1994. Bob Dylan paying tribute to The Mississippi Shieks, Blind Willie McTell, Willie Brown and Doc Watson is pretty fucking cool.

13. The Times They Are a-Changin (1964) - While Beatlemania and the British Invasion were soaking up the limited airspace in 1964, Bob Dylan released his third album The Times They Are a-Changin to little fanfare. It was panned by critics and struggled commercially. Looking back however, it contained some pretty important music aside from the title track. "The Ballad of Hollis Brown", "With God on Our Side", "One Too Many Mornings" and "Lay Down Your Weary Tune" are significant songs that stand the test of the times we live in today. "Seven people dead on a South Dakota farm..." can you say gun-control?

14. Bringin It All Back Home (1965) - One side acoustic, one side rock may have confused a lot of people and pissed off the folk-nazi's but the acoustic side contained "Mr. Tambourine Man", "Gates of Eden" and "It's All Over Now, Baby Blue" and the rock side contained "Subterranean Homesick Blues", "Maggies Farm" and "Love Minus Zero, No Limit." That would place it in the top three on just about everyone else's catalog.

15. Together Through Life (2009) - The second successive Bob Dylan album to debut at number one on the Billboard 200, Together Through Life was a departure from the previous, Modern Times relying on dark, mischievous lyrics and bluesy overtones. It's one of a handful of co-written Dylan albums most of the songs written by Dylan and Grateful Dead lyricist Robert Hunter. "Beyond Here Lies Nothin" is the albums highlight.

16. Nashville Skyline (1969) - A duet with Johnny Cash on "Girl From the North Country" and "Lay Lady Lay" made Nashville Skyline a commercial success. It also concluded Bob Dylan's dip in the country music pool he started with John Wesley Harding in 1967. The outtakes of Dylan and Cash doing "Ring of Fire" and "I Walk the Line" should have been included however.

17. Slow Train Coming (1979) - While it signified the onset of the "born-again" Christian period, Slow Train Coming wasn't nearly as horrific as the follow ups Saved and Shot of Love. "Gotta Serve Somebody" was a pseudo hit and actually garnered Dylan a Grammy for Best Rock Vocal Performance in 1980 and Slow Train Coming is listed among the 100 Greatest Christian Albums according to the Contemporary Christian Music book. They would know. I, surely, would not. Dylan converted back to his Jewish roots before the release of Infidels in 1989.

18. The Basement Tapes (1975) - This album would certainly rank much higher on the list but for the circumstances surrounding the release and production of the album. It was taken from a collection of songs recorded by Dylan and The Band following Dylan's motorcycle accident and subsequent convalesence. Dylan's vocals were recorded in 1967, eight years prior to the album's release and the overdubs that were added along with tracks by The Band, while monumental in style and influence, make it suspect when calling it an album by Dylan and The Band.

19. Under The Red Sky (1990) - This album wasn't really all that bad but it contained "Wiggle, Wiggle" which ruined the rest of it and caused me to always stop listening at that point. Suffice to say I am a fan of Don Was as a producer, just not that much as Bob Dylan's producer. Was assembled a who's who of contemporary music at the time including Jimmie and Stevie Ray Vaughan, Elton John, George Harrison, Bruce Hornsby, Waddy Wacthel and Paulinho DaCosta and you would hope they could have done more lasting material. The title track stands out but not much else is memorable.

20. Planet Waves (1974) - During a brief stint on Asylum Records Dylan released two albums, Planet Waves and a live album Before the Flood. This is actually the better studio recording with Dylan and The Band although it rarely gets mentioned as the "true" collaboration it was. "Forever Young", "Tough Mama", Going, Going Gone" and "You Angel You" all rank high on my list of notable achievements during the Dylan/Band era.

21. Another Side of Bob Dylan (1964) - For those who preferred the finger pointing, in your face Bob Dylan that appeared on his previous albums, this wasn't it. Shy of "Chimes of Freedom" it was an album of somewhat candy coated love songs. A lot of the best songs appeared in later years, especially live, with a bit more bite to them. "It Ain't Me Babe" and"I Don't Believe You, She Acts Like We Never Have Met" are among them.

22. Good As I Been To You (1992) - The predecessor to World Gone Wrong, Good As I Been To You was the first all acoustic record Dylan had recorded since Another Side of Bob Dylan in 1964. Like World Gone Wrong it was comprised entirely of folk/blues covers and included outstanding renditions of "Sittin On Top of the World", "Froggy Went a-Courtin", and "Hard Times."

23. Pat Garrett and Billy the Kid (1973) - The first soundtrack and the acting debut for Dylan as the knife-throwing Alias in the Sam Peckinpah film Pat Garrett and Billy the Kid, the album was mostly instrumental but debuted the classic "Knockin on Heaven's Door". The musicians included Booker T. and Roger McGuinn. It's a good album for a rainy Sunday morning.

24. Bob Dylan (1962) - Only a career this monumental would put your debut album at number 24 on the list but compared to the body of work it just stands up as a good album. "Song to Woody", and "Talkin New York" are the only originals surrounded by folk standards. "Pretty Peggy-O" is pretty hip though.

25. New Morning (1970) - New Morning followed the release of the dreaded Self Portrait so it stands to reason it got some much needed critical relief. The album is solid and contains some Dylan standards including "If Not for You" and "Went to See the Gypsy" but all in all it's a good album for most and an OK album for Bob Dylan.

26. Empire Burlesque (1985) - In spite of the stellar cast of musicians assembled at different periods during the recording of the songs for Empire Burlesque the album is largely uninspired. The best songs on the album "Tight Connection to My Heart", "Clean Cut Kid", were originally set for the album Infidels. Even Roy Bittan, Steve Van Zandt, Benmont Tench, Mike Campbell, Howie Epstein and Lone Justice couldn't make the album any more than over produced 80's schmaltz.

27. Street Legal (1978) - While I actually like this album it ranks as the point where the catalog begins to slide downward. It also marks as the turning point that started Dylan on the Christianity slide. Religion had appeared throughout Dylan's writing but the apocalyptic overtones on Street Legal were different and certainly less subtle than previous inclusions. "Changing of the Guard", "Where Are You Tonight" and "Is Your Love in Vain" are the highlights for me and I can still listen to them fairly loud.

28. John Wesley Harding (1967) - The beginning of a brief and somewhat commercially fruitful foray into country music at least in terms of singing and playing but Bob Dylan isn't a country music writer now and wasn't then either. The music on both John Wesley Harding and Nashville Skyline, with some exceptions, sound contrived. "All Along the Watchtower", "I'll Be Your Baby Tonight"  and "The Ballad of Frankie Lee and Judas Priest" are the highlights.

29. Christmas in the Heart (2009) - As Christmas albums go this will never get any airplay during my holiday season.

30. Dylan (1973) - "Lily of the West" and not much else.

31. Saved (1980) - Awful

32. Shot of Love (1981) - Even more awful than Saved but at least it was the last of the born again albums...forever.

33. Self Portrait (1970) - Best summed up by Greil Marcus, the great Rolling Stone writer, in the opening sentence of his review, "What is this shit?"

34. Knocked Out Loaded (1986) - Dylan must have been either knocked out, loaded or both.

35. Down in the Groove (1988) - Most of us pleaded for Dylan to "make it stop" after three pretty horrific efforts in the 1980's...a year later Oh Mercy came out. It stopped, Bob listened and he's been back ever since.

BILL HURLEY

the alternate root magazineThe decade of the 1980's can be looked at musically in a number of ways. On the surface it's easy to dismiss the decade as one of the worst in terms of popular music. What wasn't being dominated by the horror of Journey, REO Speedwagon, Survivor, Toto and Styx was being dominated by Duran Duran, Kenny Loggins, Culture Club and Michael Jackson. The rockers had their own mindless decade being fed a steady diet of Def Leppard, Van Halen, Molly Hatchet and Aerosmith.

We noticed that bands moved the Roots needle further than their album did. It was not a time when artists had the control over their music, or the ability to make music at home. If you were recording, you had someone attached to the project that saw things a different way. There were budgets and every album needed the 'hit single'. The artist development that had existed in the 1960's and 1970's was virtually gone. The major labels were simply showing up and collecting cash. The invention and proliferation of the compact disc started around 1982 when the discs became commercially available. Major labels were more interested in mining the catalogs and reselling hit records in a different format, so radio waves started championing the term 'classic.'

Soul music was either too Pop or too dance. Folk music was still riding high on the success of 1970's singer/songwriters, bluegrass was still traditional. Blues had some artists that were making noise and some were starting to expand with it and have some fun. Rock was the king and the genre took chances. Many of the artists on our list considered themselves to be rock bands but the groundwork laid would have a rippling effect. There were scenes rather than breakout artists. Los Angeles had cow punk and a roots scene that was very much part of punk rock with bands like X, Dwight Yoakam, Lone Justice, The Knitters, The Blasters, Rank and File, Cruzados, Blood on the Saddle and The Long Ryders all fighting for a small piece of ground. The lower east side of Manhattan was still taking pride in its birthing of punk but bands like The Del-Lords, Mike DeVille and Robert Gordon were playing their music and using their influences to create a more roots sound. Athens, GA had the rock of R.E.M., Pylon, The B-52's and Dumptruck. Nashville was set on taking country into modern times and away from the classic sound of Hank Williams. Lefty Frizell and others. The outlaw country was headed in the roots direction with a lot of steam but the music was still more Country than Roots.

As we set out to search for the albums of the 1980's that shaped the Roots Rock movement of today we found that the 80's thrived in terms of great music even though most of the albums we chose as our Top 40 Most Important by and large flew under the radar and we didn't even get into R.E.M., U2, The Alarm, The Clash, The Pretenders or The Psychedlic Furs. We left a ton of great albums off of our list that were in our stack to narrow down from a list of hundreds to a list of 40.

This is not a history lesson about Roots Music in it's purest forms. That music started in the early 1900's and we'll get to it in time. Everyone that followed was influenced by the great masters. These albums and these artists paved the way during the decade previous to our list of the last 25 Years but make no mistake, these albums and these artists were influenced by music from the previous decades and so on. We'll tackle the 70's, 60's and 50's in time and in order.

So here it is. The Alternate Root Top 40 Roots Rock Albums from 1980-89

1. Paul Simon - Graceland (1986) - Graceland brought the indigenous music of South Africa to the world stage and launched the International careers of  more than a few South African musicians. The album combined traditional American elements of pop, a capella, Tex-Mex and zydeco with traditional South African elements of isacathamiya and mbaqanga and the eclectic, critically acclaimed album changed the way the world looked at South Africa at a time when the world wasn't looking at South Africa very favorably. 27 years later this album still stands as a monumental achievement in music and continues to influence musicians around the world.

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2. The Blasters - The Blasters (1980) - The Blasters self titled album caught the music world by surprise...a mix of rock, country, rockabilly, mountain music and early rhythm and blues that burst onto the American music landscape in 1980, ripped your head off and screamed into your soul. It was sweaty, smokey, loud and so original that few people knew what to make of it. Brothers Phil and Dave Alvin along with John Bazz on bass and Bill Bateman on drums comprised the band that had more talent and energy than it should be legal to have in one band. Critics loved it and people associated with the industry shouted about it but the album never found it's way to the masses.

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3. Bruce Springsteen - Nebraska (1982) - Nebraska is a bit of an enigma and marks a turning point in the illustrious career of one of America's greatest musical treasures. Springsteen recorded the tracks as demos for an album that was to be recorded by the E Street band. The entire album was actually recorded with the full band but those recording were never released. Springsteen instead released the demos, recorded at home on a four track with very sparse instrumentation. The album's dark subject matter, centered around everyday American blue-collar characters facing challenges without hope or salvation, is unlike any other in the Springsteen catalog.

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4. Tom Waits - Rain Dogs (1985) - Rain Dogs was sandwiched between two other brilliant Tom Waits albums Swordfishtrombones and Frank's Wild Years forming a trilogy of sorts. Waits wrote the songs for Rain Dogs in a basement in Greenwich Village in 1984. The album documented the malaise and urban depression of New York City through sounds that included recordings of street noise and a wide range of instrumentation from Waits' dark piano to accordion, marimba, trombone, banjo and upright bass. The album was dark, drifting from old blues to New Orleans funeral dirge and a slew of points in between.
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5. Townes Van Zandt - At My Window (1987) - At My Window was the only release by Townes Van Zandt in the 1980's and was his first studio release in nearly a decade. By then his place on the pantheon of great American songwriters was already secure and the album re-affirmed that Townes still had the songwriting chops. At My Window was different in that it was richer musically than most of his previous material which can be attributed to the production of the legendary "Cowboy" Jack Clement. Clement brought in a host of notable session players including Mark O'Connor, Mickey Raphael and Roy Huskey Jr. and the result was a brilliantly crafted and performed album.

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6. Bonnie Raitt - Nick of Time (1989) - The appropriately titled Nick of Time came at a point in Bonnie Raitt's career where she needed a jolt both professionally and personally. She notes that Nick of Time was the first album she had done sober. Raitt's career was sliding backwards after a string of mediocre albums and  was being kept relevant by appearances on a series of political projects including MUSE, Amnesty International, Farm Aid and Sun City. Nick of Time took off after a sweep of the four Grammy's Raitt was nominated for in 1989 and her career has been on an upward trajectory since. The album was more soul than straight on blues and proved that Bonnie Raitt still had it all.

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7. Los Lobos - How Will the Wolf Survive (1984) - East L.A. has a long history of contribution to the American musical landscape with the influences of brown-eyed soul, R&B and Latino rhythms. Artists that rose up from the vibrant East L.A. scene including WAR, El Chicano and Malo combined Latino rhythms with funk, early R&B and blues. Los Lobos took it a step in another direction, combining traditional Mexican music, rock, folk and Latin rhythms together on their major label breakthrough album How Will the Wolf Survive. The album stands as a benchmark for Americana music and helped to usher in a new genre of music.

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8. k.d. lang - Angel With a Lariat (1987) - Though her albums Shadowland and Absolute Torch and Twang would spawn more 'hits' and radio success than Angel with a Lariat we chose it because it was Lang's coming out party for America and the rest of the world outside of her native Canada. Produced by Dave Edmunds, the album was seasoned with hints of rockabilly, country and British pop and mixed with Lang's unmistakable mezzo-soprano vocals to form a vintage that gets better with age. k.d.lang influenced millions of young women not only as singers but as social and cultural activists as well.

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9. Cowboy Junkies -  The Trinity Session (1988) - It was mostly a family affair for Cowboy Junkies with siblings Margo, Michael and Peter Timmins counted as band members. Their 1986 recording debut was blues inspired, but the sound culture clash of their 1988 release, The Trinity Session, brought a larger audience from a rock camp. The Trinity Session married classic country covers (“Walking After Midnight”, “I’m So Lonesome I Could Cry”) with classic rock (“Sweet Jane”) all played out of a moody groove and airy arrangements.

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10. Steve Earle - Guitar Town (1986) - Steve Earle's breakthrough album Guitar Town topped the country charts and garnered two Grammy nominations in 1987 and it was the first and last time that "country radio" would recognize Steve Earle. It also marks the starting point for one of the most prolific, politically charged and culturally significant careers in American music history. Little of the subsequent Steve Earle catalog even closely resembles Guitar Town musically but the album sparked a new era of country based rock with intelligent lyrics that continues today.

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11. Blue Rodeo Diamond Mine (1989)- Formed in 1985 in Toronto, Canadians Blue Rodeo released their first album, Outskirts, in 1987, which would have excluded them from our 1988+ list. Luckily, their second album, Diamond Mine, is date friendly and keeps the same intentions of their debut. Blue Rodeo marry rock and country with a true Indie Rock feel and form, with organ swells sharing the sonic space with guitars and rhythm. Diamond Mine balances Indie Rock tunes (“God and Country”) with torchy twang (“How Long”) and a mix of both (“Love and Understanding” and the title track).

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12. The Subdudes - The Subdudes (1989) - The Subdudes debut release The Subdudes proved a couple of things. One is that a major label in 1989 couldn't find it's ass with two hands and a flashlight when it came to roots music. Second was that the "music business" wasn't really about music at all. It was about cash registers although that was pretty much agreed upon by most people already. Had a label like Rounder or Sugar Hill had the album, the effect The Subdudes had on the musical landscape might be much different. The Subdudes combined a plethora of innovative musical styles to their music including blues, swamp rock, cajun, funk, soul, R&B, folk, country and just about everything else and their influence resonates still today.

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13. Stevie Ray Vaughan - Texas Flood (1983) - Blues music post WWII has a tendency to ebb and flow with periods of great popularity followed by periods where it searches for a popular voice and becomes seen as a historical genre. Like Jimi Hendrix, Muddy Waters, John Lee Hooker and The Bluesbreakers before him, Stevie Ray Vaughan arrived on the scene when blues needed a shot in the arm and a popular voice. His debut album Texas Flood may not have been well received by critics or blues purists but it resonated with the public and changed the way a million kids felt when they picked up a guitar. Vaughan's influence on blues based rock will be felt for generations.

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14. Danny Gatton - Unfinished Business (1987) - Danny Gatton was a monster guitar player that fused together a variety of styles including jazz, country, rock and blues to create a sound that mesmerized both his followers and his peers. His fans included guitar greats from Les Paul to Roy Buchanan to Eric Clapton and just about everyone in between. His album Unfinished Business never garnered him the commercial success he deserved although it was met with a mass of critical acclaim. His later releases 88 Elmira Street and Cruisin' Dueces put him on the radar screen and captured a legion of fans but depression would overcome Gatton and his life ended with his suicide in 1994. Unfinished Business would prove to be a prophetic title that many before him from Buddy Holly to John Lennon could have used.

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15. The Del-Lords - Based on a True Story (1988) - The Del-Lords rose up from the post-punk, New York City scene of the 1980's and changed a lot of the status-quo at the time. Ex Dictators guitarist Scott Kempner and ex Joan Jett guitarist Eric "Roscoe" Ambel along with bassist Manny Caiati and drummer Frank Funaro created a sound that melded rock, country, blues and a gritty form of garage together and became one of the most important bands of the decade. The Del-Lords would become the main innovators of the roots rock sound that resonated throughout the following decades and on to today. After two stellar openers, their third album, Based on a True Story would prove to be the Del-Lords crowning acheivement although one more album, Lovers Who Wander would follow.

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16. KoKo Taylor - Queen of the Blues (1985) - One of the original female giants to come out of the Chicago blues scene in the 1960's, Koko Taylor learned from the master himself Willie Dixon who discovered her in 1962. Although her music was well received by critics Taylor pinnacled commercially in 1965 with her song 'Wang Dang Doodle.' Queen of the Blues took the Grammy for Best Blues Album in 1985 and put the name KoKo Taylor back on the map of innovative and electrifying blues performers. In the 1980's Blues was again regaining popularity on the heels of Stevie Ray Vaughan, the Fabulous Thunderbirds, Robert Cray and KoKo Taylor.

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17. The BoDeans - Love & Hope & Sex & Dreams (1986) - The BoDeans emerged from the vibrant Wisconsin music scene that erupted in the 1980's with the Violent Femmes. Their debut Love & Hope & Sex & Dreams was an instant success and pushed the band too fast into territory they had scarcely earned. Jangly guitars, Beatle-esque harmonies, synergy and simple, light hearted lyrics all wrapped in a masterful work of production by T-Bone Burnett made Love & Hope & Sex & Dreams the BoDeans finest moment. Although they would have a long run as a band and amass a solid body of work, the BoDeans never matched the magic of Love & Hope & Sex & Dreams.

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18 (tie). Semi-Twang - Salty Tears - (1988) - Another band that broke out of the  Milwaukee music scene of the 1980's, Semi-Twang released only one record until re-uniting in 2009 resulting in a subsequent album due in 2013. Salty-Tears united an all star cast of producers, (Mitch Froom, Chris Thomas and Jerry Harrison,) a group of outstanding musicians, a budget from Warner Bros. records and a brilliant collection of songs. The result ushered in the alt-country movement and while it was lauded by critics, there was no radio outlet for it and it floundered commercially.

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18. (tie) Georgia Satellites – Georgia Satellites (1986) - Hair metal was king. and radio rocked. Top 40 was synth dance and lots of hair spray. Into this environment came the simple phrase, “I gotta little change in my pocket going jing-aling-aling”. The Georgia Satellites looked and acted like rock stars on holiday. The sound liberally borrowed from the Faces and The Stones. They took “Keep Your Hands to Yourself”, the Roots/Rock version of “if you like it, put a ring on it”, to Number 2 in Billboard and gave Rock’n’Roll another chance on the charts.

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19. The Neville Brothers - Fiyo on the Bayou (1981) - The follow up to the dbut album, The Neville Brothers, Fiyo on the Bayou incorporated more elements of funk, reggae and New Orleans, cajun flavored R&B than it's predecessor. The result resonated with critics and the public and The Neville Brothers have become synomymous with American R&B world wide as a result. It contains the monumental songs, 'Hey Pocky Way,' 'Sitting in Limbo,' and 'The Ten Commandments of Love' that have become 'standards' of the standards.

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20. The Stray Cats - The Stray Cats (1981) - Though the Stray Cats US debut Built for Speed was released in 1982, we chose the debut album and British release Stray Cats for this list. The Long Island band founded by guitar ace Brian Setzer along with upright bass player Lee Rocker and drummer Slim-Jim Phantom had a solid following in the New York City post-punk scene but hit their meteoric stride after re-locating to London in 1981. Stray Cats, both album and band, revitalized the rockabilly movement, created a sub-culture centered around vintage fashion and style and turned millions of American kids on to a forgotten form of American music. 'Rumble in Brighton,' 'Stray Cat Strut,' 'Rock This Town' and 'Runaway Boys,' could have made for a career alone.

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21. Richard and Linda Thompson - Shoot Out the Lights (1982) - After several critically acclaimed albums, Shoot Out the Lights ignited the careers of Richard and Linda Thompson just as the pair were falling apart as a couple. The album stuck with the folk with a strong rock side that Richard Thompson cultivated and shepherded since his first recordings with Fairport Convention. Darkness falls over the songs, like much of the material from Richard Thompson, with love songs taking on an edge in “Don’t Renege on our Love” and “Man in Need”. Richard Thompson can even bring danger to a day in the (amusement) park, with the high climbing tension of “Wall of Death”.

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22. Jason and the Scorchers - Fervor (1983) - Formed in Nashville in 1981, Jason and the Scorchers looked country, played hard rock and crafted songs with the attitude of a punk rocker. Their E.P., Fervor, raised and set the bar for Alt Country earsplitting volumes with six fire-breathing originals, including “Hot Nights in Georgia” and a blistering cover of Bob Dylan’s “Absolutely Sweet Marie”.

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23. The Morells - Shake and Push (1982)The Morells released Shake And Push in 1982 with a sound that relied heavily on good old rock’n’roll riffs, the simplicity of rockabilly and story lines that dug deeper. Based in Springfield, Missouri, The Morells gave the world producer/player Lou Whitney. Shake and Push has become one of those legendary releases, with new copies of the disc selling online for close to $200.

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24. Melissa Ethridge - Melissa Ethridge (1988) - Time magazine announced that ‘She’s the Boss’ when Melissa Etheridge became a contender in the crown formerly worn by Bruce Springsteen. Her self-titled debut showed a woman with spit and snarl to her tales of love gone wrong. She balanced her audio attacks with a teasing emotion that lets you think you just might be able to tame her. Don’t count on it!

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25. The Rave-Ups – Town and Country (1985) - The Rave-Ups began life in Pittsburgh, PA but took hold in a second incarnation that set up roots in Los Angeles. The group successfully took Roots/Rock into Pop without getting any of the Pop smear on itself. All four members were at a major label before any deal was signed. Each member of the group had mailroom jobs at A&M Records, and they rehearsed in the basement at night when the offices were closed. Town and Country met with critical acclaim, The Rave-Up’s were an MTV buzz, and they made their movie debut with an appearance in John Hughes’ film “Pretty in Pink”.

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26. T-Bone Burnett - Trap Door (1982) -  In the days before becoming the man set on moving Americana into the mainstream, the Grammy winning producer (O Brother, Where Art Thou?) was a guitarist for Bob Dylan on Rolling Thunder Revue. Trap Door was an E.P. released on the Warner Brothers label that showed how T-Bone Burnett performed on his own. Trap Door contained an in-your-face version of “Diamonds Are a Girls Best Friend” and the memory of a chance meeting with The Faces/Pink Floyd go-go dancer, Kim English (Kim Boston in England).

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27. Rockpile - Seconds of Pleasure (1980) - As a band, Rockpile made several records before their name appeare on the cover. Nick Lowe and Dave Edmunds brought name recognition to the four-piece which also included Billy Bremner (guitar) and Terry Williams (drums). Seconds of Pleasure was the only release from a band that got everything right in music, but could not get past the more human side of group management, ego. “Teacher, Teacher” used old Rock’n’Roll riffs, like many of the Rockpile songs, and let the rhythm tear. Rockpile created great music for a short space in time, but when the wind blows just right, you can still hear the sound hammering away.

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28. Lone Justice - Lone Justice (1985) - Maria McKee and Ryan Hedgecock were playing country covers on the tiny L.A. cow punk scene. Adding in veteran players like bassist/producer Marvin Etzioni helped the band to craft originals. A supporting hand by fan Linda Ronstadt helped them seal a Geffen Record deal, and U2 tapped the band as tour openers. Lone Justice self-titled debut is a roots/rock masterpiece with Maria McKee guiding the songs into Pop (“Sweet, Sweet Baby”), country rock (“After the Flood”) and lunch for the spirit (“Soap, Soup and Salvation”).

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29. Steve Forbert - Streets of this Town (1988) - Steve Forbert returned to recording after a legally imposed six year hiatus with his first release on Geffen Records, Streets of This Town. The album maintained and expanded on the smarts of his lyrics and laid a new found maturity over the story lines. Produced by E-Street bassist Garry Tallent, Streets of This Town further secured Steve Forbert’s  status as a singer/songwriter who would stick around rather than leaving the building when Pop had its fill of the genre.

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30. Joe Ely - Musta Notta Gotta Lotta (1981) - Joe Ely formed The Flatlanders with fellow Lubbock natives Butch Hancock and Jimmie Dale Gilmore in 1970. Following some great album releases in the late 1970’s, the singer/songwriter caught a big break from British punk rock gods, The Clash. The band talked about and championed Joe’s music after meeting during a 1977 U.K visit and tour together. Musta Notta Gotta Lotta received lots of love from underground rock radio due to The Clash thumbs up and became his highest charting album with rock friendly tunes like “Hard Livin’” and the title track.

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31. Beausoliel- Bayou Cadillac (1989) - Beausoleil have become world ambassadors for Cajun music. The band hit a creative groove in the 1980’s, and Bayou Cadillac was album number seven for that decade. Bayou Cadillac kept the French language lyrics in place, and amped up the rock punch, adding in English lyrics for crossover appeal. The album’s title track fused Rock’n’Roll classics “Not Fade Away”, “Bo Diddley” and “Iko Iko” into a zydeco reel.

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32. Lyle Lovett - Lyle Lovett and His Big Band (1989) - On his third recording as Lyle Lovett and His Big Band, Mr. Lovett took home a Grammy for best Country Male Vocal performance for the 1989 release. Lyle Lovett’s slightly hesitant delivery never sounded better and his take on classics such as “The Glory of Love” and the gender-bending “Stand By Your Man” took him to a new audience.

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33. The Paladins - The Paladins (1987) - The Paladins formed in the early 1980’s and set the knobs on their amps for rockabilly and roots. Their first, self-titled album was produced by The Fabulous Thunderbirds’ Kim Wilson and fanned the fires for roots and maintained a heart on for twang. The Paladins stands firm as a statement to the glory of Roots/Rock that the band maintained until Dave Gonsalez left in 2004 to focus on the Hacienda Brothers.

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34. The Del Fuegos - Boston, Mass (1985) - What was an in-house project for the kitchen workers at Boston’s Hoo-Doo BBQ took greater form when Chef Jimmy Ryan handed the microphone over to guitarist/songwriter Dan Zanes. Dan recruited his brother Warren (at Mom’s request) who took on lead guitar chores and the name OrkBoy. A Miller beer commercial gave them a national TV stage and hits from Boston, Mass such as “I Still Want You” and “Don’t Run Wild” from their second Slash Records release put them on the charts.

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35. Albert Collins, Johnny Copeland, Robert Cray - Showdown! (1985)  - “Three guitars, no waiting” could have been the sub-title for the 1985 Alligator Records recording of Showdown! by blues guitar men Albert Collins, Robert Cray and Johnny Copeland. Nine tracks and barely a moment of quiet throughout as Blues axes make quick work of everything in their path.

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36. Nanci Griffith - Once in a Very Blue Moon (1983) - Nanci Griffith brought in musical backing for her third album release, Once in a Very Blue Moon. The folk-fed sparseness of her earlier releases was replaced by a fuller sound that contained a little more Country. Guest musicians Bela Fleck (banjo) and Mark O’Connor (fiddle) bring in musical magic as support for the dream texture of “Year Down in New Orleans” and the nod to favorite venues “Spin Around the Red Brick Floor”.

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37. Joan Armatrading - Walk Under Ladders (1981) -  Joan Armatrading came further into the full-on rock world with the Steve Lillywhite produced Walk Under Ladders. The mix of studio personnel was all over the map with new wave representation from Thomas Dolby and Andy Partridge (XTC), Elton John percussionist Ray Cooper, reggae rhythm man Robbie Shakespeare and Orleans’ Peter Gabriel and Hall & Oates alumni, Jerry Marotta.

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38. John Mellencamp - Scarecrow (1985) - Pre-production for Rain on the Scarecrow was simple, and sounds like a lot of fun. John Mellencamp and his band spent a month playing about a hundred Rock’n’Roll songs from the 60’s before heading into the studio to record. The album took a stand in and for the heartland. Without changing the Roots/Rock sound, John Mellencamp brought lyrics that had meaning, talking about good lovin’ in Middle America (“Lonely Ole’ Night”) and touring ala Motown caravans (“R.OC.K. in the U.S.A.”). Rain on the Scarecrow would be the first volley heard for the plight of America’s farmers and for Farm Aid.

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39. Chris Isaak - Silvertone (1985) - Chris Isaak had the snarl and the chops to be the next in line for Elvis Presley comparisons. His band was equally stripped down but the resulting sound was more ethereal and dream like. The tone of the music was a good match for filmmaker David Lynch, whose work in films had the same dreamscape attached. The director’s use of the tune “Gone Ridin’” from Silvertone jettisoned the album to much deserved recognition.

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40. The Beat Farmers - Glad N' Greasy (1985) - The Beat Farmers traveled to England to record Glad N’ Greasy for U.K. label Demon Records. The album, produced by Graham Parker and Rumor keyboardist Bob Andrews continued to put cow punk, Roots/rock, twanging rockabilly and swampy Americana into a blender. Glad ‘N Greasy included a dance hall version of Neil Young’s tune “Powderfinger”, and fellow roots rockers Dave Alvin, Nick Lowe, Gene Taylor and Loudon Wainwright III joined in for the community chorus on “Beat Generation”.

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We consider these to be the most important roots music recordings of the last 25 years. They are not the "best" albums or biggest selling albums. Some won prestigious awards and many did not. In fact many may have flown under the radar of even the most astute roots music fans.

Roots music has been around since Hank Williams and Woody Guthrie in many of the forms you see and hear today. Alt-Country didn't start with Uncle Tupelo it started in Bakersfield in the late 50's and was continued with artists like Poco, Pure Prarie League in the 70's and on to The Del Lords, The Beat Farmers and Jason and the Scorchers in the 80's. We narrowed it to the last 25 years and maybe some time we'll open up to all-time.

One of the struggles we had will no doubt be a point of contention from the onset. What about Robert Plant and Alison Krauss "Raising Sand?" Oh, what T-Bone Burnett can do with an aging rock legend and a bluegrass singer who happens to also be the most decorated artist in Grammy history. We have a tough time including this roots music but the fact is it made great strides in bringing Americana Music, a genre that was misunderstood, mislabelled and mishandled to the popular concience. It sold gazillions of copies, won a Grammy for Album of the Year and to this day is no more Americana music than Led Zeppelin IV. Many will disagree.

Without further ado, her's our list of the 35 Most Important Roots Albums of the Last 25 Years.


top 35 roots albums in the alternate root1. OMP Soundtrack - Oh Brother, Where Art Thou - (2000) - “Oh Brother, Where Art Thou?” One of the most if not the most influential roots music albums of the past 25 years, the soundtrack to the film “Oh Brother, Where Art Thou?” took the Grammy for Album of the Year in 2001 and almost single-handedly placed Americana Music on the map, at least for the general public. Produced by legendary producer T-Bone Burnett, the album featured Allison Krauss, Colin Linden, Gillian Welch, The Fairfield Four and John Hartford among others.
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top 35 roots albums in the alternate root2. Emmylou Harris – Wrecking Ball - (1995) - Wrecking Ball- Flying Burrito Brothers member and Byrds alumni, Chris Hillman, referred Emmylou Harris to Gram Parsons, who had been looking for a female vocalist to back him on his first solo record. History was made and a career was born. Multiple Grammys and a stellar recording career have made Emmylou Harris ground zero for country rock, Americana and roots music of every shape and form. Wrecking Ball was released well into her career and the experimental album was lauded as one of the most important releases of the decade. Country radio ignored her but alternative audiences found what country lost.

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3. Johnny Cash - American Recordings - (1994) - American Recordings - Johnny Cash is one of the most influential musicians of the 20th Century and could have staked a claim on a number of the spots on this list. We reserved his for American Recordings, a stripped down album performed by Cash with a guitar in his living room. The wild card in the equation was producer Rick Rubin who pulled out emotion, inflection and powerful performances by Cash with the end result being the best Johnny Cash album since the late 1960's.

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4. Bob Dylan - Time Out of Mind - (1997) -  Time Out of Mind- We're not much on the significance of Grammy Awards, but Time Out of Mind won 3 of them including Album of the Year in 1998 which almost redeemed the institution for us. Time Out of Mind could easily be at the top of this or any list of influential albums in terms of writing, production and performance. Producer Daniel Lanois along with session players Jim Keltner, Augie Meyers and Duke Robillard created atmospherics not heard before or since in the Dylan collection.

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5. Uncle Tupelo - No Depression - (1990) - No Depression - Uncle Tupelo 'sNo Depressionlaunched a thousand ships, influencing damn near every roots rock, alt-country band that followed, not the least of which are the two spinoff bands Son Volt and Wilco from band members Jay Farrar and Jeff Tweedy respectively. While Uncle Tupelo is credited by many as being the founder of the "alt-country" genre, we dispute that along with Jay Farrar. Alt-Country music existed before Uncle Tupelo but No Depression is a part of the history that is not in dispute.

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6. The Carolina Chocolate Drops - Genuine Negro Jig - (2010) - Genuine Negro Jig- Three young black virtuoso musicians have the entire world ahead of them musically, but they chose to go back a century and a half to find the lost art of black string band music. Add their breakout album Genuine Negro Jig to the mix along with a Grammy for Best Traditional Folk Album and you have one of the most important roots bands of the decade. Genuine Negro Jig inspired a host of albums honoring the old-time American music that has long been forgotten.

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7. Lucinda Williams - Car Wheels on a Gravel Road - (1998) - Car Wheels on a Gravel Road - Though Lucinda Williams had been recording music since the late 1970's, it wasn't until her monumental breakthrough album Car Wheels on a Gravel Road that she garnered the acclaim globally that she so rightly deserved. Known prior as a country artist, Williams infused blues, rock, country and roots together on Car Wheels... and found her signature groove. Time Magazine dubbed her America's Best Songwriter in 2002 based on the album's intense lyrics. She's become an influence to millions of women (and men) since.

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8. James McMurtry - Childish Things - (2005) - Childish Things- His novelist Dad, Larry McMurtry, gave son James a guitar at age seven and his English professor Mom taught him how to play. James McMurtry claims, "My mother taught me three chords and the rest I just stole as I went along. I learned everything by ear or by watching people." Childish Things in 2005 was a breakout for James McMurtry in a recording career that began in 1989. The album generated the song “We Can’t Make It Here” and a timeless anthem was born.

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9. Cowboy Junkies – The Trinity Session - (1988) - The Trinity Sessions- It was mostly a family affair for Cowboy Junkies with siblings Margo, Michael and Peter Timmins counted as band members. Their 1986 recording debut was blues inspired, but the sound culture clash of their 1988 release, The Trinity Session, brought a larger audience from a rock camp. The Trinity Session married classic country covers (“Walking After Midnight”, “I’m So Lonesome I Could Cry”) with classic rock (“Sweet Jane”) all played out of a moody groove and airy arrangements.

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10. Steve Earle - The Revolution Starts Now - (2004) - The Revolution Starts Now - We tossed and turned over The Revolution Starts Now or Jerusalem being the most influential of these two monumental Steve Earle recordings, and the truth is, both could be here. We picked The Revolution Starts Now because of its subsequent influence on popular counter-culture. The album took a hard stand against the war in Iraq, the death penalty, the policies of George W. Bush and became a megaphone for the left, inspiring Michael Moore's documentary Fahrenheit 9/11.

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11. Band of Heathens - One Foot in the Ether - (2009) - One Foot in the Ether- A shared bill brought the three core songwriters for Band of Heathens together at Momo’s in their hometown of Austin, TX in the mid-2000’s. After several live albums and a Ray Wylie Hubbard produced self-titled debut, Band of Heathens released One Foot in the Ether in 2009. The album continued to hone a sound that referenced rock, roots, soul and gospel in songs like “Shine a Light”, “L.A. County Blues”, “Somebody Tell the Truth” and “Golden Calf”.

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12. The Jayhawks – Hollywood Town Hall - (1992) - Formed in Minneapolis, MN in 1985, The Jayhawks released albums in their home base until their major label debut, Hollywood Town Hall, in 1992. The Alt Country group it produced had a softer tone than many of their feedback distorted brethren, and stuck to the California Country sound of Poco and the Burrito Brothers -- sounds that added a lot of folk to the twang. Hollywood Town Hall gathered the dual vocals and finely crafted songs of band members Gary Louris and Mark Olson.

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13. Sharon Jones & the Dap Kings – 100 Days, 100 Nights - (2007) - Former Rikers Island correction officer Sharon Jones was called in for session work as a backup vocalist. Sharon was the only one of the call outs to show up and impressed the production team by performing all three parts herself.  Daptone Records, the Brooklyn label owned by its musicians/producers, released their first recording, Dap Dippin’ with Sharon Jones & the Dap Kings in 2002. The grass roots popularity of the band expanded, and their song mix of funk, soul and roots music lined up perfectly with the 2007 release, 100 days, 100 Nights lighting a torch for a Soul revival.

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14. Old Crow Medicine Show – O.C.M.S. - (2004) - Old Crow Medicine Show busked across upper New York State and through Canada before finding themselves on a street corner in Boone, North Carolinapassingthe hat to Doc Watson. The musical statesmen helped Old Crow Medicine Show along and the band moved to Nashville, again finding luck with a Grand Ole’ Opry residency playing between shows. Produced by Gillian Welch and Dave Rawlings, O.C.M.S. was the band’s first studio recording, containing the song that has become the Old Crow Medicine Show worldwide greeting card, “Wagon Wheel”.

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15. Ryan Adams – Gold - (2001) - GoldRyan Adams moved from punk rock to Alt Country with the formation of Whiskeytown. The band made great music and drew critical acclaim before folding. Musically, Ryan Adams’ first release, Heartbreaker, seemed to follow in Whiskeytown’s critically favored footsteps. With his 2001 release, Gold, Ryan Adams hit mainstream love with songs like “When the Stars Go Blue”, “La Cienega Just Smiled”, “Harder Now That It’s Over” and “New York, New York”, in a video filmed with the NYC skyline in the background, captured four days before 9/11.

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16. The Bottle Rockets - Brooklyn Side - (1994) - The Brooklyn Side- Formed in 1992 with Uncle Tupelo guitar tech, Brian Henneman, leading the charge, The Bottle Rockets hit a good altitude with the Eric ‘Roscoe’ Ambel produced album, The Brooklyn Side, their second release. The Bottle Rockets music chronicles Middle America-- Brian Henneman referring to the band as ‘reporters from the heartland’. “Radar Gun”, from The Brooklyn Side, put The Bottle Rockets on radio charts.

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17. Todd Snider - East Nashville Skyline - (2004) - East Nashville Skyline - Todd Snider has released a continuous string of critically acclaimed albums; perhaps none more well-received than the introspective East Nashville Skyline. The album confronts a trail of poor decisions, addiction, rehab, controversy and a political shot across the bow of "conservatism" for good measure. Picking a "most" anything out of Snider's catalog is tough, but this one stands out for us as his best.

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18. Mumford and Sons - Sigh No More - (2010) - Sigh No More - Mumford and Sons emerged from what is dubbed the "West London Folk Scene" in 2007 and landed on the shores of America after receiving two Grammy nominations in 2010. Their performance at the Grammy's put "roots music" onto the lips of a generation that only thought of roots in the context of different colored hair or possibly cracks in the driveway. Their debut album Sigh No More is influential in that it opened the minds of a lot more people to acoustic based traditional music.

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19. Will Kimbrough - Americanitis - (2006) - Americanitis - Will Kimbrough is probably better known for his guitar skills and, more recently, as a top shelf producer than for his solo work, but that's reserved for those who have yet to discover Americanitis. In darker days, it could have landed him on the McCarthy Un-American List with other artists and musicians who dared to confront the issues America swept under the rug. This is what "patriotism" is all about, and it also places Kimbrough among the craftier lyricists in roots music where he justly belongs.

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20. Rodney Crowell - Fates Right Hand - (2003) - Fate’s Right Hand - Rodney Crowell has been one of Nashville's most prolific writers for over four decades. Considered a staple of country radio for much of his career, Crowell turned to a more roots-driven sound when country radio went down the toilet in the 1990's. He confronted a lifetime of demons on Fate's Right Hand and drove it home with a roots rock onslaught both musically and vocally. Lyrically, it's Crowell's finest hour in a career filled with many fine hours.

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21. Son Volt – Straightaways - (1997) - Straightaways- Formed in 1994, Son Volt was the group relationship that helped frontman Jay Farrar get over his time with Uncle Tupelo. The band caught instantly with their debut, Trace, and the momentum continued to build and percolate on album number two, Straightaways. Jay Farrar’s deep voice resonates and strains at its borders as the band bangs out Alt Country guitar riffs over a solid beat on “Picking up a Signal” and “Caryatid Easy”. 

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22. Drive-By Truckers – Southern Rock Opera - (2001) - Southern Rock Opera- Drive-By Truckers released their third studio album in 1991. Southern Rock Opera proudly stood for the duality of the south with the album’s cut, “The Southern Thing”, explaining “ain’t about excuses, or alibis, it ain’t about no cotton fields or cotton picking lies”. Southern Rock Opera took a look at topics from growing up in the south amid 70’s arena rock, race politics and Lynyrd Skynyrd, as Drive-By Truckers use the southern rock powerhouse as a cornerstone from which to build the album.

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23. Dave Alvin - King of California - (1994) - Dave Alvin has had a steady release of albums where the musical mood changes with the album art. Fans come to expect, and enjoy, the path of Dave’s muse in recording. When King of California came out in 1994, the album was the first to change up the pure, unadulterated, unapologetic, rock’n’roll force of his work with The Blasters and his first three solo efforts. King of California showcased acoustic instruments, but it was in no way an acoustic album. Dave Alvin showed that unplugging did not lessen the intensity of his playing. The album may turn down the volume, but it raises the flame on the old (“Border Radio”, “Little Honey”, “4th of July”), the new (“Blue Wing”, “Every Night about This Time”), and offers a classic country style romp with Syd Straw (“What Am I Worth?”).

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24. The Civil Wars – Barton Hollow - (2011) - Barton Hollow- The Civil Wars won both Best Country Duo/Group and Best Folk Album in 2012 with Barton Hollow. They moved the needle for Roots music the week after the Grammy’s with Barton Hollow selling 35,000 units and helping to take the duo to #10 on the Billboard album charts. The album continues to blur musical lines in the Roots genre, as musicians like The Civil Wars play what they hear in their heads, not what the industry decrees. The Civil Wars, comprised of singer/songwriters Joy Williams and John Paul White, met in a songwriters group in Nashville, TN.

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25. Mary Gauthier - Mercy Now - (2005) - Her early life provided Mary Gauthier with experiences for her true tales, fueled by the alienation that life handed her in the form of birth mother abandonment and dealing with her sexuality. Her late teens were spent in drug rehabs and jail followed by schooling and opening a Cajun restaurant in Boston, all before writing her fist song at age 35. Mercy Now (2005) is the fourth in a series of recordings that began in 1997. The album wraps the emotive passion of Mary Gauthier’s songs in the title track’s pleas, the world of non-stop alcohol consumption (“I Drink”), the perspective of a road weary traveler (“Falling out of Love”) and Mardi Gras in New Orleans (“Wheel Inside the Wheel”).

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26. Justin Townes Earle - Midnight at the Movies - (2009) -Midnight at the Movies- Justin Townes Earle hit his stride and album #3 nicely straddles the more roots feel of his earlier releases and the Indie Soul of the current. Midnight at the Movies visits extremes with folk blues (“What I Mean to You”), gospel Soul (“Someday I’ll Be Forgiven for This”), bluegrass (“Dirty Rag”) and Roots Rock (“Mama’s Eyes”).

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27. Blue Rodeo – Diamond Mine - (1989) - Diamond Mine- Formed in 1985 in Toronto, Canadians Blue Rodeo released their first album, Outskirts, in 1987, which would exclude them from our 1988+ list. Luckily, their second album, Diamond Mine (1989), is date friendly and keeps the same intentions of their debut. Blue Rodeo marry rock and country with a true Indie Rock feel and form, with organ swells sharing the sonic space with guitars and rhythm. Diamond Mine balances Indie Rock tunes (“God and Country”) with torchy twang (“How Long”) and a mix of both (“Love and Understanding” and the title track).

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 28. The Old 97’s – Too Far to Care - (1997) - Too Far to Care- The Old 97’s started their engines in Dallas, Texas before taking it on the road as a hard touring band. Too Far to Care was The Old 97’s third album release, the group’s first album for a major label (Elektra). Too Far to Care offered rock and twang together in Alt Country glory with frontman Rhett Miller’s wry humor and smart lyrics. It offered immediate classic status to the world with “Timebomb”, “Barrier Reef”, “Just Like California” and a duet with X/The Knitters vocalist, Exene Cervenka, on “Four Leaf Clover”.

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29. Hayes Carll - Trouble in Mind - (2008) - Trouble in Mind moved well-deserved recognition for Hayes Carll beyond his native Texas fan base. The album registered Hayes Carll as a member of a Texan singer/songwriter club that included artists such as Townes Van Zandt, Jerry Jeff Walker and Willie Nelson. Trouble in Mind gave the real life experiences in his songs a touch of wit and wisdom as evidenced in tracks such as “Bad Liver and A Broken Heart”, “She Left Me for Jesus” and “Drunken Poet’s Dream”.

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30. BR549 - BR5-49 - (1996) - Gary Bennett and Chuck Mead formed BR-549 and became the house band at Robert’s Western Wear in Nashville, TN. The Roots feel of their music and the humorous subject matter did not warm them to country radio, but it did give them an instant fan base. Their debut album, BR-549, gave the world covers of the Moon Mullican song, “Cherokee Boogie” and The Byrds/Gram Parsons “Hickory Wind”, the tunes bookending the band’s sound and influences. 

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31. Various Artists - Things About Coming My Way - A Tribute to the Mississippi Sheiks - (2009) - Things About Coming My Way- A Tribute to the Mississippi Sheiks - (2009) - The brainchild of producer and guitar virtuoso Steve Dawson, the Tribute to the Mississippi Sheiks not only brought the music of America's first "popular band" to the fore, but  it also was a music history lesson and civics lesson rolled into one. The Mississippi Sheiks were the first black musicians to play in the White House and were the first popular band to record and tour. The album was a who's who of Canadian and American roots musicians including John Hammond, Colin Linden, Bruce Cockburn, The North Mississippi All-Stars, Madeleine Peyroux, The Carolina Chocolate Drops and Jim Byrnes.
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32. Roseanne Cash - The List - (2009) - The List- When your dad is Johnny Cash and he hands you a list of 100 songs you should learn if you want to be a country singer...well, you stash that list away until the right moment. After her father's death, Roseanne Cash took out the list, picked twelve of those songs, and recorded them with the likes of Bruce Springsteen, Elvis Costello, Jeff Tweedy, Rufus Wainright and Neko Case. An album of covers might not be influential, but when the songs are hand-picked by Johnny Cash as "must knows", it deserves attention.

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33. Blackie and the Rodeo Kings - Kings and Queens - (2011) - Kings and Queens- The power of three caused a ripple in the solo careers of Colin Linden, Tom Wilson and Stephen Fearing when the trio came together to record a tribute album to Canadian singer/songwriter Willie P. Bennett. Taking their name from one of Bennett’s albums, Blackie & the Rodeo Kings continued after the success of the one-off recording project and released Kings and Queens in 2011. The album paired with Roots singing females such as Rosanne Cash, Exene Cervenka, Janiva Magness, Emmylou Harris, Patty Loveless, Lucinda Williams and Patti Scialfa. 

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34. Eilen Jewell - Boundary County - (2005) - Boundary County- Eilen Jewell busked on the street while attending college in Santa Fe, NM and then on Venice Beach when she made the move to California. Massachusetts club work in Cambridge, Boston and Somerville brought her attention and Boundary County let the rest of the world hear Eilen Jewell’s jazzy delivery over Roots and Americana arrangements. Eilen Jewell has a relaxed timbre to her singing that makes her voice memorable and immediately addictive.

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35. Wilco – Yankee Hotel Foxtrot - (2002) -Yankee Hotel Foxtrot- Frontman Jeff Tweedy continues to move Wilco further from the Alt Country of the band’s debut, 3AM (and even farther from his former band, Uncle Tupelo), with each Wilco release. Yankee Hotel Foxtrot remained true to roots with songs like “I AM Trying to Break Your Heart”, “Pot Kettle Black”, “I’m the Man Who Loves You” and stretched the genre on “Ashes of American Flags” and “Kamera”. Wilco became Indie banner wavers when Yankee Hotel Foxtrot was rejected by their Warner Bros. label heads for not having a commercial single. The band took the album from WB and took it on the charts with Yankee Hotel Foxtrot being their biggest selling album to date.

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The Top 100 takes a full year to become a proper list. The number one spot changed hands several times in the past twelve months. Our mid-year list took a listen to albums released between January and June. The list seemed like it was running strong yet the releases in the tail end of the year came on strong. For me, Old Crow Medicine Show was number one when I received their July release, Remedy. Nothing against the other players on the 2014 chart, but band for band, Old Crow will always be in the top spot for their musicianship. Shovels and Rope moved into number one when they released Swimmin’ Time, and stayed there until just about the last minute. Sonically, S’n’R certainly delivered the year’s top album for blending the far edges of sound into songs that easily slip into familiarity. At the last moment, Lucinda Williams grabbed #1. Lucinda delivered an album well into a top shelf career that raised the bar for her own back catalog. Down Where the Spirit Meets the Bone is an album that shows dedication by its maker to not be satisfied until the final mixes match her version of rock’n’roll….and then she doubled down with a two disc set.  

Songwriting, stretching limits and honoring tradition in American Roots music was the theme for 2015. Many of the artists on the chart such as Mary Gauthier, Paul Thorn, Rodney Crowell, Janiva Magness and Justin Townes Earle take a seat on the list with each release. The artists take a stand for their own sound as well as firmly planting feet into what they view as their own brand. St. Paul and the Broken Bones gave us a new look at old school Soul, Israel Nash snagged sound textures from early Neil Young solo releases and gave them a wider screen to play on, Steelism were instrumental in displaying music that went for emotions and Chris Smither gave his own songs new sonic life. Nell Robinson collected family correspondence from generations of war, including letters home within her own family, and laid them out in a full album form.

The American Roots community continues to grow in direct relationship to the quality and diversity that its artists are handing over new music for a format where the only requirements are authenticity and  honesty behind the words and music. On the strength of the 2014 releases, life goes on and walks prouder for Classic Country (The Hello Strangers, Moot Davis), Blues Rock (Bob Seger), Funky Soul (Mingo Fishtrap). Rock’n’Soul (The Reigning Sound) and Indie Roots (The Felice Brothers). Pretty much by the magic of music, Hard Working Americans became a band we have known our whole lives. The big names on the chart are here because of the music they released, not because of their name. John Mellencamp, Keb' Mo', Lee Ann Womack and Robert Cray put out albums that threw a curve for what you might expect, which is really what each album release should reflect.

In 2014, artists showed hometown pride while making music that had worldwide appeal; expanding on the community without ever giving up the ghosts sitting in the back row. The Earls of Leicester re-visited the songs of Lester Flatt and Earl Scruggs, The Far West and Calico the band planted flags for California Country while Dave Alvin and Phil Alvin bonded over the music of Big Bill Bronzy. Though not first releases, Parker Milsap, Sturgill Simpson and Shakey Graves put out album that raised their presence. The Evangenitals re-worked the tale of Moby Dick and JP Harris and the Tough Choices took back Country music. Music Road Records gathered together artists such as Shawn Colvin, Paul Thorn, Bonnie Raitt, Ben Harper and Keb’ Mo’ to tribute the songs of Jackson Browne.

The American Roots releases of 2014 listed here could easily be listed as the first one hundred for an pretty amazing year for music. Coming up in 2015, new music is already beginning to appear with defining albums from Jorma Kaukonen and Anne McCue. I really like my job, and I hope you like the numerical list for 2014. This list the artists and albums in numerical order, with links to the Top 100 broken into four parts with images, music and  words for artists.        - Danny McCloskey

1 - Lucinda Williams – Down Where the Spirit Meets the Bone 

2 -John Fullbright – Songs

3 - Shovels and Rope – Swimmin’ Time 

4 - Girls, Guns & Glory – from the album Good Luck

5 - Robert Ellis – The Lights from the Chemical Plant  

6 - Hard Working Americans  -  Hard Working Americans

7 -Hurray for the Riff Raff – Small Town Heroes

8- Mary Gauthier – Trouble and Love   

9 - Mike Farris – Shine on All the People

10 - Joe Louis Walker – Hornet’s Nest  

11 - Paul Thorn – Too Blessed to Be Stressed 

12 - Justin Townes Earle – Single Mothers  

13 - Old Crow Medicine Show – Remedy 

14 -The Howlin’ Brothers – Trouble

15- Seth Walker – Sky Still Blue

16 – The Earls of Leicester- The Earls of Leicester

17 - JP Harris and the Tough Choices – Home is Where the Hurt Is

18 – Dave Alvin and Phil Alvin – Common Ground: Dave Alvin and Phil Alvin Play and Sing the                                              Songs of Big Bill Bronzy

19 – Sturgill Simpson – Metamodern Sounds of Country

20 - Rodney Crowell    - Tarpaper Sky 

21 - Parker Milsap  - Parker Milsap

22 - Janiva Magness – Original

23 – Calico the band – Rancho California

24 -Rosanne Cash   - The River and The Thread

25 -Candi Staton – Life Happens

click for images, music and words on artists # 1 thru #25 of 2014

26 – Steelism – 615 to Fame

27- St. Paul and the Broken Bones – Half the City

28 – John Mellencamp – Plain Spoken

29 – Chuck Mead - Free State Serenade

30 – Israel Nash – Israel Nash’s Rain Plans

31 – Bruce Springsteen - High Hopes 

32 – Frank Solivan and Dirty Kitchen – Cold Spell

33 -Brent Johnson – Set the World on Fire

34 -Jimbo Mathus and the Tri-State Coalition - Dark Night of the Soul

35 -Keb’ Mo’ – Bluesamericana

36 -Leftover Salmon – High Country

37 - Carlene Carter – Carter Girl

38- Will Kimbrough – Sideshow Love

39 - Queen Esther – The Other Side

40 -Lake Street Dive – Bad Self Portraits

41 – John Hiatt – The Terms of My Surrender

42 – Dom Flemons – The American Songster Dom Flemons, Prospect Hill

43 – Nell Robinson – The Rose of No-Man’s Land

44 – The Hello Strangers - The Hello Strangers

45- The Holmes Brothers – Brotherhood 

46- Angela Perley and the Howlin’ Moons   - Hey Kid

47 – Eric Brace & Karl Straub – Hangtown Dancehall

48 – Adam Carroll – Let It Choose You

49 – Bob Seger – Ride Out

50 - Eden Brent – Jigsaw Heart

click for images, music and words on artists # 26 thru #50 of 2014

51 – Doug Seegers – Going Down to the River

52 – The Psycho Sisters – Up on the Chair, Beatrice

53 - The Mastersons -  Good Luck Charm

54 – The Far West – Any Day Now

55 – John Nemeth – Memphis Grease

56 - Amelia White – Old Postcard

57  - Eliza Gilkyson – The Nocturne Diaries

58 - Bobby Rush with Blinddog Smokin’ - Decisions

59 - Lydia Loveless – Somewhere Else

60 – Chris Smither – Still on the Levee

61 – Ruthie Foster – Promise of a Brand New Day

62 – Royal Southern Brotherhood – heartsoulblood 

63 – David Olney – When the Deal Goes Down

64 – Lee Ann Womack – The Way I’m Livin’ 

65 – Ronnie Fauss – Built to Break 

66 – Ellis Paul – Chasing Beauty

67 – The Reigning Sound – Shattered

68 - Jarekus Singleton – Refuse to Lose

69 - Zoe Muth – World of Strangers

70 -Blackie & the Rodeo Kings   South

71 -Carrie Elkin and Danny Schmidt – For Keeps

72– Billy Joe Shaver – Long in the Tooth 

73 - The New Basement Tapes – Lost on the River

74 –Malcolm Holcombe – Pitiful Blues

75 -Robert Cray – In My Soul

click for images, music and words on artists # 51 thru #75 of 2014

76 – The Apache Relay – The Apache Relay

77 - Shakey Graves – And the War Came

78 – Trampled by Turtles – Wild Animals

79 -Moot Davis – Goin’ in Hot

80 - Looking Into You: A Tribute to Jackson Browne

81 - Susan Cattaneo  - Haunted Heart

82 - Drive-By Truckers – English Oceans

83- Jamestown Revival – Utah

84 –The Evangenitals – Moby Dick

85 - Amy Black – This Is Home

86 -Mingo Fishtrap – On Time 

87 – Corb Lund – Counterfeit Blues

88 – Cory Branan – The No-Hit Wonder

89 – The Felice Brothers - Favorite Waitress

90 -Matt Andersen  - Weightless

91 - Peter Mulvey – Silver Ladder

92 – Sarah Borges – Radio Sweetheart

93 –  Patrolled by Radar – Cool Your Jets

94 – Nathan Bell – Blood Like a River

95 – Whiskey Shivers – Whiskey Shivers

96 - Devon Allman – Ragged and Dirty 

97 – Bruce Robison and Kelly Willis –  Our Year

98 – Joe Fletcher – Songs for the Working Man

99 – Pieta Brown – Paradise Outlaw

100 - Chip Taylor – The Little Prayers Trilogy

click for images, music and words on artists # 76 thru #100 of 2014

1 - Lucinda Williams – Down Where the Spirit Meets the Bone  (9-29-14) - Lucinda Williams secured the top spot by delivering an album that raises the bar for her own career. She upped the ante on her trademark vocals on Down Where the Spirit Meets the Bone, dipping, diving and growling in a wider range, comfortably wearing the skin of her characters for both the joys and defeats. The deeper emotion in the vocal leaves no scar closed or dark corners unlit.

Listen and buy the music of Lucinda Williams from AMAZON or iTunes

2 -John Fullbright – Songs   (5-27-14) - On his second album, John Fullbright is the singer and songwriter for Songs; he is also the director, the set designer, the story editor, always the guy with clear observations, and sometimes the lead character.  He is a one-man production company performing many roles to present a complete piece of art for each of his Songs. Tension and comfort are both accounted for with well-placed notes and gently plucked strings, coaxing texture and tone from ivory keys; John Fullbright is a master craftsmen constructing with notes, words, and heart.

Listen and buy the music of John Fullbright from AMAZON or iTunes

3 - Shovels and Rope – Swimmin’ Time   (8-25-14) - Shovels and Rope are audio magicians, baring the sharp teeth of Alternative Rock guitar chords that rip back the curtains to show lives on stage that maneuver around some major potholes in the world we live in.

Listen and buy the music of Shovels and Rope from AMAZON or iTunes

4 - Girls, Guns & Glory – from the album Good Luck   (1-28-14) - Girls, Guns and Glory have steadily built their music on four solid album releases, each showing a band growing by marking what they were got right to stretch more ‘right’ out with each note. Vocalist Ward Hayden is a smooth crooner who maintains a cool innocence in both his persona and delivery. Guitarist Chris Hersch is no guitar god but he is the guy that those gods secretly watch to knick his riffs. Chris’ guitar, and banjo, work are subtle yet all-consuming.

Listen and buy the music of Girls, Guns and Glory from AMAZON or iTunes

5 - Robert Ellis – The Lights from the Chemical Plant   (2-11-14) - Robert Ellis slithers in and proclaims that wrong makes right when you have “Good Intentions”. His personal relationships can work out the truth in his words as much as listeners appreciated the goals he set and achieved on his 2014 release. Robert Ellis blends roots, rock, folk and jazz that shine brilliantly in the songs basking in the glow of The Lights from the Chemical Plant.

Listen and buy music from Robert Ellis from AMAZON or iTunes

6 - Hard Working Americans  -  Hard Working Americans (1-21-14) - Hard Working Americans is Todd Snider, Widespread Panic bassist Dave Schools, Ryan Adams/Chris Robinson guitarist Neal Casal, Great American Taxi keyboardist Chad Staehly and King Lincoln drummer Duane Trucks (brother of guitarist Derek Trucks and nephew of Allman Brothers drummer Butch Trucks). Hard Working Americans takes on all comers with their smoking version of Hayes Carll’s “Stomp and Holler”, the Salvation Army pound of Randy Newman’s “Mr. President”, and their honest recollection of the Kevn Kinney tune from his band Drivin’ n Cryin’, “Straight to Hell”.

Listen and buy music from Hard Working Americans from AMAZON or iTunes

7 -Hurray for the Riff Raff – Small Town Heroes   (1-11-14) - Alynda Lee Segarra, as Hurray for the Riff Raff, delivers the band’s most recent release, Small Town Heroes. The New Orleans music community gets a high five for creating an environment that allows Alynda’s natural talents to nurture her own musical paths. She uses familiar sounds and presents them as an Indie rock’n’roll stew of folk, blues, Americana music foundations for stories that use sharp edged electric blues to chronicle street life up close (“St. Roch Blues”) and barnstorm the river front (“End of the Line”). 

Listen and buy the music of Hurray for the Riff Raff from AMAZON or iTunes

8- Mary Gauthier – Trouble and Love    (6-10-14) - Night and day, leather and lace, big and small; all extremes brought together by on little word…and. The same extremities are reached in love. The meeting and the leaving, tied together with another little word…over. It may seem a linear path that goes from beginning to end yet on her latest album release, Trouble and Love, Mary Gauthier offers a completed circle. The album is a personal record, from first kiss to the closing door. It might seem like a second person accounting as the story of Mary Gauthier the human is related by Mary Gauthier the songwriter, yet the emotions stay raw, the lessons so fresh that an outer edge of red can still faintly catch the light. The questions that storm our heads looking for answers when love exits the building all find themselves in the songs on Trouble and Love.

Listen and buy the music of Mary Gauthier from AMAZON or iTunes

9 - Mike Farris – Shine on All the People    (9-16-14) - Mike Farris brought the sound of his mission to more ears in 2014. Mike feels it is his calling to expose the music of turn-of-the-century black spirituals into today’s mainstream market. Shine on All the People raises the roof with Gospel Roots, blending spirituals with contemporary sounds of the spirit from Mike Farris and Mary Gauthier.

Listen and buy the music of Mike Farris from AMAZON or iTunes

10 - Joe Louis Walker – Hornet’s Nest   (1-25-14) - Hornet’s Nestis his latest release for Alligator Records, following his blast of a debut for the label, Hellfire, and joining the ranks of over twenty career albums. Hornet’s Nest carries Blues wisdom, Soul seduction and Rock assaults throughout its dozen tracks. “Ramblin’ Soul” is a good example of the mix, though do not believe the title of the track. This soul never rambles, it is on a mission and as it exits its time on the album, the boys in the band tear a hole in the known universe with one kickass boogie blues jam.

Listen and buy the music of Joe Louis Walker from AMAZON or iTunes

11 - Paul Thorn – Too Blessed to Be Stressed   (8-19-14) - Paul Thorn has talked about his history as the son of a preacher and the nephew of a pimp. The angel and devil settle on his broad shoulders to take a breather as they follow the album rules on Too Blessed to be Stressed. Joy and inspiration take to the dance floor as the Paul Thorn Band raise a mighty ruckus of Rock ‘n’ Soul.

Listen and buy the music of Paul Thorn from AMAZON or iTunes

12 - Justin Townes Earle – Single Mothers   (9-9-14) - Justin Townes Earle released a Part One for his double album release with Single Mothers, choosing to let the album settle before starting the second act, to be released as Absent Fathers in early 2015. JTE sings form the side of the one being left behind without ever becoming a love lost victim.

Listen and buy the music of Justin Townes Earle from AMAZON or iTunes

13 - Old Crow Medicine Show – Remedy   (7-1-14) - Old Crow Medicine Show received another partially-written track from Bob Dylan. It must be good for Bob to know he always has alternatives to finishing a tune once his muse has left the building. The album, like the band’s live show, are created for maximum entertainment, brought to you by multiple flashing fingers and one mind for music.

Listen and buy the music of Old Crow Medicine Show from AMAZON or iTunes

14 -The Howlin’ Brothers – Trouble   (1-13-14) - The Howlin’ Brothers need no intro for the advanced state of bluegrass that the band serves up. Their recent release, Trouble, follows full studio effort Howl and E.P., the Muscle Shoals Sessions, in a little over twelve months’ time. Trouble opens with the sound of salvation. The Howlin’ Brothers are glory bound, though it is not religion or fear of heaven that fuels “Pour I Down” but a different sort of spirit. The song is the firing gun that opens the gate for thirteen tracks to gallop into Trouble. The album is released on Readymade Records, the imprint of Brendan Benson (solo, The Raconteurs) who handles both production and engineering for The Howlin’ Brothers. Remember when all label heads were completely behind each project.

Listen and buy the music of The Howlin’ Brothers from AMAZON or iTunes

15- Seth Walker – Sky Still Blues   (6-10-14) - Seth Walker is a seeker. Like most musicians, he strives to be better and dig deeper into his music. His songs have that fully formed feel though the borders are never structured.  That ease to the playing, the grooves, the interactions of the musicians continues on the recent release, Sky Still Blue.  The recording took place at The Wood Brothers’ Nashville-based Southern Ground Studios. Producer Oliver Wood was joined as a musician on Sky Still Blue by fellow Wood Brothers Jano Rix and Chris Wood (also of Medeski, Martin and Wood). Seth’s longtime bandmates fill out the credits with bassist Steve Mackey and drummer Derek Phillips. Sky Still Blue brought Seth Walker back to Nashville, one of the major music meccas that have been as much a part of his music as personal influences and a natural calling.

Listen and buy the music of Seth Walker from AMAZON or iTunes

16 – The Earls of Leicester- The Earls of Leicester    (9-16-14) - Jerry Douglas has finally gotten a long lasting with to be a fan and honor the music of Bluegrass heroes (who did not consider themselves a bluegrass band), Lester Flatt and Earl Scruggs. The Earls of Leicester stay true to songs origins as the open the windows to let fresh air re-energize Opry standards.

Listen and buy the music of The Earls of Leicester from AMAZON or iTunes

17 - JP Harris and the Tough Choices – Home is Where the Hurt Is   (9-23-14) - JP Harris and the Tough Choices created a sweet spot to nurture Country music back to health with Home is Where the Hurt Is. The band proudly play Country music, as it should be played with a rock’n’roll attitude and straight to the heart Soul.

Listen and buy music from J.P. Harris and the Tough Choices from AMAZON or iTunes

18 – Dave Alvin and Phil Alvin – Common Ground  (6-3-14) - Dave Alvin and Phil Alvin - Common Ground: Dave Alvin & Phil Alvin Play and Sing the Songs of Big Bill Broonzy (6-3-14) - It has been close to thirty years since Dave Alvin and brother, Phil Alvin, recorded an album together. One-off songs here and there and the occasional live shows of their shared history with The Blasters have put the brothers together in studio and stage. It was inspiration that took them back in to record for their recent Yep Roc Records release, Common Ground: Dave Alvin + Phil Alvin Play and Sing the Songs of Big Bill Broonzy. Friends don’t stay friends in bands, and in shared blood and you have one volatile working environment in studio or stage. Addressing the unspoken question about how the recording process proceeded, brother Dave said it simply, ‘we argue sometimes, but we never argue about Big Bill Broonzy,’

Listen and buy the music of Common Ground: Dave Alvin + Phil Alvin Play and Sing the Songs of Big Bill Broonzy from AMAZON or iTunes

19 – Sturgill Simpson – Metamodern Sounds of Country Music   (5-13-14) - Sturgill Simpson grabs a guitar and storms the walls of Country radio with tunes about turtles and Buddha. One more album of authentic Country music for the future and today’s Country stars better start looking for half-empty bottles and checking the ashtray for roaches ‘cause the party will be over.

Listen and buy music from Sturgill Simpson from AMAZON or iTunes

20 - Rodney Crowell    - Tarpaper Sky   (4-15-14) - Tarpaper Skyis a reunion as much as recording experience. The recent release from Rodney Crowell gathers most of the players on hand for Rodney’s break-through 1998 album, Diamonds and Dirt. His first recorded in Nashville, the album is often cited as where Rodney Crowell went country…a defensive term for ‘okay, now we get it’ from reviewers. The release never gives up on the best of the songwriting and performances from the man on the cover; this is Rodney Crowell Country and the music comes with classic arrangements and a Rock’n’Roll heart. That theme follows the musicians back into the studio for the recording of Tarpaper Sky. The players brought their old school training and the tracks were recorded live-to-tape. Ideas were traded and the arrangements of the songs developed as a group effort.

Listen and buy the music of Rodney Crowell from AMAZON or iTunes

21 - Parker Milsap  - Parker Milsap   (1-4-14) - Parker Millsap spent his formative years as part of a Pentecostal congregation in his native Oklahoma. He no longer follows a religious life but religion follows Parker in his tales. The church, and its teaching, showed him a people that firmly believed in what they were trying to accomplish. The lesson was to look down a little further into what makes people tick, the motivations that push them to suggest a little too strongly, or condemn too quickly, ways of life that do not fit their own. It is a teaching that allows the characters on Parker Millsap to offer themselves without any edit.

Listen and buy the music of Parker Millsap from AMAZON or iTunes

22 - Janiva Magness – Original   (6-24-14) - Janiva Magness does a great job of showing the many layers of desire and despair set in motion by a single word or action. You feel the love that has gone as something physical while at the same time you can watch spit drip down that unfortunate face that Janiva is in as she asks the last sentence be repeated ‘a little less bitchy please’ in “Who Am I”. The Blues rolls on dark clouds in “With Love” as organ and guitar notes pelt the tune like big fat rain drops and the beat hits the street in “I Need A Man” as Janiva throws off political pressure for pressures of a more personal nature. Janiva Magness has strength and conviction in her delivery, a big part of the appeal of Original.

Listen and buy the music of Janiva Magness from AMAZON or iTunes

23 – Calico the band – Rancho California    (9-2-14) - Calico the band not only waved the flag for California Country, the planted the pole deep enough to not be moved and flying high enough the state’s Golden Bear to be heard roaring Roots around the globe.

Listen and buy the music of Calico the band from AMAZON or iTunes

24 -Rosanne Cash   - The River and The Thread    (1-14-14) - “It’s a big wide world with a million shades of modern blue”. Rosanne Cash sings the line, snagging the Modern Blue for the title to her release. Rosanne, and album producer/arranger John Leventhal, wrote songs as memories of a trip through the Southern U.S.  Rosanne Cash still gets an excitement in her voice when speaking about the times she “started going to the south a lot. Re-connecting with people I knew, places I had been, but I started seeing it for the first time, in a strange way; the connection to the soil and the Delta and the music. The veils were taken off something that I thought I knew. It was powerfully inspiring.“ Modern Blue lets musical heritage ride shotgun with Rosanne Cash behind the wheel calling out the sites that pass by the car window.

Listen and buy the music of Rosanne Cash from AMAZON

25 -Candi Staton – Life Happens   (5-13-14) - Candi Staton has been a cooking in the soul kitchen for nearly fifty years. Candi was recently featured in the documentary film Muscle Shoals, a must-see movie that lets music tell the history of the city of Muscle Shoals, Fame Recording Studio, and the man that put both on the map, Rick Hall. Personal relations with Candi Staton and Rick Hall date back to the early 1970’s when Rick was in the production chair for Candi’s Grammy nominated hits “Stand By Your Man” and “In the Ghetto”. The tune “I Ain’t Easy to Love” is the lead track from Life Happens, the most recent Candi Staton release, and is featured in Muscle Shoals (the movie). The cut features album guests Jason Isbell and John Paul White (The Civil Wars) on background vocals. The Southern Soul of the song and Candi’s delivery set the bar for quality and begin the saga of love that is that unfolds as Life Happens.

Listen and buy the music of Candi Staton from AMAZON or iTunes

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the alternate root top 30 female vocalistsFrom a list that seemed endless came the tough task of narrowing it down to our Top 30. There is the obvious choices, the new and rising stars, the unexpected and the "who?" You'll have choices that we missed, as always. Ther will be some you've never heard of that you may be inclined to check out on your own and discover something new and exciting. At any rate, here's The Alternate Root Top 30 Female Vocalists...right now!

emmylou harris in the alternate root1. Emmylou Harris - Emmylou Harris probably tops most of the list of top female vocalists, at least in the roots music world. We thought about that. We also tried to think of who would be above her. We couldn't think of anyone either. Her angelic pipes have graced the country and alt-country world for over 40 years and still sounds great.

norah jones in the alternate root2. Norah Jones - A successful solo career as one of the great voices of the last couple of decades, Norah Jones made our list because of her work with The Little Willies and her ability to meld pop, jazz and country elements to create her unique roots sound. The daughter of the late great Ravi Shankar and Sue Jones has used her pedigree well.

carrie rodriguez in the alternate root3. Carrie Rodriguez - She burst onto the scene as sidekick to legendary songwriter Chip Taylor and then launched into an equally compelling and successful solo career. Rodriguez is master on the fiddle as well as having the beautiful voice that places her among the very best singers right now.

alison krauss in the alternate root4. Alison Krauss - Alison Krauss is the most decorated singer and most awarded female artist in Grammy history. Normally Grammy awards don't mean much here but in this case they actually represent something substantial. her work with Robert Plant on the album 'Raising Sand' is fodder for debate but her work with longtime mates Union Station places her near the top of the heap.

5. Bonnie Raitt - A few years ago Bonnie Raitt may have been at or near the top of this list. She still has one of the best and most distinctive voices out there and she hasn't lost much through the years. She's had an effect musically on damn near everyone that's come after her as a singer, writer and guitar player.

patty griffin in the alternate root6. Patty Griffin - Patty Griffin is one of the key players in the Boston folk revival of the 1990's but her career has revealed a singer with a variety of styles and the accompanying accolades for many of them. She can sing rock, gospel, country, folk with amazing range. She's performed with a who's who of the roots music world including Buddy Miller, Robert Plant, Shawn Colvin, Dave Rawlings and Gillian Welch and many others.

christine ohlman in the alternate root7. Christine Ohlman - "The Beehive Queen" could easily be at the top of this list just based on her performance on her latest release 'The Deep End.'. She has spent 20 plus years as the front woman for the Saturday Night Live band, performed with Big Brother and The Holding Company in Central Park, performed at Bob Dylan's 40th Anniversary show and seemingly turns up wherever an amazing blue-eyed soul singer is needed. With her band Rebel Montez she has established herself as one of the great voices in American roots/soul music.

shemekia copeland in the alternate root8. Shemekia Copeland - Daughter of the late Johnny Copeland, Shemekia Copeland is now the defacto "Queen of the Blues." Like Koko Taylor, Bessie Smith, Alberta Hunter, Helen Humes and a host of women who have worn that crown, someone will have to unseat Shemekia. Figure on her being at the top for some time to come. Her voice is the best pure blues voice of the last 30 years.

rebecca loebe in the alternate root9. Rebecca Loebe - If there is a "reality show" with some substance out there it's probably The Voice. Rebecca Loebe  first surfaced to a National audience as a contestant on that show but was already known in and around Boston since 2004. After receiving a degree in recording engineering from Berklee, Loebe concentrated on a music solely as a performer in 2005. Her latest effort, 'Circus Heart,' stands as proof she made the right decision.

eilen jewell in the alternate root10. Eilen Jewell - Eilen Jewell's jazzy, country tinged voice is the most uniquely recognizeable voice on this list. Ever the experimentalist, Jewell's catalog represents her broad range of style and immense ability. Her albums range from gospel, lounge, country, folk and pop with solid performances on each. Eilen Jewell will find more things to play around with out there and you can be sure she'll nail those too.

grace potter in the alternate root11. Grace Potter - Grace Potter has it all. The looks, the voice, the chops and the attitude. The gifted singer and front woman for Grace Potter and the Nocturnals has been compared to everyone from Koko Taylor to Janis Joplin to Aretha Franklin and may actually have long lost genes from all three packed into her powerhouse voice. She's the best thing to come out of Vermont since maple syrup and cheddar cheese, Phish included.

shawn colvin in the alternate root12. Shawn Colvin - Shawn Colvin has been around since the 1970's in a variety of forms from folk to western swing to off-broadway and has been one of the more influential voices in the singer / songwriter movement. She brings a sophistication and grace to her music that has changed the way thousands of singers and songwriters that followed her approach their craft. Her voice has carried her to heights that include Grammy's for Album and Song of the Year in 1998 and Best Contemporary Folk Album in 1991.

sarah maclachlan in the alternate root13. Sarah McLachlan - Canadian singer / songwriter Sarah MacLachlan has kept a low profile over the past few years making her a bit lower on this list than she could be but with a new album due this year she'll be right back at the top before long. The founder of Lilith Fair, a travelling festival that showcases women artists, she's done a lot for female singers both from an influential as well as philanthropical perspective. Her mezzo soprano voice is among the most recognizable in the world.

sarah mac in the alternate root14. Sarah Mac - For a complete unknown (outside of her Florida fanbase) to make this list at number 14, Sarah Mac had to have something really special. She turned up for a taping of Alternate Root TV in East Nashville and we've never looked at female vocalists the same. In the same vein as Adele, Aretha or the late Amy Winehouse, Sarah Mac has a booming voice that feeds on elements of jazz, soul and blues and refreshes like a cool breeze blowing through a hot smokey nightclub.

gretchen peters in the alternate root15. Gretchen Peters - Gretchen Peters has received more critical acclaim as a songwriter than a singer which says something substantial about her songwriting ability. That injustice should be rectified with the release of 'Hello Cruel World,' her latest effort. Peters has a moody, dark tone to her voice which bodes well for her sophisticated lyrics and complex music. She's been a staple in and around the Nashville scene but finds a much more rabid fanbase in London and throughout Europe.

shannon mcnally in the alternate root16. Shannon McNally - Shannon McNally's blues tinted, soulful country vocal style has landed her along side some pretty impressive company including Ryan Adams, John Mellencamp and Dave Alvin and The Guilty Women. She cut her musical teeth busking in Paris in the 1990's and now fronts the successful band Hot Sauce.

rhiannon giddens in the alternate root17. Rhiannon Giddens - The co-founder of the Carolina Chocolate Drops, Rhiannon Giddens has incredible range and flexibility in her voice. Prowling through libraries for old sheet music and century old recordings to find material to perform might not be the way most of the singers on this list find their groove but Giddens is a special case in more ways than that. She can sing most anything, keeping it traditional with a modern flair.

nanci griffith in the alternate root18. Nanci Griffith - Long considered one of the most beautiful singers on the country / folk music scene or, just about any scene, Nanci Griffith still sounds great even after nearly forty years of recording and performing. There are more than a few people on this list that walked down paths paved by Nanci Griffith. She's probably influenced a million singer / songwriters that have found her music through the years.

sharon jones in the alternate root19. Sharon Jones - Like many great souls singers, Sharon Jones got her start as a singer in church singing gospel. Unlike many great soul singers, however, her path to prominence took a strange twist. While working as a prison guard on Rikers Island in NYC and keeping on foot in the door as a part time backing vocalist, Jones got her career break in 1996 at a session backing Lee Fields. From those sessions the band the Soul Providers were born, later to become Sharon Jones and The Dap-Kings.
tift merritt in the alternate root20. Tift Merritt - Tift Merritt has always been an interesting study both as a writer and singer. Her writing reflects a vast, real world experience and knowledge of music resulting in a substantial body of work. Vocally she has become more mature with each critically acclaimed album. Her voice leans more into the traditions of country music than just about anything seeping out of Music Row these days.

gillian welch in the alternate root21. Gillian Welch - Gillian Welch, like Patty Griffin, was part of the Boston folk revival of the 1990's. While attending Berklee School of Music she started performing with fellow student and future partner Dave Rawlings. Preferring the old time sounds of traditional country and bluegrass they took their music on the road and were inadvertantly discovered by legendary producer T-Bone Burnett. The rest, at least for Gillian Welch and Dave Rawlings, is history. her voice is stark, beautiful and beyond it's years.
aoife o'donovan in the alternate root22. Aoife O'Donovan - Often understated, the voice of Crooked Still lead singer Aoife O'Donovan is what roots music is all about. She has great range in a broad variety of styles. Often jazz tinted, sometimes a sparse folk sound, other times an alt-country, pop feel but always delivered with immaculate tone.
ruthie foster in the alternate root23. Ruthie Foster - Ruthie Foster is a central character on the contemporary blues scene along with Shemekia Copeland and Susan Tedeschi but her smart, sophisticated writing and ability to push the boundaries enables her to create her own folk / blues / soul niche. Her voice, like her art, is powerful, soulful and covers great depth.

jamie wilson in the alternate root24. Jamie Wilson - An original member of the influential Austin based alt-country band The Gougers, Jamie Wilson now spends her time as one of the four outstanding vocalists in The Trishas. A muti-instrumentalist with a great voice in a band with three other multi-instrumentalists with great voices, Jamie Wilson has the most distinctive roots sound but truthfully, any of the other three members of The Trishas could be here.

lucy kaplansky in the alternate root25. Lucy Kaplansky - One of the central figures in the New York / Greenwich Village folk revival of the late 1970's and early 1980's, Lucy Kaplansky might have had a much deeper history had she not left the music world for a time to pursue a career as a clinical psychologist. She spent much of her early career with folk stand-outs John Gorka, Shawn Colvin, Suzanne vega and Richard Shindell. Once a highly sought after backing vocalist, Lucy Kaplansky has developed into one of the top folk singers on the folk circuit.
susan tedeschi in the alternate root26. Susan Tedeschi - Susan Tedeschi started out in Boston playing the local blues circuit at age 13. After attending Berklee School of Music she formed her first blues band and released her debut album, 'Just Won't Burn,' in 1998. Vocally she drifts between Janis Joplin and Bonnie Raitt with boosts of raw power and graceful, smooth soul. After a successful solo career she teamed up with husband Derek Trucks to form Tedeschi Trucks, one of the top bands in the country.

bonnie biship in the alternate root27. Bonnie Bishop - Known predominantly as a songwriter, Bonnie Bishop has garnered some high praise for her singing and performing over four solid solo albums. Her voice is raspy and soulful but matches her performance and writing style perfectly. She sings and writes from the heart and while there are imperfections there is no lack of authenticity to anything Bonnie Bishop does.
sarah petite in the alternate root28. Sara Petite - Sarah Petite hails from the bluegrass, country hotbed of San Diege, CA...OK we're kidding, it's not a hotbed of country or bluegrass but it is the home of one of the rising stars of the alt-country, bluegrass world. Sarah Petite has infused the influences of her youth, Loretta Lynn and Dolly Parton, and local San Diego heroes, The Beat Farmers, into her own unique vocal style. She's a strong songwriter and dynamic performer.
amy black in the alternate root29. Amy Black - A newcomer and a late bloomer on the alt-country, roots scene Amy Black is developing a solid following around the country and in her hometown of Boston. her debut album, 'One Time' garnered a huge amount of critical acclaim for it's songwriting and vocal performance and landed Amy Black on opening slots for Rodney Crowell and Chris Isaak.  She is a fabulous performer with a booming voice and a drive that will move her past many of her contemporaries in short order.
sarah lee guthrie in the alternate root30. Sarah Lee Guthrie - The granddaughter of Woody Guthrie and daughter of Arlo Guthrie, Sarah Lee is part of a duo with husband Johnny Irion. Her voice stays true to the folk and country traditions she was raised to understand and her writing stays tru to the familty tradition of challenging social injustice.