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Mountain Heart (from the album Blue Skies on Compass Records) - Mountain Heart darken their latest released, Blue Skies, when they confide “Miss Me When I’m Gone”, as they quietly sing to four motel room walls with “No One to Listen”, and send out a tune for anyone "Hurting” as the track grips tight to hope. The Nashville-based five-piece offer their first release since 2010 with Blue Skies. Mountain Heart have been carving out a spot for themselves as well as forging new paths for string bands and acoustic music for seventeen years. Blues Skies builds a jazz bass line into the late night piano trills of “She'll Come Back to Me” and gathers heavenly harmonies as it pulls out its best pick-up lines in its title track.

The notes flash past as “The Bad Grounds” hits the rails on a runaway train instrumental. Mountain Heart put a live pulse into “Addicted” to fully feel the adrenalin shooting through their veins, pick a sad tale with “Have You Heard About the Old Hometown”, and ramps up Bob Dylan’s “Maggie Farm” as a community sing-a-long.

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Frog Holler (from the album Souvenir) - Things change over the years and where tradition dictated China to celebrate a twenty year anniversary, modern times are all about the bling and platinum is now the rule. Bands run a little outside the rules of life, and to celebrate two decades as a band, Frog Holler gave one another the gift of an album, Souvenir. The Berks County, Pennsylvania-based six-piece sticks to the brand of Indie-Bluegrass they have cultivated as they add drums and electric bass to tradition. Souvenir collects “One Last Hurrah” as a parting gift on an album that opens only on a stuttering rhythm touched with electric twang in “I Don't Know Why”.

Souvenir offers reminders that float hope out on the water with a beat bounce in “Bottomless Boat” as Frog Holler drift “Station to Station” on a Country sway, lets freckled notes erupt on “So in My Head”, and mix banjos and cowbells with “Small Guitar”.

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Jimbo Mathus (from the album Band of Storms) - Jimbo Mathus offers clues on his recent release, Band of Storms. The theme for the recording is buried in the Erika Jane Amerika’s cover art featuring an over-the-edge Jimbo hanging out near a cypress swamp. The Epiphone guitar he is clutching has been hit by lightning while in his other hand is a bible-on-fire. Overhead circles a lightning-fueled touring van as an alligator, his Catahoula dog, and snake-handling Yemaya (the great mother of the Santeria religion) gather at his feet. Still not seeing the theme clearly? Jimbo Mathus desribes the artwork on the cover, and the songs he was writing, as ‘it’s dealing with nature, forces beyond us, and trying to sum it up in my little cave paintings that we call recorded songs’.

Band of Storms is a nine-song E.P. recorded at Dial Back Sound, the studio owned by Fat Possum partner Bruce Watson. The album opens story used to frighten children into doing right with Jimbo Mathus putting the message on a Stones-ish strut in “Gringo Man”. Band of Storms decides to go full throttle, consequences be damned, as it follows a train track beat into the challenges tossed out in “Let's Play with Fire” as Jimbo tacks sssss’s on the end of yes to give hints of a demonic lead character telling the tale. Guitars rattle like chains proclaiming “Massive Confusion” as “Wayward Wind” sets sail with a seaworthy sway to its roll, “Slow Down Sun” grips the last rays of the day with white-knuckled fists edgy from the slo-mo pace of the rhythm, and “Keep It Together” moves on a determined footfalls and echoed harmonies. Jimbo Mathus heads down the mighty Mississippi on a second line groove, looking for love on a boogie-woogie slick stroll as Jimbo confesses that he “Can't Get Much Higher”.  

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Whitehorse (from the album The Northern South Vol 1) - Whitehorse define their sound as Intergalactic Blues grooves meet the full force of guitar gravity. That is true, the music is other-worldy, a virtual graveyard sound given birth in a studio. Whitehorse successfully trace a line back in their Blues that honors its southern birth with the latest release from the Canadian husband and wife duo, The Northern South Vol 1. The album spits and snarls, the guitar is feral, biting as much as riffing. The distortion in the six strings uses cold hard beats to cross Willie Dixon’s “Wang Dang Doodle”, giving the tune a ghostly texture in the buried vocal harmony, last breath piano notes, and a guitar fuzz that leaves the scent of burning wires in its wake.

Luke Doucet left a rootsier sound behind when he partnered with Melissa McClelland in 2010 to form Whitehorse, each giving up successful solo careers. The pair cut and pasted a studio creation for their debut E.P. and offered a full band album with Leave No Bridge Unburned. The Northern South Vol 1 covers songs from various authors with Whitehorse slowing the groove to a bad dream beat that tries to catch Chuck Berry’s “Nadine”, hammer pound Robert Johnson’s “Come on in My Kitchen”, and slide along the guitar to rail against authority once again in Jimmie Reed’s “Big Boss Man”. The Northern South Vol 1 re-visits and re-invents an E.P. worth of dark Blues the rattles underneath the Willie Dixon-penned, Bo Diddley hit “Oh Pretty Thing” while Whitehorse structure a strict rhythm that courses in a straight line directly through the heart of another Willie Dixon tune, “My Babe”.  

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John Batdorf (from the album Beep Beep) - John Batdorf welcomes you in with efferescent vocals on Beep Beep, his recent release. His voice rises like champagne bubbles, popping out rounded notes that bounce along the story line to show words walking through a life of pitfalls filled with dollar bills (“Where Does All the Money Go”), and hearts full of love (“She Knows What I Life”). His voice is encouraging, urging us to build our own belief systems (“Imagination of the Heart”), and to hold on to hopes (“Dream”).  John Batdorf drives a Beatles-mobile onto Beep Beep evidenced on the title track hook. The tune traces influential mantras back to John’s musical heroes with ‘beep beep, beep beep, yeah’. The story line goes back to 1964, putting John Batdorf in front of the family TV for four consecutive weeks of Fab Four appearances on the Ed Sullivan show. The groups hold on John and his own music extends beyond high vocals and songwriting as the sound structure for the tracks on Beep Beep are presented with Beatle-esque studio arrangement and sounds.

The life-spark in his voice has kept John Batdorf on the front cover and on marquees for several decades since his Atlantic Records debut as a duo with Batdorf and Rodney in 1971. John adds life experience to Beep Beep, and as he looks back at a career. He addresses mature issues as he wonders “Where Does All the Money Go”, and asks “What's a Guy to Do” as Beep Beep counts years as it ponders change in “After the Race is Run” while a drum pound accelerates a heart on the decline in “Please Don’t Go”.  Folk Rock is the backing for the tunes gathered on Beep Beep as John Batdorf lays his personal history on a fast track for “Feels Like Home” and quietly reflects on a memory shuffle as “That's What I'll Remember” is offered as a final goodbye.

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The Deep Hollow (from the album The Deep Hollow) - Dedication to the song strips away individuality for The Deep Hollow as their triple threat of vocals merge and blend into a group harmony than becomes one voice. The band admits they are “Getting Good at Feeling Bad” as their pain present itself on sad harmony with mournful strings and strums as The Deep Hollow draw you into the loss. Words and music are snapshots on The Deep Hollow as the central Illinois trio share songwriting and stage as they translate passion from page to performance.

One story and three voices play stage each song on The Deep Hollow’s recently released debut as audio encrypted messages balance the good news with the bad. The songs save soul by showing a way out of trouble and offering a shoulder to lean on as the tears of others blend with those of their own characters. The Deep Hollow start “Fires” with the simple backing of one guitar that shoots out sparkly notes creating a cup to hold the tender confessions in the vocals. The Deep Hollow opens on a positive note in the story line as sturdy riffs and rhythms confidently point the direction for “Straight to You” while an accapella reading of a love letter in “Beginning and the End” addresses the world at large, citing similarities in all humans connected by the desire of one heart needing another to make a beat. Spring breezes and memories bring “Dandelion” from cold weather into sunshine while “Porch Light” casts the light of love into its requests, “Runaway” confronts fear with ultimatums on a dark melody, and the “Devil” gets the blame for mama’s words getting left back at home.    

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Sturgill Simpson (from the album A Sailor Guide to Earth) - Well-deserved adjectives of praise have been heaped onto Sturgill Simpson for his recent release, A Sailors Guide to Earth. The songs are themed compositions of beautiful melodies (“Breakers Roar”), and Country crooner covers of Grunge (“In Bloom”). The tracks successfully owe allegiance to no one format as A Sailor Guide to Earth maps out territory on Folk, Country, and Rock radio outlets. Sturgill Simpson presents hand built music, getting album credits for writing, composing, and arranging the album as well as sitting in the production chair. As a producer, Sturgill puts his own voice in as an instrument, a compass confidently pointing to the safety of land as Sturgill Simpson’s  ‘pollywog’ navigates a world of adventure, first hitting foreign shores ‘like a pollywog turning nineteen’ (“Sea Stories”),  and facing mortality on a club beat that sees its fellow humans as ‘dying to live, living to die, no matter what you believe’ (“Brace For Impact (Live A Little)”).

Sturgill Simpson has created an immediate desert island disc, wisely including an old world map as part of the booklet on the physical album ‘cause if the water starts to get high, keep A Sailors Guide to Earth handy. The album is tough to digest on first listen, deserving, and rewarding, any time invested. A Sailors Guide to Earth follows a seagull call into the album, gently lapping at the shore with opening track “Welcome To Earth (Pollywog)”. The grace in the song opens its heart to embrace its Soul, backed by the punch of The Dap Kings (Sharon Jones, Amy Winehouse).  The Brooklyn-based horn section strut a funky Soul as they march behind Sturgill Simpson through “Keep It Between the Lines”, and cradle a honky tonk lullaby with swoons in time with the strings on “All Around You”. The seagull calls mix with bag pipes before the beat blasts out in a mighty breath that blows “Call to Arms” along, raising its fist as Sturgill Simpson storms the barricades with his words as horns, piano, guitar, and pedal steel stoke the fires of revolution for the battle to come against the nightly news.

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Derek Hoke (from the album Southern Moon) - Derek Hoke took to the road to create the first takes of the songs on Southern Moon. The tunes took their form on late night drives with a voice recorder in the passenger seat.  To complete the pre-recording process, Derek used audience response from his weekly $2 Tuesday residency at East Nashville’s The 5 Spot to fine-tune the tracks. Derek Hoke sings his blue-eyed Soul on Tex-Mex rhythms (“Nothing I Won’t Do”), jukebox gold (“What's Wrong with My Heart”), and calls out “Hey Joanna” on lonesome notes riding goodbye train track beats. Southern Moon rolls its title track in Southern Soul as he looks for water, warm sunshine, and lightning in a bottle to lead him home down that ‘long road to Memphis’.

Keeping the same producer (Dexter Gordon) and the musicians from his last release in place, Derek Hoke had a plan for the recording ofSouthern Moon that ‘Dexter and I were pretty keen on not repeating ourselves so I took a different approach to most of the material. Mainly writing it on a ’68 Telecaster as opposed to an acoustic guitar. The White Album (The Beatles) was a big influence on the change of styles from track to track’. Southern Moon welcomes Elizabeth Cook into a duet with Derek on “Still Got Time”, featuring backing vocals on the album from Chuck Mead and Robyn Hitchcock as well as Mickey Raphael on harmonica. “Tell It to the Judge” brings the piano hammers down to pound out a beat for Derek Hoke to plead his case while “This Old House” lets him say hello to lonesomeness and sorrow on a sad Country melody.

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Beth Lee and the Break-Ups (from the album Keep Your Mouth Shut) - Beth Lee bites bullets on Keep Your Mouth Shut, firing a tease with teeth into the album. Her pen is dipped in done-wrong ink as The Breakups back tales of treachery with rock’n’rolling Country. Beth Lee manages to be both worldly and wide-eyed in her characters. She is a lightning rod for the faithless as “Beautiful Losers” sends out its kudos to ‘beaten down bums and restless drug users’ as Beth Lee makes the bottom look pretty good. She holds hands with heartbreak on Keep Your Mouth Shut as honky tonk guitars wiggle around like snakes in a jar on “Right Back” while love does not stick to the story line of “Baby, It’s Alright”, and wakes up to an empty bed in “Only a Dream”.

Beth Lee is a seductress with a snarl as she draws love into her flame far enough to leave a mark as she steps on the heart trailing her around, squashing any hints of something happening in “You Don't Get Me High”. Beth Lee and the Breakups play punk rock for the prairies and open range, honky tonk rock’n’roll made for dance floors and drinking. Train track beats signal “Belleville County Line” as it rattles by while ”Thick of It” inhabits a CCR-rhythm and the title track slows to a desert dry shuffle warning on a whisper to “Keep Your Mouth Shut”.

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John Doe (from the album The Westerner) - It must be like an explorer returning to the territory they discovered, landing about a hundred years after the fact. The timing is shorter for John Doe as he stands looking back at a 1980’s where he helped usher in a movement by way of three chords and the truth. John Doe recorded his recent release, The Westerner, at Wave Lab in Tucson, Arizona with production help from Howie Gelb (solo, Giant Sand). John Doe credits the desert as a co-writer for The Westerner as the hot day winds curl around the slow movements of “Alone in Arizona”, as the beat stutters and snaps at “My Darling, My Sweetheart”, and drops “The Other Shoes” on lazy strums warmed by organ notes.  The Westerner is a destination for guests on the album as Cindy Wasserman joins on “Sunlight”, Chan Marshall in the sleepy rhythms of “A Little Help”, and Blondie’s frontwoman Debbie Harry on “Go Baby Go”.

John Doe traces his birth to Los Angeles in 1977. He formed X, sharing vocals and playing bass with a cool reserve that bristled with punk passion. Over the years, John Doe has been a part of bands such as The Knitters and The Sadies, as well as finding roles in film and television projects. The Westerner plays a train-track beat to open the album with “Get on Board”, brings the delta to the desert with the talking Blues of “My Darling, Blue Skies”, and lets Folk tell the tale in “Sweet Dreams”. John Doe builds up to a mighty exit as he twists electric guitar notes before letting them unravel into a Rock roar that surrounds “Rising Sun” like jagged rays of light. 

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Kelley McRae (from the album The Wayside) - The methods we use to get past the hurdles that life litters in our path become cherished friends as the years progress. They are the tools we use to build and the hammers we need to break down doors. For Kelley McRae, the ways and means of getting over trouble was through her songwriting. She shares that ‘I fell in love with writing. I found I was better at singing what I meant than saying what I meant and I still am all these years later. I keep coming back because I don’t know how to understand life without the process of songwriting’. The Wayside is the most recent release from Kelley McRae, the tales told on lullabies (“Rose”), rushed strums hurriedly seeking a memory (“Tell It Again”), simple acoustics (“Reach You”), and a quick-paced melody looking for salvation in the new dawn (“Hard Night”).

Kelley McRae crafts songs alongside husband/guitarist Matt Castelein for The Wayside. Kelley describes how the album title fits when describing The Wayside as ‘the place along the side of the road where things get left behind, or where you go to rest awhile, or where you go find something you lost along the way’. Kelley McRae races with the rhythm nipping at her heels as she searches in her heart for Oklahoma in “Red Dirt Road”. The Wayside slowly turns the guitar chords as “A Long Time” gives up on lost calendar pages, lets worries drift lazily on “If You Need Me”, and follows its rhythms as they warm while walking the road of life in “Land of the Noonday Sun”.

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Keb’ Mo’ (from the album Live, That Hot Pink Blues Album) - Along the lines of Cowboy Jack Clement infamously suggesting that he ‘turn on the tapes’ for a studio night that held Elvis Presley, Johnny Cash, Jerry Lee Lewis, and Carl Perkins, the front of stage sound man for Keb’ Mo’ hit the record switch nightly on Keb’s 2015 tour. Having the songs captured became a way to give back to his fans with special recordings. Luckily, Keb’ Mo’ expanded on the love on a double-disc with Live, That Hot Pink Blues Album, his most recent release. The album culls songs from the career of Keb’ Mo’, featuring tracks from his eleven studio releases that have made him a household name, and garnered three Grammy wins. Keb’ Mo’ is a Bluesman though his ability to present his music in a multi-format delivery has taken him into a Modern Age for the genre.

Keb’ Mo’ took newer tunes from his recent BLUESAmericana release, as he reminds love that he liked “The Old Me Better”. That Hot Pink Blues Album shuffles in as Keb’ promises to “Tell Everybody I Know” about his love. The album travels into low Blues as it sends off a message to “Henry” and puts a warning label on in “Dangerous Mood”. The Blues of Keb’ Mo’ is a moving target as he brings in everything the music can be as he assuredly stokes the rhythms for the promises of “Come on Back”, makes every effort to bring the Blues and his baby to “France”, tastes the times in “Government Cheese”, and puts heart into every step coming back to “Rita”. Keb’ Mo’ showcases his music on Live, That Hot Pink Blues Album, as electricity crackles underneath the acoustic slide Blues that clears the floor for the beauty and the beat headed into “She Just Wants to Dance”.

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Ashleigh Flynn (from the album The Low Arc of the Sun) - Magic was all around Ashleigh Flynn for the recording of her recent E.P. release, The Low Arc of the Sun, and on the live show captured with a select audience at the Secret Society Ballroom in Portland, Oregon. The show took place on the evening of winter solstice (12-21-14). The night was special for Ashleigh Flynn, who ended her quest for her Irish roots when the path to locate her grandfather’s spirit led her to Dingle Way as it curved to the Emerald Isle’s southwestern tip. As she reached the end of the footpath, the bloodline cord united in the sunset of summer solstice, retold on The Low Arc of the Sun in the tune “Barrow”.

Seasonal early sunsets are the backdrop as The Low Arc of the Sun makes its ways across a sky of seven songs. Ashleigh Flynn prepares for the long nights ahead as she whispers a prayer to the night sky with “Don’t Leave Me Lonesome”, dons warm clothing to walk love around her city in “Winter Song”, and remembers “Sweet Grass and Sage” on a summer reverie. Ashleigh Flynn re-plays the ‘soundtrack to her childhood” as she and the band tune up for the honky tonk crowd with Buck Owens’ “Tiger by the Tail”.

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Sugar Blue (from the album Voyage) - Sugar Blue packs light for his trip on Voyage, his latest album release. He has a satchel full of harmonicas as he boards the album and sets sail on a sea of jazz-inflected Funk and Soul rhythms and melodies. Sugar Blue grew up in Harlem, New York, and spent time with musicians from an early age through his mom’s connection to the Apollo Theater as a singer and dancer. Voyage offers bright sparks of harmonica in “Sunshine”, walks “12 Steps” into a future free of the past, and idles with a low rumble as Sugar Blue talks about his “Mercedes Blues”. For his first studio album in five years, Sugar Blue injects a modern Blues into Voyage.

Sugar Blue fronts his own songs on Voyage to add to a career of both lead and sideman efforts for artists on stage and in the studio; his work with The Rolling Stones captured on tracks such as “Miss You” and “Emotional Rescue”.  Voyage drifts dreamily on assured grooves, pushed forward by a blast of harmonica riffs. Sugar Blue is “On My Way” as he lays claim to personal triumph while he brings Country Folk into the opening of “New York City”, boils a beat to match his analog anger in “Cyber Blues”, and lets the instruments do the talking as “Sugar Blue Boogie” takes flight.

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Red Dirt Skinners (from the album Behind the Wheel) - The recent release from Red Dirt Skinners, Behind the Wheel, showcases the band’s Roots while expanding on their sound with diverse instrumentation that gives the tracks character as well as a fuller, more complete backdrop for their songs than on previous releases. Behind the Wheel puts Red Dirt Skinners in the drivers seat with tunes that run fingers over the sharp edges from passing dark melodies in “Thoughts of the Past”, up the pace for “Bad Apple” with a beat and persistent horn blasts, and take the title track on a midway drive with carnival rhythms and the come-on of sideshow horns.

Radio chart action for Roots music artists is showing across the board placements on Folk, Country, Rock, and Americana formats for single releases in the U.S. Red Dirt Skinners successfully appealed to multiple camps in the UK as they dug the Roots of their own music in, garnering 2013 accolades from both the British Blues Awards and the British Country Music Awards.  Behind the Wheel  puts Red Dirt Skinners into a sparkle of acoustic fingerpicking Folk Rock (“Home Sweet Home”), and Western strums (“Day Break”). Red Dirt Skinners use the musical melting pot and darkness of finger pointing Americana to find “The Inspiration” while they offer confessions and promises on “The Other Half” as the perfect wedding song.

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Daniel Hutchens (from the album The Beautiful Vicious Cycle of Life) - As an artist, Daniel Hutchens is a full service performer. He stages his recent release, The Beautiful Vicious Cycle of Life, as rock’n’roll vignettes, presenting the songs as moving sagas. Daniel Hutchens describes cycles by introducing its characters using “Wings and a Walking Cane” as props as he watches the colors burst when “Pretty GIrls in Summer Dresses” demands a bounce to the beat and “One Bird Sky” circles lazily on lonely strums. The rock’n’roll road for began when eight year old Daniel met fellow third grader Eric Carter. They shared a love of music (and comic books), and Eric’s family had a secluded garage for a band. They left high school with a diploma in song writing and by the early 90’s they had 300 hundred songs developed. The pair grew up in West Virginia and made their way to Athens, Georgia, naming their band paring Bloodkin with a first album release in 1992.

The Beautiful Vicious Cycle of Life , the first solo release for Daniel Hutchens in a decade, was produced by Dave Schools (Widespread Panic, Hard Working Americans) and features guests such as Eric Carter (Bloodkin), Duane Trucks (Widespread Panic, Hard Working Americans), and Jesse Aycock (solo, Hard Working Americans). Daniel Hutchens threatens to “Spend It All” on an equally threatening rhythm that rolls like thunder, counts to four for a busking beat that backs “Jack Nicholson’s Grin”, puts the pedal down to barrel through “Epitaph Town” as the sharp angles of Indie Rock look for a map in “Tearing Up the Tiles”. The title track struts with the pound of funk chords and riffs while the echoes of Americana help the spirit of Johnny Cash in “American Country Ghosts”. Daniel Hutchens captures his characters in snow globes of songs, using The Beautiful Vicious Cycle of Life to turn slowly as mistakes and successes flutter and sparkle on the inside.  The album exits on a Western on a rolling melody as “All Golden Traces” puts a glow into electric guitar distortion and pedal steel as bright Folk Rock propels the simple request of “Touch Up Time”.

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The Jayhawks (from the album Paging Mr. Proust) - It has been over thirty years since The Jayhawks formed in 1985 Minneapolis, hitting a stride with their American Recordings debut in 1992 (Hollywood Town Hall). Musically, The Jayhawks stayed true to the Country Rock sound they represented with their initial releases. Band break-ups and re-formings occurred over the years, and the current Jayhawks line-up for their recent release, Paging Mr. Proust, contains members of the 1997 touring group.  Founding member Gary Louris still drives The Jayhawks train and he pulls off a sound shift with Paging Mr.Proust that allows the songs of the band to grow and expand, pushing the sonic boundaries (“Ace”) in ways that the soft Country Rock and Americana of previous release could only experience as hints and touches. Paging Mr. Proust honors a sound that The Jayhawks minted and offered as influence to a legion of bands that followed.

Opening track “Quiet Corners & Empty Spaces” fits comfortably into The Jayhawks branded Roots as it takes steps towards a future that cuts sharp edges into the guitar jangle as it delivers with slightly psychedelic wobble. Paging Mr. Proust does not rest on historical laurels as The Jayhawks choose an Indie Rock structure for “Comeback Kids”, stand on thick chords and rhythm for “Lies In Black and White”, surfs a Vintage beach sound for “Loves of the Sun”, and update Country Rock with an assured chord rattle, warm organ and la-la harmonies in “The Devil Is In Her Eyes”. Gary Louris shared in our recent interview that his record deal with Thirty Tigers in Nashville has allowed him to take his songs from pen to production.Paging Mr. Proust successfully presents familiarity expressed in new ways. The Jayhawks use electric guitar slashes carve a path for “Lost the Summer” to pinball its rhythm around the melody line and let determination pound a beat in “Leaving The Monsters Behind” as a rolling sound rises and falls on six string distortion and “I'll Be Your Key” gives love a year-round residency on acoustic guitar strums and weaving guitar leads.

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The Bo-Keys (from the album Heartaches by the Number) - The Soul of The Bo-Keys is a pure one. The band naturally inhabits a sound that is a cottage industry for their base in Memphis, Tennessee. Their recent release, Heartaches by the Number, puts the band behind stories of love and loss as the tracks are surrounded by a Vintage warmth buried deep within the sound. The Bo-Keys recorded Heartaches by the Number onto analog tape at Electraphonic Recording in Memphis.  Produced by bandleader Scott Bomar (bass, percussion), the album is the third release from The Bo-Keys since forming in1998, the group nurtured in a fertile land fed by a Memphis talent pool. Scott Bomar said that “one of the main reasons I started the band is that there were a lot of great musicians from the golden era of Memphis soul who weren’t really getting the work or attention they deserve. Stax, Hi Records, and American Studios all shut down, and the amazing musicians who were part of those studio bands either moved or stayed in Memphis, languishing in obscurity for the most part. I wanted people to know that those players and that sound were still alive and well’. The musicians brought together in The Bo-Keys live and breathe Soul music as they back front man Percy Wiggins at the microphone.

The Bo-Keys count Heartaches by the Number on the title track to open the album, and set the standard musically as a middle ground where Soul gets to show its Country history. Memphis is a musical crossroads, and Country music has long called the state of Tennessee home. The Bo-Keys play a sound on Heartaches by the Number that is a fit for honky tonk or juke joint as they add a blast of horns into the string bending twang of Merle Haggard’s “The Longer You Wait”, back Swamp Dogg’s “Don't Take Her (She's All I Got)” with a Memphis groove, and dip Hank William’s “I'm So Lonesome I Could Cry” into a soulful ball of Blue.  The love life of Heartaches by the Number stays true to its album title as The Bo-Keys softly share mistakes (“Threw It All Away”), move in a Tex Mex wind of melodies (“I Hope You Find What You're Looking For”), walk an pronounced strut into the pitfalls (“Learned My Lesson in Love”), and show the fragile line that separates loving and leaving (“Set Me Free”).

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Silver City Bound (from the album Take My Picture) - The members of Silver City Bound came together in New York City under the name The Amigos. The band changed names to better serve the group goal of providing road music, snagging the Silver City Bound moniker from a Lead Belly tune. Their recent E.P., Take My Picture, takes the four piece (Sam Reider –accordion, Justin Poindexter-guitar, Noah G-bass, Willie Clark-drums) and the songs on a trip to satisfy wanderlust. Silver City Bound spin road songs, tracks blasting from speakers, the sound moving at the same speed as the tires hitting the asphalt underneath.

Silver City Bound walk onto Take My Picture with the title track as the guys catch an eye looking back from the audience as the story line speaks to the plight of the musician on stage watching the light of love shine in the camera shot, fading as quickly as the flash.  Silver City Bound stride with an assured gait on the EP as they unfurl feathers for the slightly second line sway in “Peacockin’”, follow a wobbly rhythm that heads for non-city living with “I Wanna Get Drunk”, and slide easily into a warm Country melody to say hello to New York City in “Take It Slow”. Take My Picture hosts originals from Silver City Bound, and a beautifully constructed love letter with “Do Right Woman, Do Right Man”, quietly mirroring the Country Rock touches put on the tune by The Flying Burrito Brothers.

Listen and buy the music of Silver City Bound from AMAZON or iTunes

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Left Arm Tan (from the album Lorene) - Left Arm Tan open the recent release, Lorene, with an open letter to love, listing what will work over a bright Country rhythm that sways and bends without losing its intention of “Gonna Find Me a Rock”. The band looks for a partner that can roll with the changes rather than someone to nail their collective feet to the ground. Lorene matches the plan with its tunes, providing tracks that stand proud on an confident beats as they wave goodbye to a soldier heading for danger in “Break Even”. Left Arm Tan head down to New Orleans on a funereal marching beat as they quietly watch the parade pass in “Brass on Burgundy”, pick up the pace as love ends on a rode home with “Blacktop Blues”, drift rhythms on the wisp of a prairie wind on “High Plains Drifter”, and flicker the beat like rising flames on “Burnin’ Down”.

Left Arm Tan have a natural rock’n’roll rhythm moving through their songs as the beat welcomes in touches of Southern Soul (“Easy”), quietly rolling Folk Rock (“Hey Rebecca”), Singer/Songwriter Pop (“Take Me Out”), Blues (“Always Gone”), and Country twang (“Wild Wind”). Lorene is a perfect host for variety, letting its songs fall into the welcoming arms of Americana as the album lets its music talk without borders. Left Arm Tan stay in their Rock stance as they seek “Daylight Redemption”, and board “Freedom Bus” on a rhythmic patter that takes to the highway with a beat-fueled bounce.

Listen and buy the music of Left Arm Tan from AMAZON or iTunes

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NEW VIDEO FROM THE ETHER

STURGILL SIMPSON - WELCOME TO EARTH (POLLYWOG)

Sturgill Simpson followed A Sailor's Guide to Earth (his recent release) into the studios at KCRW. Sturgill and the band performed the opening track from the album, letting “Welcome to Earth (Pollywog)” gracefully welcome listeners in before blasting the horn section to make sure they stay.

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THE TOMBOY SESSIONS #1 - THE BROTHERS COMATOSE

The Tomboy Sessions began shooting in March 2016. The video series present artists recorded in the Tomboy vintage western store in Santa Cruz, CA. The Brothers Comatose debuts with The Tomboy Sessions #1.  There will be nine sessions filmed throughout 2016/2017, with two tracks per session.

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ROANOKE - JORDAN

Roanoke use the mystical properties of the River Jordan to sings them to salvation. The tune appears on the recent self-titled release from Roanoke.

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NEW AND NOTEWORTHY

AOIFE O'DONOVAN - IN THE MAGIC HOUR

AOIFE O'DONOVAN - IN THE MAGIC HOUR

Aoife O’Donovan (from the album In the Magic Hour on Yep Roc Records ) - One of the hardest part of songwriting, at times, is going back to something that you have written. The act of editing seems to dampen the initial burst of creation. Aoife O’Donovan cherished the ability to spend time with her words, fine-tuning the songs on the recently released, In the Magic Hour . Aoife recalled that ‘flying, getting the rental car, eating all my meals alone… I just remember sitting with a book in Germany two ...

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CURTIS SALGADO - THE BEAUTIFUL LOWDOWN

CURTIS SALGADO - THE BEAUTIFUL LOWDOWN

Curtis Salgado (from the album The Beautiful Lowdown on Alligator Records ) - Curtis Salgado uses a variety of touches and tastes as chief chef on his recent release, The Beautiful Lowdown . The album stirs in true Blues as the mood listens in on ‘the conversation’ of a couple in trouble on “Is There Something I Should Know”, teases on a lyrical flow that spits out boundaries with “My Girlfriend”, strolls on Southern Soul with “Nothing in Particular (Little bit of Everything)”, and gets funky asking f...

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THE BATTURE BOYS - MUDDY WATER

THE BATTURE BOYS - MUDDY WATER

The Batture Boys (from the E.P. Muddy Water) - A batture is the strip of land between the Mississippi River and the levees. Tommy Malone (The Subdudes) and Ray Ganucheau (Continental Drifters) stake out musical territory, adopting the name for The Batture Boys, and Muddy Water , the debut E.P. release from the New Orleans, Louisiana-based duo. Tommy Malone brought his guitar work up front for his recent solo releases. He is the voice of The Batture Boys, his Rock’n’Soul vocals riding over the tracks...

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MAKING THE LIST

TEN REASONS WE LIKE DUANE ALLMAN

TEN REASONS WE LIKE DUANE ALLMAN

Duane Allman was gone before the music he made took over the world. The brothers Allman, Duane and younger brother Gregg, were from Macon, GA. Gregg got a guitar first but Duane learned quicker. The brothers went to Nashville for summers to visit grandma, seeing B.B. King and soaking up sound. As time went on Duane immersed himself in the guitar, quitting the high school to stay home during the days and learn his instrument. The brothers formed The Allman Joys moving the band to Nashville then S...

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THE ALTERNATE ROOT TOP 40 ROOTS ROCK ALBUMS 1980-89

THE ALTERNATE ROOT TOP 40 ROOTS ROCK ALBUMS 1980-89

The decade of the 1980's can be looked at musically in a number of ways. On the surface it's easy to dismiss the decade as one of the worst in terms of popular music. What wasn't being dominated by the horror of Journey, REO Speedwagon, Survivor, Toto and Styx was being dominated by Duran Duran, Kenny Loggins, Culture Club and Michael Jackson. The rockers had their own mindless decade being fed a steady diet of Def Leppard, Van Halen, Molly Hatchet and Aerosmith.

We noticed that bands moved ...

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STAGECOACH FESTIVAL 2016

STAGECOACH FESTIVAL 2016

Stagecoach Festival 2016 arrives in Indio, California this weekend (April 29, 30, May 1). The desert festival showcases the talent, sound, and scope of Country music in 2016. The possibilities and potential ofthe artists calling themselves Country is caught in the net that festival organizers Goldenvoice toss over the Coachella Valley in April every year . The idea of putting on a Country music as part of the successful Coachella Valley Arts and Music Festival came in 2007, and was fueled by opt...

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FROM THE VAULTS

BARRENCE WHITFIELD AND THE SAVAGES - DIG THY SAVAGE SOUL

BARRENCE WHITFIELD AND THE SAVAGES - DIG THY SAVAGE SOUL

Barrence Whitfield and the Savages (from the album Dig Thy Savage Soul) - Somewhere back in time, Barrence Whitfield and the Savages struck chords for the power of rock'n'roll. The Boston-based band approached their music from a clinical path. The Savages kept their studies to the main avenues of investigation: Rockabilly, Roots, Jump Blues, Indie Rock, Funk, Soul and a whole lot of stop-hey-whats-that-sound. The men in the band decided on a major path and they were given supportive nods in lieu of...

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PATTY GRIFFIN - AMERICAN KID

PATTY GRIFFIN - AMERICAN KID

Patty Griffin (from the album American Kid) - Patty Griffin has stated that much of her new release, American Kid , was written to honor her father. Musically. Patty uses her past recorded output as influence in creating something familiar emotionally that dwells in a musical future sound. “That Kind of Lonely” lanquishes in a lush sound collage that gathers strings and hard edge acoustic chords, using Patty’s voice as a beacon to lead the song across stark soundscapes. Patty Griffin has a voice that...

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LET US IN-AMERICANA, THE MUSIC OF PAUL MCCARTNEY

LET US IN-AMERICANA, THE MUSIC OF PAUL MCCARTNEY

Various Artists (from the album Let Us In Americana, the music of Paul McCartney) - Like many of us, Paul McCartney has been affected by cancer and, like many again, gets tripped up on the how to help. Music aids in ways that money cannot and when asked to lend a hand by lending a pen, Paul McCartney wholeheartedly agreed with a blessing for the use of his music to bring awareness to women’s cancers and raise money for the charity in the name of his late wife Linda McCartney. The Let Us In Americana...

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MOVERS AND SHAKERS

MICHAEL DAVES - ORCHIDS AND VIOLENCE

MICHAEL DAVES - ORCHIDS AND VIOLENCE

Michael Daves (from the album Orchids and Violence on Nonesuch Records) - The extremes in the album title Orchids and Violence is a sonic overview of the tracks that make up the recent Nonesuch Records release from Michael Daves. The sweetness of Bluegrass mirrors the flower side for Orchids while an experimental lean to the Rock tracks on the album gives more of an edge with sharp angles and a harshness that can be taken as Violence . The double-disc set contains predominantly traditional Bluegrass tun...

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TWEED FUNK - COME TOGETHER

TWEED FUNK - COME TOGETHER

Tweed Funk (from the album Come Together available on April 29, 2016) - Yes, there is a message…..can you expect any less for an album titled Come Together ? Tweed Funk stay true to the music that brought them in to album number four, Come Together , expanding on the Soul and Blues style that has garnered the Milwaukee, Wisconsin-based band five WAMI’s (Wisconsin Area Music Industry) awards  in the last four years. Tweed Funk used a line-up change to stoke the creative fires with the band by put...

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THE HACKENSAW BOYS - CHARISMO

THE HACKENSAW BOYS - CHARISMO

The Hackensaw Boys (from the album Charismo) - Many changes have followed The Hackensaw Boys over their twenty year history as a band. Founding member David Sickmen still puts his songs at the center of Charismo , the band’s latest release and their first recording in close to a decade. The percussive instrument that has been on the road with The Hackensaw Boys since their maiden tour sixteen years ago is still on stage, and now on album title. Charismo was invented by Justin Neuhardt who played with ...

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MAKING THE LIST

Duane Allman was gone before the music he made took over the world. The brothers Allman, Duane and younger brother Gregg, were from Macon, GA. Gregg got a guitar first but Duane learned quicker. The brothers went to Nashville for summers to visit grandma, seeing B.B. King and soaking up sound. As time went on Duane immersed himself in the guitar, quitting the high school to stay home during the days and learn his instrument. The brothers formed The Allman Joys moving the band to Nashville then St. Louis, MO. The name changed to Hour Glass and the home base moved to Los Angeles, CA in 1967. For Duane’s twenty-second birthday, Gregg brought his big brother a bottle of cold pills for his fever and the new Taj Mahal record. Two hours later, Gregg’s phone rang. Duane had emptied the pills and taken the label off the bottle so he could play slide. Duane had never attempted to play slide guitar before and would be known for that playing it a lot afterwards.

Duane’s work with Hour Glass caught the ears of producers and he was plugged to play a Muscle Shoals recording session with Otis Redding, backing the singer on his rendition of “Hey Jude”. His playing drew attention at Atlantic Records and the guitarist was scheduled for sessions with Clarence Carter, Laura Nyro, King Curtis, Percy Sledge, Herbie Mann, Aretha Franklin, Otis Rush and more. He recorded the lead guitar for Boz Scaggs’ “Loan Me A Dime” shortly after his session for the Otis Redding track. The Allman Brothers Band got off to a clunky start with neither of their first two albums registering with listeners. Success came for Duane Allman in his own band with the release of Live at the Fillmore East and his guitar work for Derek and the Dominoes. Duane Allman passed away on October 29, 1971, several weeks after the release of Live at the Fillmore East and during its initial success. His motorcycle hit a truck that had stopped suddenly in an intersection and he died at the age of twenty-four years old.

Duane Allman lived for the music. When his soul crossed over, his spirit was kindly stayed around to be a part of the music that he cherished. . There are many reasons to appreciate Duane…here are Ten Reasons Why We Like Duane Allman.

1. “Still Want Your Love” – Hour Glass (from the album Power of Love) - Comprised of Duane and Gregg Allman alongside three future Muscle Shoals session men, Hour Glass was a 60’s rhythm and blues band. The power was in the hands of those that did not know how to handle it at Liberty Records and they positioned the group as a Pop act. Duane’s guitar weaves through the song with a psychedelic buzz in its riffs and soul in its step.

Listen and buy “Still Want Your Love” by Hour Glass from AMAZON or iTunes

2. “Games People Play” – King Curtis featuring Duane Allman  (from the album Duane Allman Anthology) - When King Curtis covered Joe South’s “Games People Play” as an instrumental the 1968 hit was still fresh. A jazzy soul in the rhythm is a good complement for Duane Allman’s subdued Leslie-amp distorted note patterns.

Listen and buy “Games People Play” by King Curtis from AMAZON or iTunes

3. “Don’t Want You No More” – The Allman Brothers Band   (from the album The Allman Brothers Band) - The Allman Brothers choose an instrumental to lead the charge on their 1969 debut. “Don’t Want You No More” was a Spencer Davis tune that the band wrestles into shape by putting sharp angles in the arrangement and smoothing them over with the slightly Latin Rock of its guitar notes.

Listen and buy “Don’t Want You No More” by The Allman Brothers Band from AMAZON or iTunes

4.  “The Weight” – Aretha Franklin featuring Duane Allman   (from the album Duane Allman Anthology) - It was Duane’s guitar work for Aretha that gave the band its legendary road man, Red Dog (Joseph L. Campbell). The guitar lead made Red Dog want to see the band live and after the show he stayed around to tell them how much he liked the playing. Before the band broke, Red Dog would hand over his military pension checks to the band to keep them afloat.

Listen and buy “The Weight” by Aretha Franklin from AMAZON or iTunes

5. “Don’t Keep Me Wonderin’” – The Allman Brothers Band  (from the album Idlewild South) - Duane’s slide is ever-present on this cut from album number two for the Allman Brothers Band. The players seem happy to stay as rhythm while Duane’s guitar bends around the curves and holds the road while leaning way over the edge.

Listen and buy “Don’t Keep Me Wonderin’” by The Allman Brothers Band from AMAZON or iTunes

6. “Statesboro Blues” – The Allman Brothers Band   (from the album Live at the Fillmore East) - Live at the Fillmore Eastwas the album that broke the Allmans and Blind Willie McTell’s ode to a little town in Georgia, “Statesboro Blues” led the charge as opening cut. After a quiet introduction Duane sets fire to the front row with searing leads that leave skid marks all over the song.

Listen and buy “Statesboro Blues” by The Allman Brothers Band from AMAZON or iTunes

7. “Loan Me A Dime” – Boz Scaggs featuring Duane Allman   (from the album My Time” A Boz Scaggs Anthology) - Coming on slow, “Loan Me A Dime” opens with organ and piano notes playing tag over a simmering drum beat walking through high noon on a hot day. Duane Allman plays all lead guitar on the track, biding his time and entering the song at over the one minute mark and taking charge.

Listen and buy “Loan Me a Dime” by Boz Scaggs from AMAZON or iTunes

8. “Tell the Truth” – Derek and the Dominoes   (from the album Layla and Other Assorted  Love Songs) - Duane Allman felt that it was easy to separate his lead guitar work from that of Eric Clapton on the Derek and the Dominoes project…..Eric played the Fender parts and Duane played the Gibson parts. On “Tell the Truth” it is an easier figure, as Duane slides in and stays on a slippery course with his guitar through the song.

Listen and buy “Tell the Truth” by Derek and the Dominoes from AMAZON or iTunes

9. “Little Martha” – The Allman Brothers Band   (from the album Eat A Peach) - “Little Martha” is the only Allman Brothers track written solely by its then group leader, Duane Allman. The song was recorded in October 1971, just several weeks before Duane’s untimely death.

Listen and buy “Little Martha” by The Allman Brothers Band from AMAZON or iTunes

10. “Duane Allman” – Amy Ray  (from the album Goodnight Tender) - Amy Ray twists and twangs a nod to one of the world’s greatest guitarists, Duane Allman. The story follows a woman with a guitar, up from Waycross as she puts her line in the sand, “Man it ain’t ever gonna be the same… you know I’ll give ‘em a chance but no one can play like Duane”. Duane Allman’s body of work ended with his death in 1971, but his guitar riffs continue to be a part of our lives.

Listen and buy “Duane Allman” by Amy Ray feat. Susan Tedeschi from AMAZON or iTunes

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the alternate root magazineThe decade of the 1980's can be looked at musically in a number of ways. On the surface it's easy to dismiss the decade as one of the worst in terms of popular music. What wasn't being dominated by the horror of Journey, REO Speedwagon, Survivor, Toto and Styx was being dominated by Duran Duran, Kenny Loggins, Culture Club and Michael Jackson. The rockers had their own mindless decade being fed a steady diet of Def Leppard, Van Halen, Molly Hatchet and Aerosmith.

We noticed that bands moved the Roots needle further than their album did. It was not a time when artists had the control over their music, or the ability to make music at home. If you were recording, you had someone attached to the project that saw things a different way. There were budgets and every album needed the 'hit single'. The artist development that had existed in the 1960's and 1970's was virtually gone. The major labels were simply showing up and collecting cash. The invention and proliferation of the compact disc started around 1982 when the discs became commercially available. Major labels were more interested in mining the catalogs and reselling hit records in a different format, so radio waves started championing the term 'classic.'

Soul music was either too Pop or too dance. Folk music was still riding high on the success of 1970's singer/songwriters, bluegrass was still traditional. Blues had some artists that were making noise and some were starting to expand with it and have some fun. Rock was the king and the genre took chances. Many of the artists on our list considered themselves to be rock bands but the groundwork laid would have a rippling effect. There were scenes rather than breakout artists. Los Angeles had cow punk and a roots scene that was very much part of punk rock with bands like X, Dwight Yoakam, Lone Justice, The Knitters, The Blasters, Rank and File, Cruzados, Blood on the Saddle and The Long Ryders all fighting for a small piece of ground. The lower east side of Manhattan was still taking pride in its birthing of punk but bands like The Del-Lords, Mike DeVille and Robert Gordon were playing their music and using their influences to create a more roots sound. Athens, GA had the rock of R.E.M., Pylon, The B-52's and Dumptruck. Nashville was set on taking country into modern times and away from the classic sound of Hank Williams. Lefty Frizell and others. The outlaw country was headed in the roots direction with a lot of steam but the music was still more Country than Roots.

As we set out to search for the albums of the 1980's that shaped the Roots Rock movement of today we found that the 80's thrived in terms of great music even though most of the albums we chose as our Top 40 Most Important by and large flew under the radar and we didn't even get into R.E.M., U2, The Alarm, The Clash, The Pretenders or The Psychedlic Furs. We left a ton of great albums off of our list that were in our stack to narrow down from a list of hundreds to a list of 40.

This is not a history lesson about Roots Music in it's purest forms. That music started in the early 1900's and we'll get to it in time. Everyone that followed was influenced by the great masters. These albums and these artists paved the way during the decade previous to our list of the last 25 Years but make no mistake, these albums and these artists were influenced by music from the previous decades and so on. We'll tackle the 70's, 60's and 50's in time and in order.

So here it is. The Alternate Root Top 40 Roots Rock Albums from 1980-89

1. Paul Simon - Graceland (1986) - Graceland brought the indigenous music of South Africa to the world stage and launched the International careers of  more than a few South African musicians. The album combined traditional American elements of pop, a capella, Tex-Mex and zydeco with traditional South African elements of isacathamiya and mbaqanga and the eclectic, critically acclaimed album changed the way the world looked at South Africa at a time when the world wasn't looking at South Africa very favorably. 27 years later this album still stands as a monumental achievement in music and continues to influence musicians around the world.

Listen and buy the music of Paul Simon from AMAZON or iTunes

2. The Blasters - The Blasters (1980) - The Blasters self titled album caught the music world by surprise...a mix of rock, country, rockabilly, mountain music and early rhythm and blues that burst onto the American music landscape in 1980, ripped your head off and screamed into your soul. It was sweaty, smokey, loud and so original that few people knew what to make of it. Brothers Phil and Dave Alvin along with John Bazz on bass and Bill Bateman on drums comprised the band that had more talent and energy than it should be legal to have in one band. Critics loved it and people associated with the industry shouted about it but the album never found it's way to the masses.

Listen and buy the music of The Blasters from AMAZON or iTunes

3. Bruce Springsteen - Nebraska (1982) - Nebraska is a bit of an enigma and marks a turning point in the illustrious career of one of America's greatest musical treasures. Springsteen recorded the tracks as demos for an album that was to be recorded by the E Street band. The entire album was actually recorded with the full band but those recording were never released. Springsteen instead released the demos, recorded at home on a four track with very sparse instrumentation. The album's dark subject matter, centered around everyday American blue-collar characters facing challenges without hope or salvation, is unlike any other in the Springsteen catalog.

Listen and buy the music of Bruce Springsteen from AMAZON or iTunes

4. Tom Waits - Rain Dogs (1985) - Rain Dogs was sandwiched between two other brilliant Tom Waits albums Swordfishtrombones and Frank's Wild Years forming a trilogy of sorts. Waits wrote the songs for Rain Dogs in a basement in Greenwich Village in 1984. The album documented the malaise and urban depression of New York City through sounds that included recordings of street noise and a wide range of instrumentation from Waits' dark piano to accordion, marimba, trombone, banjo and upright bass. The album was dark, drifting from old blues to New Orleans funeral dirge and a slew of points in between.
Listen and buy the music of Tom Waits from AMAZON or iTunes

5. Townes Van Zandt - At My Window (1987) - At My Window was the only release by Townes Van Zandt in the 1980's and was his first studio release in nearly a decade. By then his place on the pantheon of great American songwriters was already secure and the album re-affirmed that Townes still had the songwriting chops. At My Window was different in that it was richer musically than most of his previous material which can be attributed to the production of the legendary "Cowboy" Jack Clement. Clement brought in a host of notable session players including Mark O'Connor, Mickey Raphael and Roy Huskey Jr. and the result was a brilliantly crafted and performed album.

Listen and buy the music of Townes van Zandt  from AMAZON or iTunes

6. Bonnie Raitt - Nick of Time (1989) - The appropriately titled Nick of Time came at a point in Bonnie Raitt's career where she needed a jolt both professionally and personally. She notes that Nick of Time was the first album she had done sober. Raitt's career was sliding backwards after a string of mediocre albums and  was being kept relevant by appearances on a series of political projects including MUSE, Amnesty International, Farm Aid and Sun City. Nick of Time took off after a sweep of the four Grammy's Raitt was nominated for in 1989 and her career has been on an upward trajectory since. The album was more soul than straight on blues and proved that Bonnie Raitt still had it all.

Listen and buy the music of Bonnie Raitt from AMAZON or iTunes

7. Los Lobos - How Will the Wolf Survive (1984) - East L.A. has a long history of contribution to the American musical landscape with the influences of brown-eyed soul, R&B and Latino rhythms. Artists that rose up from the vibrant East L.A. scene including WAR, El Chicano and Malo combined Latino rhythms with funk, early R&B and blues. Los Lobos took it a step in another direction, combining traditional Mexican music, rock, folk and Latin rhythms together on their major label breakthrough album How Will the Wolf Survive. The album stands as a benchmark for Americana music and helped to usher in a new genre of music.

Listen and buy the music of Los Lobos from AMAZON or iTunes

8. k.d. lang - Angel With a Lariat (1987) - Though her albums Shadowland and Absolute Torch and Twang would spawn more 'hits' and radio success than Angel with a Lariat we chose it because it was Lang's coming out party for America and the rest of the world outside of her native Canada. Produced by Dave Edmunds, the album was seasoned with hints of rockabilly, country and British pop and mixed with Lang's unmistakable mezzo-soprano vocals to form a vintage that gets better with age. k.d.lang influenced millions of young women not only as singers but as social and cultural activists as well.

Listen and buy the music of k.d. lang from AMAZON or iTunes

9. Cowboy Junkies -  The Trinity Session (1988) - It was mostly a family affair for Cowboy Junkies with siblings Margo, Michael and Peter Timmins counted as band members. Their 1986 recording debut was blues inspired, but the sound culture clash of their 1988 release, The Trinity Session, brought a larger audience from a rock camp. The Trinity Session married classic country covers (“Walking After Midnight”, “I’m So Lonesome I Could Cry”) with classic rock (“Sweet Jane”) all played out of a moody groove and airy arrangements.

Listen and buy the music of Cowboy Junkies from AMAZON or iTunes

10. Steve Earle - Guitar Town (1986) - Steve Earle's breakthrough album Guitar Town topped the country charts and garnered two Grammy nominations in 1987 and it was the first and last time that "country radio" would recognize Steve Earle. It also marks the starting point for one of the most prolific, politically charged and culturally significant careers in American music history. Little of the subsequent Steve Earle catalog even closely resembles Guitar Town musically but the album sparked a new era of country based rock with intelligent lyrics that continues today.

Listen and buy the music of Steve Earle from AMAZON or iTunes

11. Blue Rodeo Diamond Mine (1989)- Formed in 1985 in Toronto, Canadians Blue Rodeo released their first album, Outskirts, in 1987, which would have excluded them from our 1988+ list. Luckily, their second album, Diamond Mine, is date friendly and keeps the same intentions of their debut. Blue Rodeo marry rock and country with a true Indie Rock feel and form, with organ swells sharing the sonic space with guitars and rhythm. Diamond Mine balances Indie Rock tunes (“God and Country”) with torchy twang (“How Long”) and a mix of both (“Love and Understanding” and the title track).

Listen and buy the music of Blue Rodeo from AMAZON or iTunes

12. The Subdudes - The Subdudes (1989) - The Subdudes debut release The Subdudes proved a couple of things. One is that a major label in 1989 couldn't find it's ass with two hands and a flashlight when it came to roots music. Second was that the "music business" wasn't really about music at all. It was about cash registers although that was pretty much agreed upon by most people already. Had a label like Rounder or Sugar Hill had the album, the effect The Subdudes had on the musical landscape might be much different. The Subdudes combined a plethora of innovative musical styles to their music including blues, swamp rock, cajun, funk, soul, R&B, folk, country and just about everything else and their influence resonates still today.

Listen and buy the music of The Subdudes from AMAZON or iTunes

13. Stevie Ray Vaughan - Texas Flood (1983) - Blues music post WWII has a tendency to ebb and flow with periods of great popularity followed by periods where it searches for a popular voice and becomes seen as a historical genre. Like Jimi Hendrix, Muddy Waters, John Lee Hooker and The Bluesbreakers before him, Stevie Ray Vaughan arrived on the scene when blues needed a shot in the arm and a popular voice. His debut album Texas Flood may not have been well received by critics or blues purists but it resonated with the public and changed the way a million kids felt when they picked up a guitar. Vaughan's influence on blues based rock will be felt for generations.

Listen and buy the music of Stevie Ray Vaughan  from AMAZON or iTunes

14. Danny Gatton - Unfinished Business (1987) - Danny Gatton was a monster guitar player that fused together a variety of styles including jazz, country, rock and blues to create a sound that mesmerized both his followers and his peers. His fans included guitar greats from Les Paul to Roy Buchanan to Eric Clapton and just about everyone in between. His album Unfinished Business never garnered him the commercial success he deserved although it was met with a mass of critical acclaim. His later releases 88 Elmira Street and Cruisin' Dueces put him on the radar screen and captured a legion of fans but depression would overcome Gatton and his life ended with his suicide in 1994. Unfinished Business would prove to be a prophetic title that many before him from Buddy Holly to John Lennon could have used.

Listen and buy the music of Danny Gatton  from AMAZON or iTunes

15. The Del-Lords - Based on a True Story (1988) - The Del-Lords rose up from the post-punk, New York City scene of the 1980's and changed a lot of the status-quo at the time. Ex Dictators guitarist Scott Kempner and ex Joan Jett guitarist Eric "Roscoe" Ambel along with bassist Manny Caiati and drummer Frank Funaro created a sound that melded rock, country, blues and a gritty form of garage together and became one of the most important bands of the decade. The Del-Lords would become the main innovators of the roots rock sound that resonated throughout the following decades and on to today. After two stellar openers, their third album, Based on a True Story would prove to be the Del-Lords crowning acheivement although one more album, Lovers Who Wander would follow.

Listen and buy the music of The Del-Lords from AMAZON or iTunes

16. KoKo Taylor - Queen of the Blues (1985) - One of the original female giants to come out of the Chicago blues scene in the 1960's, Koko Taylor learned from the master himself Willie Dixon who discovered her in 1962. Although her music was well received by critics Taylor pinnacled commercially in 1965 with her song 'Wang Dang Doodle.' Queen of the Blues took the Grammy for Best Blues Album in 1985 and put the name KoKo Taylor back on the map of innovative and electrifying blues performers. In the 1980's Blues was again regaining popularity on the heels of Stevie Ray Vaughan, the Fabulous Thunderbirds, Robert Cray and KoKo Taylor.

Listen and buy the music of KoKo Taylor from AMAZON or iTunes

17. The BoDeans - Love & Hope & Sex & Dreams (1986) - The BoDeans emerged from the vibrant Wisconsin music scene that erupted in the 1980's with the Violent Femmes. Their debut Love & Hope & Sex & Dreams was an instant success and pushed the band too fast into territory they had scarcely earned. Jangly guitars, Beatle-esque harmonies, synergy and simple, light hearted lyrics all wrapped in a masterful work of production by T-Bone Burnett made Love & Hope & Sex & Dreams the BoDeans finest moment. Although they would have a long run as a band and amass a solid body of work, the BoDeans never matched the magic of Love & Hope & Sex & Dreams.

Listen and buy the music of The BoDeans from AMAZON or iTunes

18 (tie). Semi-Twang - Salty Tears - (1988) - Another band that broke out of the  Milwaukee music scene of the 1980's, Semi-Twang released only one record until re-uniting in 2009 resulting in a subsequent album due in 2013. Salty-Tears united an all star cast of producers, (Mitch Froom, Chris Thomas and Jerry Harrison,) a group of outstanding musicians, a budget from Warner Bros. records and a brilliant collection of songs. The result ushered in the alt-country movement and while it was lauded by critics, there was no radio outlet for it and it floundered commercially.

Listen and buy the music of Semi-Twang from AMAZON

18. (tie) Georgia Satellites – Georgia Satellites (1986) - Hair metal was king. and radio rocked. Top 40 was synth dance and lots of hair spray. Into this environment came the simple phrase, “I gotta little change in my pocket going jing-aling-aling”. The Georgia Satellites looked and acted like rock stars on holiday. The sound liberally borrowed from the Faces and The Stones. They took “Keep Your Hands to Yourself”, the Roots/Rock version of “if you like it, put a ring on it”, to Number 2 in Billboard and gave Rock’n’Roll another chance on the charts.

Listen and buy the music of Georgia Satellies from AMAZON or iTunes

19. The Neville Brothers - Fiyo on the Bayou (1981) - The follow up to the dbut album, The Neville Brothers, Fiyo on the Bayou incorporated more elements of funk, reggae and New Orleans, cajun flavored R&B than it's predecessor. The result resonated with critics and the public and The Neville Brothers have become synomymous with American R&B world wide as a result. It contains the monumental songs, 'Hey Pocky Way,' 'Sitting in Limbo,' and 'The Ten Commandments of Love' that have become 'standards' of the standards.

Listen and buy the music of Neville Brothers from AMAZON or iTunes

20. The Stray Cats - The Stray Cats (1981) - Though the Stray Cats US debut Built for Speed was released in 1982, we chose the debut album and British release Stray Cats for this list. The Long Island band founded by guitar ace Brian Setzer along with upright bass player Lee Rocker and drummer Slim-Jim Phantom had a solid following in the New York City post-punk scene but hit their meteoric stride after re-locating to London in 1981. Stray Cats, both album and band, revitalized the rockabilly movement, created a sub-culture centered around vintage fashion and style and turned millions of American kids on to a forgotten form of American music. 'Rumble in Brighton,' 'Stray Cat Strut,' 'Rock This Town' and 'Runaway Boys,' could have made for a career alone.

Listen and buy the music of The Stray Cats from AMAZON or iTunes

21. Richard and Linda Thompson - Shoot Out the Lights (1982) - After several critically acclaimed albums, Shoot Out the Lights ignited the careers of Richard and Linda Thompson just as the pair were falling apart as a couple. The album stuck with the folk with a strong rock side that Richard Thompson cultivated and shepherded since his first recordings with Fairport Convention. Darkness falls over the songs, like much of the material from Richard Thompson, with love songs taking on an edge in “Don’t Renege on our Love” and “Man in Need”. Richard Thompson can even bring danger to a day in the (amusement) park, with the high climbing tension of “Wall of Death”.

Listen and buy the music of Richard and Linda Thompson from AMAZON or iTunes

22. Jason and the Scorchers - Fervor (1983) - Formed in Nashville in 1981, Jason and the Scorchers looked country, played hard rock and crafted songs with the attitude of a punk rocker. Their E.P., Fervor, raised and set the bar for Alt Country earsplitting volumes with six fire-breathing originals, including “Hot Nights in Georgia” and a blistering cover of Bob Dylan’s “Absolutely Sweet Marie”.

Listen and buy the music of Jason & The Scorchers from AMAZON or iTunes

23. The Morells - Shake and Push (1982)The Morells released Shake And Push in 1982 with a sound that relied heavily on good old rock’n’roll riffs, the simplicity of rockabilly and story lines that dug deeper. Based in Springfield, Missouri, The Morells gave the world producer/player Lou Whitney. Shake and Push has become one of those legendary releases, with new copies of the disc selling online for close to $200.

Listen and buy the music of The Morells from AMAZON

24. Melissa Ethridge - Melissa Ethridge (1988) - Time magazine announced that ‘She’s the Boss’ when Melissa Etheridge became a contender in the crown formerly worn by Bruce Springsteen. Her self-titled debut showed a woman with spit and snarl to her tales of love gone wrong. She balanced her audio attacks with a teasing emotion that lets you think you just might be able to tame her. Don’t count on it!

Listen and buy the music of Melissa Etheridge from AMAZON or iTunes

25. The Rave-Ups – Town and Country (1985) - The Rave-Ups began life in Pittsburgh, PA but took hold in a second incarnation that set up roots in Los Angeles. The group successfully took Roots/Rock into Pop without getting any of the Pop smear on itself. All four members were at a major label before any deal was signed. Each member of the group had mailroom jobs at A&M Records, and they rehearsed in the basement at night when the offices were closed. Town and Country met with critical acclaim, The Rave-Up’s were an MTV buzz, and they made their movie debut with an appearance in John Hughes’ film “Pretty in Pink”.

Listen and buy the music of The Rave-Ups from AMAZON or iTunes

26. T-Bone Burnett - Trap Door (1982) -  In the days before becoming the man set on moving Americana into the mainstream, the Grammy winning producer (O Brother, Where Art Thou?) was a guitarist for Bob Dylan on Rolling Thunder Revue. Trap Door was an E.P. released on the Warner Brothers label that showed how T-Bone Burnett performed on his own. Trap Door contained an in-your-face version of “Diamonds Are a Girls Best Friend” and the memory of a chance meeting with The Faces/Pink Floyd go-go dancer, Kim English (Kim Boston in England).

Listen and buy the music of T Bone Burnett from AMAZON or iTunes

27. Rockpile - Seconds of Pleasure (1980) - As a band, Rockpile made several records before their name appeare on the cover. Nick Lowe and Dave Edmunds brought name recognition to the four-piece which also included Billy Bremner (guitar) and Terry Williams (drums). Seconds of Pleasure was the only release from a band that got everything right in music, but could not get past the more human side of group management, ego. “Teacher, Teacher” used old Rock’n’Roll riffs, like many of the Rockpile songs, and let the rhythm tear. Rockpile created great music for a short space in time, but when the wind blows just right, you can still hear the sound hammering away.

Listen and buy the music of Rockpile from AMAZON or iTunes

28. Lone Justice - Lone Justice (1985) - Maria McKee and Ryan Hedgecock were playing country covers on the tiny L.A. cow punk scene. Adding in veteran players like bassist/producer Marvin Etzioni helped the band to craft originals. A supporting hand by fan Linda Ronstadt helped them seal a Geffen Record deal, and U2 tapped the band as tour openers. Lone Justice self-titled debut is a roots/rock masterpiece with Maria McKee guiding the songs into Pop (“Sweet, Sweet Baby”), country rock (“After the Flood”) and lunch for the spirit (“Soap, Soup and Salvation”).

Listen and buy the music of Lone Justice from AMAZON or iTunes

29. Steve Forbert - Streets of this Town (1988) - Steve Forbert returned to recording after a legally imposed six year hiatus with his first release on Geffen Records, Streets of This Town. The album maintained and expanded on the smarts of his lyrics and laid a new found maturity over the story lines. Produced by E-Street bassist Garry Tallent, Streets of This Town further secured Steve Forbert’s  status as a singer/songwriter who would stick around rather than leaving the building when Pop had its fill of the genre.

Listen and buy the music of Steve Forbert from AMAZON or iTunes

30. Joe Ely - Musta Notta Gotta Lotta (1981) - Joe Ely formed The Flatlanders with fellow Lubbock natives Butch Hancock and Jimmie Dale Gilmore in 1970. Following some great album releases in the late 1970’s, the singer/songwriter caught a big break from British punk rock gods, The Clash. The band talked about and championed Joe’s music after meeting during a 1977 U.K visit and tour together. Musta Notta Gotta Lotta received lots of love from underground rock radio due to The Clash thumbs up and became his highest charting album with rock friendly tunes like “Hard Livin’” and the title track.

Listen and buy the music of Joe Ely from AMAZON or iTunes

31. Beausoliel- Bayou Cadillac (1989) - Beausoleil have become world ambassadors for Cajun music. The band hit a creative groove in the 1980’s, and Bayou Cadillac was album number seven for that decade. Bayou Cadillac kept the French language lyrics in place, and amped up the rock punch, adding in English lyrics for crossover appeal. The album’s title track fused Rock’n’Roll classics “Not Fade Away”, “Bo Diddley” and “Iko Iko” into a zydeco reel.

Listen and buy the music of Beausoleil from AMAZON or iTunes

32. Lyle Lovett - Lyle Lovett and His Big Band (1989) - On his third recording as Lyle Lovett and His Big Band, Mr. Lovett took home a Grammy for best Country Male Vocal performance for the 1989 release. Lyle Lovett’s slightly hesitant delivery never sounded better and his take on classics such as “The Glory of Love” and the gender-bending “Stand By Your Man” took him to a new audience.

Listen and buy the music of Lye Lovett and His Large Band  from AMAZON or iTunes

33. The Paladins - The Paladins (1987) - The Paladins formed in the early 1980’s and set the knobs on their amps for rockabilly and roots. Their first, self-titled album was produced by The Fabulous Thunderbirds’ Kim Wilson and fanned the fires for roots and maintained a heart on for twang. The Paladins stands firm as a statement to the glory of Roots/Rock that the band maintained until Dave Gonsalez left in 2004 to focus on the Hacienda Brothers.

Listen and buy the music of The Paladins from AMAZON or iTunes

34. The Del Fuegos - Boston, Mass (1985) - What was an in-house project for the kitchen workers at Boston’s Hoo-Doo BBQ took greater form when Chef Jimmy Ryan handed the microphone over to guitarist/songwriter Dan Zanes. Dan recruited his brother Warren (at Mom’s request) who took on lead guitar chores and the name OrkBoy. A Miller beer commercial gave them a national TV stage and hits from Boston, Mass such as “I Still Want You” and “Don’t Run Wild” from their second Slash Records release put them on the charts.

Listen and buy the music of The Del Fuegos from AMAZON or iTunes

35. Albert Collins, Johnny Copeland, Robert Cray - Showdown! (1985)  - “Three guitars, no waiting” could have been the sub-title for the 1985 Alligator Records recording of Showdown! by blues guitar men Albert Collins, Robert Cray and Johnny Copeland. Nine tracks and barely a moment of quiet throughout as Blues axes make quick work of everything in their path.

Listen and buy the music of Albert Collins, Johnny Copeland and Robert Cray from AMAZON or iTunes

36. Nanci Griffith - Once in a Very Blue Moon (1983) - Nanci Griffith brought in musical backing for her third album release, Once in a Very Blue Moon. The folk-fed sparseness of her earlier releases was replaced by a fuller sound that contained a little more Country. Guest musicians Bela Fleck (banjo) and Mark O’Connor (fiddle) bring in musical magic as support for the dream texture of “Year Down in New Orleans” and the nod to favorite venues “Spin Around the Red Brick Floor”.

Listen and buy the music of Nanci Griffith from AMAZON or iTunes

37. Joan Armatrading - Walk Under Ladders (1981) -  Joan Armatrading came further into the full-on rock world with the Steve Lillywhite produced Walk Under Ladders. The mix of studio personnel was all over the map with new wave representation from Thomas Dolby and Andy Partridge (XTC), Elton John percussionist Ray Cooper, reggae rhythm man Robbie Shakespeare and Orleans’ Peter Gabriel and Hall & Oates alumni, Jerry Marotta.

Listen and buy the music of Joan Armatradiing from AMAZON or iTunes

38. John Mellencamp - Scarecrow (1985) - Pre-production for Rain on the Scarecrow was simple, and sounds like a lot of fun. John Mellencamp and his band spent a month playing about a hundred Rock’n’Roll songs from the 60’s before heading into the studio to record. The album took a stand in and for the heartland. Without changing the Roots/Rock sound, John Mellencamp brought lyrics that had meaning, talking about good lovin’ in Middle America (“Lonely Ole’ Night”) and touring ala Motown caravans (“R.OC.K. in the U.S.A.”). Rain on the Scarecrow would be the first volley heard for the plight of America’s farmers and for Farm Aid.

Listen and buy the music of John Mellencamp from AMAZON or iTunes

39. Chris Isaak - Silvertone (1985) - Chris Isaak had the snarl and the chops to be the next in line for Elvis Presley comparisons. His band was equally stripped down but the resulting sound was more ethereal and dream like. The tone of the music was a good match for filmmaker David Lynch, whose work in films had the same dreamscape attached. The director’s use of the tune “Gone Ridin’” from Silvertone jettisoned the album to much deserved recognition.

Listen and buy the music of Chris Isaak from AMAZON or iTunes

40. The Beat Farmers - Glad N' Greasy (1985) - The Beat Farmers traveled to England to record Glad N’ Greasy for U.K. label Demon Records. The album, produced by Graham Parker and Rumor keyboardist Bob Andrews continued to put cow punk, Roots/rock, twanging rockabilly and swampy Americana into a blender. Glad ‘N Greasy included a dance hall version of Neil Young’s tune “Powderfinger”, and fellow roots rockers Dave Alvin, Nick Lowe, Gene Taylor and Loudon Wainwright III joined in for the community chorus on “Beat Generation”.

Listen and buy the music of The Beat Farmers from AMAZON or iTunes

Stagecoach Festival 2016 arrives in Indio, California this weekend (April 29, 30, May 1). The desert festival showcases the talent, sound, and scope of Country music in 2016. The possibilities and potential ofthe artists calling themselves Country is caught in the net that festival organizers Goldenvoice toss over the Coachella Valley in April every year . The idea of putting on a Country music as part of the successful Coachella Valley Arts and Music Festival came in 2007, and was fueled by optimism more than experience in the genre. The first festival marketed to farm equipment outlets though Goldenvoice soon discovered that promotions could be in a wider arc as a community of kickers and cowboy angels was drawn to the desert.

As in years past, the main stage (Mane Stage) hosts the Top of the Pops for Country music with 2016 presenting headliners Eric Church, Carrie Underwood, and Luke Bryan. Where Stagecoach differs is in the way it uses the two side stages to host headliners for the Roots music community. In 2016, the Mustang and Palomino Stages play host to Emmylou Harris, John Fogerty, Marty Stuart, Billy Joe Shaver, Rodney Crowell, Lucero, Lee Ann Womack, and a host of other musicians claiming dual citizenship in the Roots and Country music communities. A son of the Roots community begins the charge as Chris Stapleton takes his place on the Mane Stage in 2016.

A good indicator of how Roots music is finding equal footing in the Country marketplace is our list for Stagecoach artists. In the past three years, the list has jumped up to include five more slots each year. Stagecoach 2015 went up to fifteen artist places and in 2016, the number of artists included moves to twenty. The list could easily have gone to twenty-five but we have a festival to catch and will offer a full re-cap of Stagecoach 2016 in May 2016.

So please, find some sand, set up a wind machine, and set the dial for rock’n’roll honky tonk Country music as Stagecoach 2016 roars into the desert for another successful Sold Out festival.

1 – Deeper Well - Emmylou Harris (from the album Wrecking Ball) - The 1995 release of Wrecking Ball gave Emmylou Harris one of her twelve Grammy trophies. The Daniel Lanois-produced album covered Neil Young, and took the “Wrecking Ball” title of his tune for the album name. Neil Young lent harmonies to his song, and Emmylou was joined on the album by Steve Earle, Lucinda Williams, and Larry Mullen, Jr (U2).

Listen and buy “Deeper Well” by Emmylou Harris from AMAZON or iTunes on disc and from Nonesuch Records on recently released vinyl

2 - Rockin' All Over The World  - John Fogerty (from the album John Fogerty) - For his second solo release, John Fogerty decided to self-title the 1975 John Fogerty album. The album is out of print, though the track “Rockin’ All Over the World” is still something that John can claim as a real time event.

Find out more about John Fogerty

3 - Outlaw State Of Mind  - Chris Stapleton  (from the album Traveller) - Chris Stapleton puts out a unifying call to the Roots music community and its resident outlaws. Chris weaves a snaggly guitar line through the track that threads ‘people all across the land’ together in an “Outlaw State of Mind”.

Listen and buy “Outlaw State Of Mind” by Chris Stapleton from AMAZON or iTunes

4 – 52 Vincent Black Lightning - Robert Earl Keen  (from the album Happy Prisoner, The Bluegrass Album) - Robert Earl Keen went to a Bluegrass backing for his most recent release, Happy Prisoner, The Bluegrass Album. He borrows some wheels from Richard Thompson as he spins his tune, “52 Vincent Black Lightning”, around the album.

Listen and buy “52 Vincent Black Lightning” by Robert Earl Keen from AMAZON or iTunes

5 - The Way I'm Livin' - Lee Ann Womack   (from the album The Way I’m Livin’) - Lee Ann Womack received the title of progressive traditionalist for her The Way I’m Livin’ album. The 2014 release was her first for Sugar Hill Records.

Listen and buy “The Way I'm Livin'” by Lee Ann Womack from AMAZON or iTunes

6 - I'll Go Stepping Too  - The Earls of Leicester   (from the album The Earls of Leicester) - Jerry Douglas brings the songs of Lester Flatt and Earl Scruggs to Stagecoach. The Earls of Leicester use string band music to toss off the warning that leaving the boys at home is not an option in “I’ll Go Stepping To”.

Listen and buy “I'll Go Stepping Too” by The Earls of Leicester from AMAZON or iTunes

7 - Down Here  - The Turnpike Troubadours   (from the album Turnpike Troubadours) - The Turnpike Troubadours will take the exit for Stagecoach 2016. The guys shake of Oklahoma red dirt into the California desert as they let you know ‘you’re gonna be all right’ “Down Here”.

Listen and buy The Turnpike Troubadours from AMAZON or iTunes

8 - It's Hard to be an Outlaw  - Billy Joe Shaver  (from the album Long in the Tooth) - Time moves on and Billy Joe Shaver still writes Outlaw Country into each and every line of his songs. In his personal life, he is finding it is hard to get arrested as he is joined by Willie Nelson in “It’s Hard to Be an Outlaw”.

Listen and buy “It's Hard to be an Outlaw” by Billy Joe Shaver from AMAZON or iTunes

9 – “Can't You Hear Them Howl” - Lucero  (from the album All That a Man Should Do) - Heading west on Interstate 40 will take Lucero directly from their Memphis, Tennessee home out to the desert. Most of the journey borders the Route 66 Mother Road as the guys roll down their windows in “Can’t You Hear Them Howl”.

Listen and buy “Can't You Hear Them Howl” by Lucero from AMAZON or iTunes

10 - Famous Last Words of a Fool in Love - Rodney Crowell   (from the album Tarpaper Sky) - Rodney Crowell follows the drum beat as it underscore the “Famous Last Words of a Fool in Love”. Rodney performs a solo set at Stagecoach and a solid bet will be he and Emmylou will join in for duets from their most recent releases.

Listen and buy “Famous Last Words of a Fool in Love” by Rodney Crowell from AMAZON or iTunes

11 - A Day at a Time - Dale Watson  (from the album Call Me Insane) - Dale Waton pulls his rig into the parking lot at Stagecoach, grabs his guitar, and hits the stage with the wisdom of “A Day at a Time”. Dale is playing his Ameripolitan music on a track from his recently released, Call Me Insane.

Listen and buy “A Day at a Time” by Dale Watson  from AMAZON or iTunes

12 - Goin' Down Rocking - Whitey Morgan and the 78's  (from the album Sonic Ranch) - Whitey Morgan rises up out of the guitar haze with the promise that he is “Goin’ Down Rocking”. The track is from his recent release, Sonic Ranch.

Listen and buy “Goin' Down Rocking” by Whitey Morgan and the 78's from AMAZON or iTunes

13 - Bulletproof - Amanda Shires  (from the album Down Fell the Dove) - Amanda Shires tells the story of Tiger Bill and his mysterious bag of goodies. The track is from her last album release, Down Feel the Dove.

Listen and buy “Bulletproof” by Amanda Shires from AMAZON or iTunes

14 – Susto  (EP coming in summer 2016) - Hailing from Charleston, South Carolina, Susto offers a cut from their upcoming EP release and promise a full second album release by late 2016. Susto founder Justin Osborne drew inspiration for the band’s music from discoveries he made while in Cuba along with the homegrown music scene in Charleston.

15 Doin' OK - Cody Jinks (from the album Adobe Sessions) - Cody Jinmks wants mama to know that he is fine in a track from his recently released album,Adobe Sessions.

Listen and buy “Doin' OK” by Cody Jinks from AMAZON or iTunes

16 - Ghost Town - Sam Outlaw  (from the album Angeleno) - California Country is represented by Los Angeles-based Sam Outlaw at Stagecoach 2016. Sam talks of a “Ghost Town” materializing and then disappearing in the desert sand.

Listen and buy “Ghost Town” by Sam Outlaw from AMAZON or iTunes

17 – Bacon - Chessboxer   (from the E.P. Apollo) - Nashville instrumental machine Chessboxer play strings that glides from wild mountain music into the quietly played tones of Chamber music in their most recent E.P. release, Apollo.

Listen and buy “Bacon” by Chessboxer from AMAZON or iTunes

18 Civilizations - William Elliott Whitmore (from the album Radium Death) - William Elliott Whitmore sings for the lost voices of “Civilizations” being eaten alive by industry and technology.  He addresses the message to the world with the opening line, ‘don’t mind me, I’m just living here’.

Listen and buy “Civilizations” by William Elliott Whitmore from AMAZON or iTunes

19 - Less Honkin' More Tonkin'  -The Deslondes   (from the album The Deslondes) - The Deslondes have been scratching an itch all the way from their native New Orleans, Louisiana. They finally got to the desert and can get out of the van to get rid of the “Less Honkin’ More Tonkin’ Blues”.

Listen and buy “Less Honkin' More Tonkin' by The Deslondes from AMAZON or iTunes

20 - Rescue Me - A. Rae and the Rescue Dogs   (from the album Songs About Dogs) - Alexa and Avery Rae were born into a musical family. The Orange County pre-teens shared a love of music as well as big hearts for unwanted pooches. They put together a honky tonk tale from the other side of the bars as A. Rae and the Rescue Dogs ask to “Rescue Me”.

Listen and buy “Rescue Me” by A. Rae and the Resuce Dogs from AMAZON

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The Alternate Root Top 100 Albums of the Year 2015 is ready for viewing. One hundred albums is a large list, though the amount of music and talent in the American Roots community certainly has enough sources to draw from to get to the one hundred mark, and we could have easily gone over.  Drawing from the available American Roots styles, we have gathered music from Folk, Blues, Soul, Americana, Alt Country, Bluegrass, Classic Country as well as any and all hybrids. So yeah, one hundred…no problem. Songs and artists from around the country and around the globe, the sound of Roots digs in and reaches out. It is infectious and universal in its moods and melodies. The year 2015 saw new artists and seasoned performers putting out full album listens. Our list for the year honors the album, full albums listens for the artists. Albums signify a record in time for musicians time and art, and we are happy to offer the albums that got our attention, became friends, and are now part of the family.

01 – Kasey Chambers   (from the album Bittersweet on Sugar Hill Records 7-24-16) - Kasey Chambers and producer, Nick DiDia (Bruce Springsteen, The Wallflowers, Pearl Jam), crafted an album that tags heritage with the teasing bite of her characters that brands Kasey Chambers and the Roots instrumentation that surrounds her stories. The album, recorded in seven days, stamps a freshness to the tunes that is present on each listen. Kasey relates that for her, she ‘wanted to have an experience making a record that I have never had before. I wanted to challenge myself and I wanted to be excited’.

Listen and buy the music of Kasey Chambers from AMAZON or iTunes

02 Chris Stapleton (from the album Traveller on Mercury Nashville  5-4-15) - The songs on Traveller crawl up on you like a low slung guitar, bobbing and weaving with footwork that steps to match the moods the stories conjure. A bottle and a wedding ring sit on the table as Chris attaches weight to both, gauging the differences between “Whiskey and You”.  Traveller makes its case the perfect pack for a long road trip as Chris steers the songs swaying to the string strums on “More of You” in harmony with wife Morgane Stapleton, shrugs and lights up “Might As Well Get Stoned” with electric guitar chords that strut into the room like a smoking caterpillar pied piper.

Listen and buy the music of Chris Stapleton from AMAZON or iTunes

03 Glen Hansard (from the album Didn’t He Ramble on Anti- Records 9-18-15) - Didn’t He Ramble enters on a determined whisper as confession becomes commitment as “Grace Beneath the Pines” sets the bar for hurdles that have been jumped. Audio vignettes scroll by on the album as a backdoor Romeo asks the morning birds to grant him one more ‘two step around your front room’ from “Her Mercy”, a scratchy beat tumbles along a get-away path with the “Lowly Deserter”, and quiet to hear the memories rising up , over, and back under “McCormack’s Wall”.   Glen Hansard began busking at the age of thirteen on the street of Dublin, Ireland after he quit high school. Didn’t He Ramble still plays to the passersby, drawing them in with words, melody, and magic of hearing exactly what you needed while waiting for the light to change.

Listen and buy the music of Glen Hansard from AMAZON or iTunes

04 Punch Brothers   (from the album The Phosphorescent Blues on Nonesuch Records  1-27-15) - That style that The Punch Brothers have nurtured is silhouetted against the soft glow of their recent T-Bone Burnett-produced release, The Phosphorescent Blues. The overall sound of the album brings is orchestrated Bluegrass. The magic of The Punch Brothers music is that they can appeal to diverse audiences from mainstream to deep Indie, Bluegrass purists and Americana torch-bearers. They are traditionalist innovators that encompass classical orchestral sweeps the blends with their mountain music on The Phosphorescent Blues.

Listen and buy the music of Punch Brothers from AMAZON or iTunes

05 Jason Isbell  (from the album Something More Than Free  7-17-15) by Michael Verity - Jason Isbell offers ten strong narratives of the common man’s experience of faith, family and the temporal matters of life with which every grownup must contend on Something More Than Free. The middle half dozen songs on this recording -- from the haunting solo piece of time and travel called “Flagship” to the epic song of a family’s history (“Children of Children”) to the closing chapter of another family’s history (“Speed Trap Town”) -- are among the finest six songs to have been recorded this year. By Michael Verity

Listen and buy the music of Jason Isbell from AMAZON or iTunes

06  Steve Earle and the Dukes (from the album Terraplane on New West Records 2-17-05) - Terraplane offers album space to a variety of Blues- based rambles as it shuffles on a front porch rhythm about a New York City woman in “Ain’t Nobody’s Daddy Now”, corrals a Chuck Berry groove for a raga romp in “Acquainted with the Wind” and uses a rock’n’roll blade made of riffs to carve out a return to fashion for “Go Go Boots are Back”. Steve Earle and the Dukes never line up for one style stamp though they manage to infuse every track with the roots grit falling from their collective boots. Soul pumps the harmonica and the rhythm of its Blues on album opener “Baby Baby Baby (Baby)”, stripping any shred of humility away as it heralds the birth of “King of the Blues”.      

Listen and buy the music of Steve Earle and the Dukes from AMAZON or iTunes

07 Kacey Musgraves  (from the album Pageant Material on Mercury Nashville) 6-23-15 - Kacey Musgraves has a knowing for how songs should sound; delivered with a wry sense of humor and a big beating heart gives Kacey the crown of Cool Country.  Pageant Materialchews a hole back fence gossip making “Biscuits” burn with ‘mend your own fences, and own your own crazy, mind your own biscuits and life will be gravy’.  Smart stories stand by the lives they live, and Kacey Musgraves teases the tales with vocals that profess views without preaching positions.

Listen and buy the music of Kacey Musgravesfrom AMAZON or iTunes

08 The Milk Carton Kids (from the album Monterey on Anti- Records 5-19-15) - The Milk Carton Kids maintain a huge amount of warmth and believability as they gently pick and pluck notes from the air, digging through pockets of Folk to find the quiet nestled just a stone’s throw from silence. The hushed delivery compliments the humor of The Milk Carton Kids banter as well as the microscope they use to script emotion in their songs. The Milk Carton Kids seal songs in amber waves of notes and sepia-toned stories under “Asheville Skies” as the trees spread color into the November fall, mournfully asking in a whisper to “Sing, Sparrow, Sing”, and sway with soft ocean breezes lapping against land as the road calls in the title track.

Listen and buy the music of The Milk Carton Kids from AMAZON or iTunes

09 Leon Bridges  (from the album Coming Home on Columbia Records 6-23-15) - Leon Bridges uses Coming Home to masterfully moves Soul back to mainstream, guiding Coming Home with one hand on the wheel and two feet planted firmly on a groove.

Listen and buy the music of Leon Bridges from AMAZON or iTunes

10 The Turnpike Troubadours  (from the album The Turnpike Troubadours 9-18-15) - The musical backing for the Roots of Turnpike Troubadours is a non-stop motion machine. Bobbing and weaving under the stories are teasing fiddles, guitar crunches and a determined rhythm section that give the tunes on The Turnpike Troubadours solid footing. The foundation the band creates make it possible for the stories to ramble, walking to the edge of emotion or reason to find the love left lying on the corner of “Easton and Main” as they provide the only safe spot for the man sinking fast below the poverty line in “The Bird Hunters” while they follow the boy heading down to “Bossier City” to drink and gamble his cares away.  

Listen and buy the music of The Turnpike Troubadours from AMAZON or iTunes

11 Nikki Lane  (from the album All or Nothin’ on New West Records 5-6-15) - Nikki Lane caught the ear of her producer Dan Auerbach of The Black Keys  enough to get his studio for free. All or Nothin’ is a sweeping soundscape filled with varied styles and takes on Roots music presented from the perspective of kaleidoscope Country singer, Nikki Lane

Listen and buy the music of Nikki Lane from AMAZON or iTunes

12 The Black Lillies (from the album Hard to Please10-2-15) - The Black Lillies open Hard to Please with the title track. It is a tough call whether the song is to a lover, or a higher calling, and it is certainly possible that the band were aiming the title phrase at the music industry that are constantly looking for labels to attach to their artists, or asking them to define themselves in one or two words. Musically, there is no other definition needed than that they are a band making a record, letting the way they hear each song tell the tale of how the music will back the story. On “Hard to Please”, the title track chugs and stomps as a playful twang lightly tags the persistent rhythms that set the pace for its song followers on the recording. “Fade” quietly aids the exit with a love request, bordering album opener with heartfelt pleas.

Listen and buy the music of The Black Lillies from AMAZON or iTunes

13 Dave Rawlings’ Machine (from the album Nashville Obsolete on Acony Records 9-18-15) - Dave Rawlings’ Machine is the driving wheel as they guide Nashville Obsolete gracefully through its stories, introducing characters and wearing a skin that remembers, relates, and exposes their tales. “The Last Pharaoh” is a seeker, possibly tracking down a royal line, or maybe looking a Faro card game, the most popular pastime on an American frontier in the 1800’s that stretched Deadwood to Tijuana, Reno to Natchez, New Orleans to St. Louis. Faro tables were familiar sights and sounds in every saloon and become the stage set for the tale.

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14 Barrence Whitfield and the Savages (from the album Under the Savage Sky on Bloodshot Records 8-21-15) - Barrence Whitfield and the Savages give their latest Bloodshot Records release, Under the Savage Sky, the identical treatment they have offered with their music since 1984…one hundred and ten percent commitment.  Under the Savage Sky is Rock’n’Soul on steroids; Barrence Whitfiled and the Savages a chainsaw to cut through the wall of sound full of the crass representations passing for rock in 2015.

Listen and buy the music of Barrence Whitfield and the Savages from AMAZON or iTunes

15 Anne McCue  (from the album Blue Sky Thinkin’  2-3-15) - Blue Sky Thinkin’, Anne McCue’s 2015 album release, and the seventh in her catalog, is a satisfying sheaf of twelve new original tunes that speak to her love of music from the 20s, 30s and 40s while demonstrating her sizable skills as a singer, songwriter and guitarist. (Michael Verity)

Listen and buy the music of Anne McCue from AMAZON or iTunes

16  Ray Wylie Hubbard   (from the album The Ruffians Misfortune   4-7-15) - Ray Wylie wanted to have a Keith Richards, Ronnie Wood-type of two guitar backing, bringing in Gabe Rhodes and his son, Lucas Hubbard, for The Ruffian’s Misfortune. The twin guitars share space as they propel across a fast-train ride rhythm “Down by the River”, snake underneath “Chicksinger Badass Rockin’”, snap at the white lines trailing below “Bad on Fords”, and drift like six-string ghosts as they tumble with a fiery fiddle calling out “Jessie Mae”. The Ruffian’s Misfortune opens to righteous Blues preaching on “All Loose Things”, as it hums a Kevin Welch tune.

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17 Uncle Lucius  (from the album The Light  6-9-15) - Uncle Lucius have always had salvation in their songs, sitting comfortably as a sideman for the electric chords and beats. Uncle Lucius turn on The Light and watch its songs go into dark corners, shadowy hallways, and  travel one lane roads as they search, seek and provide answers for how to walk a little prouder. The hint is that you can feel a little better about yourself by taking control of your own life.

Listen and buy the music of Uncle Lucius from AMAZON or iTunes

18 John Moreland   (from the album High on Tulsa Heat   4-21-15) - John Moreland songs began to form when a ten years old John and his family moved from Kentucky to Tulsa, Oklahoma. He heard his songs against a punk rock back beat throughout high school, ut and pasted on his dad’s Creedence Clearwater Revival, Neil Young, Tom Petty and Steve Earle records.  John recalls that ‘I think what appealed to me about it was lyrics. In hardcore, there might be great lyrics in a song but you have to read them off a piece of paper to know it. I was 19 in 2004, and Steve Earle had put out ‘The Revolution Starts Now,’ and I remember hearing the song ‘Rich Man’s War’ and totally feeling like somebody just punched me in the chest.’

Listen and buy the music of John Moreland from AMAZON or iTunes

19 Lilly Hiatt    (from the album Royal Blue on New West Records  3-3-15) - Royal Blue moves with a pulse pumping a heart aware that things work out in equal measure, sometimes going belly up. Lilly Hiatt doesn’t drown in the ocean she is swimming as she claims the skin of “Somebody’s Daughter”. She is taking the reins, unsure of the hows and whys yet very clear on the end results working out, knowing ‘I’m gonna be fine’.  Royal Blue keeps a Modern Beat with a 60’s sci-fi rumble as it reads a broken heart note signed “Too Bad”, “Heart Attack” runs on a David Lynch sound track with its dream-induced beat zig zagging on a ghostly groove, bounces off a rock’n’roll jangle trying to “Get This Right”, and uses tight drum beats to corral the wobbly guitars running “Off Track”.

Listen and buy the music of Lilly Hiatt from AMAZON or iTunes

20  The Grahams  (from the album Glory Bound  5-18-15) - If you are looking for a song on Glory Bound to make you feel worse about your day…move along. The Grahams are never far away from waving the banner of the road though they change the mood of their songs like the scenery flying by outside a southbound boxcar. Glory Boundis a light burning bright for taking chances and listening to the voices in your head.

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21 The Wood Brothers  (from the album Paradise 10-2-15) - Chris Wood uses an electric bass for the first time in Wood Bros. studio recordings on Paradise. The heavier thump grounds tracks like “American Heartache” giving a rock heft to the natural power of The Wood Brothers. Oliver Wood’s voice cries for salvation with the soul-searching of a zealot, as the songs offer inspiration within reach. The ways to plow through the middle of issues is covered in the challenging advice of “Singin’ for Strangers” with additional experiential advice on how to swim upstream on a“River of Gin” to get some kind of ‘amen’ as The Wood Brothers quiet to a hush to sing a “Heartbreak Lullaby” for love sick boys.

Listen and buy the music of The Wood Brothers from AMAZON or iTunes

22   Della Mae  (from the album Della Mae on New Rounder Records 5-12-15) - Della Mae fires its opening salvo with a pro-union and pro-women’s rights song that demands ‘pass me a match and we’ll strike it on the ground, and we’ll head back down to Boston town’. The women of Della Mae stand tall and proud as they challenge workers to take control of their lives and hold on to their dignity.

Listen and buy the music of Della Mae from AMAZON or iTunes

23  Shelby Lynne  (from the album I Can’t Imagine on New Rounder Records  5-4-15) - Shelby Lynne songs sink into your senses with familiarity by the end of the track. “Son of a Gun” slows its pace to save its energy as it ‘walks through the noonday sun’, “Back Door Front Porch” swings with the decisions of its story, and “Better” drifts on clouds of amplifier rings, rising and falling with a delicate grace.    

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24  Emmylou Harris and Rodney Crowell  (from the album The Traveling Kind on Nonesuch Records  5-12-15) - Emmylou Harris and Rodney Crowell are no strangers to being a part of one another’s story line. The add accent and emotion, Continuing that model on The Traveling Kind. There is a beauty to the intimate moments that feels like a new page for the Harris-Crowell songbook. Rodney joins Emmylou as they offer a toast to fellow troubadours in the title track before circling back to just two folks looking for a dance floor as they exit The Traveling Kind on a ‘le bon temps roulé’ with “Le Danse de la Joie”.

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25  JD McPherson  (from the album Let the Good Times Roll on New Rounder Records 2-10-15) - Reverbed chords rotate over Let the Good Times Roll like the blades of an oscillating fan. JD McPherson is not claiming purist or avant garde status….he is just playing it as it lays. Let the Good Times Roll sets the guitar sound in line with the upright bass and rattles with layered reverb in “Precious”, double times a rubbery chord strum to tumble “Head Over Heels” and blows breath beats out on a groove primed by a low riding saxophone pumps. Let the Good Times Roll lays Rhythm over its Blues for R&B circa 2015.

Listen and buy the music of JD McPherson from AMAZON or iTunes

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The Alternate Root Top 100 Albums of the Year 2015 is ready for viewing. One hundred albums is a large list, though the amount of music and talent in the American Roots community certainly has enough sources to draw from to get to the one hundred mark, and we could have easily gone over.  Drawing from the available American Roots styles, we have gathered music from Folk, Blues, Soul, Americana, Alt Country, Bluegrass, Classic Country as well as any and all hybrids. So yeah, one hundred…no problem. Songs and artists from around the country and around the globe, the sound of Roots digs in and reaches out. It is infectious and universal in its moods and melodies. The year 2015 saw new artists and seasoned performers putting out full album listens. Our list for the year honors albums, full album listens from artists. Albums signify a record for musician’s time and art, and we are happy to offer the albums that got our attention, became friends, and are now part of the family in 2015.

26 Pilgrim (from the album Easy People on Horton Records 11-6-15) - Motion is a key ingredient on Easy People, the recent release from Pilgrim. It comes from the full album play being a great match for long car trips; its songs possessing the magic that makes outside images part of a soundtrack unique to the journey. Easy People glides with the hum of rubber underneath you, the flow of the songs a road rhythm, speeding up when the exit turns into highway on “Get Me Outta This City”, going to a steady roll that tracks a hundred miles in the space of a song on “Can’t Let Go”, and slowing to feel its own heartbeat quicken on a returns home (“My Heart is Mine”).

Listen and buy the music of Pilgrim from AMAZON or iTunes

27 Ashley Monroe  (from the album The Blade on Warner Music Nashville) 7-24-15- The Blade spends time in baring souls (“Has Somebody Ever Told You”), inspiring (“Weight of the World”), walking away slowly but proud (“I Buried Your Love Alive”), and betting on losing being a sure thing (“Winning Streak”). Ashley Monroe plays songs that are proud to call themselves Country, as they should be. The Blade cuts across through posing and cuts into real emotions, real life that unfolds again and again.

Listen and buy the music of Ashley Monroe from AMAZON or iTunes

28 Joe Louis Walker   (from the album Everybody Wants a Piece on Provogue Records  10-9-16) - There is fluidity to guitar playing of Joe Louis Walker. The notes glide, merging and fading into one another seamlessly. Joe Louis spins a spell with “Witchcraft” over funky chops of guitar chords, softly plays the Blues to his equally lonely four walls as he admits to being “Black and Blue”, matches voice and notes to walk into the light of “One Sunny Day”, and puts a “Buzz on You” as he staggers and struts the tune over a Rock’n’Roll rhythm.  Everybody Wants a Piece preaches without saying a word on the instrumental “Gospel Blues”, surfs choppy waves of guitar chords to “Wade in the Water”, takes “Young Girl Blues” for a date on a Kansas City street circa 1950-something to hear Blues give birth to rock’n’roll, and stands center stage 2015 for the amped-up, lowdown Blues in the title track.

Listen and buy the music of Joe Louis Walker from AMAZON or iTunes

29 Patty Griffin  (from the album Servant of Love  9-25-15) - Patty Griffin casts a spell with the piano that begins “Servant of Love”, the title track from her most recent album release. The notes become an intricate trance, mingling at some point with a wandering jazz horn and the deep breaths of cello notes. Patty’s poetic lyrics weave as the instruments blend and separate in a loop throughout the track. Servant of Love beds in musical styles ranging through Folk, Jazz, Americana, and Blues. Patty Griffin has an easy vocal approach that she comfortably fits into all the musical styles lucky enough to have her drop by. It is better to die on your feet than live on your knees though if you have to bend, Patty Griffin shows that music is the kind of loving master where commitment pays off with Servant of Love

Listen and buy the music of Patty Griffin from AMAZON or iTunes

30  Rhiannon Giddens  (from the album Tomorrow is My Turn on Nonesuch Records 2-10-15) - Rhiannon Giddens offers cover versions on Tomorrow is My Turn, her 2015 solo release. Rhiannon bends the Blues around the notes Patsy Cline offered in “She’s Got You”, and shares that “Black is the Color” over a skittery garage beat that trip hops on a natural high as the percussion plows along.

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31 Buddy Guy (from the album Born to Play Guitar  7-31-15) - Buddy Guy carved out his own spot on the marquee with his unique playing, becoming the man often credited for being the bridge between Blues and Rock’n’Roll with his electric guitar tuning to tradition as much as innovation. Born to Play Guitar puts Buddy’s sweet vocals alongside the feral tease of his guitar playing. His fingers sound let loose from a starting gate rather than placed between the guitar frets. 

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32 Dave Alvin and Phil Alvin  (from the album Lost Time on Yep Roc Records 9-18-15)Phil Alvin cries “Please Please Please”, laying gospel Blues on the James Brown/Johnny Terry tune while the brothers hop up some Blues boogie for Leroy Carr’s “Papas on the House Top” and strut into Oscar Brown, Jr’s “Mister Kicks” with the scent of brimstone rising up from the blistering guitar notes of brother Dave. The guitar swoons and slashes throughout Lost Time, a true duet between the Alvin’s as the album answers the guitar call as trumpet into the rhythm rattle of “World’s in a Bad Condition”, wrestles a wayward riff into line with a solid beat on Willie Dixon’s “Sit Down Baby”, lightly touches Reverend Thomas A. Dorsey’s “If You See My Savior”, and carries the heavy burden of a life gone wrong with “In New Orleans (Rising Sun Blues)”.

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33  Barnstar! (from the album Sit Down! Get Up! Get Out!! On Signature Sounds 2-3-15) - The idea started in the brain of Zachariah Hickman, musical director for Ray Lamontagne and bass player for Josh Ritter. Snagging A-list New England musicians (Mark Erelli on guitar, Charlie Rose on banjo, Jake Armerding on fiddle and Taylor Armerding on mandolin), Zachariah found some songs, plugged in his bass and took his idea through concept and into fruition with Barnstar! A mix of band originals and covers merge seamlessly within Sit Down! Get Up! Get Out!

Listen and buy the music of Barnstar! from AMAZON or iTunes

34 Chessboxer  (from the E.P. Apollo  9-25-15) - Listening to the music of Chessboxer is like falling through the looking glass, gazing at an ocean for the first time, or, I would guess, space travel. Chessboxer are a three piece bluegrass-looking outfit. Looks can be deceiving, as we know, and certainly as can be heard on the trio’s E.P., Apollo. The music of Chessboxer cultivates the way that banjo, fiddle, and upright bass interact. The band seems to accomplish this by pretty much ripping apart any how-to manuals, and creating their own craft sound, a small brewery of Bluegrass.

Listen and buy the music of Chessboxer from AMAZON or iTunes

35 Christian Lopez Band  (from the album Onward 5-18-15) - Nineteen year old singer and songwriter Christian Lopez scribes his debut, Onward, with a narratives wise beyond his years. Christian’s  bold emotional vocals steer the album confidently as they cruise through singer/songwriter Country.

Listen and buy the music of Christian Lopez Band from AMAZON or iTunes

36 Amy Black (from the album The Muscle Shoals Sessions 6-9-15) - The Muscle Shoals Sessions changes the way Amy Black hears herself on record as well as her musical directions. Amy knows that ‘making this music has changed me as an artist. It’s altered my musical course and I’m so glad’. Amy Black showcases her new path on The Muscle Shoals Sessions as a good fit as she delivers a blend of Rhythm and Blues, Gospel, and Rock’n’Soul. She reheats Sam Cooke’s “Bring it on Home to Me” as a Soul stew with the McCrary Sisters helping stir.

Listen and buy the music of Amy Black from AMAZON or iTunes

37 James McMurtry (from the album Complicated Game) 2-24-15  by Michael Verity - Sometimes life can be a complicated game and few tell the story as clearly as James McMurtry. His sharp-eyed lyricism and simple delivery are a pleasure to behold, the work of an artist completely at home with his muse. There are three central themes on this record of stories about the human condition, arduous though it may be. First, there’s love or, perhaps more accurately, the ever oscillating energy of love that includes falling in it, wondering where it’s gone and hitting the road to find it. Second, there’s travel, the need of a restless man to see the far corners of the world or, at least, cross the roads and rivers of his own country. In “Ain’t Got A Place,” the skies are taller in Louisiana and wider in New Mexico (and rivers run East out of West Virginia). “Forgotten Coast” is pure escapism but, sometimes, travel includes family, as it does on “Long Island Sound. Finally, there’s man’s complicated relationship with the ever-idiosyncratic Mother Nature, another woman who exerts a powerful force in his life. Delivered in a voice unvarnished and a style simplistic, these are tunes that capture the intricacies of human existence in all their fine and flawed form, a bit like a Steinbeck on a CD. By Michael Verity

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38  Gretchen Peters (from the album Blackbirds  2-10-15) - Blackbirds gathers stories, backing the tales with honest Roots that tip their arrows into a Country touched Folk when a question is shared with Jimmy LaFave on “When You Coming Home” while Folk sticks to its pure singer/songwriter Roots to scribe the plight on “Pretty Things”. Gretchen Peters feathers Blackbirds with emotions that run strong for a desert homecoming as they realize that when ‘“All you Got is a Hammer” everything seems like a nail’ while she damns the realizations that extend beyond today and into forever acknowledging that ‘The Cure for the Pain” is the pain’. 

Listen and buy the music of Gretchen Peters from AMAZON or iTunes

39 The White Buffalo  (from the album Love and the Death of Damnation  8-21-16) - The White Buffalo uses the microphone as a pulpit, the growl of his roar guiding Love and the Death of Damnation from the entry rush of Folk Rock (“Dark Days”) to the gospel salvation on the exit track, “Come on Love, Come on In”. He records as a mission, his songs presented by statements on good and evil as choices (“Last Call to Heaven”), topping off his tank with love (“Home in Your Arms”), and telling tales of bad decisions mixed with revenge (“Chico”).

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40 Israel Nash  (from the album Israel Nash’s Silver Season  10-9-15) - Israel Nash is the court bard of medieval times, commemorating a story to song by building long sweeping musical beds to allow the scenes and characters to act against audio movie screens.  The ethereal movement of the music on Israel Nash’s Silver Season never gets too close to the ground due to the musical force behind the songs. Falsetto screams and Country Rock harmonies are held in place by the pounding beat in “Lavendula” as “Mariner’s Ode” falls into a dream staring at the painting of an old school seaman. Israel Nash creates isolated moments in his songs that are best appreciated as full album listens.

Listen and buy the music of Israel Nash from AMAZON or iTunes

41 Jim Lauderdale  (from the Soul Searching; Memphis, Volume 1, Nashville, Volume 2 9-25-15) - Jim Lauderdale is a natural born singer, managing to put his heart in Soul, and Country with the natural Blues fueled Rock’n’Roll bite in his delivery. Soul Searching, Memphis Volume One is Soul with a Country love as Jim Lauderdale opens the album on thick organ swells, sliced guitar chords, and horn blasts to get the rhythm shaking across a soundscape of Soul with “There's no End to the Sky”.  Soul Searching, Nashville Volume Two is Country that loves its Soul with Jim Lauderdale voicing hope (“Plan B”), slinky rhythm danger (“Black Widow Spider”), slow dance confessions (“What Do I Know About Anything”), and sharp-edged history notes trying to not make the same mistakes (“Timing is Everything”). 

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42 Los Lobos (from the album Gates of Gold on 429 Records 9-25-15) - Los Lobos delivered their first studio recording in the past five years with the recently released, Gates of Gold. The (former) little band from East L.A., has long ago joined the ranks of American bands that play, curate, and advance American Roots music, as Los Lobos put their names alongside the Grateful Dead, The Band, Little Feat, and others as melting pot music. Los Lobos muse is influenced by the breeding ground where Folk, Tex-Mex, Blues, Rock’n’Roll, Country, and all things Roots all hook up. Los Lobos pack a lot of tones and textures into the album as they set up behind the walls of Gates of Gold, letting the title track roll along on notes, beats, chords, and voices tumble over one another with the grace of Olympians while “Mis-Treater Boogie Blues” pulls back, revs up, and fires off a blast of Texas Boogie.

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43 Au Pair (from the album One Armed Candy Bear  11-13-15) - Au Pair is the lovechild of Gary Louris (The Jayhawks) and Django Haskins (The Old Ceremony). The Pair met in Chicago, IL. As part of a celebration for the music of Big Star. They recorded One Armed Candy Bear in Durham, North Carolina. Au Pair create a fractured Folk music, using loops and bleeps as part of a junkyard accumulation of instruments, describing themselves at Everly Brothers meets Pink Floyd on their Facebook website. Like its mystical namesake, there is a fantasy tone to the stories on One Armed Candy Bear that is backed by dreamlike landscapes moving below (“King of the Valley”), dark clouds of eerie sonics (“Night Falls Early”), sounds that rise and fade (“One-Eyed Crier”), and percussive stomps and strums (“New Deal”).

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44 Eilen Jewell   (from the album Sundown Over Ghost Town  5-26-15) - ‘Been around this world, just to come back to you," sings Eilen Jewell on "Worried Mind," the first song on the eighth long player of her career, Sundown over Ghost Town. It's an apt opening line for an album about returning home which, for Eilen, means a trip back to Boise, Idaho, the dusty cowboy town of her birth.

Listen and buy the music of Eilen Jewell from AMAZON or iTunes

45 Chuck Hawthorne  (from the album Silver Line  4-28-15) - Chuck Hawthorne has way of translating hours and minutes in a day, offering life in real time, showing troubles in a song. Silver Line is a goal, and a title, for the most recent Chuck Hawthorne release. Silver Line introduces characters that their creator inhabits in a way that makes it difficult to suss out which are the tales and how much of the history fits the steps of Chuck Hawthorne as a solider and a troubadour as the pain of the solider that traces back to his time at “Post 2 Gate” while “The Gospel Hammer” joins the corporate workforce as Chuck follows the trail of smoke from addiction climbing higher, fanned by wings with “Dragon Flies”.

Listen and buy the music of Chuck Hawthorne from AMAZON or iTunes

46 Paul Benjaman Band  (from the album Sneaker on Horton Records 10-30-15) - A sly, slinky, back forty bonfire beat casts a spell with the trance groove of “Black Country Magic”. Sneaker shares the stage with Willie and his Hand Jive as it pounds out a mighty message promising to “Shake Your Tree”. If you are naming names for Sneaker, you can check off guitar riffs, soulful vocal glue, and a beat you can dance to on the album. Sneaker” creeps infectiously up and attaches with something primally familiar.

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47 The Yawpers   (from the album American Man on Bloodshot Records 10-30-16) - The Yawpers are a Denver, Colorado based band that is wound tightly around lead vocals and lead guitar. Jesse Parmet’s guitar has a feral attack matched well with the punk political spit of frontman Nate Cook. The Yawpers link arms with a worldwide community that ‘walk the line between what I want and what’s rightfully mine ’in “Faith and Good Judgment” as they find themselves stranded in Van Nuys (CA) and walking out in the cool Country air while “Burdens” finds a small town exit for a seventeen year old who knows he had better ‘get out while I’m young enough to run’.  

Listen and buy the music of The Yawpers on AMAZON or iTunes

48  Sugarcane Jane   (from the album Dirt Road’s End   4-28-15) - Dirt Road’s End is a duo with friends as the songs catch a ride on a bass bump that navigates down “Heartbreak Road”,  adds guitar jangle sweetness to the already honey-dripping vocals wrapped in “Sugar”, and sees the beauty of the “San Andreas”, sharing the gossip that ‘if god had a home, she’d be living there’. Sugarcane Jane sonically mirror their environment. The songs are not autobiographical though their ties to home and family dig the tracks roots directly into the earth we share under our feet.

Listen and buy the music of Sugarcane Jane from AMAZON or iTunes

49 Whitney Rose  (from the album Heartbreaker of the Year  8-21-15) - Whitney Rose recorded her second album, the recently released Heartbreaker of the Year, in four days. Whitney had a ringer in her earphones with veterans, The Mavericks, on board for the album, and the band’s frontman, Raul Malo, producing as well as performing on Heartbreaker of the Year. Raul‘s mighty voice is subtle, supporting Whitney Rose as a BFF as she tries to snag a “Little Piece of You” on a 1950’s rhythm bounce while his vocals are an echo on the Roy Orbison-flavored “Only Just a Dream”, and become an equal partner for the co-leads on the pledge of love in The Ronettes’ “Be My Baby”.

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50 Nicki Bluhm and the Gramblers  (from the album Loved Wild Lost   4-21-15) - Loved Wild Lost claims territory in the 70’s Pop sound on “Waiting on Love”, moves into classic Country reverbed riff of “Only Always”, carves a strut in the rock of “Heart Gets Tough”, and swirls a lasso as they rope in “Queen of the Rodeo”. Nicki Bluhm and the Gramblers are a road band, and every note on Loved Wild Lost benefits from the fan response from constant touring. The album is a group effort, and as guitar strings tangle, Nick Bluhm sings for the boys in the band as much for herself as the highway rolls “Me and Slim” into the next Holiday Inn.

Listen and buy the music of Nicki Bluhm and the Gramblers from AMAZON or iTunes

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The Alternate Root Top 100 Albums of the Year 2015 is ready for viewing. One hundred albums is a large list, though the amount of music and talent in the American Roots community certainly has enough sources to draw from to get to the one hundred mark, and we could have easily gone over.  Drawing from the available American Roots styles, we have gathered music from Folk, Blues, Soul, Americana, Alt Country, Bluegrass, Classic Country as well as any and all hybrids. So yeah, one hundred…no problem. Songs and artists from around the country and around the globe, the sound of Roots digs in and reaches out. It is infectious and universal in its moods and melodies. The year 2015 saw new artists and seasoned performers putting out full album listens. Our list for the year honors albums, full album listens from artists. Albums signify a record for musician’s time and art, and we are happy to offer the albums that got our attention, became friends, and are now part of the family in 2015.

51 Allison Moorer  (from the album Down to Believing  3-17-15) - Allison Moorer released her ninth album, Down to Believing, in 2015. For the story line, Allison looks to her own life. As the rhythm rattles for “Mama, Let the Wolf In” she stages the reaction experience when she received her son’s autism diagnosis.

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52 Danielle Nicole  (from the album Wolf Den on Concord Records  9-25-15) - The title track opens Wolf Den with a Vintage groove bending and shaping organ bursts and rubbery distortion as Danielle Nicole struts into the album. Danielle Nicole attacks the tracks on Wolf Den with confidence as she cruises down a city sidewalk with the street lights coming up on “Easin' Into The Night” and covers “I Feel Like Breaking Up Somebody's Home” with thick funk as Luther Dickinson joins album producer Anders Osborne on guitar work. 

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53 Indigo Girls  (from the album One Lost Day on Red House Records 6-2-15) - The production on the Indigo Girls 2015 release, One Lost Day, watched a new hand behind the mixing board with Indigo Girls developing a working relationship with a younger, female perspective when the welcomed multi-instrumentalist Jordan Brooke Hamlin as producer. Darkness gives the album a subtle tone that lets the power of two voices have center stage. Great big balls of rhythm tumble from “Learned It on Me” as the story line suggests that the perfect relationships are the ones that have matching baggage, and “Fishtails” shows red lights trumpeting a warning in the wake of a life where we ‘hug the corners, take the straights, from the cradle to the grave….we all give what we got’.

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54 Otis Taylor (from the album Hey Joe Red Meat Opus 4-30-15) - Otis Taylor talks about the background muse for his writing of Hey Joe Opus Red Meat, explaining that filter was‘about decisions and their consequences. It’s about how decisions and the actions that result can change our lives, the lives of our families and the lives of people we don’t even know. Sometimes you win in life; sometimes you lose. You want the outcome of your decisions to be good, but sometimes its bad. And that’s when you don’t eat the meat. The meat eats you.’

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55  Dwight Yoakam  (from the album Second Hand Heart 4-14-15) - Rushed guitar strums, proud beats and pops of twang surround Dwight Yoakam as he steps into Second Hand Heart over one ongoing, percolating riff with “In Another World”. Dwight Yoakam writes and records with a honky tonk heart that is always on display. It is impossible to separate the man from the sound he owns. “Man of Constant Sorrow” uses the rhythm and Dwight’s own roots to come together as a bio.

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56 Corb Lund    (from the album Things That Can’t Be Undone on New West Records  10-9-15) - Dave Cobb (Jason Isbell, Sturgill Simpson, Chris Stapleton) was behind the board as producer at his Nashville-based Low Country Sound studios to record Corb Lund for Things That Can’t Be Undone. The life of a farmer becomes the quickly turned pages of the story branded “S Lazy H” while memories spin the wheels down Main Street in “Left This Town”, guitar jangle mixes with border string bends to sound track the war story in “Sadr City”, and the spotlight shines on former glory in “Washed-Up Rock Star Factory Blues”. Corb Lund subtly puts flesh and blood into his characters as a Country boy heads home to his northern home in “Goodbye Colorado”.

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57 T. Hardy Morris   (from the album Drowin’ on a Mountaintop  6-23-15) - Drownin’ on a Mountaintop is the latest project from T. Hardy Morris. T. The album opens with tender pedal steel dueting with snarly electric guitar distortion on “Young Assumptions”. T. Hardy Morris plays garage rock with four walls facing south on Drownin’ on a Mountaintop. Indie Pop gets caught in album’s Country, southern Soul, and electric Blues, clinging like vines to the songs as it does in the music of Big Star, The Replacements, and R.E.M.

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58 The Bottle Rockets  (from the album South Broadway Athletic Club on Bloodshot Records 10-2-15) - The Bottle Rockets have become buddies for Alt Country and Roots fans that hear themselves in the stories. South Broadway  Athletic Club sifts through relationships that weather the storm with “Big Lotsa Love”, those that ‘fade like the flowers’ on “Big Fat Nuthin’, while the kind of love that never wavers, never fails, and gives back more than it takes out is captured lovingly on “Dog”.

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59 The Westies  (from the album West Side Stories   1-20-15) - West Side Stories circles Roots music with a rock’n’roll band behind the wheel as they follow rhythms through the neighborhoods and lives in NYC.  “Hell’s Kitchen” opens West Side Stories on an New York City street as characters change names and share dreams in the ghosts of the past as they work on decisions….’”Hell’s Kitchen” or heaven’s door’.   

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60  The Lonesome Trio  (from the album The Lonesome Trio on Sugar Hill Records  6-16-15) - A knack for song structure separates the Bluegrass of The Lonesome Trio from tradition while the mutual love of craft intuitively adhers an old timey touch and texture to the tunes. The band, Ed Helms (banjo), Ian Riggs (bass), and Jacob Tilove (mandolin), was born twenty-two years ago, with the Trio sticking together through various NYC careers of comedy, architectural history, and continued studies on jazz bass. The Lonesome Trio has benefitted from years of playing together, the songs gaining crucial inner-structure as personal lives allow the musicians to apply humor, tradition, and added musical tones and textures to their self-titled debut.

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61 Los Colognes  (from the album Dos  9-4-15) - The songs on Dos come from the pens of drummer Aaron “Mort” Mortenson and guitarist, vocalist Jay Rutherford as the pair seek to make jam music for fans of songwriters, using the song structure of classic rock. Recorded in hometown Nashville at Bombshelter Studios, Dos is the creation of a six-piece band. “All That You Know” percolates on a caffeine beat showing its expresso love as it tributes Dire Straits lead guitar work as “Hard to Remember” jumps formats for a track that would have been happy riding with AM Country Gold. A dark alley leads a path to “Golden Dragon Hut” on a story line that reads bad news on a rhythmic drive that puts its foot to the floor, never letting up for curves or turns with the engine humming a constant purr.

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62 Don Henley  (from the album Cass County on Capital Records 9-25-15) - Don Henley worked with former Heartbreaker, Stan Lynch, as co-producer, and co-author of eleven tracks on Cass County, recorded primarily in Nashville and Dallas. There is star power on Cass County with Miranda Lambert and Mick Jagger picking “Bramble Rose” to join Don in verse and harmony on the Tift Merritt tune. Dolly Parton is on board in for the Louvin Brothers’ “When I Stop Dreaming” with other guests include Merle Haggard, , Martina McBride, Trisha Yearwood, Jamey Johnson, Alison Krauss, and Vince Gill.

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63 Beth Hart  (from the album Better Than Home  4-15-15) - Beth Hart found a way to use her music as catharsis for her past with Better Than Home, her most recent release, and in the process has created inspiration in her stories through the salvation beacon in her voice. Beth grabs the collar of “Tell ‘Em to Hold On” with piano notes and typewriter keys as a foundation to build on the power of its arrangement to make sense of our search for saviors

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64 Bow Thayer (from the album Sundowser  7-24-15) - On Sundowser, Bow plays the Airline Bojotar that combines a resonator guitar and banjo, adding Humbucker and Piezo pickups that blend together tonally.  Sundowser opens as the rubber hits the road for Bow Thayer, starting up the album with “Burning Miles”. Chords and notes roll like the highway as the story travels from concrete to clay. Sundowser bubbles with warm organ swells (“The Funeral Crasher”), confident Indie Roots fairy tales (“Snow Goose”), self-truth’s (“Drug Lust”), and the sparkle of strings introducing sweeping rock roots theatrics (“Downtrodder”).

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65 Patrick Sweany (from the album Daytime Turned to Nighttime  9-18-15) - East Nashville Soulman, Patrick Sweany, delivers his sixth album with Daytime Turned to Nighttime. Patrick crafts a style based on the sounds he listens to…Vintage Rock and Soul rhythms from the 1960’s and 1970’s, and his younger, first blush influences such as Bobby ‘Blue’ Bland, Doug Sahm, Joe Tex, Bobbie Gentry, and Bill Withers. Daytime Turned to Nighttime cuts through the dark with the Blues, Rock, Folk, and Soul lights in its songs.

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66 Leo Bud Welch  (from the album I Don’t Prefer No Blues  3-23-15) - Leo Bud Welch established himself as a player with Sabougla Voices, his debut, the album divining Blues riffs that wiggled and sizzled under the tones of Gospel Blues.  I Don’t Prefer No Blues offers up some of its space to the same devotional songs found on his first album with “Pray On”, though the presentation of the track differs due to the way the Blues hits its tracks. Leo Bud Welch offers another side to his Blues on I Don’t Prefer No Blues.

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67 Willie Nelson and Merle Haggard  (from the album Django and Jimmie  6-2-15) - Willie Nelson and Merle Haggard are voices that speak softly but carry a big stick of smart when they discuss the life around us. A gentle twang stirs a breeze for the rhythm in “Live This Long” as the beat catches fire for the poor boy preachin’ of “It’s Only Money”. Django and Jimmie is not handed down as testament on how to live, it is presented as valued opinions on the familiar (“Unfair Weathered Friends”), the wishes (“Somewhere Between”), and the troubadours (“Driving the Herd”).

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68 Jeffrey Foucault   (from the album Salt as Wolves  10-16-15) - Separating the characters from the singer is at times tough and nearly impossible with Jeffrey Foucault on Salt as Wolves. Guitar pickings are as soft the glow of love in “Hurricane Lamp” as dark clouds of chords roll and rumble through “Slow Talker”, and “Paradise” gently sends out a thank you on slowly unfolding sonics. The slap of tire wheels defines the rhythm as the band sets up in “Des Monies” as Salt as Wolves provides shimmies (“Blues for Jessie Mae”), salvation (“Jesus Will Fix It for You”), strange happenings (“Rico”), and shudders (“Take Your Time”).   

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69 Daniel Romano (from the album If I've Only One Time Askin' on New West Records 7-31-15) - If I’ve only Time for Askin’ sequeways song –to-song, never losing the links of notes that tie the tracks together. The tone is Vintage Country Modern, carefully created soundscapes that flow over the album, peeling back layers of the heart, Daniel admitting, ‘I’ve been known to take some liberties in the sadness department’. Washes of strings lay a path for “I'm Gonna Teach You” to open the album as Daniel Romano becomes the crooner, setting his role for If I’ve Only One Time Askin’.

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70 Joe Ely (from the album Panhandle Rambler  9-18-15) - Joe has been a west Texas songwriter for those nearly forty years of studio work. Panhandle Rambler carries dirt and grit yet there is a more personal tone to the tales, the tracks polished to a sheen rather than covering in a layer of soot. Joe Ely is coming back to the land that he has carried to around the world in song. The lives walking through the stories are not noted as passing glances, Joe Ely is pulling up a chair at a local diner, riding down a backroad that has nothing on the landscape but the trail of dust behind his truck, and sitting down with friends new and old to take a moment and talk.

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71 Whitey Morgan and the 78’s  (from the album Sonic Ranch  5-19-15) - Whitey Morgana and the 78’s are the saints of quick decisions in local watering holes and behind steering wheels looking for a party. Sonic Ranch lets the wind blow down alleys (“Low Down on the Backstreets”) and draws a line of alcohol on the bar, swearing ‘if I go down tonight, I’m going down drinking’ (“Ain't Gonna Take It Anymore”). Whitey Morgan and the 78’s have no apologies for their brand of rock rock’n’roll in “Goin’ Down Rocking”.

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72  Justin Townes Earle  (from the album Absent Fathers   1-13-15) - The characters that register on Absent Fathers talk about their humanity without defending their decisions, using the voices of all those affected by the results. The album is the 2015 companion to Justin Townes Earle Single Mothers release. Absent Fathers is a puzzle piece that fits into Single Mothers, a companion that fills out the story to create a bigger picture.

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73 The Mulligan Brothers   (from the album Via Portland  1-20-15) - Via Portland takes lessons from The Mulligan Brothers self-titled debut and continues to blend imagery in their stories the band easily offers sound as one fluid motion. Ross Newell curls his voice around the words that build his tales, as he gently lets go (“Run on Ahead”), basks in the glow of an evening sky as the Christmas lights sparkle at journeys end (“Road That Leads Me Home”) and sharpens his pen when talking about how the same blood can take different paths (“Not Always What It Seems”).

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74 Kevin Gordon  (from the album Long Gone Time 9-9-15) - Kevin Gordon forms a song rather than piecing it together with words and music. There are well-defined characters in the poetry that puts flesh and blood into the stories of Long Time Gone. The songs are portraits, landscapes of an America that replaces the Southern charm of a Sunday mint julip with the stale beer smell of a small town Sunday morning hangover (“Cajun with a K”). Guitar and voice exist as one on Long Time Gone. They are partners in the songs of Kevin Gordon, his playing linked as support, accent, leader and follower to a lyrical, storyteller vocal.

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75 The Dustbowl Revival  (from the album With A Lampshade On on Signature Sound 7-24-15)by Michael Verity - Aptly titled with the quaintly antiquated expression for “getting your party on,” this collection of fourteen live tunes from their extensive repertoire nicely documents what it’s like to spend a night with The Dustbowl band. Though they read from many chapters in the book of old time music -- bluegrass, R&B, New Orleans jazz -- they never sound peripatetic or in genuine. Is it time to party? Bring this record along for the ride. by Michael Verity

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The Alternate Root Top 100 Albums of the Year 2015 is ready for viewing. One hundred albums is a large list, though the amount of music and talent in the American Roots community certainly has enough sources to draw from to get to the one hundred mark, and we could have easily gone over.  Drawing from the available American Roots styles, we have gathered music from Folk, Blues, Soul, Americana, Alt Country, Bluegrass, Classic Country as well as any and all hybrids. So yeah, one hundred…no problem. Songs and artists from around the country and around the globe, the sound of Roots digs in and reaches out. It is infectious and universal in its moods and melodies. The year 2015 saw new artists and seasoned performers putting out full album listens. Our list for the year honors albums, full album listens from artists. Albums signify a record for musician’s time and art, and we are happy to offer the albums that got our attention, became friends, and are now part of the family in 2015.

76  Ryan Bingham   (from the album Fear and Saturday Night   1-20-15) - Ryan Bingham is a singer/songwriter….a Southwest singer/songwriter…and has a knack for walking a line in song that never points a finger back at the man behind the guitar. The story version of a wink and a smile have been as much of a character for Ryan’s tales, and many of those souls can be found walking the tracks of Fear and Saturday Night, his 2015 release. There is a more personal tone to some of the songs, maybe it is the Blues coloring that Ryan Bingham gives the album’s tunes, his first on his indie imprint, Axster Bingham Records.

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77 The Lone Bellow  (from the album Then Came the Morning   1-27-15) - There is majesty to the music of The Lone Bellow as it surrounds itself with anthemic swells in the sound: horn bursts, soaring strings, and a choir of harmony surrounding a Soul lead vocal that is breaking free of earthly ties. The group has a trio at its heart, Zach Williams, Brian Elmquist, and Kanene Pipkin, who use The Lone Bellow as a vehicle to fulfill the glory of their voices together. The Lone Bellow choose a solid bass bump as the heartbeat that feeds “Fake Roses”.

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78 Wilco (from the Album Star Wars on Anti- Records 7-17-15) - Star Wars, the latest Wilco album release, gives one home to the traditions and extremes that have always a part of the band’s music. Wilco have been held up as torch bearers of Alt Country and champions of Post Rock. Both ends of the sound spectrum can be heard on the band’s album output. Star Wars is a family picnic for the song styles that Wilco has created through eight studio album releases, and two Woody Guthrie tributes co-hosted with Billy Bragg.

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79  Dawes  (from the album All Your Favorite Bands 6-2-15) - Dawes bordered the hills of their California-based debut, North Hills, to Nashville to record at East Nashville’s Woodland Hills Studios for the current, fourth, album release, All Your Favorite Bands. The recording of All Your Favorite Bands keeps their vintage Laurel Canyon sound of west coast folk country that the band always heard in their music, giving it added expansion with Americana  echoes and southern sways. All Your Favorite Bands was produced by Dave Rawlings, who adds guitars, and brings in added power with the vocals of the mighty McCrary Sisters and Gillian Welch.

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80 Robert Earl Keen  (from the album Happy Prisoner: The Bluegrass Sessions 2-10-15) - Robert Earl Keen gets to check another item off his musical “bucket list” and bluegrass fans get to hear 15 classics, reinterpreted in Keen’s own inimitable style. Taking his cue from Del McCoury, Keen offers an enthusiastic, energetic reading of the Richard Thompson ‘s classic “52 Vincent Black Lightning” then continues the ruckus with a rousing reading of Bill Monroe’s “Footprints In The Snow” (one of the first songs Keen remembers hearing when he turned-on to bluegrass as a kid). (Michael Verity)

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81  The Mavericks  (from the album Mono   2-17-15) - Mono was recorded with few overdubs, Raul Malo’s parts often coming from the tracking vocal recording with no need to go back and re-record.  “The Only Question” enters with confidence, each step taken on solid beats.  Mono gathers tunes under the musical banner that The Mavericks hold aloft, with Raul Malo’s vocal power carefully steering on tracks over light cha-cha rhythms dancing to the sounds of “Summertime (When I’m with You”), skimming over Country Blues with “What am I Supposed to Do”, putting a quarter into the jukebox for the rock’n’roll of “Stories We Could Tell”, and slowly trudge home on road miles for “Pardon”.

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82 Gurf Morlix (from the album Eatin’ at Me   2-3-15) - Gurf Morlix sets a story stage best when he is behind the songs, heading up his own album as producer and player, with Eatin’ At Me ,his 2015 release, being the perfect example. While his voice is the center point in the tunes, Gurf still maintains a distance in the narrator role throughout the stories, sending his characters in search of lost love, or at least a good internet connection (“Grab the Wheel”), walks with giant steps off the grid (“Elephant’s Graveyard”) and slowly switches on the light to find the path between past stumbles and future tripping (“Last Call”).

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83 Homesick Hank   (from the album Beautiful Life 11-6-15) - The songs of Homesick Hank unfold like morning flowers, opening to greet the world with sad melodies and lyric poetry. Homesick Hank find a peace in the quiet of a song, making that presence a goal for their tracks. Beautiful Life welcomes Mary Gauthier into the studio to join the band on the album track, “Believe”, where delicately layered instrumentation moves through the arrangement like summer clouds making their way across the sky with barely perceptible motion.

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84 The Supersuckers (from the album Holdin’ the Bag on Bloodshot Records 10-16-15) - Holdin’ the Bagis the sound track of Punk Country, from the Manhattan’s lower East Side to Nashville’s lower Broadway. The Supersuckers present themselves with decided intentions (“Man on a Mission”), ponder growing old (“All My Rowdy Friends Have Settled Down”), and let the campfire glow hit the harmonica, busking into a trail saga that sweeps desert winds into the title track. They share a microphone, as well as body fluids issues, with Lydia Loveless on the duet of “I Can’t Cry”. Holdin’ the Bag sways the front porch swings “High and Outside”, backs mountain wisdom with mountain music on “That's How It Gets Done”, and takes a seat beside the history of Billy Joe Shaver on his tune “Georgia on a Fast Train”.

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85 Shemekia Copeland (from the album Outskirts of Love on Alligator Records  9-11-15) - Shemekia Copeland uses the stage as a pulpit, demanding attention like a preacher standing in front of those already converted and ravenous for the message. Her methods shake foundations and rattle the righteous into action. Outskirts of Love testifies to the ability of Shemekia Copeland to reach right down inside to touch spirits needing a little more saving than platitudes and promises can offer. Her motives are not religious in the traditional sense as Shemekia soul shouts salvation, and wrings a hallelujah from the gospel fuel she pours into Country, Rhythm, and Blues. Outskirts of Love presents Shemekia Copeland wearing audio coats of many colors, guiding each tune with a sound force that rises up from deep inside, pushing limits and coloring outside of the lines as she buries the needle in the red zone.

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86 William Elliot Whitmore   (from the album Radium Death on Anti- Records  3-31-15) - There are the rare singers and songwriters like William Elliott Whitmore, a poet who has the maturity and self-assuredness to speak of his life and his world with credibility, gusto and veracity. ‘Civilizations,’ is a stomping Folk blues where William Elliot Whitmore becomes a universal citizen, voicing the words who cannot be heard.

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87 Darlingside (from the album Birds Say 9-18-15) - When Darlingside merge in harmony, it is the anthemic mix of voices that uses Folk music to champion causes, lead protests, and sing inspiration. Birds Say embraces the breadth of sounds available in Indie Folk with banjo strums intersecting on ethereal chords (“Good for You”), to deliver delicate folk tales on echoey strums and freckled notes (“Clay and Cast Iron”) as Darlingside saddle “White Horses” for a choral trail ride bound for Chicago.

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88  Murder by Death  (from the album Big Dark Love   2-3-15 on New West Records) - The conditions of the heart find themselves as a theme in Big Dark Love. Murder by Death tackle topics on the subject that skew outside of Hallmark greeting cards. The combination of strings and synths create colors of black and grey, deep swirling clouds that obscure light without ever dimming to the point of nothingness… thick gauze draped over the shining light of hope.

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89  Girls Guns Glory  (from the album A Tribute to Hank Williams    2-24-15) - It is only fitting that Girls, Guns and Glory chose a New Year’s Eve live setting to tribute Hank Williams. Ward Hayden, lead singer for GGG, recalls that ‘around when I turned 20 and the lyrics started making a whole lot of sense is when it hit me.  If you've never had your heart broken then country music can sound like a bunch of twangy gibberish’, Ward got Hank and with Girls Guns and Glory Presents: A Tribute to Hank Williams, he and the boys get it on with Hank.

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90 The McCrary Sisters   (from the album Let’s Go     3-10-15) - The McCrary Sisters do not lightly share the Let’s Go that they use as an album title and a challenge on their 2015 Buddy Miller-produced album release. The touch that Buddy put on Let’s Go is as subtle as the man himself, yet the results make him an official McSister.  There are moments on Let’s Go that reinvent the way you hear gospel music, and other times when the songs remind of days you missed.

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91 D.L. Marble (from the album Hard to Quit 9-18-15) - In a history that reads like a hard luck song, D.L. Marble was raised by a single mom while dad spent decades in a Texas prison. He picked up a guitar in high school and life suddenly took on meaning. Hard to Quit faces angels and demons with a background of Indie from multiple sources in Rock, Country, and Folk. “Here’s to You” raises an audio glass full of wishes and memories that will never be fulfilled while “Gringo” regrets every toast from the night before as much as its new tattoo. “Drag Me Back” puts its thumb out for a ride back home for a man and guitar while the title track grabs keys, passport and one last cigarette as D.L. tries once more to exit a messy love affair. Hard to Quit revisits “Sombrero Lullaby” from D.L. Marble’s Not the One debut album, giving the story of an overseas soldier more heft as he sinks into the glow of a jukebox and heads to Mexico on an audio memory.

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92 Cicada Rhythm  (from the album Cicada Rhythm on Normaltown Records 10-30-15) - Cicada Rhythm left limitations at home when the Athens, Georgia based duo recorded their self-titled album for Normaltown Records. The mix of acoustic guitar and strum of a bowed bass creates a dreamy background with Folk and Jazz melodies as it floats across the soundscape of “Static in My Dreams”, dodges the “Shadows Before You”, and carries a “Round Yellow Suitcase” on fragile piano and chord defined beats.

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93 Jackie Greene (from the album Back to Birth on Yep Roc Records on Yep Roc Records 8-21-15) - Rock’n’roll rings out in the Roots on Back to Birth. It is in the rattle rhythm that announces “The King is Dead” with anthemic chords putting a flag in the hand of a ‘struggle of existence’, spinning the wheels on “Motorhome” with slow turns as it heads down a swaying blacktop, and clears the clouds away on a determined groove in “Now I Can See for Miles”.   The album is produced by Steve Berlin (Los Lobos), and marks the Yep Roc Records debut for Jackie Greene on his seventh album release.

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94 Randall Bramblett (from the album Devil Music on New West Records  9-18-15) - Randall Bramblett creates Devil Music to channel influences and create melodic soundscapes that drift and dive (“Whiskey-Headed Woman”), and put sharp-angled guitar notes in line with all-consuming percussion and horn lines (“Bottom of the Ocean”). Musically, Devil Music pounds heavy-handed rock into “Strong Love” as the album surfs audio waves of the sticky spiderweb beats backing Derek Trucks’ falsetto in “Angel Child”, lets “Ride” fall like a gentle rain, and carefully picks its way through erratic snatches of sound that fly like the mind weighing ‘you’re a bad girl baby, but you look so fine’ in “Thing for You”.

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95 Nikki Hill (from the album Heavy Hearts, Hard Fists  10-16-15) - Heavy Heart, Hard Fists is never timid, unassuming, or quietly discrete about its love for old school rock’n’roll. The religious calling that took Little Richard from music in his prime circles back to earth as a spiritual infusion needed for the times in the vocals of Nikki Hill. While there is a lot of advice in the stories, Heavy Hearts, Hard Fists is not here to lay a loving hand on your shoulder. The love that Nikki Hill and her band offer is a tough one, with a prescription for their brand of high energy Rock’n’Soul show.

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96 Stacie Collins (from the album Roll the Dice  10-9-15) - Stacie Collins delivers album number five as she shakes, rattles, and roars on her Roll the Dice release. The album features tracks written with husband, bandmate Al Collins (Jason and the Scorchers). Musically, Roll the Dice crackles with electricity. You can feel the heat of the amplifiers hitting Stacie’s back as she grabs the microphone, reaching, and hitting, the back row with her voice and harmonica. Country teases the rock’n’roll hard drive with Stacie blowing harp, bringing a touch of hard-edged Chicago Blues in the styles of James Cotton and Little Walter, and singing with a honky tonk holler.

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96 Lindi Ortega (from the album Faded Gloryville  8-7-15) - Lindi Ortega is the benevolent higher power shining through the clouds on Faded Gloryville. The Canadian singer/songwriters tell tales as she sketches a ghost town landscape, the characters walking around in her songs still flesh, blood, very vulnerable, and never admitting defeat. Lindi Ortega holds a chameleon microphone for Faded Gloryville as she spits out a salty goodbye on “I Ain’t the Girl”, confesses on a heart storm stomp in “When You Ain’t Home”, raises the devil on “Run Amuck” with a rockabilly rhythm, and tenderly whispers her dreams on “Someday Soon”.  

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98 The Damn Quails (from the album Out of the Birdcage  9-4-15) - Out of the Birdcage opens on a one, two punch from its title track as an album opener followed in sequence with the pedal to the floor of “Tough Luck and Cryin' Shame”. Country Rock frames the story of the bands home state on “Oklahoma Blue”, striking the color against a monochrome frozen Detroit street. The Damn Quails offer more Oklahoma pride with one of the state’s heroes in “Woody Guthrie (from the dust)” and hear the echoes in the OK hills that join the harmonies in “Song of Home”.

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99 Have Gun, Will Travel   (from the album Science from an Easy Chair  07-31-15) - Have Gun, Will Travel give Alt Country plenty of breathing room on Science from an Easy Chair. Granting the music liberty to use a more expansive range to roam yet still dig deep with their Roots. The songs on Science from an Easy Chair offer a lot of salvation in verse and chorus, incorporating anthemic guitar leads and trippy soundscapes that roll across the album. The “Spirit of Discovery” takes jangles Alt Country that never stops its shake, “A Call to Arms” sings instrumentally like a seductive siren, and locks into glory on a desert riff that blows Have Gun, Will Travel with a rock’n’roll wind that barely takes a moment to breathe “True Believers”.

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100 The Surreal McCoys   (from the album The Howl and The Growl 9-11-15) - The Surreal McCoys are the guy sitting next to you at a last-call diner who turn and answer questions you never asked (“Blondesided”). They are the snakes crawling through “Turn and Run” on wicked riffs of rules, the pound and scratch beat balancing “God and the Devil”, and the reality show script that uses the local dive bar rock’n’roll scene as the marquee star of “Lust Vigilante”. The Surreal McCoys successfully put Hank Williams into the garage, and stick The Replacements on stage at a honky tonk. The Howl and The Growl goes one step further then their Johnny Clash blend of prison blues and no limit rock as The Surreal McCoys bring Johnny Cash (“Folsom Prison Blues”) onto the same stage as Led Zeppelin (“Whole Lotta Love”) with their mash-up of “Whole Lotta Folsom”.  

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Six months into 2015. Musically, the sound has been coming in with quantity and quality neck and neck in the submission process. We have curated our picks for the Top 50 album of the year….so far. As always, the toughest part of the task was the decision. This list could have easily been 75 artists, and a hundred would not have been a stretch. Images and music are on two pages, breaking the list into Numbers one through twenty-five for Part 1, with number 26 through 50 found in Part 2. Half of 2015 is in the rear view mirror but the soundtrack soundtrack is still playing out the car window as we roll down the highway.

01  The Punch Brothers   (from the album The Phosphorescent Blues   1-27-15 on Nonesuch Records) - That style that The Punch Brothers have nurtured is silhouetted against the soft glow of their recent T-Bone Burnett-produced release, The Phosphorescent Blues. The overall sound of the album brings is orchestrated Bluegrass. The magic of The Punch Brothers music is that they can appeal to diverse audiences from mainstream to deep Indie, Bluegrass purists and Americana torch-bearers. They are traditionalist innovators that encompass classical orchestral sweeps the blends with their mountain music on The Phosphorescent Blues.

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02  Steve Earle and the Dukes (from the album Terraplane  2-17-05 on New West Records) - Terraplane offers album space to a variety of Blues- based rambles as it shuffles on a front porch rhythm about a New York City woman in “Ain’t Nobody’s Daddy Now”, corrals a Chuck Berry groove for a raga romp in “Acquainted with the Wind” and uses a rock’n’roll blade made of riffs to carve out a return to fashion for “Go Go Boots are Back”. Steve Earle and the Dukes never line up for one style stamp though they manage to infuse every track with the roots grit falling from their collective boots. Soul pumps the harmonica and the rhythm of its Blues on album opener “Baby Baby Baby (Baby)”, stripping any shred of humility away as it heralds the birth of “King of the Blues”.      

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03  The Milk Carton Kids  (from the album Monterey  5-19-15 on Anti- Records) - The Milk Carton Kids maintain a huge amount of warmth and believability as they gently pick and pluck notes from the air, digging through pockets of Folk to find the quiet nestled just a stone’s throw from silence. The hushed delivery compliments the humor of The Milk Carton Kids banter as well as the microscope they use to script emotion in their songs. The Milk Carton Kids seal songs in amber waves of notes and sepia-toned stories under “Asheville Skies” as the trees spread color into the November fall, mournfully asking in a whisper to “Sing, Sparrow, Sing”, and sway with soft ocean breezes lapping against land as the road calls in the title track.

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04  Leon Bridges  (from the album Coming Home 6-23-15 on Columbia Records) - Leon Bridges uses Coming Home to masterfully move Soul back to mainstream, guiding Coming Home with one hand on the wheel and two feet planted firmly on a groove. Local (Austin, Texas) Indie Rock musicians backed Leon's voice. Two demos were released in 2014, with "Lisa Sawyer", receiving over 800,000 listens on SoundCloud. Leon Bridges signed to Columbia Records in 2014.

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05  Uncle Lucius  (from the album The Light  6-9-15) - Uncle Lucius have always had salvation in their songs, sitting comfortably as a sideman for the electric chords and beats. Uncle Lucius turn on The Light and watch its songs go into dark corners, shadowy hallways, and  travel one lane roads as they search, seek and provide answers for how to walk a little prouder. The hint is that you can feel a little better about yourself by taking control of your own life.

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06 Anne McCue  (from the album Blue Sky Thinkin’  2-3-15) - Blue Sky Thinkin’, Anne McCue’s 2015 album release, and the seventh in her catalog, is a satisfying sheaf of twelve new original tunes that speak to her love of music from the 20s, 30s and 40s while demonstrating her sizable skills as a singer, songwriter and guitarist. (Michael Verity)

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07  Ray Wylie Hubbard   (from the album The Ruffians Misfortune   4-7-15) - Ray Wylie wanted to have a Keith Richards, Ronnie Wood-type of two guitar backing, bringing in Gabe Rhodes and his son, Lucas Hubbard, for The Ruffian’s Misfortune. The twin guitars share space as they propel across a fast-train ride rhythm “Down by the River”, snake underneath “Chicksinger Badass Rockin’”, snap at the white lines trailing below “Bad on Fords”, and drift like six-string ghosts as they tumble with a fiery fiddle calling out “Jessie Mae”. The Ruffian’s Misfortune opens to righteous Blues preaching on “All Loose Things”, as it hums a Kevin Welch tune.

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08  John Moreland   (from the album High on Tulsa Heat   4-21-15) - John Moreland songs began to form when a ten years old John and his family moved from Kentucky to Tulsa, Oklahoma. He heard his songs against a punk rock back beat throughout high school, ut and pasted on his dad’s Creedence Clearwater Revival, Neil Young, Tom Petty and Steve Earle records.  John recalls that ‘I think what appealed to me about it was lyrics. In hardcore, there might be great lyrics in a song but you have to read them off a piece of paper to know it. I was 19 in 2004, and Steve Earle had put out ‘The Revolution Starts Now,’ and I remember hearing the song ‘Rich Man’s War’ and totally feeling like somebody just punched me in the chest.’

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09  Lilly Hiatt    (from the album Royal Blue    3-3-15 on New West Records) - Royal Bluemoves with a pulse pumping a heart aware that things work out in equal measure, sometimes going belly up. Lilly Hiatt doesn’t drown in the ocean she is swimming as she claims the skin of “Somebody’s Daughter”. She is taking the reins, unsure of the hows and whys yet very clear on the end results working out, knowing ‘I’m gonna be fine’.  Royal Blue keeps a Modern Beat with a 60’s sci-fi rumble as it reads a broken heart note signed “Too Bad”, “Heart Attack” runs on a David Lynch sound track with its dream-induced beat zig zagging on a ghostly groove, bounces off a rock’n’roll jangle trying to “Get This Right”, and uses tight drum beats to corral the wobbly guitars running “Off Track”.

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10  The Grahams  (from the album Glory Bound  5-18-15) - If you are looking for a song on Glory Bound to make you feel worse about your day…move along. The Grahams are never far away from waving the banner of the road though they change the mood of their songs like the scenery flying by outside a southbound boxcar. Glory Boundis a light burning bright for taking chances and listening to the voices in your head.

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11  Nikki Lane  (from the album All or Nothin’  5-6-15 on New West Records) - Nikki Lane caught the ear of her producer Dan Auerbach of The Black Keys  enough to get his studio for free. All or Nothin’ is a sweeping soundscape filled with varied styles and takes on Roots music presented from the perspective of kaleidoscope Country singer, Nikki Lane

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12   Della Mae  (from the album Della Mae  5-12-15 on Rounder Records) - Della Mae fires its opening salvo with a pro-union and pro-women’s rights song that demands ‘pass me a match and we’ll strike it on the ground, and we’ll head back down to Boston town’. The women of Della Mae stand tall and proud as they challenge workers to take control of their lives and hold on to their dignity.

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13  Shelby Lynne  (from the album I Can’t Imagine   5-4-15 on Concord Records) - Shelby Lynne songs sink into your senses with familiarity by the end of the track. “Son of a Gun” slows its pace to save its energy as it ‘walks through the noonday sun’, “Back Door Front Porch” swings with the decisions of its story, and “Better” drifts on clouds of amplifier rings, rising and falling with a delicate grace.    

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14  Emmylou Harris and Rodney Crowell  (from the album The Traveling Kind   5-12-15 on Nonesuch Records) - Emmylou Harris and Rodney Crowell are no strangers to being a part of one another’s story line. The add accent and emotion, Continuing that model on The Traveling Kind. There is a beauty to the intimate moments that feels like a new page for the Harris-Crowell songbook. Rodney joins Emmylou as they offer a toast to fellow troubadours in the title track before circling back to just two folks looking for a dance floor as they exit The Traveling Kind on a ‘le bon temps roulé’ with “Le Danse de la Joie”.

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15  JD McPherson  (from the album Let the Good Times Roll 2-10-15 on Rounder Records) - Reverbed chords rotate over Let the Good Times Roll like the blades of an oscillating fan. JD McPherson is not claiming purist or avant garde status….he is just playing it as it lays. Let the Good Times Roll sets the guitar sound in line with the upright bass and rattles with layered reverb in “Precious”, double times a rubbery chord strum to tumble “Head Over Heels” and blows breath beats out on a groove primed by a low riding saxophone pumps. Let the Good Times Roll lays Rhythm over its Blues for R&B circa 2015.

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16  Barnstar! (from the album Sit Down! Get Up! Get Out!! 2-3-15 on Signature Sounds) - The idea started in the brain of Zachariah Hickman, musical director for Ray Lamontagne and bass player for Josh Ritter. Snagging A-list New England musicians (Mark Erelli on guitar, Charlie Rose on banjo, Jake Armerding on fiddle and Taylor Armerding on mandolin), Zachariah found some songs, plugged in his bass and took his idea through concept and into fruition with Barnstar! A mix of band originals and covers merge seamlessly within Sit Down! Get Up! Get Out!

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17  Christian Lopez Band  (from the album Onward 5-18-15) - Nineteen year old singer and songwriter Christian Lopez scribes his debut, Onward, with a narratives wise beyond his years. Christian’s  bold emotional vocals steer the album confidently as they cruise through singer/songwriter Country.

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18 Amy Black (from the album The Muscle Shoals Sessions 6-9-15) - The Muscle Shoals Sessions changes the way Amy Black hears herself on record as well as her musical directions. Amy knows that ‘making this music has changed me as an artist. It’s altered my musical course and I’m so glad’. Amy Black showcases her new path on The Muscle Shoals Sessions as a good fit as she delivers a blend of Rhythm and Blues, Gospel, and Rock’n’Soul. She reheats Sam Cooke’s “Bring it on Home to Me” as a Soul stew with the McCrary Sisters helping stir.

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19 Asleep at the Wheel   (Still the King: Celebrating the Music of Bob Wills and the Texas Playboys  3-3-15 on Bismeaux Records) - Still the King gathers together artists that span the same four decades in the music world that covers the time of Asleep at the Wheel. Wheel hub Ray Benson passed over the original intent of the album, ‘the idea was to get people who were contemporary artists to play the Bob Wills music the way that we play it, which is close to the original. We don’t resurrect it, we play close to it, with our own inspiration’.  Still the King offers a whopping twenty-two tracks on the album, with the list mirroring the sets of Bob Wills and the Texas Playboys.

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20  Gretchen Peters (from the album Blackbirds  2-10-15) - Blackbirds gathers stories, backing the tales with honest Roots that tip their arrows into a Country touched Folk when a question is shared with Jimmy LaFave on “When You Coming Home” while Folk sticks to its pure singer/songwriter Roots to scribe the plight on “Pretty Things”. Gretchen Peters feathers Blackbirds with emotions that run strong for a desert homecoming as they realize that when ‘“All you Got is a Hammer” everything seems like a nail’ while she damns the realizations that extend beyond today and into forever acknowledging that ‘The Cure for the Pain” is the pain’. 

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21  The Hillbenders  (from the album Tommy: A Bluegrass Opry 6-2-15 on Compass Records) - The Hillbenders bring a new term to musical jargon with their take on ‘whograss’ as they revisit Tommy, A Rock Opera, the 1969 rock opus from The Who that spawned albums, Broadway shows, movies, and albums of covers. The Hillbenders’ Tommy is completely familiar yet different as the band strip Tommy of his ability to hide behind rock bombasts, crescendos and anthemic chords. Tommy, a Bluegrass Opry creates a powerful foundation with its string base, making the story part of the music much like, ya know, bluegrass songs.

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22   Eilen Jewell   (from the album Sundown Over Ghost Town  5-26-15 on Signature Sounds) - ‘Been around this world, just to come back to you," sings Eilen Jewell on "Worried Mind," the first song on the eighth long player of her career, Sundown over Ghost Town. It's an apt opening line for an album about returning home which, for Eilen, means a trip back to Boise, Idaho, the dusty cowboy town of her birth.

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23  Chuck Hawthorne  (from the album Silver Line  4-28-15) - Chuck Hawthorne has way of translating hours and minutes in a day, offering life in real time, showing troubles in a song. Silver Line is a goal, and a title, for the most recent Chuck Hawthorne release. Silver Line introduces characters that their creator inhabits in a way that makes it difficult to suss out which are the tales and how much of the history fits the steps of Chuck Hawthorne as a solider and a troubadour as the pain of the solider that traces back to his time at “Post 2 Gate” while “The Gospel Hammer” joins the corporate workforce as Chuck follows the trail of smoke from addiction climbing higher, fanned by wings with “Dragon Flies”.

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24  Sugarcane Jane   (from the album Dirt Road’s End   4-28-15) - Dirt Road’s End is a duo with friends as the songs catch a ride on a bass bump that navigates down “Heartbreak Road”,  adds guitar jangle sweetness to the already honey-dripping vocals wrapped in “Sugar”, and sees the beauty of the “San Andreas”, sharing the gossip that ‘if god had a home, she’d be living there’. Sugarcane Jane sonically mirror their environment. The songs are not autobiographical though their ties to home and family dig the tracks roots directly into the earth we share under our feet.

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25  Nicki Bluhm and the Gramblers  (from the album Loved Wild Lost   4-21-15) - Loved Wild Lost claims territory in the 70’s Pop sound on “Waiting on Love”, moves into classic Country reverbed riff of “Only Always”, carves a strut in the rock of “Heart Gets Tough”, and swirls a lasso as they rope in “Queen of the Rodeo”. Nicki Bluhm and the Gramblers are a road band, and every note on Loved Wild Lost benefits from the fan response from constant touring. The album is a group effort, and as guitar strings tangle, Nick Bluhm sings for the boys in the band as much for herself as the highway rolls “Me and Slim” into the next Holiday Inn.

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Six months into 2015. Musically, the sound has been coming in with quantity and quality neck and neck in the submission process. We have curated our picks for the Top 50 album of the year….so far. As always, the toughest part of the task was the decision. This list could have easily been 75 artists, and a hundred would not have been a stretch. Images and music are on two pages, breaking the list into Numbers one through twenty-five for Part 1, with number twenty-six through 50 found in Part 2. Half of 2015 is in the rear view mirror but the soundtrack is still playing out the car windows as we roll down the highway.

26 Allison Moorer  (from the album Down to Believing  3-17-15) - Allison Moorer released her ninth album, Down to Believing, in 2015. For the story line, Allison looks to her own life. As the rhythm rattles for “Mama, Let the Wolf In” she stages the reaction experience when she received her son’s autism diagnosis.

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27  Indigo Girls  (from the album One Lost Day  6-2-15) - The production on the Indigo Girls 2015 release, One Lost Day, watched a new hand behind the mixing board with Indigo Girls developing a working relationship with a younger, female perspective when the welcomed multi-instrumentalist Jordan Brooke Hamlin as producer. Darkness gives the album a subtle tone that lets the power of two voices have center stage. Great big balls of rhythm tumble from “Learned It on Me” as the story line suggests that the perfect relationships are the ones that have matching baggage, and “Fishtails” shows red lights trumpeting a warning in the wake of a life where we ‘hug the corners, take the straights, from the cradle to the grave….we all give what we got’.

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28  Otis Taylor  (from the album Hey Joe Red Meat Opus 4-30-15) - Otis Taylor talks about the background muse for his writing of Hey Joe Opus Red Meat, explaining that filter was‘about decisions and their consequences. It’s about how decisions and the actions that result can change our lives, the lives of our families and the lives of people we don’t even know. Sometimes you win in life; sometimes you lose. You want the outcome of your decisions to be good, but sometimes its bad. And that’s when you don’t eat the meat. The meat eats you.’

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29  Dwight Yoakam  (from the album Second Hand Heart 4-14-15) - Rushed guitar strums, proud beats and pops of twang surround Dwight Yoakam as he steps into Second Hand Heart over one ongoing, percolating riff with “In Another World”. Dwight Yoakam writes and records with a honky tonk heart that is always on display. It is impossible to separate the man from the sound he owns. “Man of Constant Sorrow” uses the rhythm and Dwight’s own roots to come together as a bio.

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30  The Westies  (from the album West Side Stories   1-20-15) - West Side Stories circles Roots music with a rock’n’roll band behind the wheel as they follow rhythms through the neighborhoods and lives in NYC.  “Hell’s Kitchen” opens West Side Stories on an New York City street as characters change names and share dreams in the ghosts of the past as they work on decisions….’”Hell’s Kitchen” or heaven’s door’.   

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31  The Lonesome Trio  (from the album The Lonesome Trio  6-16-15) - A knack for song structure separates the Bluegrass of The Lonesome Trio from tradition while the mutual love of craft intuitively adhers an old timey touch and texture to the tunes. The band, Ed Helms (banjo), Ian Riggs (bass), and Jacob Tilove (mandolin), was born twenty-two years ago, with the Trio sticking together through various NYC careers of comedy, architectural history, and continued studies on jazz bass. The Lonesome Trio has benefitted from years of playing together, the songs gaining crucial inner-structure as personal lives allow the musicians to apply humor, tradition, and added musical tones and textures to their self-titled debut.

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32 Beth Hart  (from the album Better Than Home  4-15-15) - Beth Hart found a way to use her music as catharsis for her past with Better Than Home, her most recent release, and in the process has created inspiration in her stories through the salvation beacon in her voice. Beth grabs the collar of “Tell ‘Em to Hold On” with piano notes and typewriter keys as a foundation to build on the power of its arrangement to make sense of our search for saviors

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33  Leo Bud Welch  (from the album I Don’t Prefer No Blues  3-23-15) - Leo Bud Welch established himself as a player with Sabougla Voices, his debut, the album divining Blues riffs that wiggled and sizzled under the tones of Gospel Blues.  I Don’t Prefer No Blues offers up some of its space to the same devotional songs found on his first album with “Pray On”, though the presentation of the track differs due to the way the Blues hits its tracks. Leo Bud Welch offers another side to his Blues on I Don’t Prefer No Blues.

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34  Willie Nelson and Merle Haggard  (from the album Django and Jimmie  6-2-15) - Willie Nelson and Merle Haggard are voices that speak softly but carry a big stick of smart when they discuss the life around us. A gentle twang stirs a breeze for the rhythm in “Live This Long” as the beat catches fire for the poor boy preachin’ of “It’s Only Money”. Django and Jimmie is not handed down as testament on how to live, it is presented as valued opinions on the familiar (“Unfair Weathered Friends”), the wishes (“Somewhere Between”), and the troubadours (“Driving the Herd”).

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35  Whitey Morgan and the 78’s  (from the album Sonic Ranch  5-19-15) - Whitey Morgana and the 78’s are the saints of quick decisions in local watering holes and behind steering wheels looking for a party. Sonic Ranch lets the wind blow down alleys (“Low Down on the Backstreets”) and draws a line of alcohol on the bar, swearing ‘if I go down tonight, I’m going down drinking’ (“Ain't Gonna Take It Anymore”). Whitey Morgan and the 78’s have no apologies for their brand of rock rock’n’roll in “Goin’ Down Rocking”.

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36  The Mulligan Brothers   (from the album Via Portland  1-20-15) - Via Portland takes lessons from The Mulligan Brothers self-titled debut and continues to blend imagery in their stories the band easily offers sound as one fluid motion. Ross Newell curls his voice around the words that build his tales, as he gently lets go (“Run on Ahead”), basks in the glow of an evening sky as the Christmas lights sparkle at journeys end (“Road That Leads Me Home”) and sharpens his pen when talking about how the same blood can take different paths (“Not Always What It Seems”).

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37  Rhiannon Giddens  (from the album Tomorrow is My Turn  2-10-15) - Rhiannon Giddens offers cover versions on Tomorrow is My Turn, her 2015 solo release. Rhiannon bends the Blues around the notes Patsy Cline offered in “She’s Got You”, and shares that “Black is the Color” over a skittery garage beat that trip hops on a natural high as the percussion plows along.

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38  Justin Townes Earle  (from the album Absent Fathers   1-13-15) - The characters that register on Absent Fathers talk about their humanity without defending their decisions, using the voices of all those affected by the results. The album is the 2015 companion to Justin Townes Earle Single Mothers release. Absent Fathers is a puzzle piece that fits into Single Mothers, a companion that fills out the story to create a bigger picture.

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39  Ryan Bingham   (from the album Fear and Saturday Night   1-20-15) - Ryan Bingham is a singer/songwriter….a Southwest singer/songwriter…and has a knack for walking a line in song that never points a finger back at the man behind the guitar. The story version of a wink and a smile have been as much of a character for Ryan’s tales, and many of those souls can be found walking the tracks of Fear and Saturday Night, his 2015 release. There is a more personal tone to some of the songs, maybe it is the Blues coloring that Ryan Bingham gives the album’s tunes, his first on his indie imprint, Axster Bingham Records.

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40  The Lone Bellow  (from the album Then Came the Morning   1-27-15) - There is majesty to the music of The Lone Bellow as it surrounds itself with anthemic swells in the sound: horn bursts, soaring strings, and a choir of harmony surrounding a Soul lead vocal that is breaking free of earthly ties. The group has a trio at its heart, Zach Williams, Brian Elmquist, and Kanene Pipkin, who use The Lone Bellow as a vehicle to fulfill the glory of their voices together. The Lone Bellow choose a solid bass bump as the heartbeat that feeds “Fake Roses”.

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41  Dawes  (from the album All Your Favorite Bands 6-2-15) - Dawes recordeded their California-based debut, North Hills, heading over to Nashville,landing at East Nashville’s Woodland Hills Studios for the current, fourth, album release, All Your Favorite Bands. The recording of All Your Favorite Bands keeps their vintage Laurel Canyon sound of west coast folk country that the band always heard in their music, giving it added expansion with Americana  echoes and southern sways. All Your Favorite Bands was produced by Dave Rawlings, who adds guitars, and brings in added power with the vocals of the mighty McCrary Sisters and Gillian Welch.

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42  Robert Earl Keen  (from the album Happy Prisoner: The Bluegrass Sessions 2-10-15) - Robert Earl Keen gets to check another item off his musical “bucket list” and bluegrass fans get to hear 15 classics, reinterpreted in Keen’s own inimitable style. Taking his cue from Del McCoury, Keen offers an enthusiastic, energetic reading of the Richard Thompson ‘s classic “52 Vincent Black Lightning” then continues the ruckus with a rousing reading of Bill Monroe’s “Footprints In The Snow” (one of the first songs Keen remembers hearing when he turned-on to bluegrass as a kid). (Michael Verity)

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43  The Mavericks  (from the album Mono   2-17-15) - Mono was recorded with few overdubs, Raul Malo’s parts often coming from the tracking vocal recording with no need to go back and re-record.  “The Only Question” enters with confidence, each step taken on solid beats.  Mono gathers tunes under the musical banner that The Mavericks hold aloft, with Raul Malo’s vocal power carefully steering on tracks over light cha-cha rhythms dancing to the sounds of “Summertime (When I’m with You”), skimming over Country Blues with “What am I Supposed to Do”, putting a quarter into the jukebox for the rock’n’roll of “Stories We Could Tell”, and slowly trudge home on hard road miles for “Pardon”.

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44 Gurf Morlix (from the album Eatin’ at Me   2-3-15) - Gurf Morlix sets a story stage best when he is behind the songs, heading up his own album as producer and player, with Eatin’ At Me ,his 2015 release, being the perfect example. While his voice is the center point in the tunes, Gurf still maintains a distance in the narrator role throughout the stories, sending his characters in search of lost love, or at least a good internet connection (“Grab the Wheel”), walks with giant steps off the grid (“Elephant’s Graveyard”) and slowly switches on the light to find the path between past stumbles and future tripping (“Last Call”).

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45  William Elliot Whitmore   (from the album Radium Death   3-31-15) - There are the rare singers and songwriters like William Elliott Whitmore, a poet who has the maturity and self-assuredness to speak of his life and his world with credibility, gusto and veracity. ‘Civilizations,’ is a stomping Folk blues where William Elliot Whitmore becomes a universal citizen, voicing the words who cannot be heard.

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46  Murder by Death  (from the album Big Dark Love   2-3-15) - The conditions of the heart find themselves as a theme in Big Dark Love. Murder by Death tackle topics on the subject that skew outside of Hallmark greeting cards. The combination of strings and synths create colors of black and grey, deep swirling clouds that obscure light without ever dimming to the point of nothingness… thick gauze draped over the shining light of hope.

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47  Girls Guns Glory  (from the album A Tribute to Hank Williams    2-24-15) - It is only fitting that Girls, Guns and Glory chose a New Year’s Eve live setting to tribute Hank Williams. Ward Hayden, lead singer for GGG, recalls that ‘around when I turned 20 and the lyrics started making a whole lot of sense is when it hit me.  If you've never had your heart broken then country music can sound like a bunch of twangy gibberish’, Ward got Hank and with Girls Guns and Glory Presents: A Tribute to Hank Williams, he and the boys get it on with Hank.

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48  The McCrary Sisters   (from the album Let’s Go     3-10-15) - The McCrary Sisters do not lightly share the Let’s Go that they use as an album title and a challenge on their 2015 Buddy Miller-produced album release. The touch that Buddy put on Let’s Go is as subtle as the man himself, yet the results make him an official McSister.  There are moments on Let’s Go that reinvent the way you hear gospel music, and other times when the songs remind of days you missed.

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49  Bettye Lavette   (from the album Worthy  1-27-15) - Bettye Lavette reunites with producer Joe Henry after his work on her 20004 album release, I’ve Got My Own Hell to Raise. The title track on Worthy re-visits a tune from Mary Gauthier andBeth Neilsen-Chapman, spreading Soul out on the track over echoed piano chords, finely tuned guitar chops and heartbeat pound of drums that make sure the song, and the message, make the light of one more day.

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50  Sonny Landreth   (from the album Bound by the Blues  6-9-15) - Guitar superstar Sonny Landreth slides back to his roots with this ten-spot of dirty blues, an equally apportioned mix of his own originals matched with some catalog classics. Sonny Landreth channels two of the greats -- Johnny Winter and Jimi Hendrix -- through the slow grind of ‘Firebird Blues’ (not so coincidentally dedicated to Winter) and the funky shuffle of Elmore’s ‘Dust My Broom.’ (Michael Verity)

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The Top 100 takes a full year to become a proper list. The number one spot changed hands several times in the past twelve months. Our mid-year list took a listen to albums released between January and June. The list seemed like it was running strong yet the releases in the tail end of the year came on strong. For me, Old Crow Medicine Show was number one when I received their July release, Remedy. Nothing against the other players on the 2014 chart, but band for band, Old Crow will always be in the top spot for their musicianship. Shovels and Rope moved into number one when they released Swimmin’ Time, and stayed there until just about the last minute. Sonically, S’n’R certainly delivered the year’s top album for blending the far edges of sound into songs that easily slip into familiarity. At the last moment, Lucinda Williams grabbed #1. Lucinda delivered an album well into a top shelf career that raised the bar for her own back catalog. Down Where the Spirit Meets the Bone is an album that shows dedication by its maker to not be satisfied until the final mixes match her version of rock’n’roll….and then she doubled down with a two disc set.  

Songwriting, stretching limits and honoring tradition in American Roots music was the theme for 2015. Many of the artists on the chart such as Mary Gauthier, Paul Thorn, Rodney Crowell, Janiva Magness and Justin Townes Earle take a seat on the list with each release. The artists take a stand for their own sound as well as firmly planting feet into what they view as their own brand. St. Paul and the Broken Bones gave us a new look at old school Soul, Israel Nash snagged sound textures from early Neil Young solo releases and gave them a wider screen to play on, Steelism were instrumental in displaying music that went for emotions and Chris Smither gave his own songs new sonic life. Nell Robinson collected family correspondence from generations of war, including letters home within her own family, and laid them out in a full album form.

The American Roots community continues to grow in direct relationship to the quality and diversity that its artists are handing over new music for a format where the only requirements are authenticity and  honesty behind the words and music. On the strength of the 2014 releases, life goes on and walks prouder for Classic Country (The Hello Strangers, Moot Davis), Blues Rock (Bob Seger), Funky Soul (Mingo Fishtrap). Rock’n’Soul (The Reigning Sound) and Indie Roots (The Felice Brothers). Pretty much by the magic of music, Hard Working Americans became a band we have known our whole lives. The big names on the chart are here because of the music they released, not because of their name. John Mellencamp, Keb' Mo', Lee Ann Womack and Robert Cray put out albums that threw a curve for what you might expect, which is really what each album release should reflect.

In 2014, artists showed hometown pride while making music that had worldwide appeal; expanding on the community without ever giving up the ghosts sitting in the back row. The Earls of Leicester re-visited the songs of Lester Flatt and Earl Scruggs, The Far West and Calico the band planted flags for California Country while Dave Alvin and Phil Alvin bonded over the music of Big Bill Bronzy. Though not first releases, Parker Milsap, Sturgill Simpson and Shakey Graves put out album that raised their presence. The Evangenitals re-worked the tale of Moby Dick and JP Harris and the Tough Choices took back Country music. Music Road Records gathered together artists such as Shawn Colvin, Paul Thorn, Bonnie Raitt, Ben Harper and Keb’ Mo’ to tribute the songs of Jackson Browne.

The American Roots releases of 2014 listed here could easily be listed as the first one hundred for an pretty amazing year for music. Coming up in 2015, new music is already beginning to appear with defining albums from Jorma Kaukonen and Anne McCue. I really like my job, and I hope you like the numerical list for 2014. This list the artists and albums in numerical order, with links to the Top 100 broken into four parts with images, music and  words for artists.        - Danny McCloskey

1 - Lucinda Williams – Down Where the Spirit Meets the Bone 

2 -John Fullbright – Songs

3 - Shovels and Rope – Swimmin’ Time 

4 - Girls, Guns & Glory – from the album Good Luck

5 - Robert Ellis – The Lights from the Chemical Plant  

6 - Hard Working Americans  -  Hard Working Americans

7 -Hurray for the Riff Raff – Small Town Heroes

8- Mary Gauthier – Trouble and Love   

9 - Mike Farris – Shine on All the People

10 - Joe Louis Walker – Hornet’s Nest  

11 - Paul Thorn – Too Blessed to Be Stressed 

12 - Justin Townes Earle – Single Mothers  

13 - Old Crow Medicine Show – Remedy 

14 -The Howlin’ Brothers – Trouble

15- Seth Walker – Sky Still Blue

16 – The Earls of Leicester- The Earls of Leicester

17 - JP Harris and the Tough Choices – Home is Where the Hurt Is

18 – Dave Alvin and Phil Alvin – Common Ground: Dave Alvin and Phil Alvin Play and Sing the                                              Songs of Big Bill Bronzy

19 – Sturgill Simpson – Metamodern Sounds of Country

20 - Rodney Crowell    - Tarpaper Sky 

21 - Parker Milsap  - Parker Milsap

22 - Janiva Magness – Original

23 – Calico the band – Rancho California

24 -Rosanne Cash   - The River and The Thread

25 -Candi Staton – Life Happens

click for images, music and words on artists # 1 thru #25 of 2014

26 – Steelism – 615 to Fame

27- St. Paul and the Broken Bones – Half the City

28 – John Mellencamp – Plain Spoken

29 – Chuck Mead - Free State Serenade

30 – Israel Nash – Israel Nash’s Rain Plans

31 – Bruce Springsteen - High Hopes 

32 – Frank Solivan and Dirty Kitchen – Cold Spell

33 -Brent Johnson – Set the World on Fire

34 -Jimbo Mathus and the Tri-State Coalition - Dark Night of the Soul

35 -Keb’ Mo’ – Bluesamericana

36 -Leftover Salmon – High Country

37 - Carlene Carter – Carter Girl

38- Will Kimbrough – Sideshow Love

39 - Queen Esther – The Other Side

40 -Lake Street Dive – Bad Self Portraits

41 – John Hiatt – The Terms of My Surrender

42 – Dom Flemons – The American Songster Dom Flemons, Prospect Hill

43 – Nell Robinson – The Rose of No-Man’s Land

44 – The Hello Strangers - The Hello Strangers

45- The Holmes Brothers – Brotherhood 

46- Angela Perley and the Howlin’ Moons   - Hey Kid

47 – Eric Brace & Karl Straub – Hangtown Dancehall

48 – Adam Carroll – Let It Choose You

49 – Bob Seger – Ride Out

50 - Eden Brent – Jigsaw Heart

click for images, music and words on artists # 26 thru #50 of 2014

51 – Doug Seegers – Going Down to the River

52 – The Psycho Sisters – Up on the Chair, Beatrice

53 - The Mastersons -  Good Luck Charm

54 – The Far West – Any Day Now

55 – John Nemeth – Memphis Grease

56 - Amelia White – Old Postcard

57  - Eliza Gilkyson – The Nocturne Diaries

58 - Bobby Rush with Blinddog Smokin’ - Decisions

59 - Lydia Loveless – Somewhere Else

60 – Chris Smither – Still on the Levee

61 – Ruthie Foster – Promise of a Brand New Day

62 – Royal Southern Brotherhood – heartsoulblood 

63 – David Olney – When the Deal Goes Down

64 – Lee Ann Womack – The Way I’m Livin’ 

65 – Ronnie Fauss – Built to Break 

66 – Ellis Paul – Chasing Beauty

67 – The Reigning Sound – Shattered

68 - Jarekus Singleton – Refuse to Lose

69 - Zoe Muth – World of Strangers

70 -Blackie & the Rodeo Kings   South

71 -Carrie Elkin and Danny Schmidt – For Keeps

72– Billy Joe Shaver – Long in the Tooth 

73 - The New Basement Tapes – Lost on the River

74 –Malcolm Holcombe – Pitiful Blues

75 -Robert Cray – In My Soul

click for images, music and words on artists # 51 thru #75 of 2014

76 – The Apache Relay – The Apache Relay

77 - Shakey Graves – And the War Came

78 – Trampled by Turtles – Wild Animals

79 -Moot Davis – Goin’ in Hot

80 - Looking Into You: A Tribute to Jackson Browne

81 - Susan Cattaneo  - Haunted Heart

82 - Drive-By Truckers – English Oceans

83- Jamestown Revival – Utah

84 –The Evangenitals – Moby Dick

85 - Amy Black – This Is Home

86 -Mingo Fishtrap – On Time 

87 – Corb Lund – Counterfeit Blues

88 – Cory Branan – The No-Hit Wonder

89 – The Felice Brothers - Favorite Waitress

90 -Matt Andersen  - Weightless

91 - Peter Mulvey – Silver Ladder

92 – Sarah Borges – Radio Sweetheart

93 –  Patrolled by Radar – Cool Your Jets

94 – Nathan Bell – Blood Like a River

95 – Whiskey Shivers – Whiskey Shivers

96 - Devon Allman – Ragged and Dirty 

97 – Bruce Robison and Kelly Willis –  Our Year

98 – Joe Fletcher – Songs for the Working Man

99 – Pieta Brown – Paradise Outlaw

100 - Chip Taylor – The Little Prayers Trilogy

click for images, music and words on artists # 76 thru #100 of 2014